Movie Review Essay
COMMON FEATURES OF ACTION MOVIE REVIEW WRITING ON
WWW.IMDB.COM
A MASTER’S PROJECT
BY
SUKUMAL SUKHUM
Presented in Partial Fulfillment of the Requirements for the
Master of Arts Degree in English
at Srinakharinwirot University
October 2009
COMMON FEATURES OF ACTION MOVIE REVIEW WRITING ON
WWW.IMDB.COM
A MASTER’S PROJECT
BY
SUKUMAL SUKHUM
Presented in Partial Fulfillment of the Requirements for the
Master of Arts Degree in English
at Srinakharinwirot University
October 2009
Copyright 2009 by Srinakharinwirot University
COMMON FEATURES OF ACTION MOVIE REVIEW WRITING ON
WWW.IMDB.COM
AN ABSTRACT
BY
SUKUMAL SUKHUM
Presented in Partial Fulfillment of the Requirements for the
Master of Arts Degree in English
at Srinakharinwirot University
October 2009
Sukumal Sukhum. (2009). Common Features of Action Movie Review Writing on
www.imbd.com. Master’s Project, M.A. (English). Bangkok: Graduate School,
Srinakharinwirot University. Project Advisor: Dr. Walaiporn Chaya.
This study investigated the common features of action movie review writing in
terms of the writing pattern and organizational formats. It also examined types of writing
as well as their purposes, sentence structures, and word choices used in writing action
movie reviews. The data used for analysis were the content of ten action movie reviews
from the year 2007 to 2008 on the website www.imdb.com. The criteria for analyzing the
features of writing were based on Rudeen’s organizational formats (2000) and Garbis et
al.,’s (2001) movie review guidelines. The results of the study revealed four main
patterns: Pattern 1: Providing a Board Overview; Pattern 2: Comparison with the Previous
Episodes; Pattern 3: Describing the Movie’s Storyline; and Pattern 4: Providing
Reviewer’s Comments or Concluding the Review. According to types of writing, three
types of writing were used (informative writing, persuasive writing, and narrative
writing), but in different parts of the movie reviews depending on the purpose of writing;
while, simple sentence was the most frequently used (39.38%) followed by complex
sentence (25.23 %) and compound sentence (23.38%). For word choice, concrete words
were used most to convey the intended meaning, and three kinds of emotional words were
found. First, emotional words of fun aimed to present an amusing tone of the writer’s
feeling to readers. Second, emotional words of violence were intended to show a violent
or an exciting tone. Finally, emotional words of disappointment were aimed to present
the writer’s disappointed feeling toward those action movies to readers. The findings
suggested that the movie review writing can be used to develop types of writing,
particularly informative writing. Also, the movie reviews can be used as reading materials
to enhance the ability to read for pleasure and critical reading.
��ก����� �� ก��������� ��������������������� �� � �!"��!��� #���#����
����#��� ��
$%�% �� $%�%
�$��������&�� ������� '� �������(��������� �)�* ��+���,-�$� �'�.� �� ก��(.ก�� �� '��ก$/��,��00�(��,(�$�� '����&�� $��� ��������� ก1�
�%��� 2552
$%�% �� $%�% . (2552). ��ก����� �� ก��������� ��������������������� �� � �!"��!��� #��� #���� $������7� ((. . (������ ก1�). ก�% ���8: ���&�� ������� '� �������(�������� � �)�*. ����������,�.ก��$������7�: #�. !��� :���.
�� ������+�� ��ก����� �� ก��������� ��������������������� �� � �!"��!��� #��� #���� � ��;%,��$ ����+��(.ก����ก����� �� ก��������� ��������������������� )#�(.ก�� ��ก����� �� �/,������)�� $�<� '��ก���=�<�:���=�ก��������� ��������������������� ��ก��ก��>?/< ����!#<(.ก�����#�� �������, )�� $�<� ,��)��, ��� ก����+�ก=�<�A�=�ก��������� ��������������#� ก��� �<� /����=�<=�ก�� �������> ��>�+��� ���������������������=���' �� ,B �.(. 2550 D 2551 �� � �!"��!��� #���#���� �A�� � 10 ��+�� =�ก�� ������'���ก����� �� ก������� �� ��������������=�<�ก�&��/,������)�� $�<� ก��������� ���������������� �/#�� (2000) ��� ก�����$������ (2001) ?��� �� ������ �� �/,���ก��������� ��������������������� �� � �!"��!��� #���#���� � 4 ���#� ��> ������ 1 �,-�ก���$��������� G ������ 2 �,-�ก�� �,���������ก��������?��� � ������ 3 �,-�ก���7����;. ��+�� �� �������� ��������� 4 �,-�ก������� ������ '�+��$# � � ��#�' ��� ?/< ������'�+�$�%,ก�� ������ ��ก��ก��>?�ก�� �����ก��� ก�����# �� ก��������� �� �� ?/<�����=�<ก���������> 3 ��� �+�ก����������='<�<� /� (Informative Writing), ก�����������/ =� (Persuasive Writing) ��� ก����������������+�� (Narrative Writing) ���=�<=��A�#��������ก��� ก�� �.>���/�ก���%#,��$ �������$� ��� ก������� $A�'�����ก��� �� )�� $�<� ,��)�����=�< �#� ��> �+� ?/<�����=�< ��ก��;,��)�� (Simple Sentence) �ก���$%# (�<���� 39.38) �A�#��;�# ��+� $� ก�,��)��'�+�,��)��"��"<�� (Complex Sentence) ��#�,-��<���� 25.23 ���=�<���ก��;,��)�� (Compound Sentence) �<���� 23.38 #<��ก����+�ก=�<�A��� ��?/<������� ������=�<�A�����$# � � ' �������#��� (Concrete Word) ���?��� �� ������ �� �� ���ก���ก�� =�<�A����$+����� �� 3 ,������+� ,�������ก �A�����$# ��� ��$�%ก$��� )#�?/<����� ��%#,��$ ����+�� �A��$����� ��$�%ก$����� ���������ก�?/<���� ,��������$� �A��$# ��� ���%��� )#�?/<����� �A��$����� �����$+��;. � � �%��� �� ���������ก�?/<���� ���,��������$� �A��$# � � ?�#' � ?/<���������� �A��$����� ���� ���� ��� �� � �/<$.ก?�#' � ก������������+�� ��>� G���?/<���� �<��$�������กก�� �������> ��>�+� �� ��������������$� ��;=�<�,-�$+����*��ก�������,�������� )#��:������� ��� ก�������='<�<� /� ���=�<�,-�$+����+����*��� � $� ��;=�ก��������+��� � ����#��������ก��������#�� ������'� ������
The master’s project advisor, chair of the English program, and oral defense
committee have approved this master’s project Common Features of Action Movie
Review Writing on www.imdb.com by Sukumal Sukhum as partial fulfillment of the
requirements for the Master of Arts degree in English of Srinakharinwirot University.
