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Copyright ©2024 Bloomsbury Publishing Inc. All rights reserved. No part of this presentation covered by the copyright hereon may be reproduced or used in any form or by any means–graphic, electronic, or mechanical, including photocopying, recording, taping, or information storage and retrieval systems–without written permission of the publisher.

ISBN: 978-1-5013-8560-5

Sant’Apollinare in Classe

Ravenna, Italy,

535–538 ce.

EARLY CHRISTIAN, BYZANTINE, AND MEDIEVAL FURNITURE

Medieval stool

with integral

handle.

The Throne of Maximian,

c. 540 ce.

Isidore of Miletus and Anthemius of Tralles, Hagia Sophia, Istanbul, Turkey, 532–537 ce.

“During the nine hundred years of the Byzantine Empire that stretched ahead, no structure would surpass the size and grandeur of Hagia Sophia” Robert Nelson (2004).

MAJOR FIGURES

Constantine

Constantius II

Diocletian

Justinian

Theodora

Anthemius of Tralles

Isidoras of Miletus

Maximian

The Scribe Ezra

VOCABULARY

Aisle

Apse

Arcade

Basilica

Clerestory

Cupola

Entablature

Gallery

Illumination

Latin Cross

Monoxylous

Nave

Pendentive

Pier

Sanctuary

Spandrel

Tesserae

transept

THREE MAJOR BYZANTINE CITIES

Ravenna

Venice

Constantinople

apse of a basilica

CONCLUSION

The Early Christian and Byzantine periods

inherited Roman forms and put them to contemporary

use. The artists of these periods developed

vibrant traditions of art, architecture, and the

decorative arts. Not stylistically cohesive, the

works from the time after Rome’s implosion and

before its rebirth in the Renaissance are known

for multiple qualities. The works are secular and

sacred, tender and brash, solemn and dazzling.

It is no doubt that the combination of qualities

resulted in a collection of works that speak to individuals

and appeal to many.

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image2.jpeg

image3.jpeg

image4.jpeg

image5.tif

image6.jpeg

image7.jpg

image8.jpg

Chap_4_28429.pptx

Insert new photo

ISBN: 978-1-5013-8560-5

Sant’Apollinare in Classe

Ravenna, Italy,

535–538 ce.

EARLY CHRISTIAN, BYZANTINE, AND MEDIEVAL FURNITURE

Medieval stool

with integral

handle.

The Throne of Maximian,

c. 540 ce.

Isidore of Miletus and Anthemius of Tralles, Hagia Sophia, Istanbul, Turkey, 532–537 ce.

“During the nine hundred years of the Byzantine Empire that stretched ahead, no structure would surpass the size and grandeur of Hagia Sophia” Robert Nelson (2004).

MAJOR FIGURES

Constantine

Constantius II

Diocletian

Justinian

Theodora

Anthemius of Tralles

Isidoras of Miletus

Maximian

The Scribe Ezra

VOCABULARY

Aisle

Apse

Arcade

Basilica

Clerestory

Cupola

Entablature

Gallery

Illumination

Latin Cross

Monoxylous

Nave

Pendentive

Pier

Sanctuary

Spandrel

Tesserae

transept

THREE MAJOR BYZANTINE CITIES

Ravenna

Venice

Constantinople

apse of a basilica

CONCLUSION

The Early Christian and Byzantine periods

inherited Roman forms and put them to contemporary

use. The artists of these periods developed

vibrant traditions of art, architecture, and the

decorative arts. Not stylistically cohesive, the

works from the time after Rome’s implosion and

before its rebirth in the Renaissance are known

for multiple qualities. The works are secular and

sacred, tender and brash, solemn and dazzling.

It is no doubt that the combination of qualities

resulted in a collection of works that speak to individuals

and appeal to many.

image1.jpeg

image2.jpeg

image3.jpeg

image4.jpeg

image5.tif

image6.jpeg

image7.jpg

image8.jpg

Chap_4_28429.pptx

Insert new photo

ISBN: 978-1-5013-8560-5

Sant’Apollinare in Classe

Ravenna, Italy,

535–538 ce.

EARLY CHRISTIAN, BYZANTINE, AND MEDIEVAL FURNITURE

Medieval stool

with integral

handle.

The Throne of Maximian,

c. 540 ce.

Isidore of Miletus and Anthemius of Tralles, Hagia Sophia, Istanbul, Turkey, 532–537 ce.

“During the nine hundred years of the Byzantine Empire that stretched ahead, no structure would surpass the size and grandeur of Hagia Sophia” Robert Nelson (2004).

MAJOR FIGURES

Constantine

Constantius II

Diocletian

Justinian

Theodora

Anthemius of Tralles

Isidoras of Miletus

Maximian

The Scribe Ezra

VOCABULARY

Aisle

Apse

Arcade

Basilica

Clerestory

Cupola

Entablature

Gallery

Illumination

Latin Cross

Monoxylous

Nave

Pendentive

Pier

Sanctuary

Spandrel

Tesserae

transept

THREE MAJOR BYZANTINE CITIES

Ravenna

Venice

Constantinople

apse of a basilica

CONCLUSION

The Early Christian and Byzantine periods

inherited Roman forms and put them to contemporary

use. The artists of these periods developed

vibrant traditions of art, architecture, and the

decorative arts. Not stylistically cohesive, the

works from the time after Rome’s implosion and

before its rebirth in the Renaissance are known

for multiple qualities. The works are secular and

sacred, tender and brash, solemn and dazzling.

It is no doubt that the combination of qualities

resulted in a collection of works that speak to individuals

and appeal to many.

image1.jpeg

image2.jpeg

image3.jpeg

image4.jpeg

image5.tif

image6.jpeg

image7.jpg

image8.jpg

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