Situating the Interdisciplinary Concepts
Literacy, meaning alphabetic literacy, is no longer the keynote of Western culture.
That is to say that capital-L Literacy is obsolete, having been done in when we killed
the reading public, the ground of literacy. As with the Hydra (once her head was lopped
off, new heads sprang up in its place), so with Literacy: now we see dozens, nay entire
litters of (small-‘l’) little literacies springing up spontaneously here and there with
evident abandon. (McLuhan, 2009: 9).
It seems that everywhere we look in the modern Western world we see
information and communication technologies being used, mediating our lives every
day. We have become so accustomed to living with these extraordinary technologies
that they have been rendered ordinary. New devices and technologies, after a brief
though sometimes painful learning curve, begin to disappear from the center of our
attention as we navigate the world through them. While media literacy focuses on
educating people in order for them to become more aware and adept at consuming,
using, and creating media content for specific outcomes (Aufderheide, 1993), it
primarily attends to the content of the messages—both intended and unintended—
especially concerning how human subjects are represented (Jolls & Wilson, 2014).
This chapter situates media literacy within the broader fields of communications
and education. I investigate current ways of defining media literacy and call for an
expansion of media literacy in order to include the medium and the context within
which the messages are enacted. While more than a cursory overview of media
literacy, this chapter will not exhaustively explore the field in its entirety. Rather, I give
an overview of some of the current and historic aspects of media literacy and point out
important areas that it often does not include. This provides a setting to bring in a
framework and instrument of transdisciplinary concepts that can be used to enhance
the field. Focusing on the medium is a first step in broadening the scope of media
literacy to include a broader context. While media literacy has focused mainly on
media skills and representation (Jolls & Wilson, 2014; Masterman, 1989), this has left
the study of the effects of the medium to outside fields such as medium theory
(Meyrowitz, 1994; Qvortrup, 2006); mediatization (Adolf, 2011; Hjarvard, 2013, 2014;
Lundby, 2014); media ecology (Anton, 2006, 2016; Logan, 2011; McLuhan, 1994;
Postman, 1974, 2000; Strate, 2017; Van Den Eede, 2012, 2016); and even the study
of the biography of things (Kopytoff, 1988; Lesage, 2013).
The next step after including the medium is to further expand media literacy to
include the context within which we engage with media. I use the example of
domestication theory in order to do so. By including the environment, the complexity
of our media relations become more apparent, making the case for expanding our
approach to media literacy to include, as Shaun Moores (2016) says, a non-media-
centric media literacy. My goal is to describe the current field of media literacy, situating
it at the intersection of communications and education. I make the case that expanding
the focus beyond content to include the effects of the medium and context can help
improve our understanding of the broader effects of media—both the drawbacks and
benefits.
Communication Beyond the Transmission Model
Media literacy is a combination of media (mostly studied within the field of
communications) and literacy (mostly studied within the field of education). Before
delving into the literacy aspect, I explain some of the background and different
approaches in the field of communications. For much of the second half of the
twentieth century, the dominant way of understanding communication was through the
transmission model, where ‘communication is a process of sending and receiving
messages or transferring information from one mind to another’ (Craig, 1999: 125).
Claude Shannon (1948) and Shannon and Warren Weaver (1964) developed a
mathematical model in order to understand communication, reducing a complex
process down into a simple and easily graspable model, which ‘is widely accepted as
one of the main seeds out of which Communication Studies has grown. It is a clear
example of the process school, seeing communication as the transmission of
messages’ (Fiske, 1990: 6). The transmission model is the basis of information theory
and has been a building block for a general understanding of the flow of information
and communication.
The transmission model consists of the producer of the message (information
source); the transmitter that encodes the message; the conduit or channel through
which the message is sent; the receiver that decodes the message; and the
destination where the message arrives. In the process, there is also noise, which
interferes with the clarity of the message. A common example of this model is a
telephone call. The person initiating the call is the information source; their phone
encodes the message; the telephone line or wireless network is the conduit; the
person’s phone receiving the call is the receiver that decodes the message; and the
destination is the person who hears the message. The noise is any interference: static
on the line or network, noises in the background, etc.
