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Problematizing our Relations with Media Technologies
We are immersed in a world mediated by information and communication
technologies (ICTs), both hardware (smartphones, smartwatches, home assistants)
and software (algorithms, software programs, and infrastructures such as Facebook,
Instagram, Twitter, Snapchat). We are transformed by these media, whether we have
invited them into our lives or not. We subsequently perceive and engage with the world
through these transformations. However, media literacy for the most part does not
provide clear assistance in helping us become aware of these effects. Thus far, media
literacy has focused mainly on developing the skills to access, analyze, evaluate, and
create media messages, and has not focused sufficiently on the impact of the actual
technological medium, how it enables and constrains both messages and media
users. Additionally, a more fully developed media literacy would situate media
investigations in such a way as to allow for a deeply practical analysis without losing
a holistic, theoretical perspective. In order to accomplish this, a concise
transdisciplinary approach comprised of a general framework and specific instrument
is proposed. This approach is based on an interdisciplinary study of
postphenomenology, media ecology, philosophical posthumanism, and complexity
theory.
The framework of the approach described in this book uses six groupings of
relations: technological, sociocultural, time, space, mind, and body, with a main
emphasis on technological relations. How these relations, as well as their
interrelational effects, participate in the constitution of the human subject is explored
through an analysis of a museum selfie, which contributes to the development of a
pragmatic instrument that can be used for media literacy. The pragmatic instrument
helps bring to the foreground the contributing influences that are continually
constituting human subjects in everyday media environments, thus allowing people to
make more informed decisions on which media they invite into their lives. The human
subject is understood here as a posthuman subject, as opposed to the standalone,
exceptional being with roots in the Enlightenment. The posthumanist approach
understands the human subject as constantly becoming through the myriad of
constituting relations in their life. While it is not possible to completely understand the
complexity of all interrelations that constitute us, the more we can become aware of
how we relate with the world through these transformed aspects of our selves, the
greater chance we will have for reclaiming some of our agency, which arguably is the
main goal of media literacy.
Situating the Research
My own personal research interest began by focusing specifically on the effect
of ICTs on museum visitor experience. Investigating the mediating relations between
humans and technologies led me to an approach in philosophy of technology called
postphenomenology. While this helped me to understand the mediating role of
technologies, it also raised unanswered questions as to exactly how the subject was
being transformed in its relation with technology. This then led me to broaden my focus
and attempt to more completely understand the subject as embodied and situated in
a complex network of a multiplicity of relations, one group of these relations being
technological. This led me to develop an approach that reflects this interrelationality
and that can be an effectively used for media literacy. It is fairly common for people in
the developed Western world to live in a media-saturated environment. However, far
from being new, this trend began in earnest with Gutenberg’s invention of the printing
press,1 which eventually led to an exponential increase in literacy and a
democratization of information, education, and knowledge (Martin & Cochrane, 1994;
Ong, 2012; Postman, 2006; Strate, 2014). The printing press paved the way for
communication through mass replication and broad dissemination. Today, as we2
enter into the second decade of the twenty-first century, there is a ubiquity of screened-
communication technologies that allow us, for the most part, to communicate
whenever and wherever the mood strikes. The ubiquity of ICTs such as smartphones,
tablets, and laptops—sometimes referred to as technomedia (Han, 2008)—is the
everyday environment within which we live, and this has become ‘normal’ and
unremarkable for a large part of the world—simply part of how things are. Unless noted
otherwise, the ICTs I refer to are digitally networked devices that are prevalent in much
of the world today.
In the United States, ‘Digital media use has increased considerably, with the
average 12th grader in 2016 spending more than twice as much time online as in 2006’
(Twenge et al., 2019: 329). In the European Union (EU), while television is still the
most commonly used medium—84% watch it every day or almost every day and 94%
watch it at least once per week—the number of people who use the internet is catching
up, with 65% of EU citizens using it daily or almost daily and 77% using it at least once
per week (European Commission, 2018: 4). And throughout the world, a 2017 Pew
Research global survey showed that while smartphone ownership has remained
steady for developed nations—at around 72%— it is increasing in developing nations,
growing from approximately 25% in 2013/2014 to 42% in 2017 (Poushter et al., 2018:
4).