Master’s Project Advisor
………………………………………………
(Dr. Walaiporn Chaya)
Chair of the English Program
………………………………………………
(Dr. Walaiporn Chaya)
Oral Defense Committee
……………………………………………… Chair
(Dr. Walaiporn Chaya)
……………………………………………… Committee
(Assistant Professor Dr. Nitaya Suksaeresup)
……………………………………………… Committee
(Dr. Somsak Kaewnuch)
This master’s project has been approved as partial fulfillment of the requirements
for the Master of Arts degree in English of Srinakharinwirot University.
……………………………… Dean of the Faculty of Humanities
(Associate Professor Chaleosri Pibulchol)
October………, 2009
ACKNOWLEDGEMENTS
This research work would not have been possible without the dedication and good
valuable suggestions of Dr. Walaiporn Chaya, my master’s project advisor. I would like
to take this opportunity to express my sincere gratitude for her great patience in reading,
editing, and encouragement me throughout this study.
I also would like to extend my thanks to Assistant Professor Dr. Nitaya
Suksaeresup, for her professional instructions and thoughtful advice. My appreciation
extended to Dr. Prapaipan Aimchoo, for her valuable comments.
In addition, my deepest special thanks are extended to Dr. Somsak Kaewnuch who
devoted his time with great patience in reading and gave me valuable advice and careful
proof-reading. Without his kindness, this master’s project could not have been
accomplished.
Finally, I would like to express my heartfelt thanks to my beloved family: father,
mother and brother, who always give me all their love, care, and stay with me.
Sukumal Sukhum
TABLE OF CONTENTS
Chapter Page
1 INTRODUCTION……………………………………………………………… 1
Background of the Study…………………………………………………….. 1
Purposes of the Study………………………………………………………... 7
Research Questions…………………………………………………………... 7
Significance of the Study…………………………………………………….. 7
Scope of the Study………..………………………………………………….. 8
Definition of Terms………………………………………………………….. 9
2 REVIEW OF RELATED LITERATURE……………………………………… 11
Writing Review……………….……………………………………...………. 11
Movie Review Writing…………………….………………………………… 13
An Overview of the IMDB Domain…………………….…………………… 15
Action Movie…………………………..……………….……………………. 16
Writing Styles……..………………………………………………………..... 19
Types of Writing………………..…………………………………………..... 20
Types of Sentence Structures…...…………………………………………..... 23
Types of Word Choices in Movie Reviews….……………………...……….. 25
Related Studies……………………………………………………………….. 27
TABLE OF CONTENTS (continued)
Chapter Page
3 METHODOLOGY…………..…………………………………………………. 31
Research Procedure………..……………………………………………..... 31
Data Analysis...............……..……………………………………………... 33
4 FINDINGS............…………..…………………………………………………. 35
Common Features in Action Movie Reviews Writing .................................35
Organizational Formats of Action Movie Review Writing...........................41
Types of Writing, Sentence Structures, and Word Choices in Action
Movie Reviews Writing................................................................................77
5 CONCLUSION AND DISCUSSION.....................……………………………. 88
Conclusion.......……………..……………………………………………... 88
Discussion....................……..……………………………………………... 91
Limitation.......……………..……………………………………………..... 92
Recommendation for Further Study..……..…………………………..........93
REFERENCES………...………………………….....…………………………......…...94
VATAE......…….……......………………………………………………………….......100
LIST OF TABLES
Table Page
1 Overall Patterns of Action Movie Reviews Writing............................................36
2 Organizational Formats and Guideline of Movie Review Writing:
Movie Title: Pirates of the Caribbean: At World's End…………………........41
3 Organizational Formats and Guideline of Movie Review Writing:
Movie Title: Spider-Man 3…………………....………...................................44
4 Organizational Formats and Guideline of Movie Review Writing:
Movie Title: Indiana Jones and the Kingdom of the Crystal Skull..................47
5 Organizational Formats and Guideline of Movie Review Writing:
Movie Title: Transformers...............................................................................50
6 Organizational Formats and Guideline of Movie Review Writing:
Movie Title: Iron Man.....................................................................................54
7 Organizational Formats and Guideline of Movie Review Writing:
Movie Title: Quantum of Solace.....................................................................58
8 Organizational Formats and Guideline of Movie Review Writing:
Movie Title: National Treasure: Book of Secrets ...........................................62
9 Organizational Formats and Guideline of Movie Review Writing:
Movie Title: The Bourne Ultimatum...............................................................65
10 Organizational Formats and Guideline of Movie Review Writing:
Movie Title: Live Free or Die Hard................................................................69
11 Organizational Formats and Guideline of Movie Review Writing:
Movie Title: The Incredible Hulk...................................................................73
LIST OF TABLES (continued)
Table Page
12 Types of Writing in Action Movie Reviews........................................................78
13 Frequency of Sentence Structures in Ten Action Movie Reviews......................81
14 Concrete Nouns and Descriptive Words Typically Found in Action Movie
Reviews............................................................................................................83
15 Emotional Words Typically Found in Action Movie Reviews...........................85
LIST OF FIGURES
Figure Page
1 Review Format......................................................................................................12
2 The Titles of Action Movie Reviews and Their Grossed Income.........................32
3 Percentage of Sentence Structures Used in Action Movie Reviews.....................82
CHAPTER I
INTRODUCTION
Background of the Study
Language is an essential device for communication. Humans use language to
communicate their ideas, thoughts, feelings or even the point of views with other people
in the society. Therefore, it becomes an important tool which helps people in the society
to understand each other through listening, speaking, reading and writing. Language is
also used to organize the content of communication, what human beings want to
communicate into the sounds that are heard, or the written symbols that are read. In this
way, humans can communicate with one another by speaking and writing. By speaking,
it is easy for both communicators to understand each other because they can use the body
language and interact through face-to-face communication. However, communicating by
written language appears to be more complicated than spoken language since the writers
cannot convey their ideas or thoughts using face-to-face communication. Thus, the writer
needs to make the reader understand his/her ideas by writing effectively and clearly.