While the transmission model is still frequently used in information and computer
sciences, it has drawn criticism from social sciences (Carey, 2008; Deetz, 1994;
Pearce, 1989) as well as from media ecology for being too reductive and for
approaching communication as something that occurs between autonomous—already
fully established—entities rather than between relational beings. Robert Craig (1999)
states that there has been much discussion around need and desire for the
transmission model being ‘supplemented, if not entirely supplanted, by a model that
conceptualizes communication as a constitutive process that produces and
reproduces shared meaning’ (125). In other words, there is more to communication
theory than a one-way transmission of a message from one source to another. There
is shared meaning-making occurring. Craig advocates for the creation of a meta-model
(called the constitutive model) that allows a space for many different models to exist,
each being useful for a particular purpose (127). James Carey (2008) also argues
against the transmission model, saying that it is important to retain the connection to
community and culture. He advocates for more of a ritual or cultural view of
communication. Stuart Adam (2008) describes Carey’s approach as portraying a more
‘developed understanding of communication [involving] both a ritual and a
transmission view’ (xviii), both of which are needed for a modern society to exist.
Antonio López (2014: 47–48) builds upon Carey’s view (with somewhat more criticism)
and cautions against the transmission model:
In terms of media literacy, using mechanistic models of cognition and
communication will reinforce the paradigm of industrialism, remaining stuck in a
system of ‘bad ideas’; the essential bad idea being the assumption that communication
is a matter of autonomous beings transporting ideas between each other as
messages, and that such communication is disembodied from the thinking system that
comprises our cultural patterns and embeddedness within living systems.
López continues by describing an ecological intelligence where a person is ‘not
simply an autonomous self but is part of an interconnected thinking system that not
only includes socially constructed knowledge but knowledge that is co-produced with
the living environment’ (48). This moves from an approach where people construct
their own knowledge of the world to an approach that understands the co-constitution
that occurs during communication. Marshall McLuhan (as cited in Eric McLuhan, 2008)
calls Shannon and Weaver’s communication model a theory of transportation, not
communication. He defines communication as something that transforms or changes
the recipient. Without this transformation, it is not communication. Marshall McLuhan,
as his son Eric McLuhan (2008: 30–31) summarizes, believes that:
Communication means change. If something is communicated the recipient has
changed in some manner or degree. Our ‘common sense’ idea of communication is
merely one of transporting messages from point to point. Shannon and Weaver laid
the foundation of all Western ‘theories of communication’ with their model. […] But this
only is a transportation theory, not a theory of communication. They are concerned
merely with getting a bundle of goodies from one place to another, while keeping
dreaded Noise to a minimum.
The constitutive model of communication, where the action of communication
changes the recipient, as well as the person communicating, is how I conceive of
communication in this book. The act of communication is a relational act that co-
constitutes (transforms) the people involved in the communication.
Media Literacy Overview
The term ‘literacy’ in media literacy reflects the underlying echo of reading or print
literacy. However, media literacy focuses on a person’s competence and knowledge
of media. And, with the swift speed of change in current media trends, it is becoming
more and more difficult to keep abreast of the many new developments. As Lev
Manovich (2013) points out, the world ‘is now defined not by heavy industrial machines
that change infrequently, but by software that is always in flux’ (1–2). The need for
media literacy has never been so important. I begin by discussing the importance of
education and its impact on agency, after which I offer several definitions of media
literacy from key organizations. Then, the core concepts and competencies of media
literacy are discussed, concluding with an overview of the approaches currently found
in media literacy.
