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Journal of Broadcasting & Electronic Media/March 2009

The Effects of Viewing Grey’s Anatomy on Perceptions of Doctors and

Patient Satisfaction

Brian L. Quick

The present investigation applies cultivation theory to describe the role of

viewing Grey’s Anatomy on patients’ predispositions. Results demonstrate

that heavy viewers of Grey’s Anatomy perceive this program to be credible.

Credibility was positively associated with a perception that real-world doctors

are courageous. A direct association did not emerge between Grey’s Anatomy

viewing and a perception that doctors are courageous, although an indirect

effect emerged, mediated through credibility. A positive association emerged

between perceptions that doctors are courageous and patient satisfaction.

Results are discussed with an emphasis on the role of entertainment programs

in cultivating patients’ predispositions about medical doctors.

Until recently, a shortcoming within the doctor-patient literature was a dearth of

theoretical models to explain the complexities that underlie this unique relationship.

The doctor-patient relationship does not occur in a vacuum, thus, attention to envi-

ronmental factors influencing this relationship is of interest to health communication

research. Street’s (2003) ecological model takes a step in this direction by advancing

an approach that takes into account multiple contexts impacting the healthcare

provider-patient relationship. In doing so, the model illustrates how the media,

organizational, cultural, and political-legal contexts each impact the doctor-patient

relationship, which has received a wealth of coverage during the past 30 years. At

the heart of the concept is the relationship between the healthcare provider and

patient. In examining the interpersonal context in which this relationship occurs,

Street identifies partner and relationship perceptions as cognitive-affective influences

for both doctors and patients.

In applying the ecological model to patients’ perspectives of doctors, the focus of

this investigation concentrates on the media context. Research examining television

representations of doctors is not new to the literature (Chory-Assad & Tamborini,

Brian L. Quick (Ph.D., Texas A & M University) is an Assistant Professor in the Department of Communi- cation at the University of Illinois at Urbana-Champaign. His research interests include message processing of persuasive health messages and the effects of media coverage of health issues.

This article was submitted and accepted under the editorship of Donald G. Godfrey.

© 2009 Broadcast Education Association Journal of Broadcasting & Electronic Media 53(1), 2009, pp. 38–55 DOI: 10.1080/08838150802643563 ISSN: 0883-8151 print/1550-6878 online

38

Quick/ECOLOGICAL MODEL 39

2001; Pfau, Mullen, & Garrow, 1995; Turow, 1989; 1996; Turow & Coe, 1985;

Volgy & Schwarz, 1980). Extant research successfully traced historic portrayals

of television doctors (Turow, 1989; Turow & Coe, 1985), while others performed

systematic content analyses to examine doctor portrayals on television (Chory-Assad

& Tamborini, 2001; Pfau et al., 1995); however, less is known about the influence

of television in shaping patient perceptions of doctors (Chory-Assad & Tamborini,

2003; Pfau et al.; Volgy & Schwarz, 1980), particularly within the context of a single

medical drama.

This investigation extends this line of research by examining the influence of

exposure to Grey’s Anatomy, spanning Season 2 and the first five episodes of

Season 3, on viewers’ perceptions of real-world doctor’s courage along with how

this perception is associated with patient satisfaction. Grey’s Anatomy was selected

due to its popularity and uniqueness. Nielsen Media Research rankings 2005–

2006 indicate that Grey’s Anatomy (Season 2) had an average of 19.9 million

viewers per episode, giving it a #5 overall ranking. Perhaps a major reason for

the show’s popularity among viewers rests in the diversity of the cast (Deimen,

2006; Reddy, 2007). The surgical interns and staff at Seattle’s Grace Hospital are

ethnically diverse, which is in stark contrast to most television shows that do

not adequately represent minorities (Deimen). Another factor that makes Grey’s

Anatomy different is the constant depiction of risky and complicated surgeries.

Deimen writes, ‘‘Due to the nature of their internship, they [surgical interns] are

constantly pitted against each other for the juiciest and most complicated surgeries’’

(p. 2). While the ecological model identifies the influence of the media within the

healthcare provider-patient relationship, the manner in which this occurs is not

explicated. Prior to making an argument for applying cultivation theory within the

context of a single program across 32 episodes, a brief history of television portrayals

of medical doctors is provided.

Television Portrayals of Doctors

The portrayal of doctors on television has shifted significantly during the past

60 years (Chory-Assad & Tamborini, 2001; Turow, 1989, 1996; Turow & Coe,

1985; Volgy & Schwarz, 1980). City Hospital, the initial doctor show launched

in 1952, portrayed doctors as omnipotent healers who represented the author-

ity within the hospital. Doctors throughout the 1950s and 1960s were charac-

terized as compassionate heroes dedicated to their patients (Turow, 1996). Au-

diences followed the likes of Dr. Ben Casey and Dr. James Kildare as they regularly

beat the odds and triumphed over illness to save patients. The 1970s introduced

doctors such as Dr. Marcus Welby who were on the cutting edge of medical

advances and, like their predecessors, always succeeded in improving the lives

of their patients. Volgy and Schwarz’s content analysis across a 4-week period

found that ‘‘not a single reference to physicians which could be described as a

negative statement toward the medical profession’’ occurred (1980, p. 152). At

40 Journal of Broadcasting & Electronic Media/March 2009

the end of the 1970s, the focus switched from patient illness to the difficulties

that come with being a doctor (Turow & Coe, 1985). Shows such as St. Else-

where and Northern Exposure, among others, began showing the stress and strain

of being a doctor (Pfau et al., 1995). By giving attention to the often unfavor-

able dispositions of doctors, media scholars feared that negative portrayals may

lead to doctor distrust (Pfau et al.). Although medical shows had begun to de-

pict doctors’ struggles, for better or worse, the majority of coverage remained

positive.

