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Research Paper
Robert Louis Stevenson’s novel The Strange Case of Dr. Jekyll and Mr. Hyde reflects
various aspects the British Modernism movement of the late 19th and early 20th centuries. The
novel expresses the key aspects of self-consciousness and individualism, duality, and
experimentation; as a result reflecting the significant societal and cultural shifts at the turn of the
century. The British modernist movement greatly impacted literature, in turn resulting in fiction
focusing on character’s individual isolation and complex thought processes (Eastern CSU, n.d.).
The first aspects of British Modernism that are present throughout the novel are self-
consciousness and individualism. These can be seen through the portrayal of Jekyll and his inner
struggles and self-awareness. One critical example of this is “In this case, I was driven to reflect
deeply and inveterately on that hard law of life, which lies at the root of religion and is one of the
plentiful springs of distress” (Stevenson). This passage provides an insight into Jekyll’s inner
conflict and struggles with reconciling the aspects of his personality that he kept hidden
throughout his life. The mention of religion is significant because it reflects Jekyll’s break from
tradition and desire to question societal beliefs. This is reflective of British Modernism of the
time period, “an avant-garde movement in literature and art that sought to break away from
ordinary social values, commercialism, and the “genteel” literary tradition that preceded
it” (Eastern CSU, n.d.). Jekyll’s break from tradition is significant because it expresses the shift
from rigid Victorian ideals to a more progressive era of British Modernism, one which
encouraged acknowledging different perspectives, increasing self-consciousness, and
complexity.
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The second aspects British Modernism that are present throughout the novel are duality
and experimentation. One passage that conveys the element of duality is “And yet when I looked
upon that ugly idol in the glass, I was conscious of no repugnance, rather of a leap of welcome.
This, too, was myself” (Stevenson). This passage is critical because it expresses Jekyll’s decision
to reconcile the good and evil sides of his personality. He embraces not only his duality but the
duality of humanity. Experimentation is also a significant element that is present and is used to
convey a new form of expression. This method has been an important characteristic of British
Modernist literature and has helped the novel reflect societal and cultural changes throughout the
era. The scientific advancements and experimentation that characterized the era are reflected in
Jekyll’s use of the potion to transform himself into Hyde. In addition “Stevenson’s Dr Jekyll and
Mr Hyde can be understood in the context of nineteenth century medical discourses, even if these
do not by any means exhaust the significance of the story. In the second half of the nineteenth
century doctors were becoming interested in dual and multiple personality” (Davis 10).
All in all The Strange Case of Dr. Jekyll and Mr. Hyde provides a significant insight into
not only the psyche of Jekyll and Hyde but also the transformative impact that British
Modernism had on literature. The elements of self-consciousness and individualism, duality, and
experimentation all effectively reflect the individual isolation and complex thought processes of
the characters, and as a result provided an insight into the transition from the Victorian era to the
Modernist era; “Utterson’s solution to the tedium of Victorian gentlemanly life is both creative
and socially acceptable, for his actions lead to the pursuit of an objective truth, which Lanyon’s
and Jekyll’s letters ultimately provide for him. Jekyll’s solution, on the other hand, is primordial
and destructive because his acts point toward an inaccessible originary scene just before the
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formation of language. Rather than an abortive act of representation, he engages in the savagery
of appropriation, leading him to a pattern of violence. In the end, Stevenson’s novella subtly
teaches readers the importance of curiosity, art, and culture to the human person” (Fashbaugh
9-10).
Works Cited
Davis, Colin. “From Psychopathology to Diabolical Evil: Dr Jekyll, Mr Hyde and Jean Renoir.”
Journal of Romance Studies, vol. 12, no. 1, 2012, pp. 10–23. EBSCO, eds-a-ebscohost-
com.ezproxy.snhu.edu/eds/detail/detail?vid=9&sid=2db42bd3-4f9f-4801-b54f-
f34609abe194%40sdc-v-
sessmgr03&bdata=JnNpdGU9ZWRzLWxpdmUmc2NvcGU9c2l0ZQ%3d%3d#db=ufh&AN=73
982353.
Eastern CSU. “British Modernism.” Eastern Connecticut State University, www.easternct.edu/
speichera/understanding-literary-history-all/british-modernism.html. Accessed 22 Aug. 2021.
Fashbaugh, Martin. “Language, Culture, Banality, and Resentment: The Turn Toward and the
Return from the Linguistic in Robert Louis Stevenson’s The Strange Case of Dr. Jekyll and Mr.
Hyde.” Anthropoetics: The Journal of General Anthropology, vol. 25, no. 2, 2020, pp. 1–11.
EBSCO, eds-b-ebscohost-com.ezproxy.snhu.edu/eds/detail/detail?
vid=1&sid=f7544672-465d-492e-a25e-f376cd80443f%40pdc-v-
sessmgr03&bdata=JnNpdGU9ZWRzLWxpdmUmc2NvcGU9c2l0ZQ%3d%3d#db=hlh&AN=14
3353826.
Rita, Rokeya Sarker. “Dissociative Identity Disorder in Robert Louis Stevenson’s The Strange
Case of Dr. Jekyll and Mr. Hyde.” ASA University Review, vol. 11, no. 1, 2017, pp. 75–80.
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EBSCO, eds-a-ebscohost-com.ezproxy.snhu.edu/eds/detail/detail?
vid=3&sid=2db42bd3-4f9f-4801-b54f-f34609abe194%40sdc-v-
sessmgr03&bdata=JnNpdGU9ZWRzLWxpdmUmc2NvcGU9c2l0ZQ%3d%3d#AN=126542533
&db=asn.
Stevenson, Robert Louis. The Strange Case of Dr. Jekyll and Mr. Hyde. Project Gutenberg, 2021,
www.gutenberg.org/files/43/43-h/43-h.htm.
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