Critical Art History and Modern Art Literature: General
Overview
ARTH 2010 - Modern Art
University of Cincinnati
May 24, 2024
The global modern art introduces to the readers about the artists, art
movements, debates, and theoretic positions that have shaped
contemporary art and the modern era worldwide. It does bring
together critical art history and modern art literature. The history of
modern art has been repositioned and connected with global art
history. Elaine O'Brien is the writer of the Modern Art in Africa, Asia,
and Latin America: An Introduction to Global Modernism. The
author's current research project is to put the art produced between the
1960s and 1970s in the society of that era. The political revolution is
in the global and local context from modern to postmodern. The
position of modern artists is unique and complex. The situation and
strategy politics of each artist throughout his life have also influenced
the global modernism. For example, the avant-garde modernism
mentioned in the article, the avant-garde attitude unites modernist
artists. Most of the artists shown in this article have been accepted as
members of the avant-garde formally invented by art history. Their art
has contemporary and abstract elements, but it may not be accepted by
the public at that time. 'For avant-garde modernism, the new, as in 'the
tradition of the new' and 'the shock of the new', refers to the nearly
endless individual variations of a fusion culture created by artists
consciously engaged in one way or another with The conditions of
modernity that shaped each of their lives differently.' The definition of
the avant-garde, guard, or new avant-garde art in the past and present
may be redefined. As time goes by, artists in the 21st century can
bring people to a better future through attitudes and possibilities.
In 1943, Joaquín Torres García proposed a plan for global modernism
to remap modern art. Then he said: 'I have said School of the South:
because, in fact, our North looks South. For us there must be a North,
expect in opposition to the South... This correction was necessary;
because it we know where we are.' Joaqun Torres-Garcá is a famous
Uruguayan modernist and he has a popular and meaningful illustration
about South America which is called the 'Inverted Map' (or Upside-
down map, 1943). This may be the first such map to appear, so this
illustration has become the core of Latin America's history of efforts
to revitalize the world. Torres-Garcá placed the South Pole on top of
the earth, thereby implying a visual confirmation of the importance of
the African continent and attempting to propose a pure revision of the
world. The map conveys important details, such as the basic direction
of the south, the latitude, and the equator of Montevideo. As stated in
the map, modern art comes from the 'South', and we need to re-
examine to see the world with a new perspective. The Southern Cone
is upside down, and people see the map of South America in a
completely new way. Different visions may provide people with
different ways of thinking, thereby creating new things. The artist
created this map in this spirit, which made him one of the most
symbolic images of Latin American modernism.
In the summer and autumn of 1952, Francis Bacon painted a series of
six small portrait heads. The works I selected this time are also from
this series. I strongly like Bacon's artistic style, which is why I chose
this work for a further research. Head I is the first of the six portraits
included in Bacon's first exhibition in London at Erica Brausen's
Hanover Gallery, 1949. The artist often uses white lines to create a
box or internal frame in the composition, this is the characteristic of
his work. As seen in the picture below (Head I), Bacon restores the
human form to a roaring mouth with fangs. Here I understand it as a
rant about society and life, he is expressing his emotions through these
paintings. The thick sebum produces a texture comparable to rhino
skin, or, as the critic Robert Melville wrote at the time, it has the
'colour of wet, black snakes lightly powdered with dust.' Moreover,
the more valuable work Bacon has is philosophical. He accepted
Aristotle's ideas and advocated the use of empirical and inductive
methods, that is, the scientific method, which is the basis of modern
scientific inquiry. Today, Bacon is still widely regarded as a major
figure in scientific methodology and natural philosophy during the
British Renaissance. He advocated an organized system for acquiring
knowledge with humanitarian goals as his aims. Therefore, he ushered
in the new modern era of human understanding to a large extent, and
they are closely related to O’Brien's idea she mentioned in Global
Modernism.
In 1943, Joaquín Torres García proposed a plan for global modernism
to remap modern art. Then he said: 'I have said School of the South:
because, in fact, our North looks South. For us there must be a North,
expect in opposition to the South... This correction was necessary;
because it we know where we are.' Joaqun Torres-Garcá is a famous
Uruguayan modernist and he has a popular and meaningful illustration
about South America which is called the 'Inverted Map' (or Upside-
down map, 1943). This may be the first such map to appear, so this
illustration has become the core of Latin America's history of efforts
to revitalize the world. Torres-Garcá placed the South Pole on top of
the earth, thereby implying a visual confirmation of the importance of
the African continent and attempting to propose a pure revision of the
world. The map conveys important details, such as the basic direction
of the south, the latitude, and the equator of Montevideo. As stated in
the map, modern art comes from the 'South', and we need to re-
examine to see the world with a new perspective. The Southern Cone
is upside down, and people see the map of South America in a
completely new way. Different visions may provide people with
different ways of thinking, thereby creating new things. The artist
created this map in this spirit, which made him one of the most
symbolic images of Latin American modernism.
In the summer and autumn of 1952, Francis Bacon painted a series of
six small portrait heads. The works I selected this time are also from
this series. I strongly like Bacon's artistic style, which is why I chose
this work for a further research. Head I is the first of the six portraits
included in Bacon's first exhibition in London at Erica Brausen's
Hanover Gallery, 1949. The artist often uses white lines to create a
box or internal frame in the composition, this is the characteristic of
his work. As seen in the picture below (Head I), Bacon restores the
human form to a roaring mouth with fangs. Here I understand it as a
rant about society and life, he is expressing his emotions through these
paintings. The thick sebum produces a texture comparable to rhino
skin, or, as the critic Robert Melville wrote at the time, it has the
'colour of wet, black snakes lightly powdered with dust.' Moreover,
the more valuable work Bacon has is philosophical. He accepted
Aristotle's ideas and advocated the use of empirical and inductive
methods, that is, the scientific method, which is the basis of modern
scientific inquiry. Today, Bacon is still widely regarded as a major
figure in scientific methodology and natural philosophy during the
British Renaissance. He advocated an organized system for acquiring
knowledge with humanitarian goals as his aims. Therefore, he ushered
in the new modern era of human understanding to a large extent, and
they are closely related to O’Brien's idea she mentioned in Global
Modernism.
In 1943, Joaquín Torres García proposed a plan for global modernism
to remap modern art. Then he said: 'I have said School of the South:
because, in fact, our North looks South. For us there must be a North,
expect in opposition to the South... This correction was necessary;
because it we know where we are.' Joaqun Torres-Garcá is a famous
Uruguayan modernist and he has a popular and meaningful illustration
about South America which is called the 'Inverted Map' (or Upside-
down map, 1943). This may be the first such map to appear, so this
illustration has become the core of Latin America's history of efforts
to revitalize the world. Torres-Garcá placed the South Pole on top of
the earth, thereby implying a visual confirmation of the importance of
the African continent and attempting to propose a pure revision of the
world. The map conveys important details, such as the basic direction
of the south, the latitude, and the equator of Montevideo. As stated in
the map, modern art comes from the 'South', and we need to re-
examine to see the world with a new perspective. The Southern Cone
is upside down, and people see the map of South America in a
completely new way. Different visions may provide people with
different ways of thinking, thereby creating new things. The artist
created this map in this spirit, which made him one of the most
symbolic images of Latin American modernism.
In the summer and autumn of 1952, Francis Bacon painted a series of
six small portrait heads. The works I selected this time are also from
this series. I strongly like Bacon's artistic style, which is why I chose
this work for a further research. Head I is the first of the six portraits
included in Bacon's first exhibition in London at Erica Brausen's
Hanover Gallery, 1949. The artist often uses white lines to create a
box or internal frame in the composition, this is the characteristic of
his work. As seen in the picture below (Head I), Bacon restores the
human form to a roaring mouth with fangs. Here I understand it as a
rant about society and life, he is expressing his emotions through these
paintings. The thick sebum produces a texture comparable to rhino
skin, or, as the critic Robert Melville wrote at the time, it has the
'colour of wet, black snakes lightly powdered with dust.' Moreover,
the more valuable work Bacon has is philosophical. He accepted
Aristotle's ideas and advocated the use of empirical and inductive
methods, that is, the scientific method, which is the basis of modern
scientific inquiry. Today, Bacon is still widely regarded as a major
figure in scientific methodology and natural philosophy during the
British Renaissance. He advocated an organized system for acquiring
knowledge with humanitarian goals as his aims. Therefore, he ushered
in the new modern era of human understanding to a large extent, and
they are closely related to O’Brien's idea she mentioned in Global
Modernism.
In 1943, Joaquín Torres García proposed a plan for global modernism
to remap modern art. Then he said: 'I have said School of the South:
because, in fact, our North looks South. For us there must be a North,
expect in opposition to the South... This correction was necessary;
because it we know where we are.' Joaqun Torres-Garcá is a famous
Uruguayan modernist and he has a popular and meaningful illustration
about South America which is called the 'Inverted Map' (or Upside-
down map, 1943). This may be the first such map to appear, so this
illustration has become the core of Latin America's history of efforts
to revitalize the world. Torres-Garcá placed the South Pole on top of
the earth, thereby implying a visual confirmation of the importance of
the African continent and attempting to propose a pure revision of the
world. The map conveys important details, such as the basic direction
of the south, the latitude, and the equator of Montevideo. As stated in
the map, modern art comes from the 'South', and we need to re-
examine to see the world with a new perspective. The Southern Cone
is upside down, and people see the map of South America in a
completely new way. Different visions may provide people with
different ways of thinking, thereby creating new things. The artist
created this map in this spirit, which made him one of the most
symbolic images of Latin American modernism.
In the summer and autumn of 1952, Francis Bacon painted a series of
six small portrait heads. The works I selected this time are also from
this series. I strongly like Bacon's artistic style, which is why I chose
this work for a further research. Head I is the first of the six portraits
included in Bacon's first exhibition in London at Erica Brausen's
Hanover Gallery, 1949. The artist often uses white lines to create a
box or internal frame in the composition, this is the characteristic of
his work. As seen in the picture below (Head I), Bacon restores the
human form to a roaring mouth with fangs. Here I understand it as a
rant about society and life, he is expressing his emotions through these
paintings. The thick sebum produces a texture comparable to rhino
skin, or, as the critic Robert Melville wrote at the time, it has the
'colour of wet, black snakes lightly powdered with dust.' Moreover,
the more valuable work Bacon has is philosophical. He accepted
Aristotle's ideas and advocated the use of empirical and inductive
methods, that is, the scientific method, which is the basis of modern
scientific inquiry. Today, Bacon is still widely regarded as a major
figure in scientific methodology and natural philosophy during the
British Renaissance. He advocated an organized system for acquiring
knowledge with humanitarian goals as his aims. Therefore, he ushered
in the new modern era of human understanding to a large extent, and
they are closely related to O’Brien's idea she mentioned in Global
Modernism.
In 1943, Joaquín Torres García proposed a plan for global modernism
to remap modern art. Then he said: 'I have said School of the South:
because, in fact, our North looks South. For us there must be a North,
expect in opposition to the South... This correction was necessary;
because it we know where we are.' Joaqun Torres-Garcá is a famous
Uruguayan modernist and he has a popular and meaningful illustration
about South America which is called the 'Inverted Map' (or Upside-
down map, 1943). This may be the first such map to appear, so this
illustration has become the core of Latin America's history of efforts
to revitalize the world. Torres-Garcá placed the South Pole on top of
the earth, thereby implying a visual confirmation of the importance of
the African continent and attempting to propose a pure revision of the
world. The map conveys important details, such as the basic direction
of the south, the latitude, and the equator of Montevideo. As stated in
the map, modern art comes from the 'South', and we need to re-
examine to see the world with a new perspective. The Southern Cone
is upside down, and people see the map of South America in a
completely new way. Different visions may provide people with
different ways of thinking, thereby creating new things. The artist
created this map in this spirit, which made him one of the most
symbolic images of Latin American modernism.
In the summer and autumn of 1952, Francis Bacon painted a series of
six small portrait heads. The works I selected this time are also from
this series. I strongly like Bacon's artistic style, which is why I chose
this work for a further research. Head I is the first of the six portraits
included in Bacon's first exhibition in London at Erica Brausen's
Hanover Gallery, 1949. The artist often uses white lines to create a
box or internal frame in the composition, this is the characteristic of
his work. As seen in the picture below (Head I), Bacon restores the
human form to a roaring mouth with fangs. Here I understand it as a
rant about society and life, he is expressing his emotions through these
paintings. The thick sebum produces a texture comparable to rhino
skin, or, as the critic Robert Melville wrote at the time, it has the
'colour of wet, black snakes lightly powdered with dust.' Moreover,
the more valuable work Bacon has is philosophical. He accepted
Aristotle's ideas and advocated the use of empirical and inductive
methods, that is, the scientific method, which is the basis of modern
scientific inquiry. Today, Bacon is still widely regarded as a major
figure in scientific methodology and natural philosophy during the
British Renaissance. He advocated an organized system for acquiring
knowledge with humanitarian goals as his aims. Therefore, he ushered
in the new modern era of human understanding to a large extent, and
they are closely related to O’Brien's idea she mentioned in Global
Modernism.
In 1943, Joaquín Torres García proposed a plan for global modernism
to remap modern art. Then he said: 'I have said School of the South:
because, in fact, our North looks South. For us there must be a North,
expect in opposition to the South... This correction was necessary;
because it we know where we are.' Joaqun Torres-Garcá is a famous
Uruguayan modernist and he has a popular and meaningful illustration
about South America which is called the 'Inverted Map' (or Upside-
down map, 1943). This may be the first such map to appear, so this
illustration has become the core of Latin America's history of efforts
to revitalize the world. Torres-Garcá placed the South Pole on top of
the earth, thereby implying a visual confirmation of the importance of
the African continent and attempting to propose a pure revision of the
world. The map conveys important details, such as the basic direction
of the south, the latitude, and the equator of Montevideo. As stated in
the map, modern art comes from the 'South', and we need to re-
examine to see the world with a new perspective. The Southern Cone
is upside down, and people see the map of South America in a
completely new way. Different visions may provide people with
different ways of thinking, thereby creating new things. The artist
created this map in this spirit, which made him one of the most
symbolic images of Latin American modernism.
In the summer and autumn of 1952, Francis Bacon painted a series of
six small portrait heads. The works I selected this time are also from
this series. I strongly like Bacon's artistic style, which is why I chose
this work for a further research. Head I is the first of the six portraits
included in Bacon's first exhibition in London at Erica Brausen's
Hanover Gallery, 1949. The artist often uses white lines to create a
box or internal frame in the composition, this is the characteristic of
his work. As seen in the picture below (Head I), Bacon restores the
human form to a roaring mouth with fangs. Here I understand it as a
rant about society and life, he is expressing his emotions through these
paintings. The thick sebum produces a texture comparable to rhino
skin, or, as the critic Robert Melville wrote at the time, it has the
'colour of wet, black snakes lightly powdered with dust.' Moreover,
the more valuable work Bacon has is philosophical. He accepted
Aristotle's ideas and advocated the use of empirical and inductive
methods, that is, the scientific method, which is the basis of modern
scientific inquiry. Today, Bacon is still widely regarded as a major
figure in scientific methodology and natural philosophy during the
British Renaissance. He advocated an organized system for acquiring
knowledge with humanitarian goals as his aims. Therefore, he ushered
in the new modern era of human understanding to a large extent, and
they are closely related to O’Brien's idea she mentioned in Global
Modernism.
In 1943, Joaquín Torres García proposed a plan for global modernism
to remap modern art. Then he said: 'I have said School of the South:
because, in fact, our North looks South. For us there must be a North,
expect in opposition to the South... This correction was necessary;
because it we know where we are.' Joaqun Torres-Garcá is a famous
Uruguayan modernist and he has a popular and meaningful illustration
about South America which is called the 'Inverted Map' (or Upside-
down map, 1943). This may be the first such map to appear, so this
illustration has become the core of Latin America's history of efforts
to revitalize the world. Torres-Garcá placed the South Pole on top of
the earth, thereby implying a visual confirmation of the importance of
the African continent and attempting to propose a pure revision of the
world. The map conveys important details, such as the basic direction
of the south, the latitude, and the equator of Montevideo. As stated in
the map, modern art comes from the 'South', and we need to re-
examine to see the world with a new perspective. The Southern Cone
is upside down, and people see the map of South America in a
completely new way. Different visions may provide people with
different ways of thinking, thereby creating new things. The artist
created this map in this spirit, which made him one of the most
symbolic images of Latin American modernism.
In the summer and autumn of 1952, Francis Bacon painted a series of
six small portrait heads. The works I selected this time are also from
this series. I strongly like Bacon's artistic style, which is why I chose
this work for a further research. Head I is the first of the six portraits
included in Bacon's first exhibition in London at Erica Brausen's
Hanover Gallery, 1949. The artist often uses white lines to create a
box or internal frame in the composition, this is the characteristic of
his work. As seen in the picture below (Head I), Bacon restores the
human form to a roaring mouth with fangs. Here I understand it as a
rant about society and life, he is expressing his emotions through these
paintings. The thick sebum produces a texture comparable to rhino
skin, or, as the critic Robert Melville wrote at the time, it has the
'colour of wet, black snakes lightly powdered with dust.' Moreover,
the more valuable work Bacon has is philosophical. He accepted
Aristotle's ideas and advocated the use of empirical and inductive
methods, that is, the scientific method, which is the basis of modern
scientific inquiry. Today, Bacon is still widely regarded as a major
figure in scientific methodology and natural philosophy during the
British Renaissance. He advocated an organized system for acquiring
knowledge with humanitarian goals as his aims. Therefore, he ushered
in the new modern era of human understanding to a large extent, and
they are closely related to O’Brien's idea she mentioned in Global
Modernism.
In 1943, Joaquín Torres García proposed a plan for global modernism
to remap modern art. Then he said: 'I have said School of the South:
because, in fact, our North looks South. For us there must be a North,
expect in opposition to the South... This correction was necessary;
because it we know where we are.' Joaqun Torres-Garcá is a famous
Uruguayan modernist and he has a popular and meaningful illustration
about South America which is called the 'Inverted Map' (or Upside-
down map, 1943). This may be the first such map to appear, so this
illustration has become the core of Latin America's history of efforts
to revitalize the world. Torres-Garcá placed the South Pole on top of
the earth, thereby implying a visual confirmation of the importance of
the African continent and attempting to propose a pure revision of the
world. The map conveys important details, such as the basic direction
of the south, the latitude, and the equator of Montevideo. As stated in
the map, modern art comes from the 'South', and we need to re-
examine to see the world with a new perspective. The Southern Cone
is upside down, and people see the map of South America in a
completely new way. Different visions may provide people with
different ways of thinking, thereby creating new things. The artist
created this map in this spirit, which made him one of the most
symbolic images of Latin American modernism.
In the summer and autumn of 1952, Francis Bacon painted a series of
six small portrait heads. The works I selected this time are also from
this series. I strongly like Bacon's artistic style, which is why I chose
this work for a further research. Head I is the first of the six portraits
included in Bacon's first exhibition in London at Erica Brausen's
Hanover Gallery, 1949. The artist often uses white lines to create a
box or internal frame in the composition, this is the characteristic of
his work. As seen in the picture below (Head I), Bacon restores the
human form to a roaring mouth with fangs. Here I understand it as a
rant about society and life, he is expressing his emotions through these
paintings. The thick sebum produces a texture comparable to rhino
skin, or, as the critic Robert Melville wrote at the time, it has the
'colour of wet, black snakes lightly powdered with dust.' Moreover,
the more valuable work Bacon has is philosophical. He accepted
Aristotle's ideas and advocated the use of empirical and inductive
methods, that is, the scientific method, which is the basis of modern
scientific inquiry. Today, Bacon is still widely regarded as a major
figure in scientific methodology and natural philosophy during the
British Renaissance. He advocated an organized system for acquiring
knowledge with humanitarian goals as his aims. Therefore, he ushered
in the new modern era of human understanding to a large extent, and
they are closely related to O’Brien's idea she mentioned in Global
Modernism.
In 1943, Joaquín Torres García proposed a plan for global modernism
to remap modern art. Then he said: 'I have said School of the South:
because, in fact, our North looks South. For us there must be a North,
expect in opposition to the South... This correction was necessary;
because it we know where we are.' Joaqun Torres-Garcá is a famous
Uruguayan modernist and he has a popular and meaningful illustration
about South America which is called the 'Inverted Map' (or Upside-
down map, 1943). This may be the first such map to appear, so this
illustration has become the core of Latin America's history of efforts
to revitalize the world. Torres-Garcá placed the South Pole on top of
the earth, thereby implying a visual confirmation of the importance of
the African continent and attempting to propose a pure revision of the
world. The map conveys important details, such as the basic direction
of the south, the latitude, and the equator of Montevideo. As stated in
the map, modern art comes from the 'South', and we need to re-
examine to see the world with a new perspective. The Southern Cone
is upside down, and people see the map of South America in a
completely new way. Different visions may provide people with
different ways of thinking, thereby creating new things. The artist
created this map in this spirit, which made him one of the most
symbolic images of Latin American modernism.
In the summer and autumn of 1952, Francis Bacon painted a series of
six small portrait heads. The works I selected this time are also from
this series. I strongly like Bacon's artistic style, which is why I chose
this work for a further research. Head I is the first of the six portraits
included in Bacon's first exhibition in London at Erica Brausen's
Hanover Gallery, 1949. The artist often uses white lines to create a
box or internal frame in the composition, this is the characteristic of
his work. As seen in the picture below (Head I), Bacon restores the
human form to a roaring mouth with fangs. Here I understand it as a
rant about society and life, he is expressing his emotions through these
paintings. The thick sebum produces a texture comparable to rhino
skin, or, as the critic Robert Melville wrote at the time, it has the
'colour of wet, black snakes lightly powdered with dust.' Moreover,
the more valuable work Bacon has is philosophical. He accepted
Aristotle's ideas and advocated the use of empirical and inductive
methods, that is, the scientific method, which is the basis of modern
scientific inquiry. Today, Bacon is still widely regarded as a major
figure in scientific methodology and natural philosophy during the
British Renaissance. He advocated an organized system for acquiring
knowledge with humanitarian goals as his aims. Therefore, he ushered
in the new modern era of human understanding to a large extent, and
they are closely related to O’Brien's idea she mentioned in Global
Modernism.
In 1943, Joaquín Torres García proposed a plan for global modernism
to remap modern art. Then he said: 'I have said School of the South:
because, in fact, our North looks South. For us there must be a North,
expect in opposition to the South... This correction was necessary;
because it we know where we are.' Joaqun Torres-Garcá is a famous
Uruguayan modernist and he has a popular and meaningful illustration
about South America which is called the 'Inverted Map' (or Upside-
down map, 1943). This may be the first such map to appear, so this
illustration has become the core of Latin America's history of efforts
to revitalize the world. Torres-Garcá placed the South Pole on top of
the earth, thereby implying a visual confirmation of the importance of
the African continent and attempting to propose a pure revision of the
world. The map conveys important details, such as the basic direction
of the south, the latitude, and the equator of Montevideo. As stated in
the map, modern art comes from the 'South', and we need to re-
examine to see the world with a new perspective. The Southern Cone
is upside down, and people see the map of South America in a
completely new way. Different visions may provide people with
different ways of thinking, thereby creating new things. The artist
created this map in this spirit, which made him one of the most
symbolic images of Latin American modernism.
In the summer and autumn of 1952, Francis Bacon painted a series of
six small portrait heads. The works I selected this time are also from
this series. I strongly like Bacon's artistic style, which is why I chose
this work for a further research. Head I is the first of the six portraits
included in Bacon's first exhibition in London at Erica Brausen's
Hanover Gallery, 1949. The artist often uses white lines to create a
box or internal frame in the composition, this is the characteristic of
his work. As seen in the picture below (Head I), Bacon restores the
human form to a roaring mouth with fangs. Here I understand it as a
rant about society and life, he is expressing his emotions through these
paintings. The thick sebum produces a texture comparable to rhino
skin, or, as the critic Robert Melville wrote at the time, it has the
'colour of wet, black snakes lightly powdered with dust.' Moreover,
the more valuable work Bacon has is philosophical. He accepted
Aristotle's ideas and advocated the use of empirical and inductive
methods, that is, the scientific method, which is the basis of modern
scientific inquiry. Today, Bacon is still widely regarded as a major
figure in scientific methodology and natural philosophy during the
British Renaissance. He advocated an organized system for acquiring
knowledge with humanitarian goals as his aims. Therefore, he ushered
in the new modern era of human understanding to a large extent, and
they are closely related to O’Brien's idea she mentioned in Global
Modernism.