Education, Literacy, and Agency
One of media literacy’s core aspects is education (e.g., Alvermann et al., 2018;
Hobbs & Jensen, 2009; Kellner & Share, 2019; Livingstone & Van der Graaf, 2008;
Potter, 2018; and the journal Teaching Media Quarterly). This focus on education
pragmatically elevates the importance of the user and helps to ground the theoretical
concepts concerning media. While literacy is not a neutral term and comes with its
own contradictions (Luke, 1989; Livingstone, 2004), it also stresses the focus on the
user of media, whether as one whom consumes, produces, or simply uses it. This
general educational aspect is, as John Dewey (1997) posits, critical for a healthy
democracy. McLuhan (1969) says, somewhat hyperbolically, ‘If we understand the
revolutionary transformations caused by new media, we can anticipate and control
them; but if we continue in our self-induced subliminal trance, we will be their slaves’
(n.p.). Media literacy’s focus on education is key for developing awareness and thus
agency. Since this educational component is not as heavily stressed in the other fields
of inquiry that I analyze (specifically post phenomenology and philosophical
posthumanism), I draw inspiration from media literacy in order to create an approach
that is pragmatic and useful as an instrument for education.
The term literacy in education has its own socio-cultural baggage and should not
be thought of as a neutral term. Carmen Luke (1989) points out that the basis of public
schooling standardized ‘what and how all children should be taught; it would provide
all children with basic literacy skills and simultaneously facilitate the mass transmission
of centrally selected and controlled knowledge’ (5). Sonia Livingstone (2004)
summarizes Luke’s (1989) points by saying, literacy ‘masks a complex history of
contestation over the power and authority to access, interpret, and produce printed
texts’ (4). In other words, who gets to define and judge the qualities and knowledges
that equate with literacy? And, as the primary medium of print gives way to a diversity
of media, Jay Lemke (2006) suggests, ‘We need a broader definition of literacy itself,
one that includes all literate practices, regardless of medium’ (3). At the start of the
chapter, I referred to a quote by Eric McLuhan (2009) which points out that there are
many variations of literacy. Two variations that are close to (and can be considered
part of) media literacy are digital literacy (Buckingham, 2006; Gilster, 1997; Van Dijk &
Van Deursen, 2014), and social media literacy (Ahn, 2013; Burnett & Merchant, 2011;
Livingstone, 2014; Vanwynsberghe, 2014). Livingstone (2004: 5) states,
[P]eople now engage with a media environment which integrates print,
audiovisual, telephony, and computer media. Hence, we need a conceptual framework
that spans these media. Literacy seems to do the work required here: It is pan-media
in that it covers the interpretation of all complex, mediated symbolic texts broadcast or
published on electronic communications networks; at the same time.
Some of the most recent literacies are artificial intelligence literacy (or related
literacies such as those concerning machine learning or neural networks) and
algorithmic literacy. Petar Jandrić (2019) makes the case for expanding critical media
literacy to encompass artificial intelligence (AI) and the postdigital context. Jussi
Okkonen and Sirkku Kotilainen (2019) describe the potential effects that AI has on
youth (and their parents) and the implications this has for media literacy. Jialei Jiang
and Matthew Vetter (2020) make the case for becoming more literate concerning the
effects of algorithms, specifically analyzing algorithmic writing bots on Wikipedia.
These postdigital challenges point to future directions that are emerging in media
literacy. Education can increase a person’s awareness, which in turn facilitates the
ability for them to regain agency. An entire issue of the Journal of Media Literacy
(Andersen & Arcus, 2017) is devoted to the concept of agency in media literacy. In it,
Neil Andersen and Carol Arcus write, ‘Agency is knowledge in action. In media literacy,
agency is the exercising of awareness through critical thinking skills to effect change
personally, locally and/or globally’ (3). While agency of technology is discussed in more
depth in Chapter 3, it is important in media literacy to understand that there is a shared
agency as we interact with media, and by increasing our awareness (through
education) we can increase our own agency. Tsjalling Swierstra and Katinka Waelbers
(2012) say, ‘Technologies affect our actions not just by altering the course of action
(like billiard balls act upon each other) but by mediating our reasons or motives to act
in a particular way’ (160). In support of media users having agency, Douglas Kellner
and Jeff Share (2007) focus on audience theory to point out ‘the moment of reception
[is] a contested terrain of cultural struggle where critical thinking skills offer potential
for the audience to negotiate different readings and openly struggle with dominant
discourses’ (13). Additionally, McLuhan scholar Robert Logan (2013) explains
McLuhan’s aphorism—the user is the content—means that ‘each reader or viewer
brings his or her own experience and understanding to a medium and transforms the
content according to his or her own need and abilities’ (76). Logan further explains,
‘information does not have an intrinsic meaning independent of the user’ (77). Media
literacy plays a key role in helping educate people with regards to their media-rich
lives, facilitating their awareness and thus increasing their own agency.