This environment of ubiquitous ICTs brings many benefits. With our GPS-
enabled smartphones we rarely become lost. Finding a place to eat in an unfamiliar
town, a place with good reviews and the cuisine of our choice, is now quite easy.
Keeping in touch with a large number of friends is as simple as checking our social
media feed. By allowing notifications to be sent to us, updates from our ‘friends’ are
delivered directly to our phones, where we can simply glance down to attend to them.
These ICTs enable a robust interconnection with our sociocultural world. In this
saturated media environment, the media tend to disappear into the background of our
awareness.3 They become part of the environment in which we live. This immersion,
as Figure 1.1 reflects, is especially visible with the number of smartphones in use and
how often people are engaged with them. As Galit Wellner (2016) describes,
smartphones have a wall/window trait. They create an inclusive ‘window’ to a virtual
world and community while also creating an alienating ‘wall’ to whatever and
whomever is in the person’s immediate surroundings. This reflects the idea that all
technologies are non-neutral and have both enabling and constraining aspects to them
(Ihde, 1990).
While many people embrace the changes and innovations in media technologies,
others are questioning, pointing out the drawbacks and costs of such changes. The
Center for Humane Technology warns, ‘The companies that created social media and
mobile tech have benefited our lives enormously. But even with the best intentions,
they are under intense pressure to compete for attention, creating invisible harms for
society’ (Center for Humane Technology, n.d.). There is increasing concern about the
amount of influence that the dominant GAFAM4 (Google, Amazon, Facebook, Apple,
and Microsoft) technology companies have (cf. Harris 2019, 2020; Hill, 2019; Twenge,
2017). Additionally, we should not only be concerned with these companies and the
content of media messages, but we also should pay attention to the actual technology
itself. While there have been certain fields of media studies that focus on the
technology or medium (media ecology, mediatization, 5 medium theory), the field of
media literacy has mostly avoided addressing the effects of the technological medium
in a rigorous manner. For all that, our daily lives are interconnected with more than
media technologies. There are sociocultural relations such as normativity, power, and
language. There are both positive and less than positive issues with our minds and
bodies that influence how we relate with media technologies. In addition, we are
always located within a specific time and place, both of which relate to media
technologies (Innis, 2008). These groups of relations interrelate and inter-influence
each other, contributing to the creation of the ever-changing human subject. Salman
Rushdie (2006) posits, ‘To understand just one life, you must swallow the world’ (145).
I take this to mean that everything is interconnected, and in order to really know
something, we must realize how it is interconnected with everything.
To put this another way, in order to understand any one mediating technology,
we must understand all the mediating interrelations that affect us as human subjects.
While achieving this level of comprehension is implausible, it alludes to the complexity
and challenge of fully understanding the effects of media technologies on a human
subject. The more we can understand about these complex interrelations, the greater
chance we will have for reclaiming some of our agency, which I believe is one of the
primary goals of media literacy. Therefore, in an age of ubiquitous smartphones and
other communication technologies, implementing the approach developed in this book
can enable media literacy to identify and situate the complex interrelations, such as
the sociocultural (normativity, power, language) and the technological, which
contribute to the continual constitution of human subjects.
Media Literacy
The field of media literacy attempts to help educate people—especially the
young—in order to become more skilled and aware users of media by primarily looking
at ‘four components: access, analysis, evaluation, and content creation’ (Livingstone,
2004: 5). Sonia Livingstone describes how these components work together as a
dynamic learning process. She outlines how learning to create content helps one
better understand and analyze professionally produced content, and the ‘skills in
analysis and evaluation open the doors to new uses of the internet, expanding access,
and so forth’ (5). Media literacy is vital to our everyday engagement with ICTs because
of their everydayness (Kim, 2015; Onge, 2018). The field of media literacy attempts to
shed light on how we use, and are potentially used by, media. With media technology
everywhere in our lives, it becomes ordinary; commonplace. These technologies are
part of the fabric of our existence, the ordinary environment within which we exist. For
example, according to a recent Nielsen report, the average adult (over eighteen years
of age) in the U.S. spends around 10 1/2 hours each day involved with some kind of
media6 (Nielsen, 2019: 3). We live in this mediatized environment and now, more than
ever, it is important to have a comprehensive media literacy program that helps us
better understand the effects of our media-rich environment. With this in mind, I
explore the current approaches in media literacy.