In 1943, Joaquín Torres García proposed a plan for global modernism
to remap modern art. Then he said: 'I have said School of the South:
because, in fact, our North looks South. For us there must be a North,
expect in opposition to the South... This correction was necessary;
because it we know where we are.' Joaqun Torres-Garcá is a famous
Uruguayan modernist and he has a popular and meaningful illustration
about South America which is called the 'Inverted Map' (or Upside-
down map, 1943). This may be the first such map to appear, so this
illustration has become the core of Latin America's history of efforts
to revitalize the world. Torres-Garcá placed the South Pole on top of
the earth, thereby implying a visual confirmation of the importance of
the African continent and attempting to propose a pure revision of the
world. The map conveys important details, such as the basic direction
of the south, the latitude, and the equator of Montevideo. As stated in
the map, modern art comes from the 'South', and we need to re-
examine to see the world with a new perspective. The Southern Cone
is upside down, and people see the map of South America in a
completely new way. Different visions may provide people with
different ways of thinking, thereby creating new things. The artist
created this map in this spirit, which made him one of the most
symbolic images of Latin American modernism.
In the summer and autumn of 1952, Francis Bacon painted a series of
six small portrait heads. The works I selected this time are also from
this series. I strongly like Bacon's artistic style, which is why I chose
this work for a further research. Head I is the first of the six portraits
included in Bacon's first exhibition in London at Erica Brausen's
Hanover Gallery, 1949. The artist often uses white lines to create a
box or internal frame in the composition, this is the characteristic of
his work. As seen in the picture below (Head I), Bacon restores the
human form to a roaring mouth with fangs. Here I understand it as a
rant about society and life, he is expressing his emotions through these
paintings. The thick sebum produces a texture comparable to rhino
skin, or, as the critic Robert Melville wrote at the time, it has the
'colour of wet, black snakes lightly powdered with dust.' Moreover,
the more valuable work Bacon has is philosophical. He accepted
Aristotle's ideas and advocated the use of empirical and inductive
methods, that is, the scientific method, which is the basis of modern
scientific inquiry. Today, Bacon is still widely regarded as a major
figure in scientific methodology and natural philosophy during the
British Renaissance. He advocated an organized system for acquiring
knowledge with humanitarian goals as his aims. Therefore, he ushered
in the new modern era of human understanding to a large extent, and
they are closely related to O’Brien's idea she mentioned in Global
Modernism.
In 1943, Joaquín Torres García proposed a plan for global modernism
to remap modern art. Then he said: 'I have said School of the South:
because, in fact, our North looks South. For us there must be a North,
expect in opposition to the South... This correction was necessary;
because it we know where we are.' Joaqun Torres-Garcá is a famous
Uruguayan modernist and he has a popular and meaningful illustration
about South America which is called the 'Inverted Map' (or Upside-
down map, 1943). This may be the first such map to appear, so this
illustration has become the core of Latin America's history of efforts
to revitalize the world. Torres-Garcá placed the South Pole on top of
the earth, thereby implying a visual confirmation of the importance of
the African continent and attempting to propose a pure revision of the
world. The map conveys important details, such as the basic direction
of the south, the latitude, and the equator of Montevideo. As stated in
the map, modern art comes from the 'South', and we need to re-
examine to see the world with a new perspective. The Southern Cone
is upside down, and people see the map of South America in a
completely new way. Different visions may provide people with
different ways of thinking, thereby creating new things. The artist
created this map in this spirit, which made him one of the most
symbolic images of Latin American modernism.
In the summer and autumn of 1952, Francis Bacon painted a series of
six small portrait heads. The works I selected this time are also from
this series. I strongly like Bacon's artistic style, which is why I chose
this work for a further research. Head I is the first of the six portraits
included in Bacon's first exhibition in London at Erica Brausen's
Hanover Gallery, 1949. The artist often uses white lines to create a
box or internal frame in the composition, this is the characteristic of
his work. As seen in the picture below (Head I), Bacon restores the
human form to a roaring mouth with fangs. Here I understand it as a
rant about society and life, he is expressing his emotions through these
paintings. The thick sebum produces a texture comparable to rhino
skin, or, as the critic Robert Melville wrote at the time, it has the
'colour of wet, black snakes lightly powdered with dust.' Moreover,
the more valuable work Bacon has is philosophical. He accepted
Aristotle's ideas and advocated the use of empirical and inductive
methods, that is, the scientific method, which is the basis of modern
scientific inquiry. Today, Bacon is still widely regarded as a major
figure in scientific methodology and natural philosophy during the
British Renaissance. He advocated an organized system for acquiring
knowledge with humanitarian goals as his aims. Therefore, he ushered
in the new modern era of human understanding to a large extent, and
they are closely related to O’Brien's idea she mentioned in Global
Modernism.
In 1943, Joaquín Torres García proposed a plan for global modernism
to remap modern art. Then he said: 'I have said School of the South:
because, in fact, our North looks South. For us there must be a North,
expect in opposition to the South... This correction was necessary;
because it we know where we are.' Joaqun Torres-Garcá is a famous
Uruguayan modernist and he has a popular and meaningful illustration
about South America which is called the 'Inverted Map' (or Upside-
down map, 1943). This may be the first such map to appear, so this
illustration has become the core of Latin America's history of efforts
to revitalize the world. Torres-Garcá placed the South Pole on top of
the earth, thereby implying a visual confirmation of the importance of
the African continent and attempting to propose a pure revision of the
world. The map conveys important details, such as the basic direction
of the south, the latitude, and the equator of Montevideo. As stated in
the map, modern art comes from the 'South', and we need to re-
examine to see the world with a new perspective. The Southern Cone
is upside down, and people see the map of South America in a
completely new way. Different visions may provide people with
different ways of thinking, thereby creating new things. The artist
created this map in this spirit, which made him one of the most
symbolic images of Latin American modernism.
In the summer and autumn of 1952, Francis Bacon painted a series of
six small portrait heads. The works I selected this time are also from
this series. I strongly like Bacon's artistic style, which is why I chose
this work for a further research. Head I is the first of the six portraits
included in Bacon's first exhibition in London at Erica Brausen's
Hanover Gallery, 1949. The artist often uses white lines to create a
box or internal frame in the composition, this is the characteristic of
his work. As seen in the picture below (Head I), Bacon restores the
human form to a roaring mouth with fangs. Here I understand it as a
rant about society and life, he is expressing his emotions through these
paintings. The thick sebum produces a texture comparable to rhino
skin, or, as the critic Robert Melville wrote at the time, it has the
'colour of wet, black snakes lightly powdered with dust.' Moreover,
the more valuable work Bacon has is philosophical. He accepted
Aristotle's ideas and advocated the use of empirical and inductive
methods, that is, the scientific method, which is the basis of modern
scientific inquiry. Today, Bacon is still widely regarded as a major
figure in scientific methodology and natural philosophy during the
British Renaissance. He advocated an organized system for acquiring
knowledge with humanitarian goals as his aims. Therefore, he ushered
in the new modern era of human understanding to a large extent, and
they are closely related to O’Brien's idea she mentioned in Global
Modernism.
In 1943, Joaquín Torres García proposed a plan for global modernism
to remap modern art. Then he said: 'I have said School of the South:
because, in fact, our North looks South. For us there must be a North,
expect in opposition to the South... This correction was necessary;
because it we know where we are.' Joaqun Torres-Garcá is a famous
Uruguayan modernist and he has a popular and meaningful illustration
about South America which is called the 'Inverted Map' (or Upside-
down map, 1943). This may be the first such map to appear, so this
illustration has become the core of Latin America's history of efforts
to revitalize the world. Torres-Garcá placed the South Pole on top of
the earth, thereby implying a visual confirmation of the importance of
the African continent and attempting to propose a pure revision of the
world. The map conveys important details, such as the basic direction
of the south, the latitude, and the equator of Montevideo. As stated in
the map, modern art comes from the 'South', and we need to re-
examine to see the world with a new perspective. The Southern Cone
is upside down, and people see the map of South America in a
completely new way. Different visions may provide people with
different ways of thinking, thereby creating new things. The artist
created this map in this spirit, which made him one of the most
symbolic images of Latin American modernism.
In the summer and autumn of 1952, Francis Bacon painted a series of
six small portrait heads. The works I selected this time are also from
this series. I strongly like Bacon's artistic style, which is why I chose
this work for a further research. Head I is the first of the six portraits
included in Bacon's first exhibition in London at Erica Brausen's
Hanover Gallery, 1949. The artist often uses white lines to create a
box or internal frame in the composition, this is the characteristic of
his work. As seen in the picture below (Head I), Bacon restores the
human form to a roaring mouth with fangs. Here I understand it as a
rant about society and life, he is expressing his emotions through these
paintings. The thick sebum produces a texture comparable to rhino
skin, or, as the critic Robert Melville wrote at the time, it has the
'colour of wet, black snakes lightly powdered with dust.' Moreover,
the more valuable work Bacon has is philosophical. He accepted
Aristotle's ideas and advocated the use of empirical and inductive
methods, that is, the scientific method, which is the basis of modern
scientific inquiry. Today, Bacon is still widely regarded as a major
figure in scientific methodology and natural philosophy during the
British Renaissance. He advocated an organized system for acquiring
knowledge with humanitarian goals as his aims. Therefore, he ushered
in the new modern era of human understanding to a large extent, and
they are closely related to O’Brien's idea she mentioned in Global
Modernism.
In 1943, Joaquín Torres García proposed a plan for global modernism
to remap modern art. Then he said: 'I have said School of the South:
because, in fact, our North looks South. For us there must be a North,
expect in opposition to the South... This correction was necessary;
because it we know where we are.' Joaqun Torres-Garcá is a famous
Uruguayan modernist and he has a popular and meaningful illustration
about South America which is called the 'Inverted Map' (or Upside-
down map, 1943). This may be the first such map to appear, so this
illustration has become the core of Latin America's history of efforts
to revitalize the world. Torres-Garcá placed the South Pole on top of
the earth, thereby implying a visual confirmation of the importance of
the African continent and attempting to propose a pure revision of the
world. The map conveys important details, such as the basic direction
of the south, the latitude, and the equator of Montevideo. As stated in
the map, modern art comes from the 'South', and we need to re-
examine to see the world with a new perspective. The Southern Cone
is upside down, and people see the map of South America in a
completely new way. Different visions may provide people with
different ways of thinking, thereby creating new things. The artist
created this map in this spirit, which made him one of the most
symbolic images of Latin American modernism.
In the summer and autumn of 1952, Francis Bacon painted a series of
six small portrait heads. The works I selected this time are also from
this series. I strongly like Bacon's artistic style, which is why I chose
this work for a further research. Head I is the first of the six portraits
included in Bacon's first exhibition in London at Erica Brausen's
Hanover Gallery, 1949. The artist often uses white lines to create a
box or internal frame in the composition, this is the characteristic of
his work. As seen in the picture below (Head I), Bacon restores the
human form to a roaring mouth with fangs. Here I understand it as a
rant about society and life, he is expressing his emotions through these
paintings. The thick sebum produces a texture comparable to rhino
skin, or, as the critic Robert Melville wrote at the time, it has the
'colour of wet, black snakes lightly powdered with dust.' Moreover,
the more valuable work Bacon has is philosophical. He accepted
Aristotle's ideas and advocated the use of empirical and inductive
methods, that is, the scientific method, which is the basis of modern
scientific inquiry. Today, Bacon is still widely regarded as a major
figure in scientific methodology and natural philosophy during the
British Renaissance. He advocated an organized system for acquiring
knowledge with humanitarian goals as his aims. Therefore, he ushered
in the new modern era of human understanding to a large extent, and
they are closely related to O’Brien's idea she mentioned in Global
Modernism.
In 1943, Joaquín Torres García proposed a plan for global modernism
to remap modern art. Then he said: 'I have said School of the South:
because, in fact, our North looks South. For us there must be a North,
expect in opposition to the South... This correction was necessary;
because it we know where we are.' Joaqun Torres-Garcá is a famous
Uruguayan modernist and he has a popular and meaningful illustration
about South America which is called the 'Inverted Map' (or Upside-
down map, 1943). This may be the first such map to appear, so this
illustration has become the core of Latin America's history of efforts
to revitalize the world. Torres-Garcá placed the South Pole on top of
the earth, thereby implying a visual confirmation of the importance of
the African continent and attempting to propose a pure revision of the
world. The map conveys important details, such as the basic direction
of the south, the latitude, and the equator of Montevideo. As stated in
the map, modern art comes from the 'South', and we need to re-
examine to see the world with a new perspective. The Southern Cone
is upside down, and people see the map of South America in a
completely new way. Different visions may provide people with
different ways of thinking, thereby creating new things. The artist
created this map in this spirit, which made him one of the most
symbolic images of Latin American modernism.
In the summer and autumn of 1952, Francis Bacon painted a series of
six small portrait heads. The works I selected this time are also from
this series. I strongly like Bacon's artistic style, which is why I chose
this work for a further research. Head I is the first of the six portraits
included in Bacon's first exhibition in London at Erica Brausen's
Hanover Gallery, 1949. The artist often uses white lines to create a
box or internal frame in the composition, this is the characteristic of
his work. As seen in the picture below (Head I), Bacon restores the
human form to a roaring mouth with fangs. Here I understand it as a
rant about society and life, he is expressing his emotions through these
paintings. The thick sebum produces a texture comparable to rhino
skin, or, as the critic Robert Melville wrote at the time, it has the
'colour of wet, black snakes lightly powdered with dust.' Moreover,
the more valuable work Bacon has is philosophical. He accepted
Aristotle's ideas and advocated the use of empirical and inductive
methods, that is, the scientific method, which is the basis of modern
scientific inquiry. Today, Bacon is still widely regarded as a major
figure in scientific methodology and natural philosophy during the
British Renaissance. He advocated an organized system for acquiring
knowledge with humanitarian goals as his aims. Therefore, he ushered
in the new modern era of human understanding to a large extent, and
they are closely related to O’Brien's idea she mentioned in Global
Modernism.
In 1943, Joaquín Torres García proposed a plan for global modernism
to remap modern art. Then he said: 'I have said School of the South:
because, in fact, our North looks South. For us there must be a North,
expect in opposition to the South... This correction was necessary;
because it we know where we are.' Joaqun Torres-Garcá is a famous
Uruguayan modernist and he has a popular and meaningful illustration
about South America which is called the 'Inverted Map' (or Upside-
down map, 1943). This may be the first such map to appear, so this
illustration has become the core of Latin America's history of efforts
to revitalize the world. Torres-Garcá placed the South Pole on top of
the earth, thereby implying a visual confirmation of the importance of
the African continent and attempting to propose a pure revision of the
world. The map conveys important details, such as the basic direction
of the south, the latitude, and the equator of Montevideo. As stated in
the map, modern art comes from the 'South', and we need to re-
examine to see the world with a new perspective. The Southern Cone
is upside down, and people see the map of South America in a
completely new way. Different visions may provide people with
different ways of thinking, thereby creating new things. The artist
created this map in this spirit, which made him one of the most
symbolic images of Latin American modernism.
In the summer and autumn of 1952, Francis Bacon painted a series of
six small portrait heads. The works I selected this time are also from
this series. I strongly like Bacon's artistic style, which is why I chose
this work for a further research. Head I is the first of the six portraits
included in Bacon's first exhibition in London at Erica Brausen's
Hanover Gallery, 1949. The artist often uses white lines to create a
box or internal frame in the composition, this is the characteristic of
his work. As seen in the picture below (Head I), Bacon restores the
human form to a roaring mouth with fangs. Here I understand it as a
rant about society and life, he is expressing his emotions through these
paintings. The thick sebum produces a texture comparable to rhino
skin, or, as the critic Robert Melville wrote at the time, it has the
'colour of wet, black snakes lightly powdered with dust.' Moreover,
the more valuable work Bacon has is philosophical. He accepted
Aristotle's ideas and advocated the use of empirical and inductive
methods, that is, the scientific method, which is the basis of modern
scientific inquiry. Today, Bacon is still widely regarded as a major
figure in scientific methodology and natural philosophy during the
British Renaissance. He advocated an organized system for acquiring
knowledge with humanitarian goals as his aims. Therefore, he ushered
in the new modern era of human understanding to a large extent, and
they are closely related to O’Brien's idea she mentioned in Global
Modernism.
In 1943, Joaquín Torres García proposed a plan for global modernism
to remap modern art. Then he said: 'I have said School of the South:
because, in fact, our North looks South. For us there must be a North,
expect in opposition to the South... This correction was necessary;
because it we know where we are.' Joaqun Torres-Garcá is a famous
Uruguayan modernist and he has a popular and meaningful illustration
about South America which is called the 'Inverted Map' (or Upside-
down map, 1943). This may be the first such map to appear, so this
illustration has become the core of Latin America's history of efforts
to revitalize the world. Torres-Garcá placed the South Pole on top of
the earth, thereby implying a visual confirmation of the importance of
the African continent and attempting to propose a pure revision of the
world. The map conveys important details, such as the basic direction
of the south, the latitude, and the equator of Montevideo. As stated in
the map, modern art comes from the 'South', and we need to re-
examine to see the world with a new perspective. The Southern Cone
is upside down, and people see the map of South America in a
completely new way. Different visions may provide people with
different ways of thinking, thereby creating new things. The artist
created this map in this spirit, which made him one of the most
symbolic images of Latin American modernism.
In the summer and autumn of 1952, Francis Bacon painted a series of
six small portrait heads. The works I selected this time are also from
this series. I strongly like Bacon's artistic style, which is why I chose
this work for a further research. Head I is the first of the six portraits
included in Bacon's first exhibition in London at Erica Brausen's
Hanover Gallery, 1949. The artist often uses white lines to create a
box or internal frame in the composition, this is the characteristic of
his work. As seen in the picture below (Head I), Bacon restores the
human form to a roaring mouth with fangs. Here I understand it as a
rant about society and life, he is expressing his emotions through these
paintings. The thick sebum produces a texture comparable to rhino
skin, or, as the critic Robert Melville wrote at the time, it has the
'colour of wet, black snakes lightly powdered with dust.' Moreover,
the more valuable work Bacon has is philosophical. He accepted
Aristotle's ideas and advocated the use of empirical and inductive
methods, that is, the scientific method, which is the basis of modern
scientific inquiry. Today, Bacon is still widely regarded as a major
figure in scientific methodology and natural philosophy during the
British Renaissance. He advocated an organized system for acquiring
knowledge with humanitarian goals as his aims. Therefore, he ushered
in the new modern era of human understanding to a large extent, and
they are closely related to O’Brien's idea she mentioned in Global
Modernism.
In 1943, Joaquín Torres García proposed a plan for global modernism
to remap modern art. Then he said: 'I have said School of the South:
because, in fact, our North looks South. For us there must be a North,
expect in opposition to the South... This correction was necessary;
because it we know where we are.' Joaqun Torres-Garcá is a famous
Uruguayan modernist and he has a popular and meaningful illustration
about South America which is called the 'Inverted Map' (or Upside-
down map, 1943). This may be the first such map to appear, so this
illustration has become the core of Latin America's history of efforts
to revitalize the world. Torres-Garcá placed the South Pole on top of
the earth, thereby implying a visual confirmation of the importance of
the African continent and attempting to propose a pure revision of the
world. The map conveys important details, such as the basic direction
of the south, the latitude, and the equator of Montevideo. As stated in
the map, modern art comes from the 'South', and we need to re-
examine to see the world with a new perspective. The Southern Cone
is upside down, and people see the map of South America in a
completely new way. Different visions may provide people with
different ways of thinking, thereby creating new things. The artist
created this map in this spirit, which made him one of the most
symbolic images of Latin American modernism.
In the summer and autumn of 1952, Francis Bacon painted a series of
six small portrait heads. The works I selected this time are also from
this series. I strongly like Bacon's artistic style, which is why I chose
this work for a further research. Head I is the first of the six portraits
included in Bacon's first exhibition in London at Erica Brausen's
Hanover Gallery, 1949. The artist often uses white lines to create a
box or internal frame in the composition, this is the characteristic of
his work. As seen in the picture below (Head I), Bacon restores the
human form to a roaring mouth with fangs. Here I understand it as a
rant about society and life, he is expressing his emotions through these
paintings. The thick sebum produces a texture comparable to rhino
skin, or, as the critic Robert Melville wrote at the time, it has the
'colour of wet, black snakes lightly powdered with dust.' Moreover,
the more valuable work Bacon has is philosophical. He accepted
Aristotle's ideas and advocated the use of empirical and inductive
methods, that is, the scientific method, which is the basis of modern
scientific inquiry. Today, Bacon is still widely regarded as a major
figure in scientific methodology and natural philosophy during the
British Renaissance. He advocated an organized system for acquiring
knowledge with humanitarian goals as his aims. Therefore, he ushered
in the new modern era of human understanding to a large extent, and
they are closely related to O’Brien's idea she mentioned in Global
Modernism.
In 1943, Joaquín Torres García proposed a plan for global modernism
to remap modern art. Then he said: 'I have said School of the South:
because, in fact, our North looks South. For us there must be a North,
expect in opposition to the South... This correction was necessary;
because it we know where we are.' Joaqun Torres-Garcá is a famous
Uruguayan modernist and he has a popular and meaningful illustration
about South America which is called the 'Inverted Map' (or Upside-
down map, 1943). This may be the first such map to appear, so this
illustration has become the core of Latin America's history of efforts
to revitalize the world. Torres-Garcá placed the South Pole on top of
the earth, thereby implying a visual confirmation of the importance of
the African continent and attempting to propose a pure revision of the
world. The map conveys important details, such as the basic direction
of the south, the latitude, and the equator of Montevideo. As stated in
the map, modern art comes from the 'South', and we need to re-
examine to see the world with a new perspective. The Southern Cone
is upside down, and people see the map of South America in a
completely new way. Different visions may provide people with
different ways of thinking, thereby creating new things. The artist
created this map in this spirit, which made him one of the most
symbolic images of Latin American modernism.
In the summer and autumn of 1952, Francis Bacon painted a series of
six small portrait heads. The works I selected this time are also from
this series. I strongly like Bacon's artistic style, which is why I chose
this work for a further research. Head I is the first of the six portraits
included in Bacon's first exhibition in London at Erica Brausen's
Hanover Gallery, 1949. The artist often uses white lines to create a
box or internal frame in the composition, this is the characteristic of
his work. As seen in the picture below (Head I), Bacon restores the
human form to a roaring mouth with fangs. Here I understand it as a
rant about society and life, he is expressing his emotions through these
paintings. The thick sebum produces a texture comparable to rhino
skin, or, as the critic Robert Melville wrote at the time, it has the
'colour of wet, black snakes lightly powdered with dust.' Moreover,
the more valuable work Bacon has is philosophical. He accepted
Aristotle's ideas and advocated the use of empirical and inductive
methods, that is, the scientific method, which is the basis of modern
scientific inquiry. Today, Bacon is still widely regarded as a major
figure in scientific methodology and natural philosophy during the
British Renaissance. He advocated an organized system for acquiring
knowledge with humanitarian goals as his aims. Therefore, he ushered
in the new modern era of human understanding to a large extent, and
they are closely related to O’Brien's idea she mentioned in Global
Modernism.
In 1943, Joaquín Torres García proposed a plan for global modernism
to remap modern art. Then he said: 'I have said School of the South:
because, in fact, our North looks South. For us there must be a North,
expect in opposition to the South... This correction was necessary;
because it we know where we are.' Joaqun Torres-Garcá is a famous
Uruguayan modernist and he has a popular and meaningful illustration
about South America which is called the 'Inverted Map' (or Upside-
down map, 1943). This may be the first such map to appear, so this
illustration has become the core of Latin America's history of efforts
to revitalize the world. Torres-Garcá placed the South Pole on top of
the earth, thereby implying a visual confirmation of the importance of
the African continent and attempting to propose a pure revision of the
world. The map conveys important details, such as the basic direction
of the south, the latitude, and the equator of Montevideo. As stated in
the map, modern art comes from the 'South', and we need to re-
examine to see the world with a new perspective. The Southern Cone
is upside down, and people see the map of South America in a
completely new way. Different visions may provide people with
different ways of thinking, thereby creating new things. The artist
created this map in this spirit, which made him one of the most
symbolic images of Latin American modernism.
In the summer and autumn of 1952, Francis Bacon painted a series of
six small portrait heads. The works I selected this time are also from
this series. I strongly like Bacon's artistic style, which is why I chose
this work for a further research. Head I is the first of the six portraits
included in Bacon's first exhibition in London at Erica Brausen's
Hanover Gallery, 1949. The artist often uses white lines to create a
box or internal frame in the composition, this is the characteristic of
his work. As seen in the picture below (Head I), Bacon restores the
human form to a roaring mouth with fangs. Here I understand it as a
rant about society and life, he is expressing his emotions through these
paintings. The thick sebum produces a texture comparable to rhino
skin, or, as the critic Robert Melville wrote at the time, it has the
'colour of wet, black snakes lightly powdered with dust.' Moreover,
the more valuable work Bacon has is philosophical. He accepted
Aristotle's ideas and advocated the use of empirical and inductive
methods, that is, the scientific method, which is the basis of modern
scientific inquiry. Today, Bacon is still widely regarded as a major
figure in scientific methodology and natural philosophy during the
British Renaissance. He advocated an organized system for acquiring
knowledge with humanitarian goals as his aims. Therefore, he ushered
in the new modern era of human understanding to a large extent, and
they are closely related to O’Brien's idea she mentioned in Global
Modernism.