Defining Media Literacy
Bringing media and literacy together has created its own field of study. However,
moving from the single-medium of print to the plurality of media-types and
technologies makes it difficult to reduce media literacy to a single description. As Tibor
Koltay (2011) states, ‘media literacy is an umbrella concept. It is characterized by a
diversity of perspectives and a multitude of definitions’ (212). It is Len Masterman’s
(1989, 2010) focus on representation that helps media literacy emerge from media
studies. Masterman, from the United Kingdom, and Barry Duncan (2010), from
Canada are often considered the founders of media literacy (Jolls & Wilson, 2014).
According to Masterman (1989), ‘The central unifying concept of Media Education is
that of representation. The media mediate. They do not reflect but re-present the world.
The media […] are symbolic sign systems that must be decoded’ (see Principle 2).
This approach emphasizes the encoding and decoding of media representations and
reflects the content-focused and transportation approach that has been dominant in
media literacy. As the U.S.-based National Association for Media Literacy (NAMLE)
states, ‘Media literacy is the ability to encode and decode the symbols transmitted via
media and the ability to synthesize, analyze and produce mediated messages’
(NAMLE, 2019). This definition is rooted in how the transmission concept of
communication re-presents the sociocultural world. Masterman (2010: 5) differentiates
content from representation:
What we were actually studying was television and not its different subject
contents. That is, we were not actually studying sport or music or news or
documentary. We were studying representations of these things. We were studying
the ways in which these subjects were being represented and symbolized and
packaged by the medium.
While Masterman (1989) is making the case against a simple contentcentered
approach, the conceptual framework he advocates for is still directed at reading and
analyzing (decoding) media content and does not, for example, include the influence
of the specific technological medium. Another definition that comes from the Center
for Media Literacy (CML) (2019) in the U.S., builds upon Masterman’s (1980, 1989)
concepts and contributes a more extended definition of media literacy, stating that it
provides,
[A] framework to access, analyze, evaluate, create and participate with
messages in a variety of forms—from print to video to the Internet. Media literacy
builds an understanding of the role of media in society as well as essential skills of
inquiry and self-expression necessary for citizens of a democracy. (2nd expanded
definition)
This definition covers many of the standard concepts and approaches (cf. below)
used by many organizations involved with media literacy— from government agencies
to educational organizations. Arguably, more important than defining media literacy is
how organizations have put into practice the development and implementation of
competencies, core concepts, and questions.
Competencies, Concepts, and Questions
Several people and organizations have created lists of competencies in order to
better articulate how a person might judge their own media literacy. This moves media
literacy from being defined to being implemented, focusing on the abilities of a media
literate person. Renee Hobbs1 (2010: 19) describes five essential competencies of
digital and media literacy as:
1. Access: Finding and using media and technology tools skillfully and sharing
appropriate and relevant information with others.
2. Analyze & Evaluate: Comprehending messages and using critical thinking to
analyze message quality, veracity, credibility, and point of view, while considering
potential effects or consequences of messages.
3. Create: Composing or generating content using creativity and confidence in
self-expression, with awareness of purpose, audience, and composition techniques
4. Reflect: Applying social responsibility and ethical principles to one’s own
identity and lived experience, communication behavior and conduct.