Communicative writing would be effective when a reader can understand or perceive the
same ideas as those that the writer intends to communicate.
Currently, due to the globalization phenomenon, people can communicate with
other peoples all over the world through communication technology. Also, the fast-
growing resources of information can be accessed conveniently and globally through the
Internet. This results in the worldwide use of online written materials available in many
foreign languages, particularly in English, with a variety of purposes. For example, the
information on the Internet can be the resource of input for thousands of users in the field
2
of English language. Researchers can also search for research studies in many fields such
as the scientific research, technology development, geography, history and so on. The
Internet can also be digital video libraries. For people who want to further their studies,
they can study in a distance education system through online connections. In addition,
the online international business is very popular, and it is a fast and cheap way for
business people. They can create many business sections on the Internet such as
advertisement or entertainment sections to persuade consumers. It is then necessary for
website creators or writers, of any languages, who deliver online messages to write as
clearly as they can so that their audience or Internet users can decipher their information
correctly. Since there are various kinds of materials on websites, Internet users can
search for any kind of information to meet their needs. However, in this competitive
globalized world, a huge number of people do not have much time to relax because they
have to work hard for their survival. Entertainment sections on websites appear to be
valuable information for them.
Under the entertainment sections, one of the most frequently used by Internet
users is a movie review. A movie review is a way in which the writer expresses his/her
opinion of a movie with a short summary of its plot and characters as well as comments
on the movie. The purpose of most movie reviews is to help the audience to determine
whether they want to rent, buy, or see the movie (Eliashberg & Shugan, 1999). In
addition, from a review the audience can get roughly movie’s content and other
information about the movie. Moreover, the readers can search for the description of a
movie that they want to see by selecting types of the movies on the websites, so they can
get the useful information of the movie from movie reviews. Movie reviews on the
websites also allow a reader to quickly examine the main content of a movie, and help
them decide whether the movie worth seeing. Online movie reviews have also rated
3
those movies. Therefore, an online movie review is considered a powerful marketing
tool, or word-of-mouth information that has the impact on the Internet users’ decision
(Duan, Gu & Whinston, 2008). In addition, the message conveys brief content of the
movies and some ideas that a reviewer has attempted to persuade and attract a reader to
see the movies. The effective online movie reviews can have the persuasive effect on the
moviegoers, so movie producers use them as marketing strategies in the competitive
entertainment business. Therefore, professional movie review writing should give
sufficient details, with the essentials such as the basic plot, and the major events with or
without the important turning point so that the audience can make a decision whether to
see the film. The movie reviews, particularly the online movie reviews are important
because of the high competition among the producers, and there are many online movie
reviews on various websites to choose from.
Since there are many professional movie review websites such as
www.movies.yahoo.com, www.depreview.com, www.consumerreview.com
www.imdb.com , www.thefridayflyer.com and so forth, to persuade the audience to read
the reviews is challenging, and movie review writing is a complicated task
(Charoenchasri, 2007). In fact, writing a movie review is similar to writing on any topic.
That is, the writer needs to choose a topic, generating ideas, craft a thesis or focus,
research and structure an argument, and find the tone. Bowen & Cali (2008) states five
features of effective writing including focus, organization, support and elaboration, styles
and convention. However, writing a movie review is slightly different from writing on a
given topic in that the writer needs to perform some tasks that are related to any of those
movies he/she wants to review. In addition, the purpose of a movie review is to persuade
and convince the online consumers. A movie review is one of the most powerful channels
to generate word-of-mouth information. Style of writing and word choices are considered
4
the most essential features to attract reader’s interest (Zhang, Dellarocas, and Awad,
2004). Moreover, there are different kinds of movies including action, adventure,
comedy, drama, romance, horror and thriller, musicals, science fiction, and war movies.
One style of writing may be suitable for one kind of movies but not for another.
Furthermore, each type of a movie also serves different needs of the audiences.
Therefore, the movie reviewer can help the consumers to completely understand the
movie’s content and some other important information of each movie (Kungwanpradit,
2004). Kunwanpradit also states that since a movie review is a kind of writing a
summary, the use of different style from the original can mislead readers in understanding
the content of original movie. Since there are various kinds of movie reviews and the
styles of writing, writing styles are very important in persuading the reader to read those
reviews. The movie review writing which lacks of consideration for the reader’s
comprehension ability is then going to be unread because it may confuse the readers;
most of the audiences prefer to read the writing that is easy to understand.