In 1943, Joaquín Torres García proposed a plan for global modernism
to remap modern art. Then he said: 'I have said School of the South:
because, in fact, our North looks South. For us there must be a North,
expect in opposition to the South... This correction was necessary;
because it we know where we are.' Joaqun Torres-Garcá is a famous
Uruguayan modernist and he has a popular and meaningful illustration
about South America which is called the 'Inverted Map' (or Upside-
down map, 1943). This may be the first such map to appear, so this
illustration has become the core of Latin America's history of efforts
to revitalize the world. Torres-Garcá placed the South Pole on top of
the earth, thereby implying a visual confirmation of the importance of
the African continent and attempting to propose a pure revision of the
world. The map conveys important details, such as the basic direction
of the south, the latitude, and the equator of Montevideo. As stated in
the map, modern art comes from the 'South', and we need to re-
examine to see the world with a new perspective. The Southern Cone
is upside down, and people see the map of South America in a
completely new way. Different visions may provide people with
different ways of thinking, thereby creating new things. The artist
created this map in this spirit, which made him one of the most
symbolic images of Latin American modernism.
In the summer and autumn of 1952, Francis Bacon painted a series of
six small portrait heads. The works I selected this time are also from
this series. I strongly like Bacon's artistic style, which is why I chose
this work for a further research. Head I is the first of the six portraits
included in Bacon's first exhibition in London at Erica Brausen's
Hanover Gallery, 1949. The artist often uses white lines to create a
box or internal frame in the composition, this is the characteristic of
his work. As seen in the picture below (Head I), Bacon restores the
human form to a roaring mouth with fangs. Here I understand it as a
rant about society and life, he is expressing his emotions through these
paintings. The thick sebum produces a texture comparable to rhino
skin, or, as the critic Robert Melville wrote at the time, it has the
'colour of wet, black snakes lightly powdered with dust.' Moreover,
the more valuable work Bacon has is philosophical. He accepted
Aristotle's ideas and advocated the use of empirical and inductive
methods, that is, the scientific method, which is the basis of modern
scientific inquiry. Today, Bacon is still widely regarded as a major
figure in scientific methodology and natural philosophy during the
British Renaissance. He advocated an organized system for acquiring
knowledge with humanitarian goals as his aims. Therefore, he ushered
in the new modern era of human understanding to a large extent, and
they are closely related to O’Brien's idea she mentioned in Global
Modernism.
In 1943, Joaquín Torres García proposed a plan for global modernism
to remap modern art. Then he said: 'I have said School of the South:
because, in fact, our North looks South. For us there must be a North,
expect in opposition to the South... This correction was necessary;
because it we know where we are.' Joaqun Torres-Garcá is a famous
Uruguayan modernist and he has a popular and meaningful illustration
about South America which is called the 'Inverted Map' (or Upside-
down map, 1943). This may be the first such map to appear, so this
illustration has become the core of Latin America's history of efforts
to revitalize the world. Torres-Garcá placed the South Pole on top of
the earth, thereby implying a visual confirmation of the importance of
the African continent and attempting to propose a pure revision of the
world. The map conveys important details, such as the basic direction
of the south, the latitude, and the equator of Montevideo. As stated in
the map, modern art comes from the 'South', and we need to re-
examine to see the world with a new perspective. The Southern Cone
is upside down, and people see the map of South America in a
completely new way. Different visions may provide people with
different ways of thinking, thereby creating new things. The artist
created this map in this spirit, which made him one of the most
symbolic images of Latin American modernism.
In the summer and autumn of 1952, Francis Bacon painted a series of
six small portrait heads. The works I selected this time are also from
this series. I strongly like Bacon's artistic style, which is why I chose
this work for a further research. Head I is the first of the six portraits
included in Bacon's first exhibition in London at Erica Brausen's
Hanover Gallery, 1949. The artist often uses white lines to create a
box or internal frame in the composition, this is the characteristic of
his work. As seen in the picture below (Head I), Bacon restores the
human form to a roaring mouth with fangs. Here I understand it as a
rant about society and life, he is expressing his emotions through these
paintings. The thick sebum produces a texture comparable to rhino
skin, or, as the critic Robert Melville wrote at the time, it has the
'colour of wet, black snakes lightly powdered with dust.' Moreover,
the more valuable work Bacon has is philosophical. He accepted
Aristotle's ideas and advocated the use of empirical and inductive
methods, that is, the scientific method, which is the basis of modern
scientific inquiry. Today, Bacon is still widely regarded as a major
figure in scientific methodology and natural philosophy during the
British Renaissance. He advocated an organized system for acquiring
knowledge with humanitarian goals as his aims. Therefore, he ushered
in the new modern era of human understanding to a large extent, and
they are closely related to O’Brien's idea she mentioned in Global
Modernism.
In 1943, Joaquín Torres García proposed a plan for global modernism
to remap modern art. Then he said: 'I have said School of the South:
because, in fact, our North looks South. For us there must be a North,
expect in opposition to the South... This correction was necessary;
because it we know where we are.' Joaqun Torres-Garcá is a famous
Uruguayan modernist and he has a popular and meaningful illustration
about South America which is called the 'Inverted Map' (or Upside-
down map, 1943). This may be the first such map to appear, so this
illustration has become the core of Latin America's history of efforts
to revitalize the world. Torres-Garcá placed the South Pole on top of
the earth, thereby implying a visual confirmation of the importance of
the African continent and attempting to propose a pure revision of the
world. The map conveys important details, such as the basic direction
of the south, the latitude, and the equator of Montevideo. As stated in
the map, modern art comes from the 'South', and we need to re-
examine to see the world with a new perspective. The Southern Cone
is upside down, and people see the map of South America in a
completely new way. Different visions may provide people with
different ways of thinking, thereby creating new things. The artist
created this map in this spirit, which made him one of the most
symbolic images of Latin American modernism.
In the summer and autumn of 1952, Francis Bacon painted a series of
six small portrait heads. The works I selected this time are also from
this series. I strongly like Bacon's artistic style, which is why I chose
this work for a further research. Head I is the first of the six portraits
included in Bacon's first exhibition in London at Erica Brausen's
Hanover Gallery, 1949. The artist often uses white lines to create a
box or internal frame in the composition, this is the characteristic of
his work. As seen in the picture below (Head I), Bacon restores the
human form to a roaring mouth with fangs. Here I understand it as a
rant about society and life, he is expressing his emotions through these
paintings. The thick sebum produces a texture comparable to rhino
skin, or, as the critic Robert Melville wrote at the time, it has the
'colour of wet, black snakes lightly powdered with dust.' Moreover,
the more valuable work Bacon has is philosophical. He accepted
Aristotle's ideas and advocated the use of empirical and inductive
methods, that is, the scientific method, which is the basis of modern
scientific inquiry. Today, Bacon is still widely regarded as a major
figure in scientific methodology and natural philosophy during the
British Renaissance. He advocated an organized system for acquiring
knowledge with humanitarian goals as his aims. Therefore, he ushered
in the new modern era of human understanding to a large extent, and
they are closely related to O’Brien's idea she mentioned in Global
Modernism.
In 1943, Joaquín Torres García proposed a plan for global modernism
to remap modern art. Then he said: 'I have said School of the South:
because, in fact, our North looks South. For us there must be a North,
expect in opposition to the South... This correction was necessary;
because it we know where we are.' Joaqun Torres-Garcá is a famous
Uruguayan modernist and he has a popular and meaningful illustration
about South America which is called the 'Inverted Map' (or Upside-
down map, 1943). This may be the first such map to appear, so this
illustration has become the core of Latin America's history of efforts
to revitalize the world. Torres-Garcá placed the South Pole on top of
the earth, thereby implying a visual confirmation of the importance of
the African continent and attempting to propose a pure revision of the
world. The map conveys important details, such as the basic direction
of the south, the latitude, and the equator of Montevideo. As stated in
the map, modern art comes from the 'South', and we need to re-
examine to see the world with a new perspective. The Southern Cone
is upside down, and people see the map of South America in a
completely new way. Different visions may provide people with
different ways of thinking, thereby creating new things. The artist
created this map in this spirit, which made him one of the most
symbolic images of Latin American modernism.
In the summer and autumn of 1952, Francis Bacon painted a series of
six small portrait heads. The works I selected this time are also from
this series. I strongly like Bacon's artistic style, which is why I chose
this work for a further research. Head I is the first of the six portraits
included in Bacon's first exhibition in London at Erica Brausen's
Hanover Gallery, 1949. The artist often uses white lines to create a
box or internal frame in the composition, this is the characteristic of
his work. As seen in the picture below (Head I), Bacon restores the
human form to a roaring mouth with fangs. Here I understand it as a
rant about society and life, he is expressing his emotions through these
paintings. The thick sebum produces a texture comparable to rhino
skin, or, as the critic Robert Melville wrote at the time, it has the
'colour of wet, black snakes lightly powdered with dust.' Moreover,
the more valuable work Bacon has is philosophical. He accepted
Aristotle's ideas and advocated the use of empirical and inductive
methods, that is, the scientific method, which is the basis of modern
scientific inquiry. Today, Bacon is still widely regarded as a major
figure in scientific methodology and natural philosophy during the
British Renaissance. He advocated an organized system for acquiring
knowledge with humanitarian goals as his aims. Therefore, he ushered
in the new modern era of human understanding to a large extent, and
they are closely related to O’Brien's idea she mentioned in Global
Modernism.
In 1943, Joaquín Torres García proposed a plan for global modernism
to remap modern art. Then he said: 'I have said School of the South:
because, in fact, our North looks South. For us there must be a North,
expect in opposition to the South... This correction was necessary;
because it we know where we are.' Joaqun Torres-Garcá is a famous
Uruguayan modernist and he has a popular and meaningful illustration
about South America which is called the 'Inverted Map' (or Upside-
down map, 1943). This may be the first such map to appear, so this
illustration has become the core of Latin America's history of efforts
to revitalize the world. Torres-Garcá placed the South Pole on top of
the earth, thereby implying a visual confirmation of the importance of
the African continent and attempting to propose a pure revision of the
world. The map conveys important details, such as the basic direction
of the south, the latitude, and the equator of Montevideo. As stated in
the map, modern art comes from the 'South', and we need to re-
examine to see the world with a new perspective. The Southern Cone
is upside down, and people see the map of South America in a
completely new way. Different visions may provide people with
different ways of thinking, thereby creating new things. The artist
created this map in this spirit, which made him one of the most
symbolic images of Latin American modernism.
In the summer and autumn of 1952, Francis Bacon painted a series of
six small portrait heads. The works I selected this time are also from
this series. I strongly like Bacon's artistic style, which is why I chose
this work for a further research. Head I is the first of the six portraits
included in Bacon's first exhibition in London at Erica Brausen's
Hanover Gallery, 1949. The artist often uses white lines to create a
box or internal frame in the composition, this is the characteristic of
his work. As seen in the picture below (Head I), Bacon restores the
human form to a roaring mouth with fangs. Here I understand it as a
rant about society and life, he is expressing his emotions through these
paintings. The thick sebum produces a texture comparable to rhino
skin, or, as the critic Robert Melville wrote at the time, it has the
'colour of wet, black snakes lightly powdered with dust.' Moreover,
the more valuable work Bacon has is philosophical. He accepted
Aristotle's ideas and advocated the use of empirical and inductive
methods, that is, the scientific method, which is the basis of modern
scientific inquiry. Today, Bacon is still widely regarded as a major
figure in scientific methodology and natural philosophy during the
British Renaissance. He advocated an organized system for acquiring
knowledge with humanitarian goals as his aims. Therefore, he ushered
in the new modern era of human understanding to a large extent, and
they are closely related to O’Brien's idea she mentioned in Global
Modernism.
In 1943, Joaquín Torres García proposed a plan for global modernism
to remap modern art. Then he said: 'I have said School of the South:
because, in fact, our North looks South. For us there must be a North,
expect in opposition to the South... This correction was necessary;
because it we know where we are.' Joaqun Torres-Garcá is a famous
Uruguayan modernist and he has a popular and meaningful illustration
about South America which is called the 'Inverted Map' (or Upside-
down map, 1943). This may be the first such map to appear, so this
illustration has become the core of Latin America's history of efforts
to revitalize the world. Torres-Garcá placed the South Pole on top of
the earth, thereby implying a visual confirmation of the importance of
the African continent and attempting to propose a pure revision of the
world. The map conveys important details, such as the basic direction
of the south, the latitude, and the equator of Montevideo. As stated in
the map, modern art comes from the 'South', and we need to re-
examine to see the world with a new perspective. The Southern Cone
is upside down, and people see the map of South America in a
completely new way. Different visions may provide people with
different ways of thinking, thereby creating new things. The artist
created this map in this spirit, which made him one of the most
symbolic images of Latin American modernism.
In the summer and autumn of 1952, Francis Bacon painted a series of
six small portrait heads. The works I selected this time are also from
this series. I strongly like Bacon's artistic style, which is why I chose
this work for a further research. Head I is the first of the six portraits
included in Bacon's first exhibition in London at Erica Brausen's
Hanover Gallery, 1949. The artist often uses white lines to create a
box or internal frame in the composition, this is the characteristic of
his work. As seen in the picture below (Head I), Bacon restores the
human form to a roaring mouth with fangs. Here I understand it as a
rant about society and life, he is expressing his emotions through these
paintings. The thick sebum produces a texture comparable to rhino
skin, or, as the critic Robert Melville wrote at the time, it has the
'colour of wet, black snakes lightly powdered with dust.' Moreover,
the more valuable work Bacon has is philosophical. He accepted
Aristotle's ideas and advocated the use of empirical and inductive
methods, that is, the scientific method, which is the basis of modern
scientific inquiry. Today, Bacon is still widely regarded as a major
figure in scientific methodology and natural philosophy during the
British Renaissance. He advocated an organized system for acquiring
knowledge with humanitarian goals as his aims. Therefore, he ushered
in the new modern era of human understanding to a large extent, and
they are closely related to O’Brien's idea she mentioned in Global
Modernism.
In 1943, Joaquín Torres García proposed a plan for global modernism
to remap modern art. Then he said: 'I have said School of the South:
because, in fact, our North looks South. For us there must be a North,
expect in opposition to the South... This correction was necessary;
because it we know where we are.' Joaqun Torres-Garcá is a famous
Uruguayan modernist and he has a popular and meaningful illustration
about South America which is called the 'Inverted Map' (or Upside-
down map, 1943). This may be the first such map to appear, so this
illustration has become the core of Latin America's history of efforts
to revitalize the world. Torres-Garcá placed the South Pole on top of
the earth, thereby implying a visual confirmation of the importance of
the African continent and attempting to propose a pure revision of the
world. The map conveys important details, such as the basic direction
of the south, the latitude, and the equator of Montevideo. As stated in
the map, modern art comes from the 'South', and we need to re-
examine to see the world with a new perspective. The Southern Cone
is upside down, and people see the map of South America in a
completely new way. Different visions may provide people with
different ways of thinking, thereby creating new things. The artist
created this map in this spirit, which made him one of the most
symbolic images of Latin American modernism.
In the summer and autumn of 1952, Francis Bacon painted a series of
six small portrait heads. The works I selected this time are also from
this series. I strongly like Bacon's artistic style, which is why I chose
this work for a further research. Head I is the first of the six portraits
included in Bacon's first exhibition in London at Erica Brausen's
Hanover Gallery, 1949. The artist often uses white lines to create a
box or internal frame in the composition, this is the characteristic of
his work. As seen in the picture below (Head I), Bacon restores the
human form to a roaring mouth with fangs. Here I understand it as a
rant about society and life, he is expressing his emotions through these
paintings. The thick sebum produces a texture comparable to rhino
skin, or, as the critic Robert Melville wrote at the time, it has the
'colour of wet, black snakes lightly powdered with dust.' Moreover,
the more valuable work Bacon has is philosophical. He accepted
Aristotle's ideas and advocated the use of empirical and inductive
methods, that is, the scientific method, which is the basis of modern
scientific inquiry. Today, Bacon is still widely regarded as a major
figure in scientific methodology and natural philosophy during the
British Renaissance. He advocated an organized system for acquiring
knowledge with humanitarian goals as his aims. Therefore, he ushered
in the new modern era of human understanding to a large extent, and
they are closely related to O’Brien's idea she mentioned in Global
Modernism.
In 1943, Joaquín Torres García proposed a plan for global modernism
to remap modern art. Then he said: 'I have said School of the South:
because, in fact, our North looks South. For us there must be a North,
expect in opposition to the South... This correction was necessary;
because it we know where we are.' Joaqun Torres-Garcá is a famous
Uruguayan modernist and he has a popular and meaningful illustration
about South America which is called the 'Inverted Map' (or Upside-
down map, 1943). This may be the first such map to appear, so this
illustration has become the core of Latin America's history of efforts
to revitalize the world. Torres-Garcá placed the South Pole on top of
the earth, thereby implying a visual confirmation of the importance of
the African continent and attempting to propose a pure revision of the
world. The map conveys important details, such as the basic direction
of the south, the latitude, and the equator of Montevideo. As stated in
the map, modern art comes from the 'South', and we need to re-
examine to see the world with a new perspective. The Southern Cone
is upside down, and people see the map of South America in a
completely new way. Different visions may provide people with
different ways of thinking, thereby creating new things. The artist
created this map in this spirit, which made him one of the most
symbolic images of Latin American modernism.
In the summer and autumn of 1952, Francis Bacon painted a series of
six small portrait heads. The works I selected this time are also from
this series. I strongly like Bacon's artistic style, which is why I chose
this work for a further research. Head I is the first of the six portraits
included in Bacon's first exhibition in London at Erica Brausen's
Hanover Gallery, 1949. The artist often uses white lines to create a
box or internal frame in the composition, this is the characteristic of
his work. As seen in the picture below (Head I), Bacon restores the
human form to a roaring mouth with fangs. Here I understand it as a
rant about society and life, he is expressing his emotions through these
paintings. The thick sebum produces a texture comparable to rhino
skin, or, as the critic Robert Melville wrote at the time, it has the
'colour of wet, black snakes lightly powdered with dust.' Moreover,
the more valuable work Bacon has is philosophical. He accepted
Aristotle's ideas and advocated the use of empirical and inductive
methods, that is, the scientific method, which is the basis of modern
scientific inquiry. Today, Bacon is still widely regarded as a major
figure in scientific methodology and natural philosophy during the
British Renaissance. He advocated an organized system for acquiring
knowledge with humanitarian goals as his aims. Therefore, he ushered
in the new modern era of human understanding to a large extent, and
they are closely related to O’Brien's idea she mentioned in Global
Modernism.
In 1943, Joaquín Torres García proposed a plan for global modernism
to remap modern art. Then he said: 'I have said School of the South:
because, in fact, our North looks South. For us there must be a North,
expect in opposition to the South... This correction was necessary;
because it we know where we are.' Joaqun Torres-Garcá is a famous
Uruguayan modernist and he has a popular and meaningful illustration
about South America which is called the 'Inverted Map' (or Upside-
down map, 1943). This may be the first such map to appear, so this
illustration has become the core of Latin America's history of efforts
to revitalize the world. Torres-Garcá placed the South Pole on top of
the earth, thereby implying a visual confirmation of the importance of
the African continent and attempting to propose a pure revision of the
world. The map conveys important details, such as the basic direction
of the south, the latitude, and the equator of Montevideo. As stated in
the map, modern art comes from the 'South', and we need to re-
examine to see the world with a new perspective. The Southern Cone
is upside down, and people see the map of South America in a
completely new way. Different visions may provide people with
different ways of thinking, thereby creating new things. The artist
created this map in this spirit, which made him one of the most
symbolic images of Latin American modernism.
In the summer and autumn of 1952, Francis Bacon painted a series of
six small portrait heads. The works I selected this time are also from
this series. I strongly like Bacon's artistic style, which is why I chose
this work for a further research. Head I is the first of the six portraits
included in Bacon's first exhibition in London at Erica Brausen's
Hanover Gallery, 1949. The artist often uses white lines to create a
box or internal frame in the composition, this is the characteristic of
his work. As seen in the picture below (Head I), Bacon restores the
human form to a roaring mouth with fangs. Here I understand it as a
rant about society and life, he is expressing his emotions through these
paintings. The thick sebum produces a texture comparable to rhino
skin, or, as the critic Robert Melville wrote at the time, it has the
'colour of wet, black snakes lightly powdered with dust.' Moreover,
the more valuable work Bacon has is philosophical. He accepted
Aristotle's ideas and advocated the use of empirical and inductive
methods, that is, the scientific method, which is the basis of modern
scientific inquiry. Today, Bacon is still widely regarded as a major
figure in scientific methodology and natural philosophy during the
British Renaissance. He advocated an organized system for acquiring
knowledge with humanitarian goals as his aims. Therefore, he ushered
in the new modern era of human understanding to a large extent, and
they are closely related to O’Brien's idea she mentioned in Global
Modernism.
In 1943, Joaquín Torres García proposed a plan for global modernism
to remap modern art. Then he said: 'I have said School of the South:
because, in fact, our North looks South. For us there must be a North,
expect in opposition to the South... This correction was necessary;
because it we know where we are.' Joaqun Torres-Garcá is a famous
Uruguayan modernist and he has a popular and meaningful illustration
about South America which is called the 'Inverted Map' (or Upside-
down map, 1943). This may be the first such map to appear, so this
illustration has become the core of Latin America's history of efforts
to revitalize the world. Torres-Garcá placed the South Pole on top of
the earth, thereby implying a visual confirmation of the importance of
the African continent and attempting to propose a pure revision of the
world. The map conveys important details, such as the basic direction
of the south, the latitude, and the equator of Montevideo. As stated in
the map, modern art comes from the 'South', and we need to re-
examine to see the world with a new perspective. The Southern Cone
is upside down, and people see the map of South America in a
completely new way. Different visions may provide people with
different ways of thinking, thereby creating new things. The artist
created this map in this spirit, which made him one of the most
symbolic images of Latin American modernism.
In the summer and autumn of 1952, Francis Bacon painted a series of
six small portrait heads. The works I selected this time are also from
this series. I strongly like Bacon's artistic style, which is why I chose
this work for a further research. Head I is the first of the six portraits
included in Bacon's first exhibition in London at Erica Brausen's
Hanover Gallery, 1949. The artist often uses white lines to create a
box or internal frame in the composition, this is the characteristic of
his work. As seen in the picture below (Head I), Bacon restores the
human form to a roaring mouth with fangs. Here I understand it as a
rant about society and life, he is expressing his emotions through these
paintings. The thick sebum produces a texture comparable to rhino
skin, or, as the critic Robert Melville wrote at the time, it has the
'colour of wet, black snakes lightly powdered with dust.' Moreover,
the more valuable work Bacon has is philosophical. He accepted
Aristotle's ideas and advocated the use of empirical and inductive
methods, that is, the scientific method, which is the basis of modern
scientific inquiry. Today, Bacon is still widely regarded as a major
figure in scientific methodology and natural philosophy during the
British Renaissance. He advocated an organized system for acquiring
knowledge with humanitarian goals as his aims. Therefore, he ushered
in the new modern era of human understanding to a large extent, and
they are closely related to O’Brien's idea she mentioned in Global
Modernism.
In 1943, Joaquín Torres García proposed a plan for global modernism
to remap modern art. Then he said: 'I have said School of the South:
because, in fact, our North looks South. For us there must be a North,
expect in opposition to the South... This correction was necessary;
because it we know where we are.' Joaqun Torres-Garcá is a famous
Uruguayan modernist and he has a popular and meaningful illustration
about South America which is called the 'Inverted Map' (or Upside-
down map, 1943). This may be the first such map to appear, so this
illustration has become the core of Latin America's history of efforts
to revitalize the world. Torres-Garcá placed the South Pole on top of
the earth, thereby implying a visual confirmation of the importance of
the African continent and attempting to propose a pure revision of the
world. The map conveys important details, such as the basic direction
of the south, the latitude, and the equator of Montevideo. As stated in
the map, modern art comes from the 'South', and we need to re-
examine to see the world with a new perspective. The Southern Cone
is upside down, and people see the map of South America in a
completely new way. Different visions may provide people with
different ways of thinking, thereby creating new things. The artist
created this map in this spirit, which made him one of the most
symbolic images of Latin American modernism.
In the summer and autumn of 1952, Francis Bacon painted a series of
six small portrait heads. The works I selected this time are also from
this series. I strongly like Bacon's artistic style, which is why I chose
this work for a further research. Head I is the first of the six portraits
included in Bacon's first exhibition in London at Erica Brausen's
Hanover Gallery, 1949. The artist often uses white lines to create a
box or internal frame in the composition, this is the characteristic of
his work. As seen in the picture below (Head I), Bacon restores the
human form to a roaring mouth with fangs. Here I understand it as a
rant about society and life, he is expressing his emotions through these
paintings. The thick sebum produces a texture comparable to rhino
skin, or, as the critic Robert Melville wrote at the time, it has the
'colour of wet, black snakes lightly powdered with dust.' Moreover,
the more valuable work Bacon has is philosophical. He accepted
Aristotle's ideas and advocated the use of empirical and inductive
methods, that is, the scientific method, which is the basis of modern
scientific inquiry. Today, Bacon is still widely regarded as a major
figure in scientific methodology and natural philosophy during the
British Renaissance. He advocated an organized system for acquiring
knowledge with humanitarian goals as his aims. Therefore, he ushered
in the new modern era of human understanding to a large extent, and
they are closely related to O’Brien's idea she mentioned in Global
Modernism.