5. Act: Working individually and collaboratively to share knowledge and solve
problems in the family, the workplace and the community, and participating as a
member of a community at local, regional, national and international levels.
Similarly, Ben Bachmair and Cary Bazalgette (2007: 84) describe the claim from
the European Charter for Media Literacy that a media literate person should be able
to:
• Use media technologies effectively to access, store, retrieve and share content
to meet their individual and community needs and interests;
• Gain access to, and make informed choices about, a wide range of media forms
and content from different cultural and institutional sources;
• Understand how and why media content is produced;
• Analyze critically the techniques, languages and conventions used by the
media, and the messages they convey;
• Use media creatively to express and communicate ideas,
information and opinions;
• Identify, and avoid or challenge, media content and services that may be
unsolicited, offensive or harmful;
• Make effective use of media in the exercise of their democratic rights and civic
responsibilities.
These core competencies are additionally reflected in the CML’s handout, which
is an effective example of bringing the concepts for media literacy into one useful
document. In addition to the five core concepts, CML also has created questions for
students to ask themselves since the core concepts can be somewhat theoretical. The
questions can help guide students in their investigations into specific media. The
document also helpfully differentiates between consumers and producers of media.
The development of media literacy questions has also been implemented by
organizations such as the Association of Media Literacy (AML) in Canada and NAMLE
(namle.net) in the U.S. In addition to the development of various definitions,
competencies, and concepts— all of which help to pragmatically implement media
literacy skills— there have also been different approaches to media literacy identified.
These approaches are a helpful way of narrowing the ‘umbrella concept’ (Koltay, 2011)
of media literacy.
Four Approaches
Kellner and Share (2005, 2007) identify four differing approaches to media
literacy. These different models focus on developing skills for the media literate person.
They articulate the four approaches as: media arts-based, a media literacy movement,
protectionist, and critical media literacy.
Media Arts-Based
In a media arts-based approach to media literacy, the focus is on developing the
ability and skills to use new forms of media, often for creative self-expression. The
primary focus is on the individual’s ability to learn the skills in order to help find and
creatively express their own voice through the media (Kellner & Share, 2007). While
this contributes towards the literacy and empowerment of the individual, the approach
tends to view the media in an instrumental or neutral manner—as a tool to learn in
order to accomplish something. These programs can range in their level of emphasis
on criticism, the danger being that if they only teach self-expression without also
including a critical component, the students might be prone to ‘reproduce hegemonic
representations or express their voice without the awareness of ideological
implications or any type of social critique’ (7). Teaching the skills of working with the
media technologies is very important, but it is important to teach the concept that the
mediums worked with are not neutral, as well as the importance of critical analysis.
Media Literacy Movement
For the second approach, Kellner and Share (2005) situate a media literacy
movement within broader literacies, building upon the tradition of print literacy. They
primarily focus on the relatively young media literacy movement in the U.S. Here, the
approach is to ‘teach students to read, analyze, and decode media texts in a fashion
parallel to the advancement of print literacy’ (372). In the current landscape of fake
news (cf. Jolls & Johnsen, 2017; Livingstone, 2018), the ability to decode and analyze
what is being portrayed in the media is an important skill, critical for educating the
population. As Livingstone (2018: para. 5, italics in original) warns,
The more that the media mediate everything in society—work, education,
information, civic participation, social relationships and more—the more vital it is that
people are informed about and critically able to judge what’s useful or misleading, how
they are regulated, when media can be trusted, and what commercial or political
interests are at stake. In short, media literacy is needed not only to engage with the
media but to engage with society through the media.
Media literacy can often become an umbrella term for more specific literacies
such as: digital literacy, internet literacy, computer literacy, and even potentially AI
literacy. While Kellner and Share (2007) commend the media literacy movement, they
believe that too often media educators ‘express the myth that education can and
should be politically neutral, and that their job is to objectively expose students to
media content without questioning ideology and issues of power’ (8). Literacy has its
own socio-cultural baggage and should not be thought of as a neutral term. Citing Luke
(1989), Livingstone (2004) states that literacy ‘masks a complex history of contestation
over the power and authority to access, interpret, and produce printed texts’ (4). These
last points are addressed by the fourth approach (cf. below).
