Midterm
METROPOLIS
INTRODUCTION
It is silent movie produced by the German cinema. It has presented the captured of the capitalist and industrial era of the German revolution. It is about the wide range of acts performed during this change. It has continuously witnessed the operations of the mechanical era. The clothing and the worker stationed in this industrial area are represented in a realistic way. The old houses and the machines have presented the real picture of the industrialization and against the capitalist society (Fritz, 1973).
It has interpreted the fascination of that era and the presented the image of the man born on that time. It has presented the true picture. The workers elaborated behavior about destroying the mechanics and the mob is presented in the brighter way to extend the thoughts. The audience do not get bore of the idea by the picture presentation till the end. Every single idea and the presentation skill have provided the audience with the fascination contributed by the filmmaker (Lotte and Eisner, 1965). The cinema vision has been extended and elaborated in a beautiful way. The frames of the film have enhanced the idea presented by the writer in the novel. It has demonstrated the skill and the vision of film presentation. The ideas have escaped the structural base of the version provided and the restrictive presentation. The face-off center has left a fair amount added to the shots to be able for making it more visible. It has also helped the director to have fewer amounts of lens distortions and clearing a medium shot.
CONCLUSION:
These strategies or the consequences has helped to increase and explored new ways to develop the cultural atmosphere of that era. The practitioners have called it the stand and deliver practice. The intensified continuity have appeared due to the cultural change in the interest and the camera movement for the making of the metropolis and presenting the era of industrial changes. The change in the movies, videos and the variation in the shots has displayed the typical; media of the time. It has added the production quality and the camera movement in the film. The progress and the success in the coherence are done to capture the mindset of the audience without boring them. The disoriented effect of the film has been removed through the use of these techniques. A more and more realistic portray is able to be made by the film makers through the use of this.
The industrial and capitalist society is defined by the power and prestige and it is hard to picture the bitter realities of this society. it is hard to present the true emotional picture of the people who faced the actual bitterness of this society and behaviors for this. T is hard to present the feelings and made people think about this. The film has made people realize the true picture of that time. Each and every aspect has been keenly evaluated. The cinema vision has been extended and elaborated in a beautiful way. The frames of the film have been made to enhance the idea presented by the writer in the real life picture. It has demonstrated the skill and the vision of film presentation. The ideas have escaped the structural base of the version provided and the restrictive presentation.
SCARFACE
INTRODUCTION
The film has tried to condemn the gangster protagonist approach in the film. After the assassination of the government official the claims for the drug trade were made. The gang was pressures with the use and trade of the drugs related to the cocaine and ultimately through the wars. It found the way to advance towards the war by proving the drugs in exchange of the drugs. The gangs are explained as ruthless and they are brutal. The gang has been portrayed as the rise of the criminal acts in this era and created a sense of depression. The camera is able to attract the violent acts of the gangs to provide better understanding in to the fighting shots. The violence pictured presents the brutal picture in order to condemn the gangster’s face to wards the life. The decade of the drug smuggling and the assembled ways to buy the ammunition with the sale of this has been displayed. It has shown the ego centered way to the world of gangs. The movie is based on the deception concept and other intrigues which needed to bold still to present the idea. It presented the confidence game and the lack of trust or in other words the trust deception in the movie. The music and the film reveal the deception and the intriguing relation in the characters and the atmosphere. The film roll best represents the routine of the night club where a gang presents a different culture related to the influential mode of disrespect and deception. The frame is the reflection of the text of the movie (Michael and Wiese, 2000). There is a good relation about the visual features in a frame. The border of the frame presents that the complete that the half of the truth is revealed and the rest is preceded in the relation among characters. Gangsters are used as a part of the play but not as the actual power it has shown the emotional trauma faced by the leaders in the still. They are spoiled by the power and the deception of the power.