In 1943, Joaquín Torres García proposed a plan for global modernism
to remap modern art. Then he said: 'I have said School of the South:
because, in fact, our North looks South. For us there must be a North,
expect in opposition to the South... This correction was necessary;
because it we know where we are.' Joaqun Torres-Garcá is a famous
Uruguayan modernist and he has a popular and meaningful illustration
about South America which is called the 'Inverted Map' (or Upside-
down map, 1943). This may be the first such map to appear, so this
illustration has become the core of Latin America's history of efforts
to revitalize the world. Torres-Garcá placed the South Pole on top of
the earth, thereby implying a visual confirmation of the importance of
the African continent and attempting to propose a pure revision of the
world. The map conveys important details, such as the basic direction
of the south, the latitude, and the equator of Montevideo. As stated in
the map, modern art comes from the 'South', and we need to re-
examine to see the world with a new perspective. The Southern Cone
is upside down, and people see the map of South America in a
completely new way. Different visions may provide people with
different ways of thinking, thereby creating new things. The artist
created this map in this spirit, which made him one of the most
symbolic images of Latin American modernism.
In the summer and autumn of 1952, Francis Bacon painted a series of
six small portrait heads. The works I selected this time are also from
this series. I strongly like Bacon's artistic style, which is why I chose
this work for a further research. Head I is the first of the six portraits
included in Bacon's first exhibition in London at Erica Brausen's
Hanover Gallery, 1949. The artist often uses white lines to create a
box or internal frame in the composition, this is the characteristic of
his work. As seen in the picture below (Head I), Bacon restores the
human form to a roaring mouth with fangs. Here I understand it as a
rant about society and life, he is expressing his emotions through these
paintings. The thick sebum produces a texture comparable to rhino
skin, or, as the critic Robert Melville wrote at the time, it has the
'colour of wet, black snakes lightly powdered with dust.' Moreover,
the more valuable work Bacon has is philosophical. He accepted
Aristotle's ideas and advocated the use of empirical and inductive
methods, that is, the scientific method, which is the basis of modern
scientific inquiry. Today, Bacon is still widely regarded as a major
figure in scientific methodology and natural philosophy during the
British Renaissance. He advocated an organized system for acquiring
knowledge with humanitarian goals as his aims. Therefore, he ushered
in the new modern era of human understanding to a large extent, and
they are closely related to O’Brien's idea she mentioned in Global
Modernism.
In 1943, Joaquín Torres García proposed a plan for global modernism
to remap modern art. Then he said: 'I have said School of the South:
because, in fact, our North looks South. For us there must be a North,
expect in opposition to the South... This correction was necessary;
because it we know where we are.' Joaqun Torres-Garcá is a famous
Uruguayan modernist and he has a popular and meaningful illustration
about South America which is called the 'Inverted Map' (or Upside-
down map, 1943). This may be the first such map to appear, so this
illustration has become the core of Latin America's history of efforts
to revitalize the world. Torres-Garcá placed the South Pole on top of
the earth, thereby implying a visual confirmation of the importance of
the African continent and attempting to propose a pure revision of the
world. The map conveys important details, such as the basic direction
of the south, the latitude, and the equator of Montevideo. As stated in
the map, modern art comes from the 'South', and we need to re-
examine to see the world with a new perspective. The Southern Cone
is upside down, and people see the map of South America in a
completely new way. Different visions may provide people with
different ways of thinking, thereby creating new things. The artist
created this map in this spirit, which made him one of the most
symbolic images of Latin American modernism.
In the summer and autumn of 1952, Francis Bacon painted a series of
six small portrait heads. The works I selected this time are also from
this series. I strongly like Bacon's artistic style, which is why I chose
this work for a further research. Head I is the first of the six portraits
included in Bacon's first exhibition in London at Erica Brausen's
Hanover Gallery, 1949. The artist often uses white lines to create a
box or internal frame in the composition, this is the characteristic of
his work. As seen in the picture below (Head I), Bacon restores the
human form to a roaring mouth with fangs. Here I understand it as a
rant about society and life, he is expressing his emotions through these
paintings. The thick sebum produces a texture comparable to rhino
skin, or, as the critic Robert Melville wrote at the time, it has the
'colour of wet, black snakes lightly powdered with dust.' Moreover,
the more valuable work Bacon has is philosophical. He accepted
Aristotle's ideas and advocated the use of empirical and inductive
methods, that is, the scientific method, which is the basis of modern
scientific inquiry. Today, Bacon is still widely regarded as a major
figure in scientific methodology and natural philosophy during the
British Renaissance. He advocated an organized system for acquiring
knowledge with humanitarian goals as his aims. Therefore, he ushered
in the new modern era of human understanding to a large extent, and
they are closely related to O’Brien's idea she mentioned in Global
Modernism.
In 1943, Joaquín Torres García proposed a plan for global modernism
to remap modern art. Then he said: 'I have said School of the South:
because, in fact, our North looks South. For us there must be a North,
expect in opposition to the South... This correction was necessary;
because it we know where we are.' Joaqun Torres-Garcá is a famous
Uruguayan modernist and he has a popular and meaningful illustration
about South America which is called the 'Inverted Map' (or Upside-
down map, 1943). This may be the first such map to appear, so this
illustration has become the core of Latin America's history of efforts
to revitalize the world. Torres-Garcá placed the South Pole on top of
the earth, thereby implying a visual confirmation of the importance of
the African continent and attempting to propose a pure revision of the
world. The map conveys important details, such as the basic direction
of the south, the latitude, and the equator of Montevideo. As stated in
the map, modern art comes from the 'South', and we need to re-
examine to see the world with a new perspective. The Southern Cone
is upside down, and people see the map of South America in a
completely new way. Different visions may provide people with
different ways of thinking, thereby creating new things. The artist
created this map in this spirit, which made him one of the most
symbolic images of Latin American modernism.
In the summer and autumn of 1952, Francis Bacon painted a series of
six small portrait heads. The works I selected this time are also from
this series. I strongly like Bacon's artistic style, which is why I chose
this work for a further research. Head I is the first of the six portraits
included in Bacon's first exhibition in London at Erica Brausen's
Hanover Gallery, 1949. The artist often uses white lines to create a
box or internal frame in the composition, this is the characteristic of
his work. As seen in the picture below (Head I), Bacon restores the
human form to a roaring mouth with fangs. Here I understand it as a
rant about society and life, he is expressing his emotions through these
paintings. The thick sebum produces a texture comparable to rhino
skin, or, as the critic Robert Melville wrote at the time, it has the
'colour of wet, black snakes lightly powdered with dust.' Moreover,
the more valuable work Bacon has is philosophical. He accepted
Aristotle's ideas and advocated the use of empirical and inductive
methods, that is, the scientific method, which is the basis of modern
scientific inquiry. Today, Bacon is still widely regarded as a major
figure in scientific methodology and natural philosophy during the
British Renaissance. He advocated an organized system for acquiring
knowledge with humanitarian goals as his aims. Therefore, he ushered
in the new modern era of human understanding to a large extent, and
they are closely related to O’Brien's idea she mentioned in Global
Modernism.
In 1943, Joaquín Torres García proposed a plan for global modernism
to remap modern art. Then he said: 'I have said School of the South:
because, in fact, our North looks South. For us there must be a North,
expect in opposition to the South... This correction was necessary;
because it we know where we are.' Joaqun Torres-Garcá is a famous
Uruguayan modernist and he has a popular and meaningful illustration
about South America which is called the 'Inverted Map' (or Upside-
down map, 1943). This may be the first such map to appear, so this
illustration has become the core of Latin America's history of efforts
to revitalize the world. Torres-Garcá placed the South Pole on top of
the earth, thereby implying a visual confirmation of the importance of
the African continent and attempting to propose a pure revision of the
world. The map conveys important details, such as the basic direction
of the south, the latitude, and the equator of Montevideo. As stated in
the map, modern art comes from the 'South', and we need to re-
examine to see the world with a new perspective. The Southern Cone
is upside down, and people see the map of South America in a
completely new way. Different visions may provide people with
different ways of thinking, thereby creating new things. The artist
created this map in this spirit, which made him one of the most
symbolic images of Latin American modernism.
In the summer and autumn of 1952, Francis Bacon painted a series of
six small portrait heads. The works I selected this time are also from
this series. I strongly like Bacon's artistic style, which is why I chose
this work for a further research. Head I is the first of the six portraits
included in Bacon's first exhibition in London at Erica Brausen's
Hanover Gallery, 1949. The artist often uses white lines to create a
box or internal frame in the composition, this is the characteristic of
his work. As seen in the picture below (Head I), Bacon restores the
human form to a roaring mouth with fangs. Here I understand it as a
rant about society and life, he is expressing his emotions through these
paintings. The thick sebum produces a texture comparable to rhino
skin, or, as the critic Robert Melville wrote at the time, it has the
'colour of wet, black snakes lightly powdered with dust.' Moreover,
the more valuable work Bacon has is philosophical. He accepted
Aristotle's ideas and advocated the use of empirical and inductive
methods, that is, the scientific method, which is the basis of modern
scientific inquiry. Today, Bacon is still widely regarded as a major
figure in scientific methodology and natural philosophy during the
British Renaissance. He advocated an organized system for acquiring
knowledge with humanitarian goals as his aims. Therefore, he ushered
in the new modern era of human understanding to a large extent, and
they are closely related to O’Brien's idea she mentioned in Global
Modernism.
In 1943, Joaquín Torres García proposed a plan for global modernism
to remap modern art. Then he said: 'I have said School of the South:
because, in fact, our North looks South. For us there must be a North,
expect in opposition to the South... This correction was necessary;
because it we know where we are.' Joaqun Torres-Garcá is a famous
Uruguayan modernist and he has a popular and meaningful illustration
about South America which is called the 'Inverted Map' (or Upside-
down map, 1943). This may be the first such map to appear, so this
illustration has become the core of Latin America's history of efforts
to revitalize the world. Torres-Garcá placed the South Pole on top of
the earth, thereby implying a visual confirmation of the importance of
the African continent and attempting to propose a pure revision of the
world. The map conveys important details, such as the basic direction
of the south, the latitude, and the equator of Montevideo. As stated in
the map, modern art comes from the 'South', and we need to re-
examine to see the world with a new perspective. The Southern Cone
is upside down, and people see the map of South America in a
completely new way. Different visions may provide people with
different ways of thinking, thereby creating new things. The artist
created this map in this spirit, which made him one of the most
symbolic images of Latin American modernism.
In the summer and autumn of 1952, Francis Bacon painted a series of
six small portrait heads. The works I selected this time are also from
this series. I strongly like Bacon's artistic style, which is why I chose
this work for a further research. Head I is the first of the six portraits
included in Bacon's first exhibition in London at Erica Brausen's
Hanover Gallery, 1949. The artist often uses white lines to create a
box or internal frame in the composition, this is the characteristic of
his work. As seen in the picture below (Head I), Bacon restores the
human form to a roaring mouth with fangs. Here I understand it as a
rant about society and life, he is expressing his emotions through these
paintings. The thick sebum produces a texture comparable to rhino
skin, or, as the critic Robert Melville wrote at the time, it has the
'colour of wet, black snakes lightly powdered with dust.' Moreover,
the more valuable work Bacon has is philosophical. He accepted
Aristotle's ideas and advocated the use of empirical and inductive
methods, that is, the scientific method, which is the basis of modern
scientific inquiry. Today, Bacon is still widely regarded as a major
figure in scientific methodology and natural philosophy during the
British Renaissance. He advocated an organized system for acquiring
knowledge with humanitarian goals as his aims. Therefore, he ushered
in the new modern era of human understanding to a large extent, and
they are closely related to O’Brien's idea she mentioned in Global
Modernism.
In 1943, Joaquín Torres García proposed a plan for global modernism
to remap modern art. Then he said: 'I have said School of the South:
because, in fact, our North looks South. For us there must be a North,
expect in opposition to the South... This correction was necessary;
because it we know where we are.' Joaqun Torres-Garcá is a famous
Uruguayan modernist and he has a popular and meaningful illustration
about South America which is called the 'Inverted Map' (or Upside-
down map, 1943). This may be the first such map to appear, so this
illustration has become the core of Latin America's history of efforts
to revitalize the world. Torres-Garcá placed the South Pole on top of
the earth, thereby implying a visual confirmation of the importance of
the African continent and attempting to propose a pure revision of the
world. The map conveys important details, such as the basic direction
of the south, the latitude, and the equator of Montevideo. As stated in
the map, modern art comes from the 'South', and we need to re-
examine to see the world with a new perspective. The Southern Cone
is upside down, and people see the map of South America in a
completely new way. Different visions may provide people with
different ways of thinking, thereby creating new things. The artist
created this map in this spirit, which made him one of the most
symbolic images of Latin American modernism.
In the summer and autumn of 1952, Francis Bacon painted a series of
six small portrait heads. The works I selected this time are also from
this series. I strongly like Bacon's artistic style, which is why I chose
this work for a further research. Head I is the first of the six portraits
included in Bacon's first exhibition in London at Erica Brausen's
Hanover Gallery, 1949. The artist often uses white lines to create a
box or internal frame in the composition, this is the characteristic of
his work. As seen in the picture below (Head I), Bacon restores the
human form to a roaring mouth with fangs. Here I understand it as a
rant about society and life, he is expressing his emotions through these
paintings. The thick sebum produces a texture comparable to rhino
skin, or, as the critic Robert Melville wrote at the time, it has the
'colour of wet, black snakes lightly powdered with dust.' Moreover,
the more valuable work Bacon has is philosophical. He accepted
Aristotle's ideas and advocated the use of empirical and inductive
methods, that is, the scientific method, which is the basis of modern
scientific inquiry. Today, Bacon is still widely regarded as a major
figure in scientific methodology and natural philosophy during the
British Renaissance. He advocated an organized system for acquiring
knowledge with humanitarian goals as his aims. Therefore, he ushered
in the new modern era of human understanding to a large extent, and
they are closely related to O’Brien's idea she mentioned in Global
Modernism.
In 1943, Joaquín Torres García proposed a plan for global modernism
to remap modern art. Then he said: 'I have said School of the South:
because, in fact, our North looks South. For us there must be a North,
expect in opposition to the South... This correction was necessary;
because it we know where we are.' Joaqun Torres-Garcá is a famous
Uruguayan modernist and he has a popular and meaningful illustration
about South America which is called the 'Inverted Map' (or Upside-
down map, 1943). This may be the first such map to appear, so this
illustration has become the core of Latin America's history of efforts
to revitalize the world. Torres-Garcá placed the South Pole on top of
the earth, thereby implying a visual confirmation of the importance of
the African continent and attempting to propose a pure revision of the
world. The map conveys important details, such as the basic direction
of the south, the latitude, and the equator of Montevideo. As stated in
the map, modern art comes from the 'South', and we need to re-
examine to see the world with a new perspective. The Southern Cone
is upside down, and people see the map of South America in a
completely new way. Different visions may provide people with
different ways of thinking, thereby creating new things. The artist
created this map in this spirit, which made him one of the most
symbolic images of Latin American modernism.
In the summer and autumn of 1952, Francis Bacon painted a series of
six small portrait heads. The works I selected this time are also from
this series. I strongly like Bacon's artistic style, which is why I chose
this work for a further research. Head I is the first of the six portraits
included in Bacon's first exhibition in London at Erica Brausen's
Hanover Gallery, 1949. The artist often uses white lines to create a
box or internal frame in the composition, this is the characteristic of
his work. As seen in the picture below (Head I), Bacon restores the
human form to a roaring mouth with fangs. Here I understand it as a
rant about society and life, he is expressing his emotions through these
paintings. The thick sebum produces a texture comparable to rhino
skin, or, as the critic Robert Melville wrote at the time, it has the
'colour of wet, black snakes lightly powdered with dust.' Moreover,
the more valuable work Bacon has is philosophical. He accepted
Aristotle's ideas and advocated the use of empirical and inductive
methods, that is, the scientific method, which is the basis of modern
scientific inquiry. Today, Bacon is still widely regarded as a major
figure in scientific methodology and natural philosophy during the
British Renaissance. He advocated an organized system for acquiring
knowledge with humanitarian goals as his aims. Therefore, he ushered
in the new modern era of human understanding to a large extent, and
they are closely related to O’Brien's idea she mentioned in Global
Modernism.
In 1943, Joaquín Torres García proposed a plan for global modernism
to remap modern art. Then he said: 'I have said School of the South:
because, in fact, our North looks South. For us there must be a North,
expect in opposition to the South... This correction was necessary;
because it we know where we are.' Joaqun Torres-Garcá is a famous
Uruguayan modernist and he has a popular and meaningful illustration
about South America which is called the 'Inverted Map' (or Upside-
down map, 1943). This may be the first such map to appear, so this
illustration has become the core of Latin America's history of efforts
to revitalize the world. Torres-Garcá placed the South Pole on top of
the earth, thereby implying a visual confirmation of the importance of
the African continent and attempting to propose a pure revision of the
world. The map conveys important details, such as the basic direction
of the south, the latitude, and the equator of Montevideo. As stated in
the map, modern art comes from the 'South', and we need to re-
examine to see the world with a new perspective. The Southern Cone
is upside down, and people see the map of South America in a
completely new way. Different visions may provide people with
different ways of thinking, thereby creating new things. The artist
created this map in this spirit, which made him one of the most
symbolic images of Latin American modernism.
In the summer and autumn of 1952, Francis Bacon painted a series of
six small portrait heads. The works I selected this time are also from
this series. I strongly like Bacon's artistic style, which is why I chose
this work for a further research. Head I is the first of the six portraits
included in Bacon's first exhibition in London at Erica Brausen's
Hanover Gallery, 1949. The artist often uses white lines to create a
box or internal frame in the composition, this is the characteristic of
his work. As seen in the picture below (Head I), Bacon restores the
human form to a roaring mouth with fangs. Here I understand it as a
rant about society and life, he is expressing his emotions through these
paintings. The thick sebum produces a texture comparable to rhino
skin, or, as the critic Robert Melville wrote at the time, it has the
'colour of wet, black snakes lightly powdered with dust.' Moreover,
the more valuable work Bacon has is philosophical. He accepted
Aristotle's ideas and advocated the use of empirical and inductive
methods, that is, the scientific method, which is the basis of modern
scientific inquiry. Today, Bacon is still widely regarded as a major
figure in scientific methodology and natural philosophy during the
British Renaissance. He advocated an organized system for acquiring
knowledge with humanitarian goals as his aims. Therefore, he ushered
in the new modern era of human understanding to a large extent, and
they are closely related to O’Brien's idea she mentioned in Global
Modernism.
In 1943, Joaquín Torres García proposed a plan for global modernism
to remap modern art. Then he said: 'I have said School of the South:
because, in fact, our North looks South. For us there must be a North,
expect in opposition to the South... This correction was necessary;
because it we know where we are.' Joaqun Torres-Garcá is a famous
Uruguayan modernist and he has a popular and meaningful illustration
about South America which is called the 'Inverted Map' (or Upside-
down map, 1943). This may be the first such map to appear, so this
illustration has become the core of Latin America's history of efforts
to revitalize the world. Torres-Garcá placed the South Pole on top of
the earth, thereby implying a visual confirmation of the importance of
the African continent and attempting to propose a pure revision of the
world. The map conveys important details, such as the basic direction
of the south, the latitude, and the equator of Montevideo. As stated in
the map, modern art comes from the 'South', and we need to re-
examine to see the world with a new perspective. The Southern Cone
is upside down, and people see the map of South America in a
completely new way. Different visions may provide people with
different ways of thinking, thereby creating new things. The artist
created this map in this spirit, which made him one of the most
symbolic images of Latin American modernism.
In the summer and autumn of 1952, Francis Bacon painted a series of
six small portrait heads. The works I selected this time are also from
this series. I strongly like Bacon's artistic style, which is why I chose
this work for a further research. Head I is the first of the six portraits
included in Bacon's first exhibition in London at Erica Brausen's
Hanover Gallery, 1949. The artist often uses white lines to create a
box or internal frame in the composition, this is the characteristic of
his work. As seen in the picture below (Head I), Bacon restores the
human form to a roaring mouth with fangs. Here I understand it as a
rant about society and life, he is expressing his emotions through these
paintings. The thick sebum produces a texture comparable to rhino
skin, or, as the critic Robert Melville wrote at the time, it has the
'colour of wet, black snakes lightly powdered with dust.' Moreover,
the more valuable work Bacon has is philosophical. He accepted
Aristotle's ideas and advocated the use of empirical and inductive
methods, that is, the scientific method, which is the basis of modern
scientific inquiry. Today, Bacon is still widely regarded as a major
figure in scientific methodology and natural philosophy during the
British Renaissance. He advocated an organized system for acquiring
knowledge with humanitarian goals as his aims. Therefore, he ushered
in the new modern era of human understanding to a large extent, and
they are closely related to O’Brien's idea she mentioned in Global
Modernism.
In 1943, Joaquín Torres García proposed a plan for global modernism
to remap modern art. Then he said: 'I have said School of the South:
because, in fact, our North looks South. For us there must be a North,
expect in opposition to the South... This correction was necessary;
because it we know where we are.' Joaqun Torres-Garcá is a famous
Uruguayan modernist and he has a popular and meaningful illustration
about South America which is called the 'Inverted Map' (or Upside-
down map, 1943). This may be the first such map to appear, so this
illustration has become the core of Latin America's history of efforts
to revitalize the world. Torres-Garcá placed the South Pole on top of
the earth, thereby implying a visual confirmation of the importance of
the African continent and attempting to propose a pure revision of the
world. The map conveys important details, such as the basic direction
of the south, the latitude, and the equator of Montevideo. As stated in
the map, modern art comes from the 'South', and we need to re-
examine to see the world with a new perspective. The Southern Cone
is upside down, and people see the map of South America in a
completely new way. Different visions may provide people with
different ways of thinking, thereby creating new things. The artist
created this map in this spirit, which made him one of the most
symbolic images of Latin American modernism.
In the summer and autumn of 1952, Francis Bacon painted a series of
six small portrait heads. The works I selected this time are also from
this series. I strongly like Bacon's artistic style, which is why I chose
this work for a further research. Head I is the first of the six portraits
included in Bacon's first exhibition in London at Erica Brausen's
Hanover Gallery, 1949. The artist often uses white lines to create a
box or internal frame in the composition, this is the characteristic of
his work. As seen in the picture below (Head I), Bacon restores the
human form to a roaring mouth with fangs. Here I understand it as a
rant about society and life, he is expressing his emotions through these
paintings. The thick sebum produces a texture comparable to rhino
skin, or, as the critic Robert Melville wrote at the time, it has the
'colour of wet, black snakes lightly powdered with dust.' Moreover,
the more valuable work Bacon has is philosophical. He accepted
Aristotle's ideas and advocated the use of empirical and inductive
methods, that is, the scientific method, which is the basis of modern
scientific inquiry. Today, Bacon is still widely regarded as a major
figure in scientific methodology and natural philosophy during the
British Renaissance. He advocated an organized system for acquiring
knowledge with humanitarian goals as his aims. Therefore, he ushered
in the new modern era of human understanding to a large extent, and
they are closely related to O’Brien's idea she mentioned in Global
Modernism.
In 1943, Joaquín Torres García proposed a plan for global modernism
to remap modern art. Then he said: 'I have said School of the South:
because, in fact, our North looks South. For us there must be a North,
expect in opposition to the South... This correction was necessary;
because it we know where we are.' Joaqun Torres-Garcá is a famous
Uruguayan modernist and he has a popular and meaningful illustration
about South America which is called the 'Inverted Map' (or Upside-
down map, 1943). This may be the first such map to appear, so this
illustration has become the core of Latin America's history of efforts
to revitalize the world. Torres-Garcá placed the South Pole on top of
the earth, thereby implying a visual confirmation of the importance of
the African continent and attempting to propose a pure revision of the
world. The map conveys important details, such as the basic direction
of the south, the latitude, and the equator of Montevideo. As stated in
the map, modern art comes from the 'South', and we need to re-
examine to see the world with a new perspective. The Southern Cone
is upside down, and people see the map of South America in a
completely new way. Different visions may provide people with
different ways of thinking, thereby creating new things. The artist
created this map in this spirit, which made him one of the most
symbolic images of Latin American modernism.