Coffey (1987) suggests that writing is the process. Syntax, grammar, and
vocabulary are composed to make a sentence. If verbs are weak, grammar is poor, and
syntax is rickety, sentences will fall apart. Coffey also states that readers should learn
three important steps in the writing process: the careful and deliberate formulation,
organization of the information before writing, and the editing of information once it has
been written. A movie review is the analysis and evaluation of movies (Jergensen, 1998).
For instance, a humorous writing style would work well for a comedy; whereas, a more
serious tone would be appropriate for writing a drama review. Thus, writing movie
review has the impact on films, mainly in a new release of each movie. Particularly, the
plot summary and description of a movie that makes up the majority of any movie
5
reviews can have an important influence on whether people decide to see a film. Poor
reviews will often doom a film to obscurity and financial loss.
Mencher (1996) also suggests that “a review has two parts: basic information
about a work (straight reporting) and the reviewer’s assessment (the criticism)” (p.30). In
a movie review, the reviewer can give opinions on the movie to persuade whether the
audience should see the movie. There are both negative and positive movie reviews,
which depends on the purpose of movie reviewers. A reviewer has to make a case. A
solid case is made through the reviewer’s knowledge of the field, clear, authoritative
writing and proof in the review that the critic’s standards are valid (Chaovalit & Zhou,
2005). It can be said that reviewers consumer reports. They tell us whether we should
spend our time and money on a product. Thus, the use of writing styles and word choices
in the movie reviews are essential for writers.
Moreover, Baker (1992) points out that the smallest unit which the readers would
expect to possess individual meaning is the word. Then, using of word choice is also
important because movie reviews have strong effects on reader’s interest. Therefore, the
words must be interesting and meaningful.
Since the purposes of most the movie review are to help the moviegoers in
determining whether they want to see the movies, whether on DVD, CDs, or at the
cinemas, a number of prior research studies on online movie reviews have been
conducted to examine the influence of online word-to-mouth communication, the impact
of online product recommendations on consumers’ online choice (Duan, Gu, & Whinston,
2008). Most of online movie reviews abroad has also focused on investigating the
relationship between consumers’ generated content and product sales (Narayan &
Dellarocas, 2006). The results of these studies are mixed, and these studies are mostly in
the field of economics or business.
6
In Thailand, like in most parts of the world in which the utilization of the Internet
for an entertainment purpose has gained more popularity. However, the previous research
studies on online movie reviews are very rare. One study by Charoenchasri (2007)
conducted the genre analysis of newsgroup movie reviews. This study examined steps in
the schematic description of rhetorical pattern of movie review genre in professional
movie reviews written by newsgroup on the website www.imdb.com. Kungwanpradit
(2004)’s study investigated writing style used in movie overviews on website “Yahoo!
Movies” http://movies.yahoo.com. The study aimed to examine the general
characteristics of movie overviews on website “Yahoo! Movies,” and the language
characteristics and styles including the use of sentence structure, the use of word choice
and the tone the in different kinds of movie review writing. Meeprom (2005) analyzed
language styles of film synopses on the Internet, at the website http://movies.yahoo.com.
This case study investigated three aspects of language usage: typical characteristics of the
film synopses, distribution of words categories used, and grammatical structures of
sentences.
Since there are few previous studies on online movie reviews, the other aspects of
common features of movie review writing yet have been uninvestigated, particularly in
action movie reviews. For this reason, this present study attempts to extend the
knowledge in this area. Then, in this study common features of action movie review
writing including types of writing, sentence structures and word choices will be explored
and classified. The results will reveal how writing styles and word choices are used to
gain the readers’ attention and successfully persuade the Internet users to read their
reviews particularly in action movie reviews. Ten online action movie reviews have been
selected from the Internet website “www.imdb.com” as data.
7
Purposes of the Study
The main purpose of this study was to find out the common features of movie
review writing in terms of main pattern, organizational formats, types of writing, sentence
structure, and word choices of action movie review writing on www.imdb.com.
The purposes of the study are presented as follows:
1. To examine common features of movie review writing in action movie review.
2. To investigate types of writing, sentence structures and word choices that can
be commonly found in action movie reviews.
3. To examine the frequencies of types of writing, sentence structures and word
choices commonly found in action movie reviews.
Research Questions
This study addresses three main research questions as in the following.
1. What are the common features of action movie review writing?
2. What are the common types of writing, sentence structures, and word choices
used in action movie reviews?
3. What are the frequencies of types of writing, sentence structure, and word
choices used in action movie reviews?
Significance of the Study
It is certain that movie reviews have an important impact on moviegoers or
consumers in many ways, and each type of movie review has different writing styles. For
example, a humorous writing style would work well for a comedy review, a serious tone
would be good for a drama review, and a mysterious tone would be suitable for a thriller
review. Besides, movie reviews are written to help readers to make their decisions
8
whether or not to see a film. The findings of the study will be directly beneficial for the
following reasons:
Firstly, the results will benefit the readers to understand the content of movie
reviews and clearly understand what the movie review writer wants to present through
written language.
Secondly, the study will benefit the writer to see the essentials of movie reviews;
therefore, he/she can use techniques of movie review writing to persuade the reader’s
interest.
Thirdly, the results will help learners of English to practice reading and writing
skills, so they can write a movie review professionally.
Finally, the findings will be the sources of information for anyone working in
language education, movie industry, advertising, and marketing.
Scope of the Study
This study investigated common features of action movie reviews in
www.Imdb.com. The purpose is to find out the common features of movie review
writing in terms of types of writing, sentence structure, and word choices including the
frequencies used. Top 250 worldwide Box Office from all types of movie which each
movie has grossed over US$200,000,000 at the box office during their theatrical runs
were collected. Because of the different of quantities in each type of movies were
released in each year, some types of movie may be released more or less. However,
action movie review is one types of movie to release in less quantity in each year. Then,
ten action movie reviews during the year 2007 – 2008 were used as samples from
www.imdb.com. Furthermore, this study does not focus on examining any preferable
9
types of reviews positive and negative review writing in order to avoid biases in picking
up the data.