Four Approaches to Media Literacy
Media literacy focuses on education in order to help people, especially youth,
develop the skills to create (produce) with media technologies, as well as to critically
analyze and evaluate media and media messages. Rather than creating grand
sociological theories, the focus of media literacy is mostly pragmatic, concerned with
helping the user improve their ‘ability to access, analyze, evaluate and create
messages across a variety of contexts’ (Livingstone, 2004: 3). Douglas Kellner and
Jeff Share (2005; 2007) identify four specific approaches to media literacy: media arts
education, the media literacy movement, a protectionist approach, and critical media
literacy. While these approaches —which I will briefly describe next—can be perceived
as individual approaches, in practice they can be combined with each other, which
offsets some of the drawbacks inherent in each approach when used independently.
The approach of media arts education focuses specifically on helping teach students
‘to value the aesthetic qualities of media and the arts while using their creativity for
self-expression through creating art and media’ (Kellner & Share, 2007: 7). Here,
media is a skill to be learned. The approach of the media literacy movement has ties
to print literacy and focuses on the competencies needed in order to be perceived as
being ‘literate’. Kellner and Share (2005) state that media literacy ‘attempts to teach
students to read, analyze, and decode media texts in a fashion parallel to the
advancement of print literacy’ (372). Both of these approaches tend to perceive media
in a neutral manner.
However, the protectionist approach typically perceives media technologies in a
more determining manner. Some philosophers and media theorists approach media
and technology as something that people, especially children, should be protected
from. There are valid concerns for a protectionist approach to focus on. Jean Twenge
et al. (2018) find, ‘Adolescents who spent more time on screen activities were
significantly more likely to have high depressive symptoms or have at least one
suicide-related outcome, and those who spent more time on nonscreen activities were
less likely’ (9). Educating people on possible dangers and negative effects of media
falls within this protectionist approach. The approach of critical media literacy has
increased the scope of media literacy by adding the critical study of how messages
contain underlying stereotypes, marginalization, and exploitation. Livingstone (2004)
writes, ‘to focus solely on questions of skill or ability neglects the textuality and
technology that mediates communication. […] there is not only skill involved but also
an interpretive relationship with a complex, symbolically-encoded, technologically-
mediated text’ (8). This addition improves the ability of media literacy to explore and
bring to light important issues that are embedded in media messages (Kellner & Share,
2005; Lemke, 2006). On the whole, critical media literacy continues to focus on the
symbolic content of the message. While this is important, I believe that if the borders
of media literacy can be expanded to include the influence of the actual technological
medium as well as the broader context within which the media are used, then a space
is created for media literacy to be even more inclusive and effective. These four
approaches will be discussed in more detail in Chapter 2. The approaches are
representative of what is currently happening in media literacy. However, this is not
meant to imply a comprehensive reflection of the entire field, which is constantly
developing. I will endeavor to include a few of the voices that are encouraging the
development of the field. I believe that media literacy can benefit by expanding, and
the goal reflected by my research is to create an inclusive and situating approach to
do just that.