In the summer and autumn of 1952, Francis Bacon painted a series of
six small portrait heads. The works I selected this time are also from
this series. I strongly like Bacon's artistic style, which is why I chose
this work for a further research. Head I is the first of the six portraits
included in Bacon's first exhibition in London at Erica Brausen's
Hanover Gallery, 1949. The artist often uses white lines to create a
box or internal frame in the composition, this is the characteristic of
his work. As seen in the picture below (Head I), Bacon restores the
human form to a roaring mouth with fangs. Here I understand it as a
rant about society and life, he is expressing his emotions through these
paintings. The thick sebum produces a texture comparable to rhino
skin, or, as the critic Robert Melville wrote at the time, it has the
'colour of wet, black snakes lightly powdered with dust.' Moreover,
the more valuable work Bacon has is philosophical. He accepted
Aristotle's ideas and advocated the use of empirical and inductive
methods, that is, the scientific method, which is the basis of modern
scientific inquiry. Today, Bacon is still widely regarded as a major
figure in scientific methodology and natural philosophy during the
British Renaissance. He advocated an organized system for acquiring
knowledge with humanitarian goals as his aims. Therefore, he ushered
in the new modern era of human understanding to a large extent, and
they are closely related to O’Brien's idea she mentioned in Global
Modernism.
In 1943, Joaquín Torres García proposed a plan for global modernism
to remap modern art. Then he said: 'I have said School of the South:
because, in fact, our North looks South. For us there must be a North,
expect in opposition to the South... This correction was necessary;
because it we know where we are.' Joaqun Torres-Garcá is a famous
Uruguayan modernist and he has a popular and meaningful illustration
about South America which is called the 'Inverted Map' (or Upside-
down map, 1943). This may be the first such map to appear, so this
illustration has become the core of Latin America's history of efforts
to revitalize the world. Torres-Garcá placed the South Pole on top of
the earth, thereby implying a visual confirmation of the importance of
the African continent and attempting to propose a pure revision of the
world. The map conveys important details, such as the basic direction
of the south, the latitude, and the equator of Montevideo. As stated in
the map, modern art comes from the 'South', and we need to re-
examine to see the world with a new perspective. The Southern Cone
is upside down, and people see the map of South America in a
completely new way. Different visions may provide people with
different ways of thinking, thereby creating new things. The artist
created this map in this spirit, which made him one of the most
symbolic images of Latin American modernism.
In the summer and autumn of 1952, Francis Bacon painted a series of
six small portrait heads. The works I selected this time are also from
this series. I strongly like Bacon's artistic style, which is why I chose
this work for a further research. Head I is the first of the six portraits
included in Bacon's first exhibition in London at Erica Brausen's
Hanover Gallery, 1949. The artist often uses white lines to create a
box or internal frame in the composition, this is the characteristic of
his work. As seen in the picture below (Head I), Bacon restores the
human form to a roaring mouth with fangs. Here I understand it as a
rant about society and life, he is expressing his emotions through these
paintings. The thick sebum produces a texture comparable to rhino
skin, or, as the critic Robert Melville wrote at the time, it has the
'colour of wet, black snakes lightly powdered with dust.' Moreover,
the more valuable work Bacon has is philosophical. He accepted
Aristotle's ideas and advocated the use of empirical and inductive
methods, that is, the scientific method, which is the basis of modern
scientific inquiry. Today, Bacon is still widely regarded as a major
figure in scientific methodology and natural philosophy during the
British Renaissance. He advocated an organized system for acquiring
knowledge with humanitarian goals as his aims. Therefore, he ushered
in the new modern era of human understanding to a large extent, and
they are closely related to O’Brien's idea she mentioned in Global
Modernism.
In 1943, Joaquín Torres García proposed a plan for global modernism
to remap modern art. Then he said: 'I have said School of the South:
because, in fact, our North looks South. For us there must be a North,
expect in opposition to the South... This correction was necessary;
because it we know where we are.' Joaqun Torres-Garcá is a famous
Uruguayan modernist and he has a popular and meaningful illustration
about South America which is called the 'Inverted Map' (or Upside-
down map, 1943). This may be the first such map to appear, so this
illustration has become the core of Latin America's history of efforts
to revitalize the world. Torres-Garcá placed the South Pole on top of
the earth, thereby implying a visual confirmation of the importance of
the African continent and attempting to propose a pure revision of the
world. The map conveys important details, such as the basic direction
of the south, the latitude, and the equator of Montevideo. As stated in
the map, modern art comes from the 'South', and we need to re-
examine to see the world with a new perspective. The Southern Cone
is upside down, and people see the map of South America in a
completely new way. Different visions may provide people with
different ways of thinking, thereby creating new things. The artist
created this map in this spirit, which made him one of the most
symbolic images of Latin American modernism.
In the summer and autumn of 1952, Francis Bacon painted a series of
six small portrait heads. The works I selected this time are also from
this series. I strongly like Bacon's artistic style, which is why I chose
this work for a further research. Head I is the first of the six portraits
included in Bacon's first exhibition in London at Erica Brausen's
Hanover Gallery, 1949. The artist often uses white lines to create a
box or internal frame in the composition, this is the characteristic of
his work. As seen in the picture below (Head I), Bacon restores the
human form to a roaring mouth with fangs. Here I understand it as a
rant about society and life, he is expressing his emotions through these
paintings. The thick sebum produces a texture comparable to rhino
skin, or, as the critic Robert Melville wrote at the time, it has the
'colour of wet, black snakes lightly powdered with dust.' Moreover,
the more valuable work Bacon has is philosophical. He accepted
Aristotle's ideas and advocated the use of empirical and inductive
methods, that is, the scientific method, which is the basis of modern
scientific inquiry. Today, Bacon is still widely regarded as a major
figure in scientific methodology and natural philosophy during the
British Renaissance. He advocated an organized system for acquiring
knowledge with humanitarian goals as his aims. Therefore, he ushered
in the new modern era of human understanding to a large extent, and
they are closely related to O’Brien's idea she mentioned in Global
Modernism.
In 1943, Joaquín Torres García proposed a plan for global modernism
to remap modern art. Then he said: 'I have said School of the South:
because, in fact, our North looks South. For us there must be a North,
expect in opposition to the South... This correction was necessary;
because it we know where we are.' Joaqun Torres-Garcá is a famous
Uruguayan modernist and he has a popular and meaningful illustration
about South America which is called the 'Inverted Map' (or Upside-
down map, 1943). This may be the first such map to appear, so this
illustration has become the core of Latin America's history of efforts
to revitalize the world. Torres-Garcá placed the South Pole on top of
the earth, thereby implying a visual confirmation of the importance of
the African continent and attempting to propose a pure revision of the
world. The map conveys important details, such as the basic direction
of the south, the latitude, and the equator of Montevideo. As stated in
the map, modern art comes from the 'South', and we need to re-
examine to see the world with a new perspective. The Southern Cone
is upside down, and people see the map of South America in a
completely new way. Different visions may provide people with
different ways of thinking, thereby creating new things. The artist
created this map in this spirit, which made him one of the most
symbolic images of Latin American modernism.
In the summer and autumn of 1952, Francis Bacon painted a series of
six small portrait heads. The works I selected this time are also from
this series. I strongly like Bacon's artistic style, which is why I chose
this work for a further research. Head I is the first of the six portraits
included in Bacon's first exhibition in London at Erica Brausen's
Hanover Gallery, 1949. The artist often uses white lines to create a
box or internal frame in the composition, this is the characteristic of
his work. As seen in the picture below (Head I), Bacon restores the
human form to a roaring mouth with fangs. Here I understand it as a
rant about society and life, he is expressing his emotions through these
paintings. The thick sebum produces a texture comparable to rhino
skin, or, as the critic Robert Melville wrote at the time, it has the
'colour of wet, black snakes lightly powdered with dust.' Moreover,
the more valuable work Bacon has is philosophical. He accepted
Aristotle's ideas and advocated the use of empirical and inductive
methods, that is, the scientific method, which is the basis of modern
scientific inquiry. Today, Bacon is still widely regarded as a major
figure in scientific methodology and natural philosophy during the
British Renaissance. He advocated an organized system for acquiring
knowledge with humanitarian goals as his aims. Therefore, he ushered
in the new modern era of human understanding to a large extent, and
they are closely related to O’Brien's idea she mentioned in Global
Modernism.
In 1943, Joaquín Torres García proposed a plan for global modernism
to remap modern art. Then he said: 'I have said School of the South:
because, in fact, our North looks South. For us there must be a North,
expect in opposition to the South... This correction was necessary;
because it we know where we are.' Joaqun Torres-Garcá is a famous
Uruguayan modernist and he has a popular and meaningful illustration
about South America which is called the 'Inverted Map' (or Upside-
down map, 1943). This may be the first such map to appear, so this
illustration has become the core of Latin America's history of efforts
to revitalize the world. Torres-Garcá placed the South Pole on top of
the earth, thereby implying a visual confirmation of the importance of
the African continent and attempting to propose a pure revision of the
world. The map conveys important details, such as the basic direction
of the south, the latitude, and the equator of Montevideo. As stated in
the map, modern art comes from the 'South', and we need to re-
examine to see the world with a new perspective. The Southern Cone
is upside down, and people see the map of South America in a
completely new way. Different visions may provide people with
different ways of thinking, thereby creating new things. The artist
created this map in this spirit, which made him one of the most
symbolic images of Latin American modernism.
In the summer and autumn of 1952, Francis Bacon painted a series of
six small portrait heads. The works I selected this time are also from
this series. I strongly like Bacon's artistic style, which is why I chose
this work for a further research. Head I is the first of the six portraits
included in Bacon's first exhibition in London at Erica Brausen's
Hanover Gallery, 1949. The artist often uses white lines to create a
box or internal frame in the composition, this is the characteristic of
his work. As seen in the picture below (Head I), Bacon restores the
human form to a roaring mouth with fangs. Here I understand it as a
rant about society and life, he is expressing his emotions through these
paintings. The thick sebum produces a texture comparable to rhino
skin, or, as the critic Robert Melville wrote at the time, it has the
'colour of wet, black snakes lightly powdered with dust.' Moreover,
the more valuable work Bacon has is philosophical. He accepted
Aristotle's ideas and advocated the use of empirical and inductive
methods, that is, the scientific method, which is the basis of modern
scientific inquiry. Today, Bacon is still widely regarded as a major
figure in scientific methodology and natural philosophy during the
British Renaissance. He advocated an organized system for acquiring
knowledge with humanitarian goals as his aims. Therefore, he ushered
in the new modern era of human understanding to a large extent, and
they are closely related to O’Brien's idea she mentioned in Global
Modernism.
In 1943, Joaquín Torres García proposed a plan for global modernism
to remap modern art. Then he said: 'I have said School of the South:
because, in fact, our North looks South. For us there must be a North,
expect in opposition to the South... This correction was necessary;
because it we know where we are.' Joaqun Torres-Garcá is a famous
Uruguayan modernist and he has a popular and meaningful illustration
about South America which is called the 'Inverted Map' (or Upside-
down map, 1943). This may be the first such map to appear, so this
illustration has become the core of Latin America's history of efforts
to revitalize the world. Torres-Garcá placed the South Pole on top of
the earth, thereby implying a visual confirmation of the importance of
the African continent and attempting to propose a pure revision of the
world. The map conveys important details, such as the basic direction
of the south, the latitude, and the equator of Montevideo. As stated in
the map, modern art comes from the 'South', and we need to re-
examine to see the world with a new perspective. The Southern Cone
is upside down, and people see the map of South America in a
completely new way. Different visions may provide people with
different ways of thinking, thereby creating new things. The artist
created this map in this spirit, which made him one of the most
symbolic images of Latin American modernism.
In the summer and autumn of 1952, Francis Bacon painted a series of
six small portrait heads. The works I selected this time are also from
this series. I strongly like Bacon's artistic style, which is why I chose
this work for a further research. Head I is the first of the six portraits
included in Bacon's first exhibition in London at Erica Brausen's
Hanover Gallery, 1949. The artist often uses white lines to create a
box or internal frame in the composition, this is the characteristic of
his work. As seen in the picture below (Head I), Bacon restores the
human form to a roaring mouth with fangs. Here I understand it as a
rant about society and life, he is expressing his emotions through these
paintings. The thick sebum produces a texture comparable to rhino
skin, or, as the critic Robert Melville wrote at the time, it has the
'colour of wet, black snakes lightly powdered with dust.' Moreover,
the more valuable work Bacon has is philosophical. He accepted
Aristotle's ideas and advocated the use of empirical and inductive
methods, that is, the scientific method, which is the basis of modern
scientific inquiry. Today, Bacon is still widely regarded as a major
figure in scientific methodology and natural philosophy during the
British Renaissance. He advocated an organized system for acquiring
knowledge with humanitarian goals as his aims. Therefore, he ushered
in the new modern era of human understanding to a large extent, and
they are closely related to O’Brien's idea she mentioned in Global
Modernism.
In 1943, Joaquín Torres García proposed a plan for global modernism
to remap modern art. Then he said: 'I have said School of the South:
because, in fact, our North looks South. For us there must be a North,
expect in opposition to the South... This correction was necessary;
because it we know where we are.' Joaqun Torres-Garcá is a famous
Uruguayan modernist and he has a popular and meaningful illustration
about South America which is called the 'Inverted Map' (or Upside-
down map, 1943). This may be the first such map to appear, so this
illustration has become the core of Latin America's history of efforts
to revitalize the world. Torres-Garcá placed the South Pole on top of
the earth, thereby implying a visual confirmation of the importance of
the African continent and attempting to propose a pure revision of the
world. The map conveys important details, such as the basic direction
of the south, the latitude, and the equator of Montevideo. As stated in
the map, modern art comes from the 'South', and we need to re-
examine to see the world with a new perspective. The Southern Cone
is upside down, and people see the map of South America in a
completely new way. Different visions may provide people with
different ways of thinking, thereby creating new things. The artist
created this map in this spirit, which made him one of the most
symbolic images of Latin American modernism.
In the summer and autumn of 1952, Francis Bacon painted a series of
six small portrait heads. The works I selected this time are also from
this series. I strongly like Bacon's artistic style, which is why I chose
this work for a further research. Head I is the first of the six portraits
included in Bacon's first exhibition in London at Erica Brausen's
Hanover Gallery, 1949. The artist often uses white lines to create a
box or internal frame in the composition, this is the characteristic of
his work. As seen in the picture below (Head I), Bacon restores the
human form to a roaring mouth with fangs. Here I understand it as a
rant about society and life, he is expressing his emotions through these
paintings. The thick sebum produces a texture comparable to rhino
skin, or, as the critic Robert Melville wrote at the time, it has the
'colour of wet, black snakes lightly powdered with dust.' Moreover,
the more valuable work Bacon has is philosophical. He accepted
Aristotle's ideas and advocated the use of empirical and inductive
methods, that is, the scientific method, which is the basis of modern
scientific inquiry. Today, Bacon is still widely regarded as a major
figure in scientific methodology and natural philosophy during the
British Renaissance. He advocated an organized system for acquiring
knowledge with humanitarian goals as his aims. Therefore, he ushered
in the new modern era of human understanding to a large extent, and
they are closely related to O’Brien's idea she mentioned in Global
Modernism.
In 1943, Joaquín Torres García proposed a plan for global modernism
to remap modern art. Then he said: 'I have said School of the South:
because, in fact, our North looks South. For us there must be a North,
expect in opposition to the South... This correction was necessary;
because it we know where we are.' Joaqun Torres-Garcá is a famous
Uruguayan modernist and he has a popular and meaningful illustration
about South America which is called the 'Inverted Map' (or Upside-
down map, 1943). This may be the first such map to appear, so this
illustration has become the core of Latin America's history of efforts
to revitalize the world. Torres-Garcá placed the South Pole on top of
the earth, thereby implying a visual confirmation of the importance of
the African continent and attempting to propose a pure revision of the
world. The map conveys important details, such as the basic direction
of the south, the latitude, and the equator of Montevideo. As stated in
the map, modern art comes from the 'South', and we need to re-
examine to see the world with a new perspective. The Southern Cone
is upside down, and people see the map of South America in a
completely new way. Different visions may provide people with
different ways of thinking, thereby creating new things. The artist
created this map in this spirit, which made him one of the most
symbolic images of Latin American modernism.
In the summer and autumn of 1952, Francis Bacon painted a series of
six small portrait heads. The works I selected this time are also from
this series. I strongly like Bacon's artistic style, which is why I chose
this work for a further research. Head I is the first of the six portraits
included in Bacon's first exhibition in London at Erica Brausen's
Hanover Gallery, 1949. The artist often uses white lines to create a
box or internal frame in the composition, this is the characteristic of
his work. As seen in the picture below (Head I), Bacon restores the
human form to a roaring mouth with fangs. Here I understand it as a
rant about society and life, he is expressing his emotions through these
paintings. The thick sebum produces a texture comparable to rhino
skin, or, as the critic Robert Melville wrote at the time, it has the
'colour of wet, black snakes lightly powdered with dust.' Moreover,
the more valuable work Bacon has is philosophical. He accepted
Aristotle's ideas and advocated the use of empirical and inductive
methods, that is, the scientific method, which is the basis of modern
scientific inquiry. Today, Bacon is still widely regarded as a major
figure in scientific methodology and natural philosophy during the
British Renaissance. He advocated an organized system for acquiring
knowledge with humanitarian goals as his aims. Therefore, he ushered
in the new modern era of human understanding to a large extent, and
they are closely related to O’Brien's idea she mentioned in Global
Modernism.
In 1943, Joaquín Torres García proposed a plan for global modernism
to remap modern art. Then he said: 'I have said School of the South:
because, in fact, our North looks South. For us there must be a North,
expect in opposition to the South... This correction was necessary;
because it we know where we are.' Joaqun Torres-Garcá is a famous
Uruguayan modernist and he has a popular and meaningful illustration
about South America which is called the 'Inverted Map' (or Upside-
down map, 1943). This may be the first such map to appear, so this
illustration has become the core of Latin America's history of efforts
to revitalize the world. Torres-Garcá placed the South Pole on top of
the earth, thereby implying a visual confirmation of the importance of
the African continent and attempting to propose a pure revision of the
world. The map conveys important details, such as the basic direction
of the south, the latitude, and the equator of Montevideo. As stated in
the map, modern art comes from the 'South', and we need to re-
examine to see the world with a new perspective. The Southern Cone
is upside down, and people see the map of South America in a
completely new way. Different visions may provide people with
different ways of thinking, thereby creating new things. The artist
created this map in this spirit, which made him one of the most
symbolic images of Latin American modernism.
In the summer and autumn of 1952, Francis Bacon painted a series of
six small portrait heads. The works I selected this time are also from
this series. I strongly like Bacon's artistic style, which is why I chose
this work for a further research. Head I is the first of the six portraits
included in Bacon's first exhibition in London at Erica Brausen's
Hanover Gallery, 1949. The artist often uses white lines to create a
box or internal frame in the composition, this is the characteristic of
his work. As seen in the picture below (Head I), Bacon restores the
human form to a roaring mouth with fangs. Here I understand it as a
rant about society and life, he is expressing his emotions through these
paintings. The thick sebum produces a texture comparable to rhino
skin, or, as the critic Robert Melville wrote at the time, it has the
'colour of wet, black snakes lightly powdered with dust.' Moreover,
the more valuable work Bacon has is philosophical. He accepted
Aristotle's ideas and advocated the use of empirical and inductive
methods, that is, the scientific method, which is the basis of modern
scientific inquiry. Today, Bacon is still widely regarded as a major
figure in scientific methodology and natural philosophy during the
British Renaissance. He advocated an organized system for acquiring
knowledge with humanitarian goals as his aims. Therefore, he ushered
in the new modern era of human understanding to a large extent, and
they are closely related to O’Brien's idea she mentioned in Global
Modernism.
In 1943, Joaquín Torres García proposed a plan for global modernism
to remap modern art. Then he said: 'I have said School of the South:
because, in fact, our North looks South. For us there must be a North,
expect in opposition to the South... This correction was necessary;
because it we know where we are.' Joaqun Torres-Garcá is a famous
Uruguayan modernist and he has a popular and meaningful illustration
about South America which is called the 'Inverted Map' (or Upside-
down map, 1943). This may be the first such map to appear, so this
illustration has become the core of Latin America's history of efforts
to revitalize the world. Torres-Garcá placed the South Pole on top of
the earth, thereby implying a visual confirmation of the importance of
the African continent and attempting to propose a pure revision of the
world. The map conveys important details, such as the basic direction
of the south, the latitude, and the equator of Montevideo. As stated in
the map, modern art comes from the 'South', and we need to re-
examine to see the world with a new perspective. The Southern Cone
is upside down, and people see the map of South America in a
completely new way. Different visions may provide people with
different ways of thinking, thereby creating new things. The artist
created this map in this spirit, which made him one of the most
symbolic images of Latin American modernism.
In the summer and autumn of 1952, Francis Bacon painted a series of
six small portrait heads. The works I selected this time are also from
this series. I strongly like Bacon's artistic style, which is why I chose
this work for a further research. Head I is the first of the six portraits
included in Bacon's first exhibition in London at Erica Brausen's
Hanover Gallery, 1949. The artist often uses white lines to create a
box or internal frame in the composition, this is the characteristic of
his work. As seen in the picture below (Head I), Bacon restores the
human form to a roaring mouth with fangs. Here I understand it as a
rant about society and life, he is expressing his emotions through these
paintings. The thick sebum produces a texture comparable to rhino
skin, or, as the critic Robert Melville wrote at the time, it has the
'colour of wet, black snakes lightly powdered with dust.' Moreover,
the more valuable work Bacon has is philosophical. He accepted
Aristotle's ideas and advocated the use of empirical and inductive
methods, that is, the scientific method, which is the basis of modern
scientific inquiry. Today, Bacon is still widely regarded as a major
figure in scientific methodology and natural philosophy during the
British Renaissance. He advocated an organized system for acquiring
knowledge with humanitarian goals as his aims. Therefore, he ushered
in the new modern era of human understanding to a large extent, and
they are closely related to O’Brien's idea she mentioned in Global
Modernism.
In 1943, Joaquín Torres García proposed a plan for global modernism
to remap modern art. Then he said: 'I have said School of the South:
because, in fact, our North looks South. For us there must be a North,
expect in opposition to the South... This correction was necessary;
because it we know where we are.' Joaqun Torres-Garcá is a famous
Uruguayan modernist and he has a popular and meaningful illustration
about South America which is called the 'Inverted Map' (or Upside-
down map, 1943). This may be the first such map to appear, so this
illustration has become the core of Latin America's history of efforts
to revitalize the world. Torres-Garcá placed the South Pole on top of
the earth, thereby implying a visual confirmation of the importance of
the African continent and attempting to propose a pure revision of the
world. The map conveys important details, such as the basic direction
of the south, the latitude, and the equator of Montevideo. As stated in
the map, modern art comes from the 'South', and we need to re-
examine to see the world with a new perspective. The Southern Cone
is upside down, and people see the map of South America in a
completely new way. Different visions may provide people with
different ways of thinking, thereby creating new things. The artist
created this map in this spirit, which made him one of the most
symbolic images of Latin American modernism.
In the summer and autumn of 1952, Francis Bacon painted a series of
six small portrait heads. The works I selected this time are also from
this series. I strongly like Bacon's artistic style, which is why I chose
this work for a further research. Head I is the first of the six portraits
included in Bacon's first exhibition in London at Erica Brausen's
Hanover Gallery, 1949. The artist often uses white lines to create a
box or internal frame in the composition, this is the characteristic of
his work. As seen in the picture below (Head I), Bacon restores the
human form to a roaring mouth with fangs. Here I understand it as a
rant about society and life, he is expressing his emotions through these
paintings. The thick sebum produces a texture comparable to rhino
skin, or, as the critic Robert Melville wrote at the time, it has the
'colour of wet, black snakes lightly powdered with dust.' Moreover,
the more valuable work Bacon has is philosophical. He accepted
Aristotle's ideas and advocated the use of empirical and inductive
methods, that is, the scientific method, which is the basis of modern
scientific inquiry. Today, Bacon is still widely regarded as a major
figure in scientific methodology and natural philosophy during the
British Renaissance. He advocated an organized system for acquiring
knowledge with humanitarian goals as his aims. Therefore, he ushered
in the new modern era of human understanding to a large extent, and
they are closely related to O’Brien's idea she mentioned in Global
Modernism.
In 1943, Joaquín Torres García proposed a plan for global modernism
to remap modern art. Then he said: 'I have said School of the South:
because, in fact, our North looks South. For us there must be a North,
expect in opposition to the South... This correction was necessary;
because it we know where we are.' Joaqun Torres-Garcá is a famous
Uruguayan modernist and he has a popular and meaningful illustration
about South America which is called the 'Inverted Map' (or Upside-
down map, 1943). This may be the first such map to appear, so this
illustration has become the core of Latin America's history of efforts
to revitalize the world. Torres-Garcá placed the South Pole on top of
the earth, thereby implying a visual confirmation of the importance of
the African continent and attempting to propose a pure revision of the
world. The map conveys important details, such as the basic direction
of the south, the latitude, and the equator of Montevideo. As stated in
the map, modern art comes from the 'South', and we need to re-
examine to see the world with a new perspective. The Southern Cone
is upside down, and people see the map of South America in a
completely new way. Different visions may provide people with
different ways of thinking, thereby creating new things. The artist
created this map in this spirit, which made him one of the most
symbolic images of Latin American modernism.