Definition of Terms
Terms used in this study need definitions. The lists of terms are as follows:
1. Movie reviews refers to pieces of movie review writing which the movie
reviewer aims at informing, persuading, and narrating t in order to convey his/her feeling
through the message so that the reader can make a decision whether or not to see a
movie.
2. Action movie refers to a type of movies which is full of physical stunts and
activities like battles, flights, car chases, or races etc.
3. Writing style refers to types of writing, types of sentence structure, and word
choices used in action movie reviews which the style of writing shows the writer ideas
and feeling to the reader.
4. Common features refers to the writing style used in movie review writing on the
website to suit the specific content and to persuade audience including purposes of
writing.
5. Types of writing refer to kind of writing which this study emphasizes three
types of writing: informative writing, persuasive writing, and narrative writing.
6. Types of sentence structure refer to the kind of sentences which are classified
into four types: simple sentence, compound sentence, complex sentence, and compound-
complex sentence.
7. Word choice refers to the kind of word choices used in action movie review
writing which are classified to two types: concrete words, and emotional words.
10
Summary of the Chapter
This chapter provided the background information and rationale for this study. In
addition, the chapter first discussed the important role of compute technology,
particularly the websites which provide a lot of useful information for people in the
globalization phenomenon. Then it described the contribution of online movie review
writing. It also described the purposes of the study, research questions, significance of
the study, scope of the study and definition of terms. The next chapter reviews the
theoretical foundation and the concepts of the movie review writing.
CHAPTER II
REVIEW OF RELATED LITERTURE
This study aimed to investigate the common features of action movie review
writing on the websites. It also examined the writing styles including types of writing,
sentence structure and word choice the movie reviewer used in movie reviews. In order
for readers to understand the overall concept of the study, this chapter will elaborate on
the following. First, some background knowledge about writing reviews and movie
reviews will be given. Second, overviews of the IMDB domain and action movies will
be presented. Third, some styles as well as genres commonly used in movie review
writing, which are classified as informative, narrative, and persuasive, will be
discussed. Then, a short overview of types of sentence structures and word choices will
be given for the purpose of exploring words and sentence types that movie review
writers normally choose in their writing. Finally, related research conducted abroad
and in Thailand context will be discussed.
Writing a Review
Writing a review, the writer considers the relationship between the work and the
audience, or the relationship between the writer and his/her audience. Thus, a review is
a critical evaluation of a text, event, object, or phenomenon. The important element of
review is a commentary, not only a summary. It means that a review makes an
argument. A review can offer agreement or disagreement and identify the points where
writer find the work exemplary or deficient in its knowledge, judgments, or
organization. Reviews can be found in many forms such as books, articles, art,
policies, exhibitions, performances and films (Drewry, 1974). Normally, reviews are
12
succinct; from a review, a reader knows the overall perspectives, arguments, and
purposes inside the work that has been reviewed. Kamerman (1978) suggests that
“reviewers should be as fair as possible in saying how well the author has carried out
his or her intent in the book being reviewed, and they should judge the book that has
been written, not the book they wish the author had written” (p. 7).
Furthermore, a review has to focus on opinions, not facts or details. Summary
should be kept to a minimum, and specific details should serve to illustrate arguments.
Palmer (1993) also claims that a review is an essay that draws attention to and passes
comment on a topical matter – the publication of a book, the release of a record, the
opening of a stage play or film, and so on.
Hutchison (1996) states that, “Reviews do not really lend themselves to formats
or patterns. Let’s look at how critics review works when they know their subject
matter, when they have prepared themselves to be critics through education, reading,
and viewing, and mastering books, music, cinema and theater” (p. 333). Hutchison’s
(2001) standard review format is described as follows:
Figure 1. Review Format
Appraisal of the work
Intent of the artist
Synopsis of the work,
performance exhibit
Evidence supporting your
appraisal
Artist’s intent
accomplished, not
accomplished.
Suggestions to the readers
13
Movie Review Writing
A movie review is a critical writing that examines why and how a movie works.
It provides the reader with a basic idea of what the film is about. Moreover, it provides
the writer’s critical assessment of the success/failure or effectiveness/ineffectiveness of
the film supported by the evidence the writer gathers from the film (The Writing
Center, 2009). Furthermore, it is one kind of review writing which is written to help
readers decide whether or not to see a movie. Movie reviews are written to give a
commentary, not only a summary. It offers the writer’s opinions on the qualities of a
particular movie. It also tells a little about the storyline to catch readers’ interest and
encourage readers to venture to the theatres to see the movies for themselves. Thus, the
critique is an opportunity to exhibit a critical awareness of the elements of the film to
share the delight and pleasure the film offers the viewer. Moreover, Juergensen (1998)
claims that the purpose of a movie review is not to merely summarize the plot, but to
evaluate its worth.
A movie review is a way in which writers expresses their idea of a movie with a
short summary of its plot and characters as well as comments on the movie. In
contrast, summary writing is a piece of writing in a short version which conveys an
objective condensation of the main ideas of the writing. It is written to help writers
convey an effective communication to readers because readers can get the main idea of
the writing quickly and do not have to waste their time reading every word from the
original source (Aropoff, 1970). Furthermore, when writing a summary, the following
parts should be omitted: background discussions, personal comments, digressions,
conjectures, introductions, explanations, examples, and definitions. Besides, some
materials are not printed materials such as film, play, or the events in a story, so it is
useful for readers to get a brief content from the summary. However, a good movie
14
review is not a summary of a film, but a critical analysis that examines why and how a
movie works. When writing a movie review, reviewers always consider who the
intended audience is for the film. In addition, a good movie review usually uses scenes
and dialogues from the film to support writers’ arguments (Essay-Paper.net, 2006).
