write essay secondary source integration
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finding_secondary_sources.docxFinding Secondary Sources
For each excerpt, identify the claim being made. Then, think about what kinds of evidence the paragraph needs to support that claim, and provide four answers. You are not seeking out specific secondary sources––your answers should look something like: “a source that talks about bossy wives in television,” or “a source that talks about how femininity is not valued in our culture.” The goal of this exercise is to practice with evidence and claims, effectively using research to complicate or support your claims.
Excerpts:
Rashid, the first womanizer persona Roger enacts, most closely resembles the modern pick-up man archetype. Rashid has an elaborate background story that Roger created for him, in which he “is a Persian stud that drives an M3 with tricked out ground effects, lives with his parents in a big house with no yard, and sells X but doesn’t use it.” It is noteworthy that as soon as Roger arrives at Club DÜSH with his friend Stan, three women surround him. He is later seen back at home with these girls, introducing them to the Smith family as bar whores and skanks. Throughout the episode, Rashid uses a strand of words including whore twice, hoe twice, and bitch twice. Recognition of this character’s sexist vernacular may offer insight into society’s interpersonal displays of dominance, yet it accomplishes nothing in promoting large-scale change. In my opinion, American Dad adheres to our culture’s misogynistic framework because its creators see no comedic value in upsetting this status quo. The most important aspect about Rashid’s ridiculous monologues, however, is that each is organic to the scene. Nobody in the Smith household seems to budge when an alien curses out multiple half-drunk women at 9:00 in the morning. American Dad makes it visible how deeply these behaviors have become engrained in our culture in a non-sarcastic way. Rashid proceeds throughout the episode by further degrading the club girls, forcing them to make him breakfast, and even mentions throwing one out of a moving car.
What kinds of secondary sources would you use to support or complicate this claim? (at least four)
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In more specific terms, Michael is exhibiting a form of heterosexism. Heterosexuality is considered, oftentimes subconsciously, to be “the norm” by heterosexist individuals. For example, when Michael teases Oscar by calling him “faggy”, he is actually assuming and therefore normalizing the idea that all males are straight and will not get offended by anti-gay humor. Furthermore, when Toby informs Michael of Oscar’s homosexuality, Michael is initially dumbfounded because of the inherent normalization that all men are naturally heterosexual. Michael’s assumption that homosexual behavior is aberrant becomes apparent in the following scene when he crudely apologizes for calling Oscar “faggy”: “If I don’t know how to behave, it is because I am just so far the opposite way. I-I can’t even imagine…the thing. Maybe we could go out for a beer sometime, and you could tell me how you do that to another dude.”
What kinds of secondary sources would you use to support or complicate this claim? (at least four)
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Dwight’s punishment also extends to his failed relationship with Angela. Although Dwight does have a love life on the show, it is made so that it is more of a hassle than a reward. Angela, the office’s uptight conservative, is very blunt in her rhetoric and controlling with her surroundings. She sets up constraining parameters for Dwight in the relationship, many of which limit his machismo. Not only that, but she inevitably dumps him for Andy, a babbling, desperate-to-be liked salesman. In this case a few things happen; for one, the audience is informed that Dwight’s masculine qualities do not get him the girl, something that very rarely happens in television. In fact, the break-up slumps him into a deep depression perpetuated by his ongoing interactions with Angela. Furthermore, many of his coworkers offer their condolences to him, yet his virility keeps him from receiving their sympathies. This is essentially saying that Dwight’s masculinity is not only keeping him from getting Angela back, but it is not letting his wounds heal, either.
What kinds of secondary sources would you use to support or complicate this claim? (at least four)
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In contrast, Phil and Claire’s relationship portrays a common television dynamic, composed of a domineering woman and a submissive man. This type of relationship is not uncommon in American television, yet it is worthy to note that this particular dynamic differs from the reality of power inequality between men and women in today’s society. Women are typically associated with having power over the domestic domain, such as in tasks involving childcare or housekeeping. In Modern Family, Claire has control over decorating and cleaning for her haunted house and exerts her power by effectively delegating tasks to ensure a successfully scary Halloween night. Claire provides an example of female power over a household… Phil and Claire’s relationship clearly exposes Claire as the partner in control, yet this is very different from reality in that a woman’s power is often not taken seriously. Overall, masculinity is often valued more than femininity in the professional world and at home, yet television gives the illusion that women hold the power in a relationship.
What kinds of secondary sources would you use to support or complicate this claim? (at least four)
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Submission
Not Turned In!
Grade: incomplete (0 pts possible)
Graded Anonymously: no
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