In the summer and autumn of 1952, Francis Bacon painted a series of
six small portrait heads. The works I selected this time are also from
this series. I strongly like Bacon's artistic style, which is why I chose
this work for a further research. Head I is the first of the six portraits
included in Bacon's first exhibition in London at Erica Brausen's
Hanover Gallery, 1949. The artist often uses white lines to create a
box or internal frame in the composition, this is the characteristic of
his work. As seen in the picture below (Head I), Bacon restores the
human form to a roaring mouth with fangs. Here I understand it as a
rant about society and life, he is expressing his emotions through these
paintings. The thick sebum produces a texture comparable to rhino
skin, or, as the critic Robert Melville wrote at the time, it has the
'colour of wet, black snakes lightly powdered with dust.' Moreover,
the more valuable work Bacon has is philosophical. He accepted
Aristotle's ideas and advocated the use of empirical and inductive
methods, that is, the scientific method, which is the basis of modern
scientific inquiry. Today, Bacon is still widely regarded as a major
figure in scientific methodology and natural philosophy during the
British Renaissance. He advocated an organized system for acquiring
knowledge with humanitarian goals as his aims. Therefore, he ushered
in the new modern era of human understanding to a large extent, and
they are closely related to O’Brien's idea she mentioned in Global
Modernism.
In 1943, Joaquín Torres García proposed a plan for global modernism
to remap modern art. Then he said: 'I have said School of the South:
because, in fact, our North looks South. For us there must be a North,
expect in opposition to the South... This correction was necessary;
because it we know where we are.' Joaqun Torres-Garcá is a famous
Uruguayan modernist and he has a popular and meaningful illustration
about South America which is called the 'Inverted Map' (or Upside-
down map, 1943). This may be the first such map to appear, so this
illustration has become the core of Latin America's history of efforts
to revitalize the world. Torres-Garcá placed the South Pole on top of
the earth, thereby implying a visual confirmation of the importance of
the African continent and attempting to propose a pure revision of the
world. The map conveys important details, such as the basic direction
of the south, the latitude, and the equator of Montevideo. As stated in
the map, modern art comes from the 'South', and we need to re-
examine to see the world with a new perspective. The Southern Cone
is upside down, and people see the map of South America in a
completely new way. Different visions may provide people with
different ways of thinking, thereby creating new things. The artist
created this map in this spirit, which made him one of the most
symbolic images of Latin American modernism.
In the summer and autumn of 1952, Francis Bacon painted a series of
six small portrait heads. The works I selected this time are also from
this series. I strongly like Bacon's artistic style, which is why I chose
this work for a further research. Head I is the first of the six portraits
included in Bacon's first exhibition in London at Erica Brausen's
Hanover Gallery, 1949. The artist often uses white lines to create a
box or internal frame in the composition, this is the characteristic of
his work. As seen in the picture below (Head I), Bacon restores the
human form to a roaring mouth with fangs. Here I understand it as a
rant about society and life, he is expressing his emotions through these
paintings. The thick sebum produces a texture comparable to rhino
skin, or, as the critic Robert Melville wrote at the time, it has the
'colour of wet, black snakes lightly powdered with dust.' Moreover,
the more valuable work Bacon has is philosophical. He accepted
Aristotle's ideas and advocated the use of empirical and inductive
methods, that is, the scientific method, which is the basis of modern
scientific inquiry. Today, Bacon is still widely regarded as a major
figure in scientific methodology and natural philosophy during the
British Renaissance. He advocated an organized system for acquiring
knowledge with humanitarian goals as his aims. Therefore, he ushered
in the new modern era of human understanding to a large extent, and
they are closely related to O’Brien's idea she mentioned in Global
Modernism.
In 1943, Joaquín Torres García proposed a plan for global modernism
to remap modern art. Then he said: 'I have said School of the South:
because, in fact, our North looks South. For us there must be a North,
expect in opposition to the South... This correction was necessary;
because it we know where we are.' Joaqun Torres-Garcá is a famous
Uruguayan modernist and he has a popular and meaningful illustration
about South America which is called the 'Inverted Map' (or Upside-
down map, 1943). This may be the first such map to appear, so this
illustration has become the core of Latin America's history of efforts
to revitalize the world. Torres-Garcá placed the South Pole on top of
the earth, thereby implying a visual confirmation of the importance of
the African continent and attempting to propose a pure revision of the
world. The map conveys important details, such as the basic direction
of the south, the latitude, and the equator of Montevideo. As stated in
the map, modern art comes from the 'South', and we need to re-
examine to see the world with a new perspective. The Southern Cone
is upside down, and people see the map of South America in a
completely new way. Different visions may provide people with
different ways of thinking, thereby creating new things. The artist
created this map in this spirit, which made him one of the most
symbolic images of Latin American modernism.
In the summer and autumn of 1952, Francis Bacon painted a series of
six small portrait heads. The works I selected this time are also from
this series. I strongly like Bacon's artistic style, which is why I chose
this work for a further research. Head I is the first of the six portraits
included in Bacon's first exhibition in London at Erica Brausen's
Hanover Gallery, 1949. The artist often uses white lines to create a
box or internal frame in the composition, this is the characteristic of
his work. As seen in the picture below (Head I), Bacon restores the
human form to a roaring mouth with fangs. Here I understand it as a
rant about society and life, he is expressing his emotions through these
paintings. The thick sebum produces a texture comparable to rhino
skin, or, as the critic Robert Melville wrote at the time, it has the
'colour of wet, black snakes lightly powdered with dust.' Moreover,
the more valuable work Bacon has is philosophical. He accepted
Aristotle's ideas and advocated the use of empirical and inductive
methods, that is, the scientific method, which is the basis of modern
scientific inquiry. Today, Bacon is still widely regarded as a major
figure in scientific methodology and natural philosophy during the
British Renaissance. He advocated an organized system for acquiring
knowledge with humanitarian goals as his aims. Therefore, he ushered
in the new modern era of human understanding to a large extent, and
they are closely related to O’Brien's idea she mentioned in Global
Modernism.
In 1943, Joaquín Torres García proposed a plan for global modernism
to remap modern art. Then he said: 'I have said School of the South:
because, in fact, our North looks South. For us there must be a North,
expect in opposition to the South... This correction was necessary;
because it we know where we are.' Joaqun Torres-Garcá is a famous
Uruguayan modernist and he has a popular and meaningful illustration
about South America which is called the 'Inverted Map' (or Upside-
down map, 1943). This may be the first such map to appear, so this
illustration has become the core of Latin America's history of efforts
to revitalize the world. Torres-Garcá placed the South Pole on top of
the earth, thereby implying a visual confirmation of the importance of
the African continent and attempting to propose a pure revision of the
world. The map conveys important details, such as the basic direction
of the south, the latitude, and the equator of Montevideo. As stated in
the map, modern art comes from the 'South', and we need to re-
examine to see the world with a new perspective. The Southern Cone
is upside down, and people see the map of South America in a
completely new way. Different visions may provide people with
different ways of thinking, thereby creating new things. The artist
created this map in this spirit, which made him one of the most
symbolic images of Latin American modernism.
In the summer and autumn of 1952, Francis Bacon painted a series of
six small portrait heads. The works I selected this time are also from
this series. I strongly like Bacon's artistic style, which is why I chose
this work for a further research. Head I is the first of the six portraits
included in Bacon's first exhibition in London at Erica Brausen's
Hanover Gallery, 1949. The artist often uses white lines to create a
box or internal frame in the composition, this is the characteristic of
his work. As seen in the picture below (Head I), Bacon restores the
human form to a roaring mouth with fangs. Here I understand it as a
rant about society and life, he is expressing his emotions through these
paintings. The thick sebum produces a texture comparable to rhino
skin, or, as the critic Robert Melville wrote at the time, it has the
'colour of wet, black snakes lightly powdered with dust.' Moreover,
the more valuable work Bacon has is philosophical. He accepted
Aristotle's ideas and advocated the use of empirical and inductive
methods, that is, the scientific method, which is the basis of modern
scientific inquiry. Today, Bacon is still widely regarded as a major
figure in scientific methodology and natural philosophy during the
British Renaissance. He advocated an organized system for acquiring
knowledge with humanitarian goals as his aims. Therefore, he ushered
in the new modern era of human understanding to a large extent, and
they are closely related to O’Brien's idea she mentioned in Global
Modernism.
In 1943, Joaquín Torres García proposed a plan for global modernism
to remap modern art. Then he said: 'I have said School of the South:
because, in fact, our North looks South. For us there must be a North,
expect in opposition to the South... This correction was necessary;
because it we know where we are.' Joaqun Torres-Garcá is a famous
Uruguayan modernist and he has a popular and meaningful illustration
about South America which is called the 'Inverted Map' (or Upside-
down map, 1943). This may be the first such map to appear, so this
illustration has become the core of Latin America's history of efforts
to revitalize the world. Torres-Garcá placed the South Pole on top of
the earth, thereby implying a visual confirmation of the importance of
the African continent and attempting to propose a pure revision of the
world. The map conveys important details, such as the basic direction
of the south, the latitude, and the equator of Montevideo. As stated in
the map, modern art comes from the 'South', and we need to re-
examine to see the world with a new perspective. The Southern Cone
is upside down, and people see the map of South America in a
completely new way. Different visions may provide people with
different ways of thinking, thereby creating new things. The artist
created this map in this spirit, which made him one of the most
symbolic images of Latin American modernism.
In the summer and autumn of 1952, Francis Bacon painted a series of
six small portrait heads. The works I selected this time are also from
this series. I strongly like Bacon's artistic style, which is why I chose
this work for a further research. Head I is the first of the six portraits
included in Bacon's first exhibition in London at Erica Brausen's
Hanover Gallery, 1949. The artist often uses white lines to create a
box or internal frame in the composition, this is the characteristic of
his work. As seen in the picture below (Head I), Bacon restores the
human form to a roaring mouth with fangs. Here I understand it as a
rant about society and life, he is expressing his emotions through these
paintings. The thick sebum produces a texture comparable to rhino
skin, or, as the critic Robert Melville wrote at the time, it has the
'colour of wet, black snakes lightly powdered with dust.' Moreover,
the more valuable work Bacon has is philosophical. He accepted
Aristotle's ideas and advocated the use of empirical and inductive
methods, that is, the scientific method, which is the basis of modern
scientific inquiry. Today, Bacon is still widely regarded as a major
figure in scientific methodology and natural philosophy during the
British Renaissance. He advocated an organized system for acquiring
knowledge with humanitarian goals as his aims. Therefore, he ushered
in the new modern era of human understanding to a large extent, and
they are closely related to O’Brien's idea she mentioned in Global
Modernism.
In 1943, Joaquín Torres García proposed a plan for global modernism
to remap modern art. Then he said: 'I have said School of the South:
because, in fact, our North looks South. For us there must be a North,
expect in opposition to the South... This correction was necessary;
because it we know where we are.' Joaqun Torres-Garcá is a famous
Uruguayan modernist and he has a popular and meaningful illustration
about South America which is called the 'Inverted Map' (or Upside-
down map, 1943). This may be the first such map to appear, so this
illustration has become the core of Latin America's history of efforts
to revitalize the world. Torres-Garcá placed the South Pole on top of
the earth, thereby implying a visual confirmation of the importance of
the African continent and attempting to propose a pure revision of the
world. The map conveys important details, such as the basic direction
of the south, the latitude, and the equator of Montevideo. As stated in
the map, modern art comes from the 'South', and we need to re-
examine to see the world with a new perspective. The Southern Cone
is upside down, and people see the map of South America in a
completely new way. Different visions may provide people with
different ways of thinking, thereby creating new things. The artist
created this map in this spirit, which made him one of the most
symbolic images of Latin American modernism.
In the summer and autumn of 1952, Francis Bacon painted a series of
six small portrait heads. The works I selected this time are also from
this series. I strongly like Bacon's artistic style, which is why I chose
this work for a further research. Head I is the first of the six portraits
included in Bacon's first exhibition in London at Erica Brausen's
Hanover Gallery, 1949. The artist often uses white lines to create a
box or internal frame in the composition, this is the characteristic of
his work. As seen in the picture below (Head I), Bacon restores the
human form to a roaring mouth with fangs. Here I understand it as a
rant about society and life, he is expressing his emotions through these
paintings. The thick sebum produces a texture comparable to rhino
skin, or, as the critic Robert Melville wrote at the time, it has the
'colour of wet, black snakes lightly powdered with dust.' Moreover,
the more valuable work Bacon has is philosophical. He accepted
Aristotle's ideas and advocated the use of empirical and inductive
methods, that is, the scientific method, which is the basis of modern
scientific inquiry. Today, Bacon is still widely regarded as a major
figure in scientific methodology and natural philosophy during the
British Renaissance. He advocated an organized system for acquiring
knowledge with humanitarian goals as his aims. Therefore, he ushered
in the new modern era of human understanding to a large extent, and
they are closely related to O’Brien's idea she mentioned in Global
Modernism.
In 1943, Joaquín Torres García proposed a plan for global modernism
to remap modern art. Then he said: 'I have said School of the South:
because, in fact, our North looks South. For us there must be a North,
expect in opposition to the South... This correction was necessary;
because it we know where we are.' Joaqun Torres-Garcá is a famous
Uruguayan modernist and he has a popular and meaningful illustration
about South America which is called the 'Inverted Map' (or Upside-
down map, 1943). This may be the first such map to appear, so this
illustration has become the core of Latin America's history of efforts
to revitalize the world. Torres-Garcá placed the South Pole on top of
the earth, thereby implying a visual confirmation of the importance of
the African continent and attempting to propose a pure revision of the
world. The map conveys important details, such as the basic direction
of the south, the latitude, and the equator of Montevideo. As stated in
the map, modern art comes from the 'South', and we need to re-
examine to see the world with a new perspective. The Southern Cone
is upside down, and people see the map of South America in a
completely new way. Different visions may provide people with
different ways of thinking, thereby creating new things. The artist
created this map in this spirit, which made him one of the most
symbolic images of Latin American modernism.
In the summer and autumn of 1952, Francis Bacon painted a series of
six small portrait heads. The works I selected this time are also from
this series. I strongly like Bacon's artistic style, which is why I chose
this work for a further research. Head I is the first of the six portraits
included in Bacon's first exhibition in London at Erica Brausen's
Hanover Gallery, 1949. The artist often uses white lines to create a
box or internal frame in the composition, this is the characteristic of
his work. As seen in the picture below (Head I), Bacon restores the
human form to a roaring mouth with fangs. Here I understand it as a
rant about society and life, he is expressing his emotions through these
paintings. The thick sebum produces a texture comparable to rhino
skin, or, as the critic Robert Melville wrote at the time, it has the
'colour of wet, black snakes lightly powdered with dust.' Moreover,
the more valuable work Bacon has is philosophical. He accepted
Aristotle's ideas and advocated the use of empirical and inductive
methods, that is, the scientific method, which is the basis of modern
scientific inquiry. Today, Bacon is still widely regarded as a major
figure in scientific methodology and natural philosophy during the
British Renaissance. He advocated an organized system for acquiring
knowledge with humanitarian goals as his aims. Therefore, he ushered
in the new modern era of human understanding to a large extent, and
they are closely related to O’Brien's idea she mentioned in Global
Modernism.
In 1943, Joaquín Torres García proposed a plan for global modernism
to remap modern art. Then he said: 'I have said School of the South:
because, in fact, our North looks South. For us there must be a North,
expect in opposition to the South... This correction was necessary;
because it we know where we are.' Joaqun Torres-Garcá is a famous
Uruguayan modernist and he has a popular and meaningful illustration
about South America which is called the 'Inverted Map' (or Upside-
down map, 1943). This may be the first such map to appear, so this
illustration has become the core of Latin America's history of efforts
to revitalize the world. Torres-Garcá placed the South Pole on top of
the earth, thereby implying a visual confirmation of the importance of
the African continent and attempting to propose a pure revision of the
world. The map conveys important details, such as the basic direction
of the south, the latitude, and the equator of Montevideo. As stated in
the map, modern art comes from the 'South', and we need to re-
examine to see the world with a new perspective. The Southern Cone
is upside down, and people see the map of South America in a
completely new way. Different visions may provide people with
different ways of thinking, thereby creating new things. The artist
created this map in this spirit, which made him one of the most
symbolic images of Latin American modernism.
In the summer and autumn of 1952, Francis Bacon painted a series of
six small portrait heads. The works I selected this time are also from
this series. I strongly like Bacon's artistic style, which is why I chose
this work for a further research. Head I is the first of the six portraits
included in Bacon's first exhibition in London at Erica Brausen's
Hanover Gallery, 1949. The artist often uses white lines to create a
box or internal frame in the composition, this is the characteristic of
his work. As seen in the picture below (Head I), Bacon restores the
human form to a roaring mouth with fangs. Here I understand it as a
rant about society and life, he is expressing his emotions through these
paintings. The thick sebum produces a texture comparable to rhino
skin, or, as the critic Robert Melville wrote at the time, it has the
'colour of wet, black snakes lightly powdered with dust.' Moreover,
the more valuable work Bacon has is philosophical. He accepted
Aristotle's ideas and advocated the use of empirical and inductive
methods, that is, the scientific method, which is the basis of modern
scientific inquiry. Today, Bacon is still widely regarded as a major
figure in scientific methodology and natural philosophy during the
British Renaissance. He advocated an organized system for acquiring
knowledge with humanitarian goals as his aims. Therefore, he ushered
in the new modern era of human understanding to a large extent, and
they are closely related to O’Brien's idea she mentioned in Global
Modernism.
In 1943, Joaquín Torres García proposed a plan for global modernism
to remap modern art. Then he said: 'I have said School of the South:
because, in fact, our North looks South. For us there must be a North,
expect in opposition to the South... This correction was necessary;
because it we know where we are.' Joaqun Torres-Garcá is a famous
Uruguayan modernist and he has a popular and meaningful illustration
about South America which is called the 'Inverted Map' (or Upside-
down map, 1943). This may be the first such map to appear, so this
illustration has become the core of Latin America's history of efforts
to revitalize the world. Torres-Garcá placed the South Pole on top of
the earth, thereby implying a visual confirmation of the importance of
the African continent and attempting to propose a pure revision of the
world. The map conveys important details, such as the basic direction
of the south, the latitude, and the equator of Montevideo. As stated in
the map, modern art comes from the 'South', and we need to re-
examine to see the world with a new perspective. The Southern Cone
is upside down, and people see the map of South America in a
completely new way. Different visions may provide people with
different ways of thinking, thereby creating new things. The artist
created this map in this spirit, which made him one of the most
symbolic images of Latin American modernism.
In the summer and autumn of 1952, Francis Bacon painted a series of
six small portrait heads. The works I selected this time are also from
this series. I strongly like Bacon's artistic style, which is why I chose
this work for a further research. Head I is the first of the six portraits
included in Bacon's first exhibition in London at Erica Brausen's
Hanover Gallery, 1949. The artist often uses white lines to create a
box or internal frame in the composition, this is the characteristic of
his work. As seen in the picture below (Head I), Bacon restores the
human form to a roaring mouth with fangs. Here I understand it as a
rant about society and life, he is expressing his emotions through these
paintings. The thick sebum produces a texture comparable to rhino
skin, or, as the critic Robert Melville wrote at the time, it has the
'colour of wet, black snakes lightly powdered with dust.' Moreover,
the more valuable work Bacon has is philosophical. He accepted
Aristotle's ideas and advocated the use of empirical and inductive
methods, that is, the scientific method, which is the basis of modern
scientific inquiry. Today, Bacon is still widely regarded as a major
figure in scientific methodology and natural philosophy during the
British Renaissance. He advocated an organized system for acquiring
knowledge with humanitarian goals as his aims. Therefore, he ushered
in the new modern era of human understanding to a large extent, and
they are closely related to O’Brien's idea she mentioned in Global
Modernism.
In 1943, Joaquín Torres García proposed a plan for global modernism
to remap modern art. Then he said: 'I have said School of the South:
because, in fact, our North looks South. For us there must be a North,
expect in opposition to the South... This correction was necessary;
because it we know where we are.' Joaqun Torres-Garcá is a famous
Uruguayan modernist and he has a popular and meaningful illustration
about South America which is called the 'Inverted Map' (or Upside-
down map, 1943). This may be the first such map to appear, so this
illustration has become the core of Latin America's history of efforts
to revitalize the world. Torres-Garcá placed the South Pole on top of
the earth, thereby implying a visual confirmation of the importance of
the African continent and attempting to propose a pure revision of the
world. The map conveys important details, such as the basic direction
of the south, the latitude, and the equator of Montevideo. As stated in
the map, modern art comes from the 'South', and we need to re-
examine to see the world with a new perspective. The Southern Cone
is upside down, and people see the map of South America in a
completely new way. Different visions may provide people with
different ways of thinking, thereby creating new things. The artist
created this map in this spirit, which made him one of the most
symbolic images of Latin American modernism.
In the summer and autumn of 1952, Francis Bacon painted a series of
six small portrait heads. The works I selected this time are also from
this series. I strongly like Bacon's artistic style, which is why I chose
this work for a further research. Head I is the first of the six portraits
included in Bacon's first exhibition in London at Erica Brausen's
Hanover Gallery, 1949. The artist often uses white lines to create a
box or internal frame in the composition, this is the characteristic of
his work. As seen in the picture below (Head I), Bacon restores the
human form to a roaring mouth with fangs. Here I understand it as a
rant about society and life, he is expressing his emotions through these
paintings. The thick sebum produces a texture comparable to rhino
skin, or, as the critic Robert Melville wrote at the time, it has the
'colour of wet, black snakes lightly powdered with dust.' Moreover,
the more valuable work Bacon has is philosophical. He accepted
Aristotle's ideas and advocated the use of empirical and inductive
methods, that is, the scientific method, which is the basis of modern
scientific inquiry. Today, Bacon is still widely regarded as a major
figure in scientific methodology and natural philosophy during the
British Renaissance. He advocated an organized system for acquiring
knowledge with humanitarian goals as his aims. Therefore, he ushered
in the new modern era of human understanding to a large extent, and
they are closely related to O’Brien's idea she mentioned in Global
Modernism.
In 1943, Joaquín Torres García proposed a plan for global modernism
to remap modern art. Then he said: 'I have said School of the South:
because, in fact, our North looks South. For us there must be a North,
expect in opposition to the South... This correction was necessary;
because it we know where we are.' Joaqun Torres-Garcá is a famous
Uruguayan modernist and he has a popular and meaningful illustration
about South America which is called the 'Inverted Map' (or Upside-
down map, 1943). This may be the first such map to appear, so this
illustration has become the core of Latin America's history of efforts
to revitalize the world. Torres-Garcá placed the South Pole on top of
the earth, thereby implying a visual confirmation of the importance of
the African continent and attempting to propose a pure revision of the
world. The map conveys important details, such as the basic direction
of the south, the latitude, and the equator of Montevideo. As stated in
the map, modern art comes from the 'South', and we need to re-
examine to see the world with a new perspective. The Southern Cone
is upside down, and people see the map of South America in a
completely new way. Different visions may provide people with
different ways of thinking, thereby creating new things. The artist
created this map in this spirit, which made him one of the most
symbolic images of Latin American modernism.
In the summer and autumn of 1952, Francis Bacon painted a series of
six small portrait heads. The works I selected this time are also from
this series. I strongly like Bacon's artistic style, which is why I chose
this work for a further research. Head I is the first of the six portraits
included in Bacon's first exhibition in London at Erica Brausen's
Hanover Gallery, 1949. The artist often uses white lines to create a
box or internal frame in the composition, this is the characteristic of
his work. As seen in the picture below (Head I), Bacon restores the
human form to a roaring mouth with fangs. Here I understand it as a
rant about society and life, he is expressing his emotions through these
paintings. The thick sebum produces a texture comparable to rhino
skin, or, as the critic Robert Melville wrote at the time, it has the
'colour of wet, black snakes lightly powdered with dust.' Moreover,
the more valuable work Bacon has is philosophical. He accepted
Aristotle's ideas and advocated the use of empirical and inductive
methods, that is, the scientific method, which is the basis of modern
scientific inquiry. Today, Bacon is still widely regarded as a major
figure in scientific methodology and natural philosophy during the
British Renaissance. He advocated an organized system for acquiring
knowledge with humanitarian goals as his aims. Therefore, he ushered
in the new modern era of human understanding to a large extent, and
they are closely related to O’Brien's idea she mentioned in Global
Modernism.
In 1943, Joaquín Torres García proposed a plan for global modernism
to remap modern art. Then he said: 'I have said School of the South:
because, in fact, our North looks South. For us there must be a North,
expect in opposition to the South... This correction was necessary;
because it we know where we are.' Joaqun Torres-Garcá is a famous
Uruguayan modernist and he has a popular and meaningful illustration
about South America which is called the 'Inverted Map' (or Upside-
down map, 1943). This may be the first such map to appear, so this
illustration has become the core of Latin America's history of efforts
to revitalize the world. Torres-Garcá placed the South Pole on top of
the earth, thereby implying a visual confirmation of the importance of
the African continent and attempting to propose a pure revision of the
world. The map conveys important details, such as the basic direction
of the south, the latitude, and the equator of Montevideo. As stated in
the map, modern art comes from the 'South', and we need to re-
examine to see the world with a new perspective. The Southern Cone
is upside down, and people see the map of South America in a
completely new way. Different visions may provide people with
different ways of thinking, thereby creating new things. The artist
created this map in this spirit, which made him one of the most
symbolic images of Latin American modernism.