Most recently, Chory-Assad and Tamborini’s (2001) content analysis of 229

television physicians discovered that portrayals of doctors remained largely positive,

although these depictions were less favorable than portrayals a decade earlier

(Pfau et al., 1995). Specifically, Chory-Assad and Tamborini wrote that prime-

time fiction doctors ‘‘were often mean, unethical, incompetent, insubordinate,

and sometimes even criminal’’ compared to non-fiction portrayals within the

media (i.e., news broadcasts, magazines) (p. 514). ABC’s Grey’s Anatomy con-

tinues in this tradition by showing both positive and negative characteristics

of medical doctors. With that said, consistent with previous decades of doctor

portrayals on television, courageous acts performed by doctors on Grey’s Anatomy

abound in which they are forced to make critical decisions that determine

the fate of their patients. To provide illustrations of these valiant acts, two

episodes were randomly selected from Season 2 and the first five episodes of

Season 3.

In the episode entitled ‘‘Deterioration of the Fight or Flight Response,’’ three

courageous acts are performed simultaneously. First, Dr. Burke was shot outside of

the hospital. While treating Burke, viewers watch as Dr. Shepherd struggles with

the delicacy of dislodging a bullet from a friend, while at the same time performing

the surgery without damaging nerves that would prevent Burke from performing his

duty as a surgeon. While viewers witness this struggle, Dr. Addison has the daunting

task of telling Dr. Richard that his adolescent niece’s ovarian cancer has returned.

Meanwhile, viewers watch as interns Izzy, Cristina, Meredith, and George struggle

to keep a patient, Denny Duquette, alive after Izzy intentionally cut his LVAD

wire in attempts to improve the likelihood of him receiving a much-needed heart

transplant. In short, within a single episode, viewers see the courage needed to be

a medical doctor.

In another episode, ‘‘Raindrops Keep Falling on My Head,’’ viewers watch as Dr.

Addison Forbes Montgomery and intern Meredith Grey see Julie, a patient with twin-

twin transfusion syndrome (two twins connected by blood vessels in the placenta).

Addison performs surgery after she detects beginning heart failure in the twins.

After the surgery, viewers learn that the babies and Julie turned out fine. In the

same episode, viewers watch as Joe, the owner of a bar across from the hospital,

suffers from an aneurysm. In order to correct the problem, the doctors must perform

courageous acts (e.g., freeze his body, drain his blood, and stop his heart) within

45 minutes to save Joe. Joe survived the procedures. Despite their courageous acts,

the doctors on Grey’s Anatomy do not always succeed. In fact, often their patients

Quick/ECOLOGICAL MODEL 41

die. Although there is not always a happy ending, the doctors’ courageousness is

rarely questioned. In order to provide a theoretical framework to understand media

influence, cultivation theory is employed to address the underlying process in which

heavy viewers of Grey’s Anatomy develop beliefs and perceptions consistent with

television portrayals of doctors.

Cultivation Theory

Perhaps no theory has been as instrumental as cultivation theory in explaining the

long-term effects of repeated exposure to television images (Gerbner & Gross, 1976).

Cultivation theorists assert that over time, social reality and TV reality are blurred

among heavy television viewers (Gerbner & Gross, 1976; Gerbner, Gross, Morgan,

Signorielli, & Shanahan, 2002). The theory suggests that specific themes (e.g., crime)

cut across genre boundaries and pervade all programs. In making the case for

cultivation theory, researchers frequently compare perceptions between heavy and

light viewers. The preponderance of cultivation research suggests that heavy viewers

maintain perceptions that mirror television compared to light viewers in general. In

fact, the validity of cultivation research has been bolstered by meta-analytic research

that suggests Gerbner and colleagues’ prediction holds true (Morgan & Shanahan,

1996).