Benefits of Expanding Media Literacy
Supporting the expansion of media literacy, David Morley (as cited in Krajina et
al., 2014) says, ‘Media questions are important, then, but they only seem to me to be
really significant if they are set in a far wider frame, rather than focusing just on media
technologies themselves’ (684). One way to increase this frame is through
domestication theory, 7 which parallels aspects of media literacy. Roger Silverstone
(1994, 2006) developed domestication theory. Together with Morley, Silverstone
began researching television ‘in a broader framework’ (Morley & Silverstone, 1990:
31) in order to understand ‘the meanings of both texts and technologies, […] as
emergent properties of contextualized audience practices’ (32). Domestication theory
focused beyond simply the text and analyzed ‘a whole range of overlapping,
determinate and indeterminate social and cultural practices which together define
for particular viewers at particular times in particular places—their relationship to the
medium’ (Silverstone, 1989: 108). While domestication theory has worked fairly well
theoretically, it has been criticized for the challenge of empirically applying the theory
(Hartmann, 2006). Even with the inclusion of the media-as-object, domestication
theory still lacks a robust way of investigating the effects of the medium. While
domestication concerns itself primarily with social theory, it focuses less on educating
the individual as media literacy does. What is still missing is a concentrated approach
to investigating the effects of a specific medium on individuals and societies. While
domestication theory includes attention to media objects such as television sets, it
often does so in an anthropological or ethnographic approach (cf. Horst, 2012; Lesage,
2013) with an emphasis on the context within which the object resides. Morley (2009)
states, ‘we need a new paradigm for the discipline, which attends more closely to its
material as well as its symbolic dimensions’ (114).
The study of media and communications can also have an interdisciplinary focus.
Shaun Moores (2005) explains, ‘media have to be understood in their broad social and
cultural contexts’ (3). He suggests that it is a common misconception that ‘media
studies are simply about “studying media” in isolation’ (3). Contextualizing ideas from
Moores and domestication theory counters a more narrowly defined approach to
media literacy, and lends support to enhancing media literacy through a situating
approach. Beyond media literacy are other media-related fields researching the impact
of ICTs. Some of these are areas that focus on the technological features of media,
but their approach can often be more functional. Examples of this are digital literacy
(Koltay, 2011; Nichols & Stornaiuolo, 2019); data literacy (Koltay, 2015); and the digital
detox movement (Bauwens et al., 2019; Rauch, 2018; Ugur & Koc, 2015). Additionally,
there are disciplines that can provide insights outside of media and communications,
which focus on the relation between humans and technologies; these include
postphenomenology, actornetwork theory (ANT), and the general field of philosophy
of technology. Also, scholars like Rosi Braidotti, Katherine Hayles, and Donna
Haraway offer viewpoints from within philosophical posthumanism that focus more on
the human side of human-technology relations. They focus on concepts such as de-
centering the human and making sure marginalized groups are included in any
definition of ‘human’.
The Non-neutrality of Technological Relations
In order to investigate the influence of the technological medium I implement two
approaches: a microperceptual and a macroperceptual. The microperceptual
approach focuses on the embodied and embedded perspective of a human subject.
The macroperceptual approach focuses on the broader sociocultural context that the
particular human subject exists within. Don Ihde (1990) says, ‘There is no
microperception (sensory-bodily) without its location within a field of macroperception
and no macroperception without its microperceptual foci’ (29). Both the
microperceptual and macroperceptual views are entangled and necessary in order to
comprehend overall the effects of media and to fully become media literate. While the
four approaches in media literacy (cf. above) are effective in what they do, there are
several concepts from other fields of study that can help create a more robust
approach. In order to better understand technological objects, and our relations with
them, the fields of postphenomenology and media ecology excel at analyzing
technologies, covering the micro level of the embedded and embodied human subject,
as well as the sociocultural macro level respectively. Both also stress relationality as
a means to understand how we are constituted and transformed by the technological
relations in our lives.
Technological Mediation as Relation: A Micro Approach
Relationality is one of the foundational concepts of the posthuman approach that
I develop as well as being fundamental to postphenomenology’s concept of
technological mediation. Technological mediation describes how our technological
relations are not neutral, but without succumbing to technological determinism. Jan
Bergen and Peter-Paul Verbeek (2020) say, ‘technological mediation aims to take
technological artifacts seriously, recognizing the constitutive role they play in how we
experience the world, act in it, and how we are constituted as (moral) subjects’ (1).
Postphenomenology specifically analyzes the technological mediation using the
formula: I-technology-world. As humans, we are never standalone beings but always
in relation; these relations are non-neutral, 8 contributing to the co-constitution of our
selves, the specific technology, and the world (cf. Ihde, 1990; Rosenberger & Verbeek,
2015; Smith, 2015; Van Den Eede, 2016; Verbeek, 2005). The term ‘constitution’ is
used to describe the specific coming together or unique arrangement that takes place
in the process of these relations.