In the summer and autumn of 1952, Francis Bacon painted a series of
six small portrait heads. The works I selected this time are also from
this series. I strongly like Bacon's artistic style, which is why I chose
this work for a further research. Head I is the first of the six portraits
included in Bacon's first exhibition in London at Erica Brausen's
Hanover Gallery, 1949. The artist often uses white lines to create a
box or internal frame in the composition, this is the characteristic of
his work. As seen in the picture below (Head I), Bacon restores the
human form to a roaring mouth with fangs. Here I understand it as a
rant about society and life, he is expressing his emotions through these
paintings. The thick sebum produces a texture comparable to rhino
skin, or, as the critic Robert Melville wrote at the time, it has the
'colour of wet, black snakes lightly powdered with dust.' Moreover,
the more valuable work Bacon has is philosophical. He accepted
Aristotle's ideas and advocated the use of empirical and inductive
methods, that is, the scientific method, which is the basis of modern
scientific inquiry. Today, Bacon is still widely regarded as a major
figure in scientific methodology and natural philosophy during the
British Renaissance. He advocated an organized system for acquiring
knowledge with humanitarian goals as his aims. Therefore, he ushered
in the new modern era of human understanding to a large extent, and
they are closely related to O’Brien's idea she mentioned in Global
Modernism.
In 1943, Joaquín Torres García proposed a plan for global modernism
to remap modern art. Then he said: 'I have said School of the South:
because, in fact, our North looks South. For us there must be a North,
expect in opposition to the South... This correction was necessary;
because it we know where we are.' Joaqun Torres-Garcá is a famous
Uruguayan modernist and he has a popular and meaningful illustration
about South America which is called the 'Inverted Map' (or Upside-
down map, 1943). This may be the first such map to appear, so this
illustration has become the core of Latin America's history of efforts
to revitalize the world. Torres-Garcá placed the South Pole on top of
the earth, thereby implying a visual confirmation of the importance of
the African continent and attempting to propose a pure revision of the
world. The map conveys important details, such as the basic direction
of the south, the latitude, and the equator of Montevideo. As stated in
the map, modern art comes from the 'South', and we need to re-
examine to see the world with a new perspective. The Southern Cone
is upside down, and people see the map of South America in a
completely new way. Different visions may provide people with
different ways of thinking, thereby creating new things. The artist
created this map in this spirit, which made him one of the most
symbolic images of Latin American modernism.
In the summer and autumn of 1952, Francis Bacon painted a series of
six small portrait heads. The works I selected this time are also from
this series. I strongly like Bacon's artistic style, which is why I chose
this work for a further research. Head I is the first of the six portraits
included in Bacon's first exhibition in London at Erica Brausen's
Hanover Gallery, 1949. The artist often uses white lines to create a
box or internal frame in the composition, this is the characteristic of
his work. As seen in the picture below (Head I), Bacon restores the
human form to a roaring mouth with fangs. Here I understand it as a
rant about society and life, he is expressing his emotions through these
paintings. The thick sebum produces a texture comparable to rhino
skin, or, as the critic Robert Melville wrote at the time, it has the
'colour of wet, black snakes lightly powdered with dust.' Moreover,
the more valuable work Bacon has is philosophical. He accepted
Aristotle's ideas and advocated the use of empirical and inductive
methods, that is, the scientific method, which is the basis of modern
scientific inquiry. Today, Bacon is still widely regarded as a major
figure in scientific methodology and natural philosophy during the
British Renaissance. He advocated an organized system for acquiring
knowledge with humanitarian goals as his aims. Therefore, he ushered
in the new modern era of human understanding to a large extent, and
they are closely related to O’Brien's idea she mentioned in Global
Modernism.
In 1943, Joaquín Torres García proposed a plan for global modernism
to remap modern art. Then he said: 'I have said School of the South:
because, in fact, our North looks South. For us there must be a North,
expect in opposition to the South... This correction was necessary;
because it we know where we are.' Joaqun Torres-Garcá is a famous
Uruguayan modernist and he has a popular and meaningful illustration
about South America which is called the 'Inverted Map' (or Upside-
down map, 1943). This may be the first such map to appear, so this
illustration has become the core of Latin America's history of efforts
to revitalize the world. Torres-Garcá placed the South Pole on top of
the earth, thereby implying a visual confirmation of the importance of
the African continent and attempting to propose a pure revision of the
world. The map conveys important details, such as the basic direction
of the south, the latitude, and the equator of Montevideo. As stated in
the map, modern art comes from the 'South', and we need to re-
examine to see the world with a new perspective. The Southern Cone
is upside down, and people see the map of South America in a
completely new way. Different visions may provide people with
different ways of thinking, thereby creating new things. The artist
created this map in this spirit, which made him one of the most
symbolic images of Latin American modernism.
In the summer and autumn of 1952, Francis Bacon painted a series of
six small portrait heads. The works I selected this time are also from
this series. I strongly like Bacon's artistic style, which is why I chose
this work for a further research. Head I is the first of the six portraits
included in Bacon's first exhibition in London at Erica Brausen's
Hanover Gallery, 1949. The artist often uses white lines to create a
box or internal frame in the composition, this is the characteristic of
his work. As seen in the picture below (Head I), Bacon restores the
human form to a roaring mouth with fangs. Here I understand it as a
rant about society and life, he is expressing his emotions through these
paintings. The thick sebum produces a texture comparable to rhino
skin, or, as the critic Robert Melville wrote at the time, it has the
'colour of wet, black snakes lightly powdered with dust.' Moreover,
the more valuable work Bacon has is philosophical. He accepted
Aristotle's ideas and advocated the use of empirical and inductive
methods, that is, the scientific method, which is the basis of modern
scientific inquiry. Today, Bacon is still widely regarded as a major
figure in scientific methodology and natural philosophy during the
British Renaissance. He advocated an organized system for acquiring
knowledge with humanitarian goals as his aims. Therefore, he ushered
in the new modern era of human understanding to a large extent, and
they are closely related to O’Brien's idea she mentioned in Global
Modernism.
In 1943, Joaquín Torres García proposed a plan for global modernism
to remap modern art. Then he said: 'I have said School of the South:
because, in fact, our North looks South. For us there must be a North,
expect in opposition to the South... This correction was necessary;
because it we know where we are.' Joaqun Torres-Garcá is a famous
Uruguayan modernist and he has a popular and meaningful illustration
about South America which is called the 'Inverted Map' (or Upside-
down map, 1943). This may be the first such map to appear, so this
illustration has become the core of Latin America's history of efforts
to revitalize the world. Torres-Garcá placed the South Pole on top of
the earth, thereby implying a visual confirmation of the importance of
the African continent and attempting to propose a pure revision of the
world. The map conveys important details, such as the basic direction
of the south, the latitude, and the equator of Montevideo. As stated in
the map, modern art comes from the 'South', and we need to re-
examine to see the world with a new perspective. The Southern Cone
is upside down, and people see the map of South America in a
completely new way. Different visions may provide people with
different ways of thinking, thereby creating new things. The artist
created this map in this spirit, which made him one of the most
symbolic images of Latin American modernism.
In the summer and autumn of 1952, Francis Bacon painted a series of
six small portrait heads. The works I selected this time are also from
this series. I strongly like Bacon's artistic style, which is why I chose
this work for a further research. Head I is the first of the six portraits
included in Bacon's first exhibition in London at Erica Brausen's
Hanover Gallery, 1949. The artist often uses white lines to create a
box or internal frame in the composition, this is the characteristic of
his work. As seen in the picture below (Head I), Bacon restores the
human form to a roaring mouth with fangs. Here I understand it as a
rant about society and life, he is expressing his emotions through these
paintings. The thick sebum produces a texture comparable to rhino
skin, or, as the critic Robert Melville wrote at the time, it has the
'colour of wet, black snakes lightly powdered with dust.' Moreover,
the more valuable work Bacon has is philosophical. He accepted
Aristotle's ideas and advocated the use of empirical and inductive
methods, that is, the scientific method, which is the basis of modern
scientific inquiry. Today, Bacon is still widely regarded as a major
figure in scientific methodology and natural philosophy during the
British Renaissance. He advocated an organized system for acquiring
knowledge with humanitarian goals as his aims. Therefore, he ushered
in the new modern era of human understanding to a large extent, and
they are closely related to O’Brien's idea she mentioned in Global
Modernism.
In 1943, Joaquín Torres García proposed a plan for global modernism
to remap modern art. Then he said: 'I have said School of the South:
because, in fact, our North looks South. For us there must be a North,
expect in opposition to the South... This correction was necessary;
because it we know where we are.' Joaqun Torres-Garcá is a famous
Uruguayan modernist and he has a popular and meaningful illustration
about South America which is called the 'Inverted Map' (or Upside-
down map, 1943). This may be the first such map to appear, so this
illustration has become the core of Latin America's history of efforts
to revitalize the world. Torres-Garcá placed the South Pole on top of
the earth, thereby implying a visual confirmation of the importance of
the African continent and attempting to propose a pure revision of the
world. The map conveys important details, such as the basic direction
of the south, the latitude, and the equator of Montevideo. As stated in
the map, modern art comes from the 'South', and we need to re-
examine to see the world with a new perspective. The Southern Cone
is upside down, and people see the map of South America in a
completely new way. Different visions may provide people with
different ways of thinking, thereby creating new things. The artist
created this map in this spirit, which made him one of the most
symbolic images of Latin American modernism.
In the summer and autumn of 1952, Francis Bacon painted a series of
six small portrait heads. The works I selected this time are also from
this series. I strongly like Bacon's artistic style, which is why I chose
this work for a further research. Head I is the first of the six portraits
included in Bacon's first exhibition in London at Erica Brausen's
Hanover Gallery, 1949. The artist often uses white lines to create a
box or internal frame in the composition, this is the characteristic of
his work. As seen in the picture below (Head I), Bacon restores the
human form to a roaring mouth with fangs. Here I understand it as a
rant about society and life, he is expressing his emotions through these
paintings. The thick sebum produces a texture comparable to rhino
skin, or, as the critic Robert Melville wrote at the time, it has the
'colour of wet, black snakes lightly powdered with dust.' Moreover,
the more valuable work Bacon has is philosophical. He accepted
Aristotle's ideas and advocated the use of empirical and inductive
methods, that is, the scientific method, which is the basis of modern
scientific inquiry. Today, Bacon is still widely regarded as a major
figure in scientific methodology and natural philosophy during the
British Renaissance. He advocated an organized system for acquiring
knowledge with humanitarian goals as his aims. Therefore, he ushered
in the new modern era of human understanding to a large extent, and
they are closely related to O’Brien's idea she mentioned in Global
Modernism.
In 1943, Joaquín Torres García proposed a plan for global modernism
to remap modern art. Then he said: 'I have said School of the South:
because, in fact, our North looks South. For us there must be a North,
expect in opposition to the South... This correction was necessary;
because it we know where we are.' Joaqun Torres-Garcá is a famous
Uruguayan modernist and he has a popular and meaningful illustration
about South America which is called the 'Inverted Map' (or Upside-
down map, 1943). This may be the first such map to appear, so this
illustration has become the core of Latin America's history of efforts
to revitalize the world. Torres-Garcá placed the South Pole on top of
the earth, thereby implying a visual confirmation of the importance of
the African continent and attempting to propose a pure revision of the
world. The map conveys important details, such as the basic direction
of the south, the latitude, and the equator of Montevideo. As stated in
the map, modern art comes from the 'South', and we need to re-
examine to see the world with a new perspective. The Southern Cone
is upside down, and people see the map of South America in a
completely new way. Different visions may provide people with
different ways of thinking, thereby creating new things. The artist
created this map in this spirit, which made him one of the most
symbolic images of Latin American modernism.
In the summer and autumn of 1952, Francis Bacon painted a series of
six small portrait heads. The works I selected this time are also from
this series. I strongly like Bacon's artistic style, which is why I chose
this work for a further research. Head I is the first of the six portraits
included in Bacon's first exhibition in London at Erica Brausen's
Hanover Gallery, 1949. The artist often uses white lines to create a
box or internal frame in the composition, this is the characteristic of
his work. As seen in the picture below (Head I), Bacon restores the
human form to a roaring mouth with fangs. Here I understand it as a
rant about society and life, he is expressing his emotions through these
paintings. The thick sebum produces a texture comparable to rhino
skin, or, as the critic Robert Melville wrote at the time, it has the
'colour of wet, black snakes lightly powdered with dust.' Moreover,
the more valuable work Bacon has is philosophical. He accepted
Aristotle's ideas and advocated the use of empirical and inductive
methods, that is, the scientific method, which is the basis of modern
scientific inquiry. Today, Bacon is still widely regarded as a major
figure in scientific methodology and natural philosophy during the
British Renaissance. He advocated an organized system for acquiring
knowledge with humanitarian goals as his aims. Therefore, he ushered
in the new modern era of human understanding to a large extent, and
they are closely related to O’Brien's idea she mentioned in Global
Modernism.
In 1943, Joaquín Torres García proposed a plan for global modernism
to remap modern art. Then he said: 'I have said School of the South:
because, in fact, our North looks South. For us there must be a North,
expect in opposition to the South... This correction was necessary;
because it we know where we are.' Joaqun Torres-Garcá is a famous
Uruguayan modernist and he has a popular and meaningful illustration
about South America which is called the 'Inverted Map' (or Upside-
down map, 1943). This may be the first such map to appear, so this
illustration has become the core of Latin America's history of efforts
to revitalize the world. Torres-Garcá placed the South Pole on top of
the earth, thereby implying a visual confirmation of the importance of
the African continent and attempting to propose a pure revision of the
world. The map conveys important details, such as the basic direction
of the south, the latitude, and the equator of Montevideo. As stated in
the map, modern art comes from the 'South', and we need to re-
examine to see the world with a new perspective. The Southern Cone
is upside down, and people see the map of South America in a
completely new way. Different visions may provide people with
different ways of thinking, thereby creating new things. The artist
created this map in this spirit, which made him one of the most
symbolic images of Latin American modernism.
In the summer and autumn of 1952, Francis Bacon painted a series of
six small portrait heads. The works I selected this time are also from
this series. I strongly like Bacon's artistic style, which is why I chose
this work for a further research. Head I is the first of the six portraits
included in Bacon's first exhibition in London at Erica Brausen's
Hanover Gallery, 1949. The artist often uses white lines to create a
box or internal frame in the composition, this is the characteristic of
his work. As seen in the picture below (Head I), Bacon restores the
human form to a roaring mouth with fangs. Here I understand it as a
rant about society and life, he is expressing his emotions through these
paintings. The thick sebum produces a texture comparable to rhino
skin, or, as the critic Robert Melville wrote at the time, it has the
'colour of wet, black snakes lightly powdered with dust.' Moreover,
the more valuable work Bacon has is philosophical. He accepted
Aristotle's ideas and advocated the use of empirical and inductive
methods, that is, the scientific method, which is the basis of modern
scientific inquiry. Today, Bacon is still widely regarded as a major
figure in scientific methodology and natural philosophy during the
British Renaissance. He advocated an organized system for acquiring
knowledge with humanitarian goals as his aims. Therefore, he ushered
in the new modern era of human understanding to a large extent, and
they are closely related to O’Brien's idea she mentioned in Global
Modernism.
In 1943, Joaquín Torres García proposed a plan for global modernism
to remap modern art. Then he said: 'I have said School of the South:
because, in fact, our North looks South. For us there must be a North,
expect in opposition to the South... This correction was necessary;
because it we know where we are.' Joaqun Torres-Garcá is a famous
Uruguayan modernist and he has a popular and meaningful illustration
about South America which is called the 'Inverted Map' (or Upside-
down map, 1943). This may be the first such map to appear, so this
illustration has become the core of Latin America's history of efforts
to revitalize the world. Torres-Garcá placed the South Pole on top of
the earth, thereby implying a visual confirmation of the importance of
the African continent and attempting to propose a pure revision of the
world. The map conveys important details, such as the basic direction
of the south, the latitude, and the equator of Montevideo. As stated in
the map, modern art comes from the 'South', and we need to re-
examine to see the world with a new perspective. The Southern Cone
is upside down, and people see the map of South America in a
completely new way. Different visions may provide people with
different ways of thinking, thereby creating new things. The artist
created this map in this spirit, which made him one of the most
symbolic images of Latin American modernism.
In the summer and autumn of 1952, Francis Bacon painted a series of
six small portrait heads. The works I selected this time are also from
this series. I strongly like Bacon's artistic style, which is why I chose
this work for a further research. Head I is the first of the six portraits
included in Bacon's first exhibition in London at Erica Brausen's
Hanover Gallery, 1949. The artist often uses white lines to create a
box or internal frame in the composition, this is the characteristic of
his work. As seen in the picture below (Head I), Bacon restores the
human form to a roaring mouth with fangs. Here I understand it as a
rant about society and life, he is expressing his emotions through these
paintings. The thick sebum produces a texture comparable to rhino
skin, or, as the critic Robert Melville wrote at the time, it has the
'colour of wet, black snakes lightly powdered with dust.' Moreover,
the more valuable work Bacon has is philosophical. He accepted
Aristotle's ideas and advocated the use of empirical and inductive
methods, that is, the scientific method, which is the basis of modern
scientific inquiry. Today, Bacon is still widely regarded as a major
figure in scientific methodology and natural philosophy during the
British Renaissance. He advocated an organized system for acquiring
knowledge with humanitarian goals as his aims. Therefore, he ushered
in the new modern era of human understanding to a large extent, and
they are closely related to O’Brien's idea she mentioned in Global
Modernism.
In 1943, Joaquín Torres García proposed a plan for global modernism
to remap modern art. Then he said: 'I have said School of the South:
because, in fact, our North looks South. For us there must be a North,
expect in opposition to the South... This correction was necessary;
because it we know where we are.' Joaqun Torres-Garcá is a famous
Uruguayan modernist and he has a popular and meaningful illustration
about South America which is called the 'Inverted Map' (or Upside-
down map, 1943). This may be the first such map to appear, so this
illustration has become the core of Latin America's history of efforts
to revitalize the world. Torres-Garcá placed the South Pole on top of
the earth, thereby implying a visual confirmation of the importance of
the African continent and attempting to propose a pure revision of the
world. The map conveys important details, such as the basic direction
of the south, the latitude, and the equator of Montevideo. As stated in
the map, modern art comes from the 'South', and we need to re-
examine to see the world with a new perspective. The Southern Cone
is upside down, and people see the map of South America in a
completely new way. Different visions may provide people with
different ways of thinking, thereby creating new things. The artist
created this map in this spirit, which made him one of the most
symbolic images of Latin American modernism.
In the summer and autumn of 1952, Francis Bacon painted a series of
six small portrait heads. The works I selected this time are also from
this series. I strongly like Bacon's artistic style, which is why I chose
this work for a further research. Head I is the first of the six portraits
included in Bacon's first exhibition in London at Erica Brausen's
Hanover Gallery, 1949. The artist often uses white lines to create a
box or internal frame in the composition, this is the characteristic of
his work. As seen in the picture below (Head I), Bacon restores the
human form to a roaring mouth with fangs. Here I understand it as a
rant about society and life, he is expressing his emotions through these
paintings. The thick sebum produces a texture comparable to rhino
skin, or, as the critic Robert Melville wrote at the time, it has the
'colour of wet, black snakes lightly powdered with dust.' Moreover,
the more valuable work Bacon has is philosophical. He accepted
Aristotle's ideas and advocated the use of empirical and inductive
methods, that is, the scientific method, which is the basis of modern
scientific inquiry. Today, Bacon is still widely regarded as a major
figure in scientific methodology and natural philosophy during the
British Renaissance. He advocated an organized system for acquiring
knowledge with humanitarian goals as his aims. Therefore, he ushered
in the new modern era of human understanding to a large extent, and
they are closely related to O’Brien's idea she mentioned in Global
Modernism.
In 1943, Joaquín Torres García proposed a plan for global modernism
to remap modern art. Then he said: 'I have said School of the South:
because, in fact, our North looks South. For us there must be a North,
expect in opposition to the South... This correction was necessary;
because it we know where we are.' Joaqun Torres-Garcá is a famous
Uruguayan modernist and he has a popular and meaningful illustration
about South America which is called the 'Inverted Map' (or Upside-
down map, 1943). This may be the first such map to appear, so this
illustration has become the core of Latin America's history of efforts
to revitalize the world. Torres-Garcá placed the South Pole on top of
the earth, thereby implying a visual confirmation of the importance of
the African continent and attempting to propose a pure revision of the
world. The map conveys important details, such as the basic direction
of the south, the latitude, and the equator of Montevideo. As stated in
the map, modern art comes from the 'South', and we need to re-
examine to see the world with a new perspective. The Southern Cone
is upside down, and people see the map of South America in a
completely new way. Different visions may provide people with
different ways of thinking, thereby creating new things. The artist
created this map in this spirit, which made him one of the most
symbolic images of Latin American modernism.
In the summer and autumn of 1952, Francis Bacon painted a series of
six small portrait heads. The works I selected this time are also from
this series. I strongly like Bacon's artistic style, which is why I chose
this work for a further research. Head I is the first of the six portraits
included in Bacon's first exhibition in London at Erica Brausen's
Hanover Gallery, 1949. The artist often uses white lines to create a
box or internal frame in the composition, this is the characteristic of
his work. As seen in the picture below (Head I), Bacon restores the
human form to a roaring mouth with fangs. Here I understand it as a
rant about society and life, he is expressing his emotions through these
paintings. The thick sebum produces a texture comparable to rhino
skin, or, as the critic Robert Melville wrote at the time, it has the
'colour of wet, black snakes lightly powdered with dust.' Moreover,
the more valuable work Bacon has is philosophical. He accepted
Aristotle's ideas and advocated the use of empirical and inductive
methods, that is, the scientific method, which is the basis of modern
scientific inquiry. Today, Bacon is still widely regarded as a major
figure in scientific methodology and natural philosophy during the
British Renaissance. He advocated an organized system for acquiring
knowledge with humanitarian goals as his aims. Therefore, he ushered
in the new modern era of human understanding to a large extent, and
they are closely related to O’Brien's idea she mentioned in Global
Modernism.
In 1943, Joaquín Torres García proposed a plan for global modernism
to remap modern art. Then he said: 'I have said School of the South:
because, in fact, our North looks South. For us there must be a North,
expect in opposition to the South... This correction was necessary;
because it we know where we are.' Joaqun Torres-Garcá is a famous
Uruguayan modernist and he has a popular and meaningful illustration
about South America which is called the 'Inverted Map' (or Upside-
down map, 1943). This may be the first such map to appear, so this
illustration has become the core of Latin America's history of efforts
to revitalize the world. Torres-Garcá placed the South Pole on top of
the earth, thereby implying a visual confirmation of the importance of
the African continent and attempting to propose a pure revision of the
world. The map conveys important details, such as the basic direction
of the south, the latitude, and the equator of Montevideo. As stated in
the map, modern art comes from the 'South', and we need to re-
examine to see the world with a new perspective. The Southern Cone
is upside down, and people see the map of South America in a
completely new way. Different visions may provide people with
different ways of thinking, thereby creating new things. The artist
created this map in this spirit, which made him one of the most
symbolic images of Latin American modernism.
In the summer and autumn of 1952, Francis Bacon painted a series of
six small portrait heads. The works I selected this time are also from
this series. I strongly like Bacon's artistic style, which is why I chose
this work for a further research. Head I is the first of the six portraits
included in Bacon's first exhibition in London at Erica Brausen's
Hanover Gallery, 1949. The artist often uses white lines to create a
box or internal frame in the composition, this is the characteristic of
his work. As seen in the picture below (Head I), Bacon restores the
human form to a roaring mouth with fangs. Here I understand it as a
rant about society and life, he is expressing his emotions through these
paintings. The thick sebum produces a texture comparable to rhino
skin, or, as the critic Robert Melville wrote at the time, it has the
'colour of wet, black snakes lightly powdered with dust.' Moreover,
the more valuable work Bacon has is philosophical. He accepted
Aristotle's ideas and advocated the use of empirical and inductive
methods, that is, the scientific method, which is the basis of modern
scientific inquiry. Today, Bacon is still widely regarded as a major
figure in scientific methodology and natural philosophy during the
British Renaissance. He advocated an organized system for acquiring
knowledge with humanitarian goals as his aims. Therefore, he ushered
in the new modern era of human understanding to a large extent, and
they are closely related to O’Brien's idea she mentioned in Global
Modernism.
In 1943, Joaquín Torres García proposed a plan for global modernism
to remap modern art. Then he said: 'I have said School of the South:
because, in fact, our North looks South. For us there must be a North,
expect in opposition to the South... This correction was necessary;
because it we know where we are.' Joaqun Torres-Garcá is a famous
Uruguayan modernist and he has a popular and meaningful illustration
about South America which is called the 'Inverted Map' (or Upside-
down map, 1943). This may be the first such map to appear, so this
illustration has become the core of Latin America's history of efforts
to revitalize the world. Torres-Garcá placed the South Pole on top of
the earth, thereby implying a visual confirmation of the importance of
the African continent and attempting to propose a pure revision of the
world. The map conveys important details, such as the basic direction
of the south, the latitude, and the equator of Montevideo. As stated in
the map, modern art comes from the 'South', and we need to re-
examine to see the world with a new perspective. The Southern Cone
is upside down, and people see the map of South America in a
completely new way. Different visions may provide people with
different ways of thinking, thereby creating new things. The artist
created this map in this spirit, which made him one of the most
symbolic images of Latin American modernism.
In the summer and autumn of 1952, Francis Bacon painted a series of
six small portrait heads. The works I selected this time are also from
this series. I strongly like Bacon's artistic style, which is why I chose
this work for a further research. Head I is the first of the six portraits
included in Bacon's first exhibition in London at Erica Brausen's
Hanover Gallery, 1949. The artist often uses white lines to create a
box or internal frame in the composition, this is the characteristic of
his work. As seen in the picture below (Head I), Bacon restores the
human form to a roaring mouth with fangs. Here I understand it as a
rant about society and life, he is expressing his emotions through these
paintings. The thick sebum produces a texture comparable to rhino
skin, or, as the critic Robert Melville wrote at the time, it has the
'colour of wet, black snakes lightly powdered with dust.' Moreover,
the more valuable work Bacon has is philosophical. He accepted
Aristotle's ideas and advocated the use of empirical and inductive
methods, that is, the scientific method, which is the basis of modern
scientific inquiry. Today, Bacon is still widely regarded as a major
figure in scientific methodology and natural philosophy during the
British Renaissance. He advocated an organized system for acquiring
knowledge with humanitarian goals as his aims. Therefore, he ushered
in the new modern era of human understanding to a large extent, and
they are closely related to O’Brien's idea she mentioned in Global
Modernism.
In 1943, Joaquín Torres García proposed a plan for global modernism
to remap modern art. Then he said: 'I have said School of the South:
because, in fact, our North looks South. For us there must be a North,
expect in opposition to the South... This correction was necessary;
because it we know where we are.' Joaqun Torres-Garcá is a famous
Uruguayan modernist and he has a popular and meaningful illustration
about South America which is called the 'Inverted Map' (or Upside-
down map, 1943). This may be the first such map to appear, so this
illustration has become the core of Latin America's history of efforts
to revitalize the world. Torres-Garcá placed the South Pole on top of
the earth, thereby implying a visual confirmation of the importance of
the African continent and attempting to propose a pure revision of the
world. The map conveys important details, such as the basic direction
of the south, the latitude, and the equator of Montevideo. As stated in
the map, modern art comes from the 'South', and we need to re-
examine to see the world with a new perspective. The Southern Cone
is upside down, and people see the map of South America in a
completely new way. Different visions may provide people with
different ways of thinking, thereby creating new things. The artist
created this map in this spirit, which made him one of the most
symbolic images of Latin American modernism.
In the summer and autumn of 1952, Francis Bacon painted a series of
six small portrait heads. The works I selected this time are also from
this series. I strongly like Bacon's artistic style, which is why I chose
this work for a further research. Head I is the first of the six portraits
included in Bacon's first exhibition in London at Erica Brausen's
Hanover Gallery, 1949. The artist often uses white lines to create a
box or internal frame in the composition, this is the characteristic of
his work. As seen in the picture below (Head I), Bacon restores the
human form to a roaring mouth with fangs. Here I understand it as a
rant about society and life, he is expressing his emotions through these
paintings. The thick sebum produces a texture comparable to rhino
skin, or, as the critic Robert Melville wrote at the time, it has the
'colour of wet, black snakes lightly powdered with dust.' Moreover,
the more valuable work Bacon has is philosophical. He accepted
Aristotle's ideas and advocated the use of empirical and inductive
methods, that is, the scientific method, which is the basis of modern
scientific inquiry. Today, Bacon is still widely regarded as a major
figure in scientific methodology and natural philosophy during the
British Renaissance. He advocated an organized system for acquiring
knowledge with humanitarian goals as his aims. Therefore, he ushered
in the new modern era of human understanding to a large extent, and
they are closely related to O’Brien's idea she mentioned in Global
Modernism.
In 1943, Joaquín Torres García proposed a plan for global modernism
to remap modern art. Then he said: 'I have said School of the South:
because, in fact, our North looks South. For us there must be a North,
expect in opposition to the South... This correction was necessary;
because it we know where we are.' Joaqun Torres-Garcá is a famous
Uruguayan modernist and he has a popular and meaningful illustration
about South America which is called the 'Inverted Map' (or Upside-
down map, 1943). This may be the first such map to appear, so this
illustration has become the core of Latin America's history of efforts
to revitalize the world. Torres-Garcá placed the South Pole on top of
the earth, thereby implying a visual confirmation of the importance of
the African continent and attempting to propose a pure revision of the
world. The map conveys important details, such as the basic direction
of the south, the latitude, and the equator of Montevideo. As stated in
the map, modern art comes from the 'South', and we need to re-
examine to see the world with a new perspective. The Southern Cone
is upside down, and people see the map of South America in a
completely new way. Different visions may provide people with
different ways of thinking, thereby creating new things. The artist
created this map in this spirit, which made him one of the most
symbolic images of Latin American modernism.
In the summer and autumn of 1952, Francis Bacon painted a series of
six small portrait heads. The works I selected this time are also from
this series. I strongly like Bacon's artistic style, which is why I chose
this work for a further research. Head I is the first of the six portraits
included in Bacon's first exhibition in London at Erica Brausen's
Hanover Gallery, 1949. The artist often uses white lines to create a
box or internal frame in the composition, this is the characteristic of
his work. As seen in the picture below (Head I), Bacon restores the
human form to a roaring mouth with fangs. Here I understand it as a
rant about society and life, he is expressing his emotions through these
paintings. The thick sebum produces a texture comparable to rhino
skin, or, as the critic Robert Melville wrote at the time, it has the
'colour of wet, black snakes lightly powdered with dust.' Moreover,
the more valuable work Bacon has is philosophical. He accepted
Aristotle's ideas and advocated the use of empirical and inductive
methods, that is, the scientific method, which is the basis of modern
scientific inquiry. Today, Bacon is still widely regarded as a major
figure in scientific methodology and natural philosophy during the
British Renaissance. He advocated an organized system for acquiring
knowledge with humanitarian goals as his aims. Therefore, he ushered
in the new modern era of human understanding to a large extent, and
they are closely related to O’Brien's idea she mentioned in Global
Modernism.
In 1943, Joaquín Torres García proposed a plan for global modernism
to remap modern art. Then he said: 'I have said School of the South:
because, in fact, our North looks South. For us there must be a North,
expect in opposition to the South... This correction was necessary;
because it we know where we are.' Joaqun Torres-Garcá is a famous
Uruguayan modernist and he has a popular and meaningful illustration
about South America which is called the 'Inverted Map' (or Upside-
down map, 1943). This may be the first such map to appear, so this
illustration has become the core of Latin America's history of efforts
to revitalize the world. Torres-Garcá placed the South Pole on top of
the earth, thereby implying a visual confirmation of the importance of
the African continent and attempting to propose a pure revision of the
world. The map conveys important details, such as the basic direction
of the south, the latitude, and the equator of Montevideo. As stated in
the map, modern art comes from the 'South', and we need to re-
examine to see the world with a new perspective. The Southern Cone
is upside down, and people see the map of South America in a
completely new way. Different visions may provide people with
different ways of thinking, thereby creating new things. The artist
created this map in this spirit, which made him one of the most
symbolic images of Latin American modernism.
In the summer and autumn of 1952, Francis Bacon painted a series of
six small portrait heads. The works I selected this time are also from
this series. I strongly like Bacon's artistic style, which is why I chose
this work for a further research. Head I is the first of the six portraits
included in Bacon's first exhibition in London at Erica Brausen's
Hanover Gallery, 1949. The artist often uses white lines to create a
box or internal frame in the composition, this is the characteristic of
his work. As seen in the picture below (Head I), Bacon restores the
human form to a roaring mouth with fangs. Here I understand it as a
rant about society and life, he is expressing his emotions through these
paintings. The thick sebum produces a texture comparable to rhino
skin, or, as the critic Robert Melville wrote at the time, it has the
'colour of wet, black snakes lightly powdered with dust.' Moreover,
the more valuable work Bacon has is philosophical. He accepted
Aristotle's ideas and advocated the use of empirical and inductive
methods, that is, the scientific method, which is the basis of modern
scientific inquiry. Today, Bacon is still widely regarded as a major
figure in scientific methodology and natural philosophy during the
British Renaissance. He advocated an organized system for acquiring
knowledge with humanitarian goals as his aims. Therefore, he ushered
in the new modern era of human understanding to a large extent, and
they are closely related to O’Brien's idea she mentioned in Global
Modernism.
In 1943, Joaquín Torres García proposed a plan for global modernism
to remap modern art. Then he said: 'I have said School of the South:
because, in fact, our North looks South. For us there must be a North,
expect in opposition to the South... This correction was necessary;
because it we know where we are.' Joaqun Torres-Garcá is a famous
Uruguayan modernist and he has a popular and meaningful illustration
about South America which is called the 'Inverted Map' (or Upside-
down map, 1943). This may be the first such map to appear, so this
illustration has become the core of Latin America's history of efforts
to revitalize the world. Torres-Garcá placed the South Pole on top of
the earth, thereby implying a visual confirmation of the importance of
the African continent and attempting to propose a pure revision of the
world. The map conveys important details, such as the basic direction
of the south, the latitude, and the equator of Montevideo. As stated in
the map, modern art comes from the 'South', and we need to re-
examine to see the world with a new perspective. The Southern Cone
is upside down, and people see the map of South America in a
completely new way. Different visions may provide people with
different ways of thinking, thereby creating new things. The artist
created this map in this spirit, which made him one of the most
symbolic images of Latin American modernism.
In the summer and autumn of 1952, Francis Bacon painted a series of
six small portrait heads. The works I selected this time are also from
this series. I strongly like Bacon's artistic style, which is why I chose
this work for a further research. Head I is the first of the six portraits
included in Bacon's first exhibition in London at Erica Brausen's
Hanover Gallery, 1949. The artist often uses white lines to create a
box or internal frame in the composition, this is the characteristic of
his work. As seen in the picture below (Head I), Bacon restores the
human form to a roaring mouth with fangs. Here I understand it as a
rant about society and life, he is expressing his emotions through these
paintings. The thick sebum produces a texture comparable to rhino
skin, or, as the critic Robert Melville wrote at the time, it has the
'colour of wet, black snakes lightly powdered with dust.' Moreover,
the more valuable work Bacon has is philosophical. He accepted
Aristotle's ideas and advocated the use of empirical and inductive
methods, that is, the scientific method, which is the basis of modern
scientific inquiry. Today, Bacon is still widely regarded as a major
figure in scientific methodology and natural philosophy during the
British Renaissance. He advocated an organized system for acquiring
knowledge with humanitarian goals as his aims. Therefore, he ushered
in the new modern era of human understanding to a large extent, and
they are closely related to O’Brien's idea she mentioned in Global
Modernism.
In 1943, Joaquín Torres García proposed a plan for global modernism
to remap modern art. Then he said: 'I have said School of the South:
because, in fact, our North looks South. For us there must be a North,
expect in opposition to the South... This correction was necessary;
because it we know where we are.' Joaqun Torres-Garcá is a famous
Uruguayan modernist and he has a popular and meaningful illustration
about South America which is called the 'Inverted Map' (or Upside-
down map, 1943). This may be the first such map to appear, so this
illustration has become the core of Latin America's history of efforts
to revitalize the world. Torres-Garcá placed the South Pole on top of
the earth, thereby implying a visual confirmation of the importance of
the African continent and attempting to propose a pure revision of the
world. The map conveys important details, such as the basic direction
of the south, the latitude, and the equator of Montevideo. As stated in
the map, modern art comes from the 'South', and we need to re-
examine to see the world with a new perspective. The Southern Cone
is upside down, and people see the map of South America in a
completely new way. Different visions may provide people with
different ways of thinking, thereby creating new things. The artist
created this map in this spirit, which made him one of the most
symbolic images of Latin American modernism.
In the summer and autumn of 1952, Francis Bacon painted a series of
six small portrait heads. The works I selected this time are also from
this series. I strongly like Bacon's artistic style, which is why I chose
this work for a further research. Head I is the first of the six portraits
included in Bacon's first exhibition in London at Erica Brausen's
Hanover Gallery, 1949. The artist often uses white lines to create a
box or internal frame in the composition, this is the characteristic of
his work. As seen in the picture below (Head I), Bacon restores the
human form to a roaring mouth with fangs. Here I understand it as a
rant about society and life, he is expressing his emotions through these
paintings. The thick sebum produces a texture comparable to rhino
skin, or, as the critic Robert Melville wrote at the time, it has the
'colour of wet, black snakes lightly powdered with dust.' Moreover,
the more valuable work Bacon has is philosophical. He accepted
Aristotle's ideas and advocated the use of empirical and inductive
methods, that is, the scientific method, which is the basis of modern
scientific inquiry. Today, Bacon is still widely regarded as a major
figure in scientific methodology and natural philosophy during the
British Renaissance. He advocated an organized system for acquiring
knowledge with humanitarian goals as his aims. Therefore, he ushered
in the new modern era of human understanding to a large extent, and
they are closely related to O’Brien's idea she mentioned in Global
Modernism.
In 1943, Joaquín Torres García proposed a plan for global modernism
to remap modern art. Then he said: 'I have said School of the South:
because, in fact, our North looks South. For us there must be a North,
expect in opposition to the South... This correction was necessary;
because it we know where we are.' Joaqun Torres-Garcá is a famous
Uruguayan modernist and he has a popular and meaningful illustration
about South America which is called the 'Inverted Map' (or Upside-
down map, 1943). This may be the first such map to appear, so this
illustration has become the core of Latin America's history of efforts
to revitalize the world. Torres-Garcá placed the South Pole on top of
the earth, thereby implying a visual confirmation of the importance of
the African continent and attempting to propose a pure revision of the
world. The map conveys important details, such as the basic direction
of the south, the latitude, and the equator of Montevideo. As stated in
the map, modern art comes from the 'South', and we need to re-
examine to see the world with a new perspective. The Southern Cone
is upside down, and people see the map of South America in a
completely new way. Different visions may provide people with
different ways of thinking, thereby creating new things. The artist
created this map in this spirit, which made him one of the most
symbolic images of Latin American modernism.
In the summer and autumn of 1952, Francis Bacon painted a series of
six small portrait heads. The works I selected this time are also from
this series. I strongly like Bacon's artistic style, which is why I chose
this work for a further research. Head I is the first of the six portraits
included in Bacon's first exhibition in London at Erica Brausen's
Hanover Gallery, 1949. The artist often uses white lines to create a
box or internal frame in the composition, this is the characteristic of
his work. As seen in the picture below (Head I), Bacon restores the
human form to a roaring mouth with fangs. Here I understand it as a
rant about society and life, he is expressing his emotions through these
paintings. The thick sebum produces a texture comparable to rhino
skin, or, as the critic Robert Melville wrote at the time, it has the
'colour of wet, black snakes lightly powdered with dust.' Moreover,
the more valuable work Bacon has is philosophical. He accepted
Aristotle's ideas and advocated the use of empirical and inductive
methods, that is, the scientific method, which is the basis of modern
scientific inquiry. Today, Bacon is still widely regarded as a major
figure in scientific methodology and natural philosophy during the
British Renaissance. He advocated an organized system for acquiring
knowledge with humanitarian goals as his aims. Therefore, he ushered
in the new modern era of human understanding to a large extent, and
they are closely related to O’Brien's idea she mentioned in Global
Modernism.
In 1943, Joaquín Torres García proposed a plan for global modernism
to remap modern art. Then he said: 'I have said School of the South:
because, in fact, our North looks South. For us there must be a North,
expect in opposition to the South... This correction was necessary;
because it we know where we are.' Joaqun Torres-Garcá is a famous
Uruguayan modernist and he has a popular and meaningful illustration
about South America which is called the 'Inverted Map' (or Upside-
down map, 1943). This may be the first such map to appear, so this
illustration has become the core of Latin America's history of efforts
to revitalize the world. Torres-Garcá placed the South Pole on top of
the earth, thereby implying a visual confirmation of the importance of
the African continent and attempting to propose a pure revision of the
world. The map conveys important details, such as the basic direction
of the south, the latitude, and the equator of Montevideo. As stated in
the map, modern art comes from the 'South', and we need to re-
examine to see the world with a new perspective. The Southern Cone
is upside down, and people see the map of South America in a
completely new way. Different visions may provide people with
different ways of thinking, thereby creating new things. The artist
created this map in this spirit, which made him one of the most
symbolic images of Latin American modernism.
In the summer and autumn of 1952, Francis Bacon painted a series of
six small portrait heads. The works I selected this time are also from
this series. I strongly like Bacon's artistic style, which is why I chose
this work for a further research. Head I is the first of the six portraits
included in Bacon's first exhibition in London at Erica Brausen's
Hanover Gallery, 1949. The artist often uses white lines to create a
box or internal frame in the composition, this is the characteristic of
his work. As seen in the picture below (Head I), Bacon restores the
human form to a roaring mouth with fangs. Here I understand it as a
rant about society and life, he is expressing his emotions through these
paintings. The thick sebum produces a texture comparable to rhino
skin, or, as the critic Robert Melville wrote at the time, it has the
'colour of wet, black snakes lightly powdered with dust.' Moreover,
the more valuable work Bacon has is philosophical. He accepted
Aristotle's ideas and advocated the use of empirical and inductive
methods, that is, the scientific method, which is the basis of modern
scientific inquiry. Today, Bacon is still widely regarded as a major
figure in scientific methodology and natural philosophy during the
British Renaissance. He advocated an organized system for acquiring
knowledge with humanitarian goals as his aims. Therefore, he ushered
in the new modern era of human understanding to a large extent, and
they are closely related to O’Brien's idea she mentioned in Global
Modernism.
In 1943, Joaquín Torres García proposed a plan for global modernism
to remap modern art. Then he said: 'I have said School of the South:
because, in fact, our North looks South. For us there must be a North,
expect in opposition to the South... This correction was necessary;
because it we know where we are.' Joaqun Torres-Garcá is a famous
Uruguayan modernist and he has a popular and meaningful illustration
about South America which is called the 'Inverted Map' (or Upside-
down map, 1943). This may be the first such map to appear, so this
illustration has become the core of Latin America's history of efforts
to revitalize the world. Torres-Garcá placed the South Pole on top of
the earth, thereby implying a visual confirmation of the importance of
the African continent and attempting to propose a pure revision of the
world. The map conveys important details, such as the basic direction
of the south, the latitude, and the equator of Montevideo. As stated in
the map, modern art comes from the 'South', and we need to re-
examine to see the world with a new perspective. The Southern Cone
is upside down, and people see the map of South America in a
completely new way. Different visions may provide people with
different ways of thinking, thereby creating new things. The artist
created this map in this spirit, which made him one of the most
symbolic images of Latin American modernism.
In the summer and autumn of 1952, Francis Bacon painted a series of
six small portrait heads. The works I selected this time are also from
this series. I strongly like Bacon's artistic style, which is why I chose
this work for a further research. Head I is the first of the six portraits
included in Bacon's first exhibition in London at Erica Brausen's
Hanover Gallery, 1949. The artist often uses white lines to create a
box or internal frame in the composition, this is the characteristic of
his work. As seen in the picture below (Head I), Bacon restores the
human form to a roaring mouth with fangs. Here I understand it as a
rant about society and life, he is expressing his emotions through these
paintings. The thick sebum produces a texture comparable to rhino
skin, or, as the critic Robert Melville wrote at the time, it has the
'colour of wet, black snakes lightly powdered with dust.' Moreover,
the more valuable work Bacon has is philosophical. He accepted
Aristotle's ideas and advocated the use of empirical and inductive
methods, that is, the scientific method, which is the basis of modern
scientific inquiry. Today, Bacon is still widely regarded as a major
figure in scientific methodology and natural philosophy during the
British Renaissance. He advocated an organized system for acquiring
knowledge with humanitarian goals as his aims. Therefore, he ushered
in the new modern era of human understanding to a large extent, and
they are closely related to O’Brien's idea she mentioned in Global
Modernism.
In 1943, Joaquín Torres García proposed a plan for global modernism
to remap modern art. Then he said: 'I have said School of the South:
because, in fact, our North looks South. For us there must be a North,
expect in opposition to the South... This correction was necessary;
because it we know where we are.' Joaqun Torres-Garcá is a famous
Uruguayan modernist and he has a popular and meaningful illustration
about South America which is called the 'Inverted Map' (or Upside-
down map, 1943). This may be the first such map to appear, so this
illustration has become the core of Latin America's history of efforts
to revitalize the world. Torres-Garcá placed the South Pole on top of
the earth, thereby implying a visual confirmation of the importance of
the African continent and attempting to propose a pure revision of the
world. The map conveys important details, such as the basic direction
of the south, the latitude, and the equator of Montevideo. As stated in
the map, modern art comes from the 'South', and we need to re-
examine to see the world with a new perspective. The Southern Cone
is upside down, and people see the map of South America in a
completely new way. Different visions may provide people with
different ways of thinking, thereby creating new things. The artist
created this map in this spirit, which made him one of the most
symbolic images of Latin American modernism.
In the summer and autumn of 1952, Francis Bacon painted a series of
six small portrait heads. The works I selected this time are also from
this series. I strongly like Bacon's artistic style, which is why I chose
this work for a further research. Head I is the first of the six portraits
included in Bacon's first exhibition in London at Erica Brausen's
Hanover Gallery, 1949. The artist often uses white lines to create a
box or internal frame in the composition, this is the characteristic of
his work. As seen in the picture below (Head I), Bacon restores the
human form to a roaring mouth with fangs. Here I understand it as a
rant about society and life, he is expressing his emotions through these
paintings. The thick sebum produces a texture comparable to rhino
skin, or, as the critic Robert Melville wrote at the time, it has the
'colour of wet, black snakes lightly powdered with dust.' Moreover,
the more valuable work Bacon has is philosophical. He accepted
Aristotle's ideas and advocated the use of empirical and inductive
methods, that is, the scientific method, which is the basis of modern
scientific inquiry. Today, Bacon is still widely regarded as a major
figure in scientific methodology and natural philosophy during the
British Renaissance. He advocated an organized system for acquiring
knowledge with humanitarian goals as his aims. Therefore, he ushered
in the new modern era of human understanding to a large extent, and
they are closely related to O’Brien's idea she mentioned in Global
Modernism.
In 1943, Joaquín Torres García proposed a plan for global modernism
to remap modern art. Then he said: 'I have said School of the South:
because, in fact, our North looks South. For us there must be a North,
expect in opposition to the South... This correction was necessary;
because it we know where we are.' Joaqun Torres-Garcá is a famous
Uruguayan modernist and he has a popular and meaningful illustration
about South America which is called the 'Inverted Map' (or Upside-
down map, 1943). This may be the first such map to appear, so this
illustration has become the core of Latin America's history of efforts
to revitalize the world. Torres-Garcá placed the South Pole on top of
the earth, thereby implying a visual confirmation of the importance of
the African continent and attempting to propose a pure revision of the
world. The map conveys important details, such as the basic direction
of the south, the latitude, and the equator of Montevideo. As stated in
the map, modern art comes from the 'South', and we need to re-
examine to see the world with a new perspective. The Southern Cone
is upside down, and people see the map of South America in a
completely new way. Different visions may provide people with
different ways of thinking, thereby creating new things. The artist
created this map in this spirit, which made him one of the most
symbolic images of Latin American modernism.
In the summer and autumn of 1952, Francis Bacon painted a series of
six small portrait heads. The works I selected this time are also from
this series. I strongly like Bacon's artistic style, which is why I chose
this work for a further research. Head I is the first of the six portraits
included in Bacon's first exhibition in London at Erica Brausen's
Hanover Gallery, 1949. The artist often uses white lines to create a
box or internal frame in the composition, this is the characteristic of
his work. As seen in the picture below (Head I), Bacon restores the
human form to a roaring mouth with fangs. Here I understand it as a
rant about society and life, he is expressing his emotions through these
paintings. The thick sebum produces a texture comparable to rhino
skin, or, as the critic Robert Melville wrote at the time, it has the
'colour of wet, black snakes lightly powdered with dust.' Moreover,
the more valuable work Bacon has is philosophical. He accepted
Aristotle's ideas and advocated the use of empirical and inductive
methods, that is, the scientific method, which is the basis of modern
scientific inquiry. Today, Bacon is still widely regarded as a major
figure in scientific methodology and natural philosophy during the
British Renaissance. He advocated an organized system for acquiring
knowledge with humanitarian goals as his aims. Therefore, he ushered
in the new modern era of human understanding to a large extent, and
they are closely related to O’Brien's idea she mentioned in Global
Modernism.
