i want a respond

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Do Six-Ton Captives Dream of Freedom?

‘Blackfish,’ a Documentary, Looks Critically

at SeaWorld

Blackfish

NYT Critics’ Pick By JEANNETTE CATSOULIS JULY 18, 2013

Tilikum, a bull orca, in a scene from “Blackfish.” This documentary is critical of SeaWorld’s

treatment of such whales. Credit Suzanne Allee/Magnolia Pictures

Unapologetically designed both to inform and affect, Gabriela Cowperthwaite’s delicately

lacerating documentary, “Blackfish,” uses the tragic tale of a single whale and his human victims

as the backbone of a hypercritical investigation into the marine-park giant SeaWorld

Entertainment.

Denied on-camera interviews with park executives, who have strenuously taken issue with the

film’s contentions in a lengthy news release, Ms. Cowperthwaite tells the distressing story of

Tilikum, a 12,000-pound bull orca implicated in the deaths of three people. Through the rueful

voices of former trainers and whale experts, a narrative driven by disillusion and regret unfolds

as the trainers point to a gap between SeaWorld’s public image and behind-the-scenes reality.

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Seemingly supported by chilling video and the oral testimonies of two witnesses to Tilikum’s

first attack in 1991, the trainers accuse SeaWorld of cover-ups and misinformation. Much of the

footage is painful to watch: bleeding whales, flanks raked by the teeth of their fellow captives; a

trainer crushed between two gigantic beasts with only his wet suit holding him together; another

trainer dragged repeatedly to the bottom of a pool until he manages to escape. Providing context

for this alarming behavior, researchers describe highly socialized, caring creatures used to living

in thousands of miles of ocean and ill suited to theme parks where they may be subjected to

repeated overnight confinements in dark concrete pens.

“If you were in a bathtub for 25 years, don’t you think you’d get a little psychotic?” Jane Velez-

Mitchell, a CNN anchor, wonders in a clip that’s used in the film. Other signs of mental distress,

like severe tooth and stomach problems caused by the whales gnawing on their enclosures, are

described. But the film’s most harrowing moment occurs not while addressing Tilikum’s 2010

mutilation and killing of a senior trainer, Dawn Brancheau, at the park in Orlando, Fla., but in a

face-to-face with a former whale hunter, the diver John Crowe. Tearfully recalling his traumatic

capture of whale calves four decades ago in Puget Sound while their mothers howled pitifully

(“We were only after the little ones”), Mr. Crowe seems haunted to this day by the unearthly

sound of the animals’ apparent grieving.

Calmly and methodically countering SeaWorld’s contention that whales benefit from captivity

— the Web site “Orcas in Captivity” places the current total at 45 — Ms. Cowperthwaite

questions the advisability of exploiting mammals whose brains, the neuroscientist Lori Marino

suggests, may be more complex than our own.

“When you look into their eyes, you know somebody is home,” one of the trainers says. Perhaps

that’s why SeaWorld’s most well-known show was called “Believe.”

“Blackfish” is rated PG-13 (Parents strongly cautioned). Gouged whales and mauled humans.

Blackfish

Opens on Friday in New York and Los Angeles.

Directed by Gabriela Cowperthwaite; written by Ms. Cowperthwaite and Eli Despres; directors

of photography, Jonathan Ingalls and Christopher Towey; edited by Mr. Despres; music by Jeff

Beal; produced by Manuel V. Oteyza and Ms. Cowperthwaite; released by Magnolia Pictures.

Running time: 1 hour 23 minutes.

A version of this review appears in print on July 19, 2013, on page C11 of the New York edition

with the headline: Do Six-Ton Captives Dream of Freedom?