Postphenomenology describes four types of technological relations: embodied
(where we perceive the world through the technology, such as with eyeglasses);
hermeneutic (where we read the technology to better understand the world, such as
with a thermometer); alterity (where we interact with the technology as a quasi-other,
such as with an ATM machine); and background (which affect us but mostly go
unnoticed, such as a heating and cooling system for one’s house).
Postphenomenology excels at investigating the microperceptions experienced by
people when they interact with the technologies in their lives. Postphenomenology also
acknowledges macroperceptions, what Ihde (1990) calls cultural hermeneutics.
However, the sociocultural component is not as emphasized in practice as the
microperception. This is where media ecology can contribute to our understanding of
technology as an environment.
Media Environments: A Macro Approach
Media ecology is a macro approach that describes media environments. This
means that the approach often investigates the broader effects that media has on
cultures and societies. Marshall McLuhan (1994) is the person most often associated
with media ecology. McLuhan consistently attempted to get society’s attention focused
on the hidden influence of the medium that helped shape the media’s content. His
famous aphorism, ‘The medium is the message’ (7) was one such attempt. He often
explained it through the figure/ground analogy where one’s usual focus is on the figure
(in this case the media’s content) and the ground (in this case the medium) goes
unnoticed. While McLuhan popularized the study of media, the field of media literacy
rarely works closely with his ideas.9 Instead, media literacy was ‘developed through
the work of Len Masterman in England and Barry Duncan in Canada (as cited in Jolls
& Wilson, 2014: 68). Duncan (2010) credited the work of McLuhan for inspiring him in
his study of media but still held that the primary focus of media literacy was to
understand and study representation. In contrast, media ecologists focus on
understanding media as environments and how those environments affect society.
Harold Innis (2008) writes about the differences that various mediums afford. For
instance, Innis discusses the biases of media relating to time and space. He describes
heavy media such as clay or stone tablets as being more permanent (able to move
through time) but too cumbersome to move very well through space. Papyrus or radio
is just the opposite; easy to move across space, but less permanent to move very far
through time. This bias affects the type of content that can be ‘carried’ by the medium.
For example, Innis criticizes radio as a medium that ‘accentuated the importance of
the ephemeral and of the superficial’ (82). So, while it is important to analyze the
content of media as critical media literacy does, it is also fruitful to analyze the medium
itself.
Statements such as the above from Innis have contributed to the criticism that
media ecology is technologically deterministic, with their focus on how media
technologies influence individual and social behavior. However, before McLuhan
popularized looking at the medium, media studies primarily focused on the content of
media messages, heavily influenced by semiotics. As most people in media studies
were already focused on the content, McLuhan worked to shed light on what was
difficult to perceive, which he did by using dramatic and sweeping statements such as
the already cited ‘the medium is the message’, or ‘in all media the user is the content’
(as cited in McLuhan & Zingrone, 1997: 266). Most media ecologists have simply been
trying to include the influence of the medium in the discussion and do not claim that
the medium is all determining, only that it is not neutral. Lance Strate (2017: 34) states
this quite clearly:
The term technological determinism, […] has been linked to the field of media
ecology. For the most part, it is a label applied by critics, rather than a term used, let
alone embraced, within the field. As there is no doctrine of technological determinism,
or arguments that explicitly state such a position within our field, its use amounts to a
straw man10 argument used to dismiss media ecological scholarship, rather than
subject it to serious consideration.
Which Human Subject?
While technological relations bring some agency to the technological object side
of the human-technology relation, Tamar Sharon (2014) points out that disciplines
such as postphenomenology focus more on ‘breathing life into objects […] than delving
into the implications of having breathed life out of subjects’ (9). Sharon proposes that
we take a closer look at what is going on with the subject. As we focus on the effects
of media on the subject, it is important to identify which human subject is being
discussed. I am not referring to the ideal Enlightenment subject: autonomous and
exceptional in the world, reflecting a subjectobject duality. Instead, the subject is
always-in-relation and is continually being constituted through a complex interrelated
network of relations, what I refer to as a posthuman subject. Rather than a humanist
way of understanding the subject, I employ a post-humanist approach, using
philosophical posthumanism, which is quite different from transhumanism. While
transhumanism does focus on the entanglement of technology and the human, it does
so from an ‘ultrahumanist’ (Onishi, 2011: 103) approach. The two fields use the term
posthuman in two very different ways. Transhumanists use the word to describe an
evolutionary shift for the human that they foresee occurring primarily through
technological means—into vastly more intelligent and efficient beings. Max More
(2013) states that by ‘thoughtfully, carefully, and yet boldly applying technology to
ourselves, we can become something no longer accurately described as human—we
can become posthuman. Becoming posthuman means exceeding the limitations that
define the less desirable aspects of the “human condition”’.
Philosophical posthumanists, however, use the term posthuman as a way to
distance themselves from the traditional idea of the human, based primarily on
Enlightenment and modern ideas of the autonomous, standalone, and exceptional
human individual. In this case, posthuman refers to a post-humanist, post-
anthropocentric, and post-dualist approach to understanding the human (Ferrando,
2019). Posthumanism stresses that the subject is constituted through its relations,
what Karen Barad (2007) calls intra-action. The approach I develop is centered on the
human subject as understood by philosophical posthumanism.
Situating Media Literacy with Intrasubjective Mediation
How can we keep everything straight? On the one hand, it is important to focus
on specific technologies and how they affect the individual. On the other hand, it is
important to focus on how the broader sociocultural relations—such as power,
normativity, or language—affect us. There are technological and sociocultural
environments all entangled and all contributing to our own constitution. Maren
Hartmann (2006) points out the question that has not yet been solved: how to
adequately research the complexity of the combination of media content and media
context to paint a picture of the overall whole’ (89). One important word used
throughout this book is ‘situating’. The term ‘situate’ means, ‘To put (something) in a
(specified) context; to describe the circumstances surrounding (something)’ (OED
online, 4th definition). The approach developed is precisely dedicated to facilitating
this. It creates a simple structure that can help guide the investigation into the complex
interrelated processes that affect our relations with media. The following research
questions helped guide my understanding of the transforming impact of ICT
technologies in our lives and also to inform the creation of the new approach
developed. My research questions are as follows:
1. How can we specifically analyze and understand the interrelating micro and
macro effects of media technologies on human subjects?
2. How do media relations interrelate with other relations such as socio-
cultural, time and space, and mind and body in their constitution of the human
subject?
3. How can an instrument be developed in order to tether our investigations,
keeping us grounded to an overarching inclusive framework while we delve deeply
into the specific relations that contribute to our constitution and enhance media
literacy?
In order to help guide an investigation into the various relations, the approach
developed leverages the concept of intrasubjective mediation, which is the idea that
we are—and continue to be—mediated by the constituting aspects of all of our
relations. The approach investigates both the current and continuing impact from
relations, which in the case of media technology will help us to become more media
literate by understanding the broader effects of media technologies. The framework
serves to create a situating cartography, 11 which captures the main interrelating
groups of relations that contribute to the constitution of the human subject. This
supports Shaun Moores’ (2016) call for a non-media-centric media literacy. By
focusing on one aspect of media literacy, we can easily lose sight of others. By creating
a situating instrument, we can tether our approach to the broader, encompassing
framework while allowing our focus to narrow momentarily into each specific
constituting relation.
Research Significance and Design
While the ubiquitous smartphone is likely the most common ICT that comes to
mind for those in the Western globalized world, there are plenty of other technological
devices (such as ebook readers and tablets), often networked, which make up the
tapestry of our world today. Looking around at people, especially when they are in a
forced pause—waiting for a doctor’s visit, for a train, etc—often they are looking down
at some technology rather than looking around and engaging with their immediate
environment. They are immersed in technology that virtually transports them
elsewhere. Consider the following insight from Yoni Van Den Eede et al. (2017b: xxv):
With the onset of mobile communication technology, media are no longer ‘over
there’; they are moving toward us, into us. Looking at the history of media, one
perceives almost the evolution of an organism becoming more and more complex,
diverse, and ubiquitous.