According to Rudeen (2000), a movie review can be organized as the following.
Title and deck
The title of the review and the deck (a sentence in special print
above the review) suggest the reviewers opinion-whether her or she
thinks the movie is worth seeing or not
Where
At the top of the review, is the name the movie and the places
where it can be seen.
Introduction
Here the reviewer tells us why he or she thinks the movie is good or
not. There is also often a brief summary of what the movie is
about, the story line and what kind of movie it is-adventure, horror,
romance, for example
Actors’ Roles
This part gives a short description of the main characters and names
the actors who play the parts. Reviews refer to roles the actors have
played in other movies.
Story line
In this part you find out more about the story line and also where
and when the movie takes place and what the setting or mood is.
There may be more information about the roles as the reviewer talks
about the story line
Conclusion
The reviewer may conclude with an interesting or thought-
provoking question or statement to tempt you to see the movie for
yourself. Our local reviewer sometimes makes a ling with a local
situation or social attitude.
Source: “Reading Movie Reviews” by Bangkok Post Educational Services (2000),
from http://www.bangkokpost.com/education/movies.htm
15
Additionally, Garbis et al. (2001) propose a guideline of movie review writing
to keep readers’ interest as follows.
Paragraph 1
Offers overall impression of the movie while mentioning the movie’s
title, directors, producers, writers, main actors or supporting actors of
the movie.
Paragraph 2
Offers a brief summary of what the movie is about.
Paragraph 3
Offers actors’ roles aim to gives a short description of the key actors.
Paragraph 4
Offers movie techniques used in scenes. There may be more
information about the roles, the soundtrack, or explain the idea that a
movie is really interesting.
Paragraph 5
Address how well the movie represents the novel or play.
Paragraph 6
Offers the reader in reviewer opinion. It is the last opportunity to
guide the reader to attend the movie.
Source: “Film Analysis Terms” by M. Garbis and C. Adams, Baltimore, 2001, from
http://www.studyguide.org/filmterms.htm
An Overview of the IMDB Domain
The name of IMDB stands for the Internet Movie Database. This site was
launched in the year 1990, and in 1998 was acquired by Amazon.com. The IMDB
website consists of information about films, television programs, and games products.
The IMDB is aimed at entertainment professionals. It provides a variety of services
including production and box office details. IMDB has 57 million visitors, 17 million
of whom are registered (Wikipedia, 2009).
16
According to Chaovalit and Zhou (2005), there are many product reviews that
exist in various forms across different websites, for instance, complementary reviews
sites such as www.amazon.com; professional reviews sites such as
www.dpreview.com, www.cnet.com, www.zdnet.com and www.imdb.com; opinion
sites of consumers such as www.concumerreview.com, www.epinions.com, and
www.bizrate.com; and news or magazines with feature reviews such as
www.rollingstone.com. For movie reviews, however, the IMDB is a data source to
select because it is the one professional reviews site well-known as the largest
accumulation of data about films. It can be said that IMDB gives chances to customers
to present their opinions towards movies they want to criticize.
Furthermore, Kats et al. (2002) and Melville et al. (2002) mention that the
IMDB is a movie database which contains information about movie products,
recommendations and movie reviews written by members in the Usenet newsgroup.
They are professional in writing movie reviews which are officially stored in the
database of IMDB.
Action Movie
Action movies are movies which have a lot of physical stunts and activities,
possibly extended chase scenes, races, rescues, battles, fights, escapes, and destructive
disasters (floods, explosions, natural disasters, fires, and so on). The main focus in
action movies is usually on a male hero. Action movies always have a resourceful hero
struggling against incredible odds, life threatening circumstances, or an evil villain.
Moreover, the actors always plays in scenes of trapping or chasing each other in various
modes of transportation such as buses, ships, trains, planes, horsebacks, and so on
17
(Dirks, 2007). The following is an example of action movie reviews from website
www.imdb.com.
Title and deck
SPIER-MAN 3
A film review by Steve Rhodes
Copyright 2007 Steve Rhodes
RATING (0 TO****): ***
PIRATES OF THE CARIBBEAN: AT WORLD'S END A film
review by David N. Butterworth Copyright 2007 David N.
Butterworth
** (out of ****)
Live Free Or Die Hard
2007
126 minutes
Rated PG-13
By Scott Mendelson
Where -
Introduction /
Paragraph 1-2
In SPIDER-MAN 3, Spidey gets in touch with his inner evil twin,
which turns out to be a lot of fun for him and for us. Even if the
movie isn't nearly as good as SPIDER-MAN 2, it's not a
GODFATHER 3 sort of disaster of a third picture in a series.
About the worst that can be said of SPIDER-MAN 3 is that it's
overstuffed with villains and it's at least twenty minutes too long.
(Spiderman3)
The reinvention of James Bond films continues with QUANTUM
OF SOLACE. The old James Bond had incredible luck and nearly
always did the right thing. This Bond bungles his way into
situations and is as likely to foul up someone else's plan as he is to
fix it. The tension between M and Bond always seemed a little
disingenuous since Bond was clearly MI6's super-weapon. The
new Bond as of the last two films is more of a loose cannon and is
dangerous to both sides. (Quantum of Solace)
18
Actor’s Role /
Paragraph 3
Depp's more subdued this go around. At least he's not reduced to
clown status, as he was last time, but he was key to the first film's
success and his savvy "savvy?" is neither here nor there. Instead,
Pirates 3 spreads the witty asides around. It's not quite the same.