Despite evidence in support of cultivation, the theory has endured its share of

criticism (see Hawkins & Pingree, 1980; Potter & Chang, 1990). The assumption

that television viewing impacts perceptions is not disputed; however, the under-

lying assumptions of cultivation remain debated (for a review of these criticisms,

see Shanahan & Morgan, 1999). A major criticism of cultivation research rests in

Gerbner and colleagues’ belief that television messages are a cumulative mass of

messages with consistent storylines. That is, cultivation treats television messages as

a coherent system of stimuli spanning all genres and programs (Gerbner & Gross,

1976; Gerbner et al., 2002). As a result, cultivation researchers’ interests are in the

impact of total television viewing as opposed to genre-specific or program-specific

effects. While treating television messages as a coherent system was legitimate for

the late 1960s, the spawn of cable and satellite programming, an influx of programs

aimed at specific target audiences, along with technologies such as television digital

video recordings during the past four decades have certainly challenged cultivation’s

notion of a uniform storyline across genres and programs. Content analyses have

disputed the belief that television messages are uniform across genres and programs

(Hawkins & Pingree, 1980; Potter & Chang, 1990). In fact, Segrin and Nabi’s (2002)

study examining marital expectations found that relationship genre explained more

variance in eros and expectations for intimacy than total television viewing. Both

relationship genre and total television viewing explained a significant portion of

variance in fantasy rumination or marital intentions. Similarly, research found that

heavy viewing of TV news is associated with concerns about violent crimes (Romer,

Jamieson, & Aday, 2003), while others discovered that parents attending to media

42 Journal of Broadcasting & Electronic Media/March 2009

stories about child abduction cases experience more fright-related feelings than

light viewers (Wilson, Martins, & Marske, 2005). Wilson et al. also found that heavy

exposure to TV reality/dramas and attention to media stories about child kidnappings

are positively associated with concerns about a local threat. Finally, within the

context of doctor portrayals on television, Chory-Assad and Tamborini (2001) found

that visual and non-visual doctor portrayals varied in physical attractiveness and

interpersonal style across prime-time fiction, daytime soaps, network news, news

magazines, and daytime talk shows, although doctor competence, ethical character,

regard for others, and power did not vary significantly. Together, these studies

support the possibility of extending cultivation theory to examine effects within

specific television genres.

Although research supports the cultivation hypothesis with respect to total televi-

sion viewing (Morgan & Shanahan, 1996) and genre-specific programming (Chory-

Assad & Tamborini, 2003; Romer et al., 2003; Segrin & Nabi, 2002; Weaver &

Wakshlag, 1986; Wilson et al., 2005); however, examining cultivation within the

context of a single program (e.g., Grey’s Anatomy), albeit over 32 episodes, remains

uncharted territory. In fact, in several of the aforementioned studies, support for the

cultivation hypothesis was more robust for genre-specific compared to total televi-

sion viewing (Chory-Assad & Tamborini, 2003; Segrin & Nabi, 2002; Wilson et al.,

2005). Specifically, Chory-Assad and Tamborini found that exposure to prime-time

medical dramas among others predicted physician perceptions, but total television

viewing did not. Similar results were found by Wilson et al., although within a

different context, who found child news viewing to explain more variance than

TV viewing when it comes to fright-related feelings and concern for one’s safety.

Perhaps increasing the specificity of the cultivation hypothesis into a particular pro-

gram, over multiple episodes and seasons, will also support Gerbner’s hypothesis.

After all, Gerbner’s assumption about the nature of cultivation seems logical within

the context of Grey’s Anatomy. That is, heavy viewing of this program over the

course of 32 episodes would likely impact perceptions of real-world doctors among

heavy viewers of this medical drama.

Greenberg’s (1988) drench hypothesis is a competing framework to cultivation

theory. The drench hypothesis asserts that exposure to a dramatic program or

narrative can generate a significant impact on an audience. Whereas cultivation

can be characterized by a drip-drip-drip effect over a long period of time, the

drench hypothesis is depicted as an intense, immediate effect (Reep & Dambrot,

1989). Recently, Bahk (2001) applied the drench hypothesis to the movie Outbreak.

Bahk’s findings supported the argument that exposure to a dramatic stimulus can

elicit changes in health beliefs. While both frameworks offer insight into the present

study, examining the effect of Grey’s Anatomy viewing on perceptions of medical

doctors over 32 episodes better lends itself to cultivation than the drench hypothesis

for a number of reasons.

The present investigation is concerned primarily with how repeated exposure to

patterns communicated within a medical drama can impact and shape viewers’

perceptions of medical doctors. Arguably cultivation is not concerned with the

Quick/ECOLOGICAL MODEL 43

effects of a single program or particular genre, yet cultivation research is interested

in patterns and representations over an extended period of time (Gerbner & Gross,

1976; Gerbner et al., 2002). Grey’s Anatomy viewers have watched the everyday

operations of a teaching hospital unfold on their television sets. Exposure to pat-

terns of courage by these medical doctors may have cultivated similar perceptions

among viewers, but how these perceptions impact viewers over time is worthy

of consideration within a cultivation framework. Cultivation also acknowledges

that exposure impacts the cultivation effect. Specifically, heavy viewers are hy-

pothesized to provide answers consistent with television reality when asked about

real-world reality (Gerbner & Gross, 1976). Although this hypothesis rings true

for total television viewing (see Gerbner et al., 2002) and genre-specific view-

ing (Chory-Assad & Tamborini, 2003; Romer et al., 2003; Segrin & Nabi, 2002;

Wilson et al., 2003), conceivably cultivation theory is an appropriate framework

for a single show spanning 32 episodes. Therefore, portrayals presented across

32 Grey’s Anatomy episodes will likely impact viewers’ perceptions of real-world

doctors.

From a cultivation perspective, it is assumed that heavy viewers of Grey’s Anatomy

will maintain perceptions of doctors that are consistent with depictions of television

doctors on this television program. Moreover, cultivation researchers have argued

that a cultivation effect is most likely in medical contexts where viewers often have

limited experiences (see Gerbner & Gross, 1976; Morgan & Signorielli, 1990; Pfau

et al., 1995). Not surprisingly, media scholars have found that television viewing of

medical shows impacts patient perceptions of doctors (Chory-Assad & Tamborini,

2003; Pfau et al., 1995). Additionally, limited experience inside a teaching hospital

will likely enhance the credibility of the program, which can impact one’s social

judgments (Busselle, 2001; Busselle & Greenberg, 2000). For instance, perceiving

television to be realistic enhances the accessibility of television images in audiences

(e.g., shootings, Americans having extramarital affairs) (Busselle). In this same man-

ner, perceiving Grey’s Anatomy to be realistic will likely make television depictions

of doctors on this program more accessible to viewers and subsequently impact

viewers’ perceptions of real-world doctors. Medical dramas such as Grey’s Anatomy

can shape perceptions about doctors by giving viewers insight into the behind

the scenes and day-to-day operations of a teaching hospital, which few patients,

particularly college students, have experienced first hand. Put another way, average

college students presumably have little experience inside emergency rooms and

thus, are likely to perceive Grey’s Anatomy depictions of surgeons operating in this

environment as accurate due to their inexperience in this context. With that said,

the first hypothesis is advanced,

H1: The viewing of Grey’s Anatomy is positively associated with perceived cred-

ibility of this program.

As alluded to earlier, cultivation research asserts that a cultivation effect is most

pronounced in contexts in which the audience is unfamiliar (see Gerbner & Gross,

44 Journal of Broadcasting & Electronic Media/March 2009

1976; Morgan & Signorielli, 1990; Pfau et al., 1995). That said, studying the culti-

vation effects of a program such as Grey’s Anatomy, which has attracted a college-

student audience, is reasonable. Few students have spent extensive time in a teach-

ing hospital. Not surprisingly, media scholars have found that television viewing of

medical shows impacts patient perceptions of doctors (Chory-Assad & Tamborini,

2003; Pfau et al., 1995). With inadequate examples to compare the validity of the

programs’ everyday portrayals, audiences are likely to perceive the depictions on

Grey’s Anatomy to be realistic. Following these surgical interns as they seek out

the most daring and complicated surgeries, audiences are likely to perceive these

doctors to be courageous. In turn, if viewers of Grey’s Anatomy perceive these TV

doctors as courageous, then they will also perceive real-world doctors as being

courageous. After all, research indicates that perceiving a message to be credible

can make television images more accessible and ultimately can impact one’s social

judgments (Busselle, 2001; Busselle & Greenberg, 2000). With this in mind, the

second hypothesis is advanced.

H2: Perceived credibility of Grey’s Anatomy is positively associated with per-

ceived courageousness of real-world doctors.

Reviews of doctor portrayals on television demonstrate that TV doctors are coura-

geous. Consistent with depictions of TV doctors on other medical dramas over

the years such as Dr. James Kildare, Dr. Ben Casey, and Dr. Marcus Welby, the

cast of Grey’s Anatomy display their bravery through their courageous maneuvers

in difficult situations. For these reasons, to provide a direct test of the cultivation

hypothesis, a positive association is expected to emerge between exposure to Grey’s

Anatomy viewing and a belief that real-world doctors are courageous.

H3: The viewing of Grey’s Anatomy is positively associated with perceived coura-

geousness of real-world doctors.

In addition to testing for a direct effect between Grey’s Anatomy viewing with

perceived credibility and perceptions that doctors are courageous, an indirect effect

connecting Grey’s Anatomy viewing and perceptions that doctors are courageous

through the program’s perceived credibility is examined. Media effects researchers

have encouraged research to examine both direct and indirect effects (Holbert &

Stephenson, 2003; McLeod, Kosicki, & Pan, 1996). Inadequate attention to indirect

effects could certainly camouflage the relationship between two variables of interest.

In this spirit,

RQ1: Does perceived credibility of Grey’s Anatomy mediate the relationship

between Grey’s Anatomy viewing and perceived courageousness of real-

world doctors?

Quick/ECOLOGICAL MODEL 45

Research argues that glamorizing the profession on medical dramas is a contribut-

ing factor to increases in applications to medical resident programs, which increased

from 4% in 1994 (the year ER began) to 5.2% in 1997 (O’Connor, 1998). In essence,

O’Connor argued that students watching weekly episodes of ER over 4 years is com-

parable to a medical student’s time spent in a typical emergency medicine rotation.

Taking into account television depictions of physicians along with physicians’ and

public perceptions of physicians, Pfau et al. (1995) found that television portrayals

and public perceptions of doctors’ interpersonal style and physical attractiveness

were more favorable than physician perceptions. Interestingly, network television

depictions and public perceptions toward doctors’ character and power were more

negative than physician perceptions. These studies suggest that viewing medical

dramas can impact perceptions. Within the doctor-patient literature, a commonly

employed measure for patient outcomes is satisfaction (Brown, Stewart, & Ryan,

2003).

Research has found that patients satisfied with their interactions with doctors are

more likely to adhere to a prescribed treatment regimen (e.g., Brown et al., 2003).

Patient satisfaction has received extensive attention in the literature. For example,

Roter et al. (1997) conducted an extensive analysis of patient satisfaction across 13

locations within North America. Their team found that patients were most satisfied

when the doctor discussed biomedical and psychosocial issues equivalently. Per-

ceptions that a doctor will perform courageous acts in order to save or significantly

improve the quality of life for a patient will reasonably be positively associated with

patient satisfaction. Thus,

H4: Perceived courageousness of real-world doctors is positively associated with

patient satisfaction with their real-world doctors.

In sum, H1 through H4 present a structural model featuring both direct and

indirect effects between Grey’s Anatomy viewing, an evaluation of the credibility of

this medical drama, patients’ perceptions that doctors are courageous, and patient

satisfaction. Specifically, heavy viewers of Grey’s Anatomy are hypothesized to

believe the show is credible (H1 ). A belief that Grey’s Anatomy presents a credible

portrayal of doctors is hypothesized to be positively associated with a perception that

real-world doctors are courageous (H2 ). To provide a direct test of the cultivation

hypothesis, Grey’s Anatomy viewing is hypothesized to be positively associated with

perceived courageousness of real-world doctors (H3 ). Along with testing a direct ef-

fect between Grey’s Anatomy viewing and perceptions of real-world doctor courage,

an indirect effect between these variables was assessed as mediated through program

credibility (RQ1). Following extant research on doctor-patient communication, a

positive association between perceiving a doctor to be courageous and patient

satisfaction was hypothesized (H4 ). The hypothesized structural model is depicted

in Figure 1.

46 Journal of Broadcasting & Electronic Media/March 2009

Figure 1

Hypothesized Structural Model

Method

Participants and Procedures

Students in a communication class at a large Midwestern University recruited five

students to complete the paper and pencil survey for extra credit. This recruitment

strategy was employed because it offers a broader range of participants than limiting

a sample to students enrolled in communication classes (see Kramer & Hess, 2002).

Students returned the survey to the principal investigator within 1 week. Participants

(N D 269) ranged in age from 18 to 46 (M D 20.72, SD D 2.04). The majority of

participants, 95.5%, identified themselves as White or Caucasian, while 1.1% were

African American, and 3.4% were other. Most participants were female (65.1%). In

terms of watching Grey’s Anatomy during Season 2 and part way through Season 3,

a total of 32 episodes, the majority of participants watched several episodes (M D

12.77, SD = 14.25). In fact, 78 participants reported watching all 27 episodes from

Season 2 and the first five episodes of Season 3, while 95 had not seen one episode.

Measures

In order to prevent the likelihood of an ordering effect, participants first completed

a series of items pertaining to their perceptions of real-world doctors’ courageous-

ness and patient satisfaction among others. To avoid an ordering effect, participants

indicated their television viewing habits along with their perceived credibility of

Grey’s Anatomy at the end of the survey. Additionally, given the nature of the

recruitment strategy, it was important to limit the number of survey items in or-

der to increase the validity of the responses. As a result, scales to assess Grey’s

Anatomy viewing, perceived Grey’s Anatomy credibility, doctors’ courageousness,

and patient satisfaction were developed.

To ensure that these measures empirically held together, an exploratory factor

analysis with principal axis factor extractions, promax rotations with Kaiser normal-

izations, and a convergence rotation set at 25 iterations was performed. Five factors

emerged with eigenvalues of greater than 1. Specifically, the following eigenvalues

were obtained: perceived doctor courageousness (4.39), perceived Grey’s Anatomy

credibility (2.29), and patient satisfaction (1.08).1

Quick/ECOLOGICAL MODEL 47

Grey’s Anatomy Viewing. In determining how frequently participants watched

Grey’s Anatomy, participants were asked, (a) ‘‘During the second season of Grey’s

Anatomy, how many episodes did you watch on TV?’’, and (b) ‘‘So far this season,

how many episodes of Grey’s Anatomy have you watched on TV?’’ The sum of both

items resulted in the Grey’s Anatomy viewing variable (M D 12.77, SD D 14.25).

Grey’s Anatomy Perceived Credibility. To determine the perceived credibility

of Grey’s Anatomy, the following stem was used, ‘‘In general, images and story-

lines communicated in medical dramas like Grey’s Anatomy are .’’

Three semantic differential scales with the endpoints not realistic/realistic, not cred-

ible/credible, and not believable/believable were used on a 5-point scale. The three-

item index was reliable (˛ D .88, M D 2.75, SD D .94).

Perceived Doctor Courageousness. Perceptions that doctors are courageous was

measured on a Likert scale ranging from 1 D Strongly disagree to 5 D Strongly agree,

participants responded to the following seven items: (a) In general, physicians are

heroic; (b) In general, physicians are brave; (c) In general, physicians are daring; (d)

In general, physicians are courageous; (e) In general, physicians are superhuman;

(f ) In general, physicians are brilliant; and (g) In general, physicians are clever. The

7-item scale was reliable (˛ D .84, M D 3.25, SD D .64).

Patient Satisfaction. On a 1 D Strongly disagree to 5 D Strongly agree Likert

scale, participants indicated their overall satisfaction with doctors in general by

responding to two items: (a) ‘‘In general, I am satisfied with my physician,’’ and (b)

‘‘On average, my physician satisfies my health needs.’’ This 2-item index formed a

reliable measure (˛ D .79, M D 3.99, SD D .78).

Results

Structural equation model (SEM) using EQS 6.1 was employed to test the fit of the

hypothesized model. In testing the hypothesized model, Grey’s Anatomy viewing

was specified as a single-item observed variable, while perceived credibility, doctor

courageousness, and patient satisfaction were each treated as latent composite vari-

ables (see Holbert & Stephenson, 2002; Stephenson & Holbert, 2003). To determine

the adequacy of the hypothesized model, the Chi square goodness-of-fit test (�2 ),

Comparative Fit Index (CFI), Standardized Root Mean Squared Residual (SRMR),

and Root Mean Square Error of Approximation (RMSEA) were used as indicators.

To provide a conservative test of cultivation theory, it was decided that total

television viewing, which represented the sum of hours watched on the average

weekend and weekday, along with participants’ biological sex and the number

of doctor visits during the past year should serve as covariates while testing the

48 Journal of Broadcasting & Electronic Media/March 2009

Table 1

Means, Standard Deviations, and Correlations for Variables

(N D 269)

Variables 1 2 3 4

1. GA Viewing 1.0

2. GA Credibility .33 1.0

3. Courage .13 .25 1.0

4. Satisfaction .02 .08 .27 1.0

Mean �.02 �.01 .00 .00

Standard Deviation 14.16 .93 .63 .78

Note. GA D Grey’s Anatomy.

hypothesized model. In doing so, Grey’s Anatomy credibility, doctor courage, and

patient satisfaction were regressed on each of the covariates using SPSS software.

Then, the unstandardized residuals for these variables, which represent the variance

not explained by the covariates, were saved and transferred to EQS for the structural

equation analyses (e.g., Stephenson & Palmgreen, 2001). In this way, the variables

depicted in the structural model are not affected by any systematic effect due to the

covariates.

The Mardia’s normalized estimate was examined and was not determined to be

problematic at .80. The results indicated that the hypothesized structural model was

consistent with the data, CFI D 1.0, SRMR D .01, RMSEA D .00 (CI: .00, .05), �2

(2, N D 269) D .19, p D .91. See Table 1 for correlations, means, and standard

deviations (after controlling for the covariates) for this model’s variables and Figure 2

for path coefficients.

The first hypothesis predicted that viewers of Grey’s Anatomy would be likely

to perceive the show as credible. Following cultivation theory (Gerbner & Gross,

1976; Gerbner et al., 2002), heavy viewers of television are more likely to adopt

worldviews that mirror those portrayed on television. A positive association was

anticipated and found between exposure to Grey’s Anatomy and perceptions of this

show’s credibility, ˇ D .35, p < .001.

Figure 2

Structural Model

Note. *** D p < .001.

Quick/ECOLOGICAL MODEL 49

A cultivation effect is believed to be most pronounced within contexts where

viewers are unfamiliar with the content being portrayed on television (see Chory-

Assad & Tamborini, 2001; Gerbner & Gross, 1976; Morgan & Signorielli, 1990; Pfau

et al., 1995; Volgy & Schwarz, 1980). Due to the unfamiliarity of life inside a teach-

ing hospital, it was hypothesized that for viewers perceiving the presentations on

Grey’s Anatomy to be credible, a perception that real-world doctors are courageous

would follow. Hypothesis 2 received empirical support, ˇ D .28, p < .001.

Following the frequent portrayal of doctors performing heroic acts throughout

Grey’s Anatomy, it was hypothesized that heavy viewers of Grey’s Anatomy would

likely perceive real-world doctors to be courageous. Hypothesis 3 did not receive

empirical support, ˇ D .04, p > .05.

A positive association was hypothesized between perceived real-world doctor

courageousness and patient satisfaction. Patients want doctors that are willing to do

whatever it takes to improve their health. Hypothesis 4 received empirical support

in the hypothesized direction, ˇ D .33, p < .001.

Although a direct effect for Hypothesis 3 was not found, an indirect effect con-

necting Grey’s Anatomy viewing and perceived doctor courageousness as medi-

ated through perceived Grey’s Anatomy credibility was examined. Media effects

researchers have encouraged examining indirect effects to get at the why question

in quantitative research (Holbert & Stephenson, 2003; McLeod et al., 1996). In

response, a product of coefficient test for mediation was performed (MacKinnon,

Lockwood, Hoffman, West, & Sheets, 2002). In doing so, a z-score product for the

mediation of Grey’s Anatomy viewing on Grey’s Anatomy perceived credibility and

doctor courageousness was computed, (.02/.004) � (.18/.05) D 18. After consult-

ing Craig’s (1936) normally distributed variable table, Grey’s Anatomy perceived

credibility was determined to mediate Hypothesis 3 at p < .001.

