british literature romantic period
8 T H E R O M A N T I C P E R I O D
moment when demand for manufactured goods. until now augmented bv
the needs of the military, fell dramatically. The result u'as an unemployment
crisis that Dersisted throush the 1820s. Since the $'orkers had no vote and
were preve;ted by law from unionizing, their only recourses were Petitions' proteit meetings, and riots, to which the ruling class responded with even
rno." ,"p."rrive measures. The introduction of neu' machinery into the rnjlls
resulted in further loss ofjobs, provoking sporadic attempts by the displaced
workers to destroy the machines. After one such outbreak of "Luddite"
machine-breaking, the House of Lords-despite Byron's eloquent Protest- passed a bill (f 8l j) making death the penalty for destroying the_frames used
ior *.a.,ing in the stocking industry. In 1819 hundreds of thousands of
workers organized meetings to demand parliamentary reform. In August of
that year, u h.tg" but orderly assembly at St. Peter's Fields, Manchester, was
charged by sater-wielding troops, who killed nine and injured hundreds
more; this was the notorious "Peterloo Massacre," so named with sardonic
reference to the Battle of Waterloo. Suffering was largely confined to the poor, hou,ever, while the landed
classes ani industriulittr pr.rrp"red. So did many merchants, who pro{ited
from thc new markets opened up as the British Empire expanded aggres-
sively, compensating with victories against the French for the traumatic
loss of America in iZS:. England's merchants profited, too, thanks to the
marketing successes that, over time, converted once-exotic imports from
these colonies into everyday fare for the English. ln the eighteenth century
tea and sugar had becn transformed in this way, and in the nineteenth cen-
tury other commodities followed suit: thc Indian muslin, fbr instance, that
*u, th" fabric of choice for gentlemen's cravats and fashionable ladies'
gowns, and the laudanum (Indian opium clissolved in alcohol) that so many
ailing writers of the period appear to have found irresistible. The West Encl
of London and new ieaside resorts like Brighton became in the early nine-
teenth century consumers' paradises, sites where West Indian planters ancl
nabobs (a Hindi word that enterecl English as a name for thosc who owecl
their fortunes to lndian gain) could be glimpsed displaying their purchas-
ing power in a manner that made them moralists' f'avorite examples of nou-
,re-a., riche vulgarity. The word shop\ting czrme into English us:rge in this
era. Luxurv villas sprang up in London, and thc prince regent, rvho in 1820
became G"o.g" IV, buill himself palaces and pleasurc domes, retrezrts from
his not very onerous public responsibilities. But even, or especially, in private life at home, the prosperous could not
escape being touched by the great events of this period. French revolution-
ary irinciples were feared by English conservatives almost as much lor their
chalenge-to the ,,proper" ordering of the relations between men and women
as for th"ir "hull"ng"
tu traditional political arrangements. Yet the
account of what it meant to be English that developed in reaction to this
challenge-an account emphasizing the special virtues of the English
,"r-r." o? home and familr'-u'as in its way equally revolutionary' In an
unprecedented u,a-v, the nar that the English waged almost without inter-
miision between I793 and 1815 had a "home front." The menaced sanctuary
of the domestic fireside became the symbol of what the nation's military
might was safeguarding. \\rhat popularity the monarchy held on to during
thii turbulent period riis thus a function not of the two King Georges' tra-
ditional exercise of a monarch's sovereign powers but instead of the public-
. t a i l o r e d t o s u i t t h i s r r ' r c s t i t ' b l i s s w i t h i n a
: . r e d a s u , e l l u n d e r t h e r :
: r o f t h e h o m e , t h i s P l t , r o f o u r c o u n t r v u ' i t h , I
\ n c l t h a t a l t c r a t i o n b o t l - , o p p o r t u n i t i e s . A s i r r ' i o c i r l e r e p r o v i c l c d o l r l ' , . t - r u a l b e h a v i o r , a n c l i , ' '
' : h i s p e r i o d u ' o m c n b t ' . -
. r a z i n e a r t i c l c s t h a t i r " ' ( n c e s b e t w e e n t h e s t ' . ' ' L l ' e n c c s . I h e 1 s l r , r t r l t l
. r s c k c ' e p i n g , a n d n o t h : r
, t e l " s o f f e m a l e c l o n r e ' t ' , t i n c l u s t r i a l i s t s i r n p o . r .
. , ' p i r r a t l o r i t ' r r l b r 1 ' r ' ' ' .
r , , r i t l b r g c d h c t r t c t t t t i t l e r r t i t 1 o l ' t h c I ) , r l r . .
- t i n t : t t t . t o c l l r i r r l . \ \
; l i s h r r r r t i o n i t l i ( l ( n l i 1 . ' , , ' . I l r c r l r t r t l l , t l t , -
- l r t r r t ' l l l l e t r t ; r n t f t * t '
L r \ i r n ( l s o f r , r o t l l t ' t t i t t ' , l c t ' l i n g s r , l p i t r t l r , i
r , o t t l < l I r t ' t t t r n t ' t l t , '
! l t . ' n t ' r r i t l t ' : r t h ; r t . ' '
: . r ' \ \ : r s r r o t s i l t l P l r i l l . , , r s t e \ t ( ' l l l l l l l c t l r ' t r r l r l i t r r l i o t t - I t r , r r '
r , ' s l t r t k i n l l s " - t ' , i t t , . ' . r e h i l t ' t ' s c e n .
' f h i s l l . , -
. l t u , , n t t ' n r r r i t t ' r t '
- - . 1 l i t c r a r . v r e l l t t t t t t i o r l ' ' , . t o r t v o i t l s t t g l l t ' s t i r ' -
'
i , , r r ' s " r r l ' [ i ' t t i ( ) n i r l ( ' \ \ ' I l r o s t ' t l i n t o " s t t t t l i ' '
- . . \ \ r r l l s t o n e c r a f t , r i h , ,
. - , r c a l p r o p o s i l l a b o t r t q . : ' : c c l L t c a t i o n u / o m e l l I l r
. ( t ' \ \ 0 l l l e n \ A r i t e r s t ( l l ' :
' , : n s c h ' e s a g a i n s t i t . , ) r ' r h i n t h c V i c t o r i i r r r
r r I
_ r t \ f i l l l v e n ( ) t l g n s t l l r l l
e c s s n ' o u l c l n o t b e t r , ' r r ' t e c n t h c c n t u r v t h c I l
r . . r : d i s t i n t t I r o t t t r r ' ' \ \ ' i l l i a m P i t t ( r v h o r i o
r a b i l l { i r r p t r r l i a n r e r r
: r r i n g i n t o s t r a t e g i c i l l
. R r i t i s h e l e c t o r a l s v s t t