(Pirate of the Caribbean: At World’s End)
The "3" in the title could also refer to the number of villains. This
time we get three villains for the price of one movie ticket. James
Franco plays "Goblin Junior," as the son of The Great Goblin is
derisively called. Thomas Haden Church plays the Sandman, a
character created out of some great special effects. And, Topher
Grace plays Venom, a character with somewhat similar skills to
Spider-Man. (Spiderman3)
Story Line /
Paragraph 4
However, for those who are old enough to attend middle school or
drive a car, this is a surprisingly effective large-scale adventure
picture. The plot involves Timothy Olyphant as a rogue ex-
government agent attempting to shut down the country by hacking
into our electrical systems. Ironically, the story progression in the
first act often resembles Willis's terrific 16 Blocks from last year,
albeit with emotional heft traded in for elaborate shootouts and
fights. The action scenes are set-up in a way to mirror the
claustrophobia and vulnerability of the original film. With the
exception of a third act True Lies rip-off, the action bits are
relatively creative and the filmmakers were smart to fill the villain
roster with notable sidekicks and thugs. Maggie Q does king-fu
and District B-13's Cyril Raffaelli does his 'parkour' wall-bouncing
thing, alas all too briefly. (Live Free or Die Hard)
The film opens in 1947 in the Nevada desert, where a nuclear test -
- complete with a fake, picture postcard slice of suburbia -- is
underway. Indy and George "Mac" McHale (Ray Winstone) get
themselves captured there by KGB agents, led by Irina Spalko. As
Spalko, Cate Blanchett is a hoot, giving one of the best bad
Russian accents on record. Her villain is so deliciously over the top
that Blanchett steals every scene she is in. (Indiana Jones and the
Kingdom of the Crystal Skull)
Conclusion /
Paragraph 5-6
There are lots of characters, and each one gets a good 15-minute's
worth, although as a whole, it never develops very much
dramatically. And it's heavy on special effects. If you consider all
the stuff that happening on screen, including: smoke rising, people
running around, robots transforming, combat, and things getting
destroyed (all in one shot), you could easily find this experience
chaotic. But the project knows what it wants to accomplish, and it
does. While not a great film, "Transformers" holds your attention
and is what the summer moviegoing experience is all about.
(Transformers)
19
Plumbing the art decorator's depths with characters and situations
we've come to enjoy, the atmospheric "Pirates of the Caribbean: At
World's End" winds up evening the series out. Would I see it
again? If appropriately compensated, maybe. Would I watch
Pirates 2 again? "I'm disinclined to acquiesce to [that] request.
Means 'no.'" (Pirate of the Caribbean: At World’s End)
This "Hulk" film is a dull disaster with an unconvincing love story,
non-threatening villains, lots of amped-up explosions, and a lead
character who hardly seems to be the same person that becomes
the Hulk. For a fully developed and humanistic take on a raging
Hulk and a complex Bruce Banner who wishes for the beast to be
expunged, check out the TV series or the 2003 Hulk. This droning
Hulk of a movie is for the birds. (The Incredible Hulk)
Writing Styles
According to Gould, DiYanni, and Smith (1989), style is the verbal identity of a
writer, as unmistakable as his or her face or voice. All the habitual choices a writer
makes––of word and phrase, of sentence pattern and length, of structure and
organization, of voice and tone––all these and more constitute style. A writer’s style
reflects an individual way of seeing the world, and as such is something far greater than
the sum of the identifiable parts within a sentence or a paragraph. Furthermore, “when
our style is effective, it offers our readers consistency in vocabulary, tone, and voice as
well as clarity in thought,” (Gould, DiYanni, and Smith, 1989, p. 280). Thus, each
writer has a different style of writing to convey to readers. Writers achieve effective
styles when their words, phrases, and sentences clearly convey their ideas and their
feelings about those ideas to their readers. In short, a writing style is a taste, and there
are no two identical writing styles, but, of course, writing styles create different effects
on readers.
20
Types of Writing
Narration, description, argument, and analysis are four major approaches in
writing. However, many writing experts give them different names and divide them up
differently. Thus, it is important to note that these methods can overlap, that more than
one can be used in any piece of writing, and that more than one can be used even at the
same time (Kelsch L. M. & Kelsch T., 1981). Moreover, in Rhetorical Modes in Essay
Writing (2008), it is stated that there are four rhetorical modes of discourse, namely,
narrative, descriptive, expository, and persuasive/argumentative writing. A narrative
writing tells a story. It is to recount a personal or fictional experience or to tell a story
based on a real or imagined event. A descriptive writing is used to create a vivid image
of a person, place, or thing. It is to enable the reader to share the writer’s sensory
experience of the subject. An expository writing is used to tell how to make or do
something, report on an experience, or explore an idea. It is to inform, clarify, explain,
define or instruct by giving information. A persuasive writing is used to state an
opinion and support it convincingly. It is to convince the reader to accept a point of
view or to take a specific action. However, in movie reviews, there are three types of
writing commonly used: informative, persuasive and narrative.
Informative Writing
An informative writing is designed to convey facts and data. This writing is to
make it clear and coherent. An informative writing is mostly facts but can contain
opinion if it is a personal text. Informative texts use words that are descriptive, precise,
and to the point. The texts are related to the subject, and present tense is used
informative movie reviews. A good informative writing should clearly explain or
inform. An informative writing is not writing expressing opinions but facts. More
importantly, informative pieces should be clear and precise.
21
Moreover, Winterowd (1981) claims that “to be informative, a piece of writing
must give the reader information, the two characteristics of information are that it has
surprise value and content” (p. 191).