This technology can be a book, an ebook, smartphone, game console, or any of
the other technologies that permeate our contemporary world. It is easy to become so
distracted by the constant presence of technology in our lives that we do not recognize
how many of our actions are being mediated in some way by these technologies.
Instead, we tend to focus on posting and sharing, liking and commenting; simply living
our mediated lives. The challenge for media literacy in this ubiquity and transparency
is the fact that these mediating technologies are not registering in our awareness.
Use of Language
Though it is rather obvious to state that language12 plays a key role in
communication throughout this book, I want to take a moment to acknowledge its
importance. Especially as I use words like ‘human’ in new ways (for instance the
difference between what is referred to the human by humanists, transhumanists, or
posthumanists). The specific words I use greatly affect the success, or lack thereof, of
the ability to transmit ideas to the reader. Each word is a choice that has both benefits
and limitations. Words are limited in their ability to faithfully represent the intended
meaning behind them. In addition, words cut and separate; they are often thought of
as individual carriers of meaning. Words also have historical use and cultural
meanings attached. Different groups of people embody different ways of viewing the
world and its relations, which affects a reader’s understanding of particular words. An
example of the challenge of using words is trying to describe an interconnected and
interrelated individual when the word ‘individual’ has been used to imply autonomy and
separation. Kenneth Gergen (2009: xxvii) describes this issue quite well:
The very idea of individual persons is a byproduct of relational process. But how
can I describe this process without using a language that inherently divides the world
into bounded entities? To be more specific, by relying on common conventions of
writing, I will invariably rely on nouns and pronouns, both of which designate bounded
or identifiable units. The very phrase, ‘I rely on you….’ already defines me as separate
from you. […] Try as I may to create a sense of process that precedes the construction
of entities, the conventions of language resist. They virtually insist that separate
entities exist prior to relationship.
By using posthuman I hope to bring the reader’s attention to figuring out exactly
what is meant. This questioning of human or posthuman is one of the main goals of
the approach described in this book. And finally, is the approach described best called
an approach, a method, a cartography, a cartographic method, a framework, or an
instrument? Each word carries the sediment of historical use and each reader will
interpret these words through their own understanding. My goal is to make it as
accessible as possible without either putting on academic airs or making it too specific.
Deleuze’s cartography is appropriate, and calling it a posthuman cartography would
be fine for people in the field of posthumanism. However, there are different ways of
using the term ‘cartography’. One way is a prescriptive and controlled manner. This is
the typical ‘map’, with lines of demarcation and separation, cutting a representation of
reality into categories of differentiation. This is not the way I am using the term.
Therefore, I ultimately decided to call it a ‘posthuman approach’ to stress its
interrelational focus as well as to connect it with the various ‘approaches’ used in
media literacy.
Designing Interdisciplinary Research and a Transdisciplinary Solution
My research is an interdisciplinary exploration of media technologies and how
our relation with media contributes to the constitution of our subjectivity. Marilyn
Stember (1991) defines interdisciplinary as bringing ‘interdependent parts of
knowledge into harmonious relationships through strategies such as relating part and
whole or the particular and the general’ (4). While the research I conducted has been
interdisciplinary, the solution of the posthuman approach can be considered
transdisciplinary. Wendy Austin et al. (2008) describes how transdisciplinary solutions
can often emerge spontaneously from interdisciplinary research ‘when discipline-
transcending concepts, terminology, and methods evolve to create a higher level
framework’ (557). This reflects the process I experienced in doing this research. The
need for the original interdisciplinarity arose from my own research on museum selfies
(Lewis, 2017); from this work, I realized the limitation of using only
postphenomenology to investigate how my museum experience was being affected
by the mediating technology that I was using. I felt that postphenomenology was not
completely able to capture the complexity of constituting relations that I was
experiencing, and there were more relations affecting my experience than the
technological. This limitation led to more deeply exploring the concept of the human
subject in its involvement with technologies than what postphenomenology provided.