CONCLUSION:
The film still is appealing to the audience and the power in such a way to attract the theme and the text of the story. The law is not presented in the real shape though it has been taken as deception and the riches used for this. The still has displayed the motive of the movie where the ambition and unusual psychic power is presented. The frame holds the power to focus on the deception through taking into account of the secret coding and the taking the law in his hands for this. This is the presenter of the idea for the deception through the illegal ways. They are in number and have different ways to develop sense among the other for their concepts. Gangster is shown as the power and his relation with the drugs. Tyranny of power and the group value are presented. According to the film while presenting the notes has provided three features of the film subject that are the information, symbolic representation and the emotional value of the text. The Scarface has kept each detail of the film carefully to show the tyranny in the conceptual theme of the film. It has provided good presentation skills by the film maker.
THE GREAT TRAIN ROBBERY
INTRODUCTION:
The movie is based on the train robbery by a gang of fifteen strong horded thieves when the train was its way to Glasgow to London. The train driver was hit during this robbery. The film writing is provided with the compositional approach of the story where the suspense atmosphere is created with the help of the words selection and the sequences of the scenes through editing. The movie has provided the professional approach towards the selection of the words and though making a critical analysis for this. The notes are first drafted in such a manner to create a scene summary to present the idea as real (Doerksen, 2010).
The reality seems different but the movie is a big deal of reality based on the emotions and exaggeration of the facts and figures. It needs a comprehensive approach of study and the writing to polish the scenes. The movie has enhanced the idea of the robbery and the emotions of the train driver. It has succeeded in demonstrating the effects and the emotional trauma and the consequences of the robbery. For the development of the scenes the writing needed to be critically analyzed and projected with the given terminologies of the film theories. It needed coordination (Veen, 2004).
The images go faster at gaining the conceptual and perceptional presentation of the text and the scene to provide narration to this shot. According to these effects we are now able to understand the narrations of the text and the summary of the movie. Extreme of lens length close framing during dialogue scenes. Rapid editing is the first stylistic technique of intensified continuity and has used about three hundred to seven hundred shots at a time. The editing continued at the faster speed than ever before. It has gained the popularity among the different eras. It has used the continuous soft focal length and a long range of lenses. The long range of the focal length has increased the value of the close frames in the shots. There has been a cause and effect study behind this for the representation of the concept development (Lotte and Eisner, 1965).
CONCLUSION:
The continuity is related to the concept related to the provision of the increase in the number of shots and enhancing the focal length of the camera through the use of the dynamic shots. The progress and the success in the coherence are done. The disoriented effect of the film has been removed through the use of these techniques. A more and more realistic portray is able to be made by the film makers through the use of this. The fast editing nature has classified the nature of the scenes and has immersed the quality of the scenes. It has helped to understand the narratives, reflects and the editing styles. The use of the free ranging cameras has exposed the framing and helped to create long range effects of the motion. There is a good relation about the visual features in a frame about the robbery. The film presents that the complete truth that is revealed about each character supporting to present the idea revealed and the rest is preceded in the relation among characters. The robbers used to present a character as a part of the play but not as the actual power and have shown the sharpness through the visual effects.
REFERENCES:
Doerksen., C. 2010. Ripe for a remake.
Heath., S. 1977. Image Music Text. Ronald Barthes.
Veen., V. C. T. 2004. Reconstruction and Rhythm, Science: Networks And Properties Of Remix Culture.
Several types of contemporary camera movements are discussed in Jeremy Vineyard, Setting Up Your Shots. Great Camera Moves Every Filmmaker Should Know (Studio City, CA: Michael Wiese, 2000), 35-50.
An in-depth study of television techniques of the period I'm considering can be found in John Caldwell, Televisuality: Style, Crisis, and Authority in American Television (New Brunswick, N.J.: Rutgers University Press, 1995).
David., A. and Ray, S. 1996. "The New Jump Cut," Newsweek (2 September 1996): 66.
Fritz., L. 1973. Metropolis (Letchworth: The Garden City Press Ltd., 1973).
Thomas and Elsaesser. 2000. Metropolis (London: British Film Institute, 2000).
Lotte., H. Eisner. 1965. The Haunted Screen (Paris: Le Terrain Vague, 1965). PP: 223.
Siegfried and Kracaue. 1947. From Caligari to Hitler (New York: North Rivers, 1947). PP: 149.
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