Example:
The film is still brutally violent [Present tense], with an on screen body count
that nearly exceeds the combined totals of parts 1 and 3 (part 2, with its two
passenger airplane crashes, is still the record holder). There are point-blank
executions galore, and many vicious fight scenes, gruesome explosions, and
fatal car wrecks. [Present tense] Point being, fans of the series should know that
this is still a rough, profane, and violent adult action film. [Clearly
explain/inform]
Persuasive Writing
The most important factor of persuasion is the ability to give reasons as well as
the effective use of language. Persuasive writing is aimed to change opinions, modify
values, or encourage an action by the reader. However, the purposes of persuasive
messages are different from the aims of expressive and expository writing. People use
persuasion to convince others to agree with the proposed decision or action, which
should be the best solution. Without an action or feeling or emotion, there will be no
persuasion. Coffey (1987) said that persuasion is a writing to convince readers to
accept our point of view on a given subject. The goal of persuasive writing is to have
reader come to agree with our opinions by carefully building strong and convincing
arguments for our side while tearing down or weakening the opposing sides.
Gould, DiYanni, and Smith (1989) claim that “when we try to persuade
someone of something, we try to prove a point and at the same time we try to get the
reader or listener to see things the way we do” (p. 195).
Example:
Will you enjoy this movie? As long as you’ve managed to maintain a child’s
ability to wonder, and your heart isn’t made of stone, you will love it!
[Convince readers to accept in point of view]
22
Narrative Writing
A narration develops a subject or idea by explaining what happened, how it
happened, or why it happened. Normally, a narrative writing tells related events in a
sequence of time. A narrative writing functions as an action creator; the movement of
each event has an important role; therefore, a writer has to manipulate well on the
sequence of related events that lead to the climax of story. Usually, the narrative writer
creates a story with a point or purpose. Moreover, the writer’s work is to present that
point or purpose clearly by concentrating on a significant event in great detail by
emphasizing what happened, and omitting the rest of unnecessary events. Coffey
(1987) describes narration as a story about a series of events or actions. Narrative
details are ordered in a logical sequence of time. Moreover, Coffey states that verbs
create the action in a story. Generally speaking, verbs should be in the active voice
rather than in the passive voice. Active verbs help keep the story moving and make the
events seem more alive to readers. Narration also has three important qualities. First, it
tells a story. Second, it generally describes events in chronological order. Finally, it
makes a point.
Example:
Edward Norton initially makes a convincingly scrawny Bruce Banner, living in
Brazil and working at a soda factory. He has maintained communication with a
genetic scientist who may know how to cure Bruce's Green Giant anger
problem. Unfortunately, a drop of Bruce's blood that accidentally falls into an
open soda bottle is all that is needed to raise awareness from the government
and the sour, unemotional General Ross (William Hurt). The military arrives
armed and ready to shoot Bruce Banner, though there is a new foe, a Marine
named Emil Blonsky (Tim Roth), who is interested in acquiring a sample of that
genetic Hulk pool. [Tells a story related events in a sequence of time]
23
Types of Sentence Structures
Klammer (1997) suggests that a sentence is an independent unit of expression
and adds that a simple sentence follows the pattern of subject plus predicate. In
addition, a sentence is a group of words containing a subject and a predicate and
expressing a complete thought.
Winterowd (1981) claims that language gives us many ways to put ideas
together into sentences, and the writer who cannot use sentence combining devices will
have major problems. Writers must automatically and unconsciously be able to use the
sentence structures of their language to put their ideas down in a fluid, coherent way.
In general, sentences are classified as simple, compound, complex, and compound-
complex.
Simple sentence
A simple sentence contains one clause with a subject and a predicate (Klammer,
1977). It has to have a subject (something or someone that is performing the verb) and
a verb (an action or a state). It can stand alone as a complete simple sentence, also
called an independent clause. Moreover, a simple sentence can have a compound
subject (e.g. Jack and Jim) and a compound verb (e.g. worked and walked). However,
there are no commas separating these elements. Thus, simple sentences are useful for
creating an emphasis because they present ideas clearly.
Examples:
This film hits you with all the immediacy of a fist to the gut. [a simple subject,
film, and a simple verb, hits]
Elliott and Rossio can’t possibly service them all satisfactorily. [a compound
subject, Elliott and Rossio, and a simple verb, can’t service]
24
Compound sentence
A compound sentence contains two or more independent clauses joined in
conventional ways (Klammer, 1977). The clauses are joined by a coordinating
conjunction (with or without a comma). Coordinating conjunctions include and, but,
nor, or, and so. Moreover, the clauses are also joined by a correlative conjunction (with
or without a comma), or a semicolon alone. Correlative conjunctions are such as
both… and and not only…but also. A compound sentence presents a balanced
relationship between the clauses that are joined. Thus, it is emphasized that the ideas in
the sentence are of equal importance.
Example:
Gems mined for this purpose are called conflict diamonds [independent], and
they are the currency of Danny Archer [independent].
Complex sentence
A complex sentence contains at least two clauses: one independent and one or
more subordinate clauses (Klammer, 1977). The dependent clause is introduced by
either a subordinate conjunction such as although, because, since, while, and when, or a
relative pronoun such as that, who, what, and which. One clause (the main clause) is
emphasized over the others (the subordinate clauses). Thus, a complex sentence
expresses a interrelationship of the ideas in the sentences.
Examples:
The case commences at Christmastime in 1968 [independent], when a couple is
shot to death on a remote lover’s lane in Solano County [dependent].
Although he is on his way home for the night [dependent], McClane is called
upon to bring in Matt Farrell for questioning [independent].
25
Compound-complex sentence
A compound-complex sentence contains three or more clauses, at least two of
which are independent clauses, and at least one of which is a subordinate clause
(Klammer, 1977). Thus, a compound-complex sentence establishes a complicated
relationship among a series of ideas.
Examples:
The origin plot of the Incredible Hulk since its inception in the late 60’s never
made a lot of sense [independent] – what is the point of using a genetically
[independent] – engineered Hulk as a secret weapon when his animal instincts
cