Writing Homework

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introduction_to_your_text_1-5.pdf

INTRODUCTION TO YOUR

TEXT, 1-5

Elizabeth Phillips, Ph.D.

WR 121

Highlights from the Text

Patterns for College Writing

Reading Critically

 “Reading is a two-way street” (1).

 We all have our own ideas as writers and as

readers (1).

 Class, gender, and race are all factors that can

affect how we read, write, and understand (1).

Reading Actively

 Pay attention to pre-reading material:

headnote and background (2).

 Consider the subject, the main point, purpose,

audience, assumptions, consistency of ideas,

biases, logic, your own knowledge, and your

own experience (2).

Highlighting and Annotating

 Highlight points of interest (3)

 Annotate or “carry on a conversation

with the text” (3).

Responding

 Comprehension: How do you understand the

text?

 Purpose and Audience: Is the text attentive to

this aspect?

 Style and Structure: What choices has the

author made and are they effective?

 Vocabulary (7).

Writing Process:

Areas of Discussion

 Invention

 Arrangement

 Drafting and Revising

 Editing

Invention

 Consider length?

 Think about purpose?

 Who is your audience?

 What is the occasion?

 What do you bring to your subject? (18-19).

Strategies

 Journal Writing

 Freewriting

 Brainstorming

 Clustering

 Making an Informal Outline (23-29)

Thesis

 “A thesis is the main idea of your essay; its

central point” (30).

 “The concept of thesis and support—stating

your thesis and developing ideas that explain

and expand it—is central to college writing”

(30).

Thesis, continued

 An implied thesis, “conveys an essay’s

purpose, but it does not do so explicitly” (33).

 An explicit thesis directly states the viewpoint

and conclusion of the author.

Arrangement

 “Narration: What happened? When did it

happen? Where did it happen? Who did it?

 Description: What does it look like? What are

its characteristics? What impression does it

make?

 Exemplification: What are some typical cases

or examples of it?

Arrangement, cont.

 Process: How did it happen? What makes it

work? How is it made?

 Cause and Effect: Why did it happen? What

caused it? What does it cause? What are its

effects?

 Comparison and Contrast: How is it like other

things? How is it different from other things?

Arrangement, cont.

 Classification and Division: What are its parts

and types? How can its parts or types be

separated and grouped? Do its parts and

types fit into logical order . . .

 Definition: What is it? How does it resemble

other members of its class? How does it differ

from other members of its class” (38).

Understanding the Parts of the Essay

 The introduction: “Introduces your subject,

creates interest, and often states your thesis”

(39).

 The Body Paragraphs: “The middle section, or

body, of your essay develops your thesis” (41).

More on Body Paragraphs

 “Types of support: Examples, Reasons, Facts,

Statistics, Details, Expert Opinions, Personal

Experiences” (44).

 Remember to document your support to avoid

plagiarism.

Conclusion

 “ . . . Your conclusion should be consistent with

the rest of your essay” (46).

 “Frequently, a conclusion will restate the

thesis, summarizing your essay’s main idea in

different words, or will review your key points .

. .” (46).

Drafting and Revising

 “The purpose of your first draft is to get your

ideas down on paper so that you can react to

them.

 Experienced writers know that the first draft is

nothing more than a work in progress; it exists

to be revised” (51).

Revising “

Revision is not something you do after

your paper is finished. It is a continuing process

during which you consider the logic and clarity of your ideas . . .” (53)

 Set draft aside for awhile

 Get feedback

 Plan ahead

Editing and Proofreading

 Edit: grammatical errors

1) Verb Tense

2) Complete Sentences

3) Punctuation

4) Run-on Sentences, Comma Splices, etc.

 Proofread: Typos, etc.

Sources

 Kirszner, Laurie G. and Stephen R.

Mandell. Patterns for College Writing:

A Rhetorical Reader and Guide. USA:

Bedford, 2007.