Protectionist
A third approach in media literacy is the protectionist approach. This investigates
the ways media can be harmful—especially for young people—with repercussions like
reducing attention spans, inciting violence, or promoting capitalist propaganda,
particularly in advertising (Francis, 2016; Giroux, 2002; Kellner & Share, 2007).
Friedrich Kittler (1999) begins one of his books by stating, ‘Media determine our
situation’ (xxxix). This determinist view is often foundational for the protectionists, who
posit that certain media technologies are inherently harmful or destructive to human
flourishing. Neil Postman (2006) and Lance Strate (2014) detail the drawbacks of
electronic media like television, especially compared with print media. Kellner and
Share (2007) point out that ‘Some conservatives blame the media for causing teen
pregnancies and the destruction of family values while some on the left criticize the
media for rampant consumerism and making children materialistic’ (6). Some
researchers within this approach also address the ways newer digital media are
inferior for supporting a well-read society in comparison to traditional print media
(Postman, 2006; Strate, 2014). This focus raises the issue of the effects of a particular
medium on society. For example, Sherry Turkle (2011) warns that new information and
communication technologies are driving us apart while giving us the semblance of
being together through virtual communication. Kellner and Share (2007) describe this
as a fear of media with an aim to ‘protect or inoculate people against the dangers of
media manipulation and addiction. This protectionist approach posits media audiences
as somewhat passive victims and values traditional print culture over media culture’
(6).
Stuart Hall (1980) challenges the view of audiences being passive victims
through his work in encoding/decoding of media messages. Hall articulates that
audiences are more than passive receivers of media texts and they have the ability to
read the messages produced outside of a dominant-hegemonic position—preferred
by the producers—in negotiated or even oppositional ways (1980). This raises the
question of the role of agency. Though there is a wide variety of focus within the
protectionist approach, it tends toward technological determinism, which is the
opposite of the skills-based (instrumentalist) approach. The protectionist approach is
inclined to consider media and technology as something harmful to humans. In
general, the first two approaches tend to consider the technological medium as
neutral, not focusing on any influence that the medium may have. For the protectionist
approach, the content and medium become more determining, potentially
endangering the user and suppressing much of the user’s agency.
The fourth approach is called critical media literacy and builds on the previous
three approaches. It then adds the analysis of ‘media culture as products of social
production and struggle […] teaching students to be critical of media representations
and discourses, but also stressing the importance of learning to use the media as
modes of self-expression and social activism’ (Kellner & Share, 2005: 372).
Critical media literacy strives to understand the underlying cultural influences and
meanings that are embedded within media messages and how they often negatively
affect already marginalized people. Kellner and Share (2007) state ‘The analysis of
different models of representation of women or people of color makes clear the
constructedness of gender and race representations and that dominant negative
representations further subordination and make it look natural’ (13). They summarize
by saying, ‘critical media literacy offers the tools and framework to help students
become subjects in the process of deconstructing injustices, expressing their own
voices, and struggling to create a better society’ (2005: 382). This reflects how media
literacy can be used to regain user agency while navigating a mediated world. Lemke
(2006) states, ‘More than ever we need a critical multimedia literacy to engage
intelligently with their potential effects on our social attitudes and beliefs’ (4).
Supporting critical media literacy, John Hartley (2002) states, ‘Literacy is not and never
has been a personal attribute or ideologically inert “skill” simply to be “acquired” by
individual persons’ (135). Hartley continues by saying, ‘It is ideologically and politically
charged— it can be used as a means of social control or regulation, but also as a
progressive weapon in the struggle for emancipation’ (136). This reflects the non-
neutrality of media and emphasizes the importance of learning how media affects our
lives. While these four approaches cover much of the current state of media literacy, I
believe that there is still more that should be covered by the field.