I discovered that by investigating several fields of inquiry, there were useful insights
from each field for the overall development of my culminating approach. The fields I
investigated, all being interdisciplinary themselves, were: postphenomenology,
philosophical posthumanism, complexity, media literacy, and media ecology. However,
as Van Den Eede (2016: 103) notes,
Notwithstanding much feverish talk about inter- and multi-disciplinarity, real and
substantial dealings between disciplines remain hard to come by. Paradoxically, that
even counts for disciplines that are in themselves eclectic and composed of elements
hailing from many different domains.
My initial research question of how technology affects the human subject steered
me down several different paths, finally depositing me, in a circular fashion, back to
my starting point. In fact, it was my investigation as to what was happening to me while
taking a museum selfie that drove me to realize that I needed a new approach that did
not seem to exist. An approach that would help me understand all of the influencing
relations that were acting upon one another during my experience taking museum
selfies. In order to manage the expectation of the reader, it is important to note that
my research does not reflect either a typical manuscript within continental philosophy
or a typical book in media and communications studies. For example, many books in
continental philosophy focus on a deep analysis of the writings of a specific
philosopher, and in media and communications studies, at least where I was
conducting my research in Brussels, it is most common to do an empirical study.
Instead, my goal is to engage contemporarily with a variety of philosophers and
philosophical approaches. Using the words of other philosophers and researchers
honors the fact that they wrote the words and that the words spoke to me, but I take
responsibility for using them for my own context and in my own way. Through this
process I create an approach that is pragmatic and helpful in learning to understand
the daily effects that media technologies have on us as human subjects.
Concluding Thoughts
At the convergence of the fourth industrial revolution (Schwab, 2017) and the
sixth mass extinction (Cafaro, 2015), we find our selves at a crossroads. Being media
literate is but one fundamental aspect of life in a time of complex planetary existence.
Being able to situate whatever we study is critical in order to maintain perspective and
not fall prey to any one specific discipline or way of thinking. While I have attempted
to be broad in scope for understanding media, media literacy, and communications,
there are important ways of using media literacy that I only examine in a cursory
manner, since a more comprehensive study is beyond the focus of a single book.
Language is one such area. Signs and their ability (and inability) to transfer
information, specifically looking into encoding and decoding, is a large area of
research already established within media and communications; however, it is beyond
the scope of this book. Ethics and normativity, both immensely important, are also only
lightly touched upon because, in my opinion, the first important step before being able
to ethically or morally judge is to have awareness of the situation. This book describes
an approach that can help develop the awareness necessary that can then allow us
to critically judge. John Culkin (1967) concisely sums up the focus of this book with
the words, ‘We shape our tools and thereafter they shape us’ (70). I investigate the
transformative effects of the tools we use daily in our lives, specifically ICTs. The
paradigmatic example of ICTs that I will often use throughout is the smartphone. These
technologies permeate our existence, especially in the Western world. ‘It takes less
and less deliberate action on our part to engage with media or ICTs. No longer do we
need to place ourselves behind a computer to go online; we carry “the online”
constantly in our pockets or on our wrists’ (Van Den Eede et al., 2017b: xvii). For many
of the people in the Western world, everyday life is completely entangled with media
technologies, so much so that these technologies are no longer in the forefront of our
attention; they have faded into the background.
It is vital that media literacy steps in and plays a role in helping us become aware
of the everyday media technologies in our lives and the influences they have upon our
selves and society (cf. Kim, 2015; McLuhan, 1994; Silverstone 1994; Strate, 2017). As
Catherine Adams and Terrie Lynn Thompson (2016) say, it is about understanding the
digital and ‘making its effects and affects visible’ (2). In order to have a more
comprehensive understanding of media literacy, we need a more complete
understanding of how human subjects are constituted through all of their relations. We
need to develop a right view, an orientation that allows us to better situate, and
therefore more fully understand, our technological relations in order for us to make
better decisions, to judge what and how to engage with the ubiquitous technologies in
our everyday lives. The posthuman approach I have developed accomplishes this by
situating the complex interrelating and constituting relations of human subjects and
media technologies.
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