Discussion

Street (2003) advanced the ecological model to provide a systems framework to

the healthcare provider-patient relationship. Within the model, Street acknowledged

the media as an environmental factor that influences patient predispositions prior to

an appointment with a doctor. Although the present investigation was not a formal

test of the ecological model, it applied cultivation theory to a single program across

32 episodes as opposed to total television viewing (Gerbner et al., 2002; Morgan

& Shanahan, 1996) and genre-specific programming (Chory-Assad & Tamborini,

2003; Romer et al., 2003; Segrin & Nabi, 2002; Weaver & Wakshlag, 1986; Wilson

et al., 2005), and advanced cultivation theory by providing partial evidence that

this framework can be applied to a single program over an extended period of

time. Results from this investigation are discussed below with an emphasis on how

these findings bolster Street’s ecological model, advance cultivation theory, and to

a larger extent, provide a linear framework from which to understand antecedents,

within a media context, to patient satisfaction.

50 Journal of Broadcasting & Electronic Media/March 2009

A research line that emerged more than four decades ago sought to understand

media portrayals of doctors (Chory-Assad, & Tamborini, 2001; Pfau et al., 1995;

Turow, 1989, 1996; Turow & Coe, 1985; Volgy & Schwarz, 1980). From this

research, readers learn that doctors historically have been portrayed on television

as omnipotent healers who overcome adverse conditions to triumph in the face of

adversity (O’Connor, 1998). Although content analyses of these medical portrayals

abound (Chory-Assad, & Tamborini, 2001), less is known about how these portrayals

impact patient perceptions (Chory-Assad & Tamborini, 2003; Pfau et al. 1995;

Volgy & Schwarz, 1980). Cultivation researchers argue that heavy viewers are

likely to perceive the world as it is depicted on television more than light viewers

(Gerbner & Gross, 1976; Gerbner et al., 2002). Although the bulk of research

favors a cultivation effect (see Morgan & Shanahan, 1996), Gerbner and colleagues’

hypothesis is stronger when audiences have little experience or exposure to the

phenomenon depicted on television (Gerbner & Gross, 1976; Pfau et al., 1995). For

these reasons, it was hypothesized that a positive association would emerge between

Grey’s Anatomy viewers and show credibility. The first hypothesis was supported,

which predicted that the number of Grey’s Anatomy episodes viewed would be

positively associated with the perceived credibility of the show. In other words, the

more people watched the show, the more realistic they perceived the program. This

finding was not surprising given the limited exposure that has been given to day-

to-day operations of teaching hospitals. For this reason, media are likely to affect

judgments when the portrayals are perceived as realistic (Bahk, 2001; Busselle,

2001; Busselle & Greenberg, 2000).

To examine the show’s influence on viewers’ predispositions, a positive asso-

ciation was hypothesized connecting Grey’s Anatomy credibility with real-world

doctors’ courageousness (Hypothesis 2). This hypothesized association between per-

ceived credibility and doctor courageousness was confirmed and sheds additional

light into how television viewing of Grey’s Anatomy can impact patient perceptions.

Consistent with portrayals of the doctors at Seattle’s Grace Hospital on Grey’s

Anatomy, it is not surprising that participants within this study perceived doctors

in general to be courageous. Episodes frequently depict doctors as performing a

risky procedure to save or significantly improve the life of a patient. Often, multiple

storylines represent doctors performing heroic acts to save or significantly improve

a patient’s life.

Gerbner and colleagues assert that cultivation effects span total television viewing,

not genre- or program-specific viewing (Gerbner et al., 2002). The rationale behind

this fundamental belief rests in the assumption that consistent storylines are present

across genres. Although this assumption has received its share of criticisms (see

Hawkins & Pingree, 1980; Potter & Chang, 1990), critics of this belief may be

right. Recent research suggests that genre-specific programs explain more variance

in outcome variables of interest than total television viewing (Chory-Assad & Tam-

borini, 2003; Segrin & Nabi, 2002, Wilson et al., 2005). These findings are not

surprising given the influx of more tailored programming due to channel increases

with satellite television. This investigation extends this research by narrowing the

Quick/ECOLOGICAL MODEL 51

scope of cultivation by testing the relationship between television viewing of Grey’s

Anatomy, across 32 episodes, on a host of outcome variables. Evidence did not sup-

port a cultivation hypothesis via a direct effect between Grey’s Anatomy viewing and

perceptions of doctors’ courageousness (Hypothesis 3); however, an indirect effect

between these variables mediated through perceived Grey’s Anatomy credibility

was found (Research Question 1). In a spirited call, Holbert and Stephenson (2003)

encouraged researchers to examine indirect effects when testing structural models.

Media effects researchers have encouraged examining indirect effects to unravel the

underlying mechanisms at work in examining media effects (McLeod et al., 1996).

In response to this charge, MacKinnon et al.’s (2002) product of coefficient estimate

was employed. Although a direct effect was not found, an indirect effect connecting

Grey’s Anatomy viewing and perceptions that real-world doctors are courageous

was supported. Additional research should continue to examine a cultivation effect

resulting from total television exposure, genre-specific, and exposure to a single

program over several episodes. Initial evidence did not suggest a direct link between

Grey’s Anatomy viewing and perceptions of doctors’ courageousness, but rather

perceiving the show to be credible mediated this relationship.

Hypothesis 4 predicted a positive association between doctor courageousness and

patient satisfaction. The strength of this association was robust. Put another way,

participants in this study perceived courage was strongly associated with patient

satisfaction. Perhaps the reason for the strong support for this hypothesis stems from

the similarity between perceived doctor courageousness and doctor competence

among participants in this study.1 Hall and Dornan’s (1988) meta-analysis (k D

107) discovered that patient satisfaction is a result of perceived doctor competence.

This is not surprising because there is comfort in knowing that a doctor will do

everything in his or her power to save or improve the condition of a patient. In

short, results from this investigation suggest that courageousness is closely linked to

patient satisfaction. Future research should examine patient perceptions of doctor

courageousness within the clinical context to see if these associations replicate.

With an overview of the major findings from this investigation, attention is turned

to the shortcomings of this study and the opportunities that remain.

Limitations and Future Research

The present investigation offers a glimpse of how viewing Grey’s Anatomy can

impact patient predispositions about real-world doctors. Although this study rep-

resents an initial attempt to better understand the role of Grey’s Anatomy viewing

on perceptions of doctors, this investigation raises more questions than it answers.

Future research should assess the role of medical dramas in changing, creating, or

reinforcing perceptions of nurses and hospital administrators. Along these lines, re-

search should also examine television portrayals of health insurance and malpractice

suits as well as other economical and political factors that impact the complexities

in the healthcare provider and patient relationship. Research should also make an

52 Journal of Broadcasting & Electronic Media/March 2009

effort to recruit from more heterogeneous populations. The generalizability of these

findings is hindered given the convenience sample employed to recruit participants.

Although many of these college students were heavy viewers of Grey’s Anatomy, a

random sample would enhance the external validity to these findings. Additionally,

a larger sample would increase the generalizability of these findings.

Future research should inquire about specific details derived from Grey’s Anatomy

viewers to ascertain how this program impacts their predispositions. The present

study addressed the more global question of whether viewing Grey’s Anatomy

impacts perceptions of doctors in general; however, identifying certain content

features from Grey’s Anatomy that impact perceptions of doctor courageousness and

perhaps other variables such as doctors’ character, interpersonal style, physical at-

tractiveness, social attractiveness, power, competence, and regard for others (Chory-

Assad & Tamborini, 2001; Pfau et al., 1995) would be a welcomed addition. On a

related note, understanding why and how these variables impact patient satisfaction

would enhance the understanding of media portrayals of doctors. For instance,

depictions of doctors as being courageous and heroic could logically result in this

program serving as a mechanism for social control. How viewers interpret these

behaviors and how it could impact patient adherence is worthy of future research.

Perhaps, relying on interpretive methods of data collection such as focus groups

and in-depth interview will provide answers to these important questions. Future

research should examine how heavy viewers of shows such as Grey’s Anatomy

perceive their role as patients within the doctor-patient relationship. Findings from

such a study would be valuable to research advocating patient training (for a review,

see Cegala & Broz, 2003). Finally, applying cultivation theory into other specific

programs, across multiple episodes, as opposed to total television viewing or genre-

specific programs should receive additional attention.

Conclusion

An advantage of the ecological model rests in its ability to identify environmental

sources such as the media that shape, reify, and change audience predispositions

about medical encounters with doctors. Findings from this investigation demonstrate

that heavy viewers of Grey’s Anatomy perceive the content to be realistic, which

leads to believing doctors are courageous, which leads to being more satisfied with

one’s real-world doctor. Given the limited exposure most patients have to these

behind the scene looks at doctors at teaching hospitals, accurate portrayals of this

context and settings is paramount. Additionally, portrayals of issues such as organ

donation present television producers with an opportunity to shed light into some

of the major problems facing society. Given the perceived credibility of Grey’s

Anatomy by its devoted viewers, public health advocates have an opportunity to dis-

seminate accurate health messages within these shows. Unfortunately, historically,

producing television shows for commercial and social reasons have been seen as

adversaries as opposed to complementary (Singhal & Rogers, 2002). Hollywood has

Quick/ECOLOGICAL MODEL 53

a tendency to sensationalize issues for improved audience ratings. In fact, a recent

content analysis of television portrayals of organ donation supported this claim

(Morgan, Harrison, Volk Chewning, DiCorcia, & Davis, 2007). As a result, these

researchers encouraged organ donation advocates to influence the entertainment

industry to present accurate depictions of health. In sum, this investigation provided

a testable theoretical framework to bolster Street’s (2003) ecological model. As

a result, this investigation provides a better understanding about the underlying

process by which the media infiltrates patients’ predispositions about doctors in

general via exposure to Grey’s Anatomy.

Note

1Initially, doctor courageousness and competence were believed to be separate concepts. Although two factors emerged between both sets of items, results from the factor analysis revealed that only one item loaded on perceived competence, thus it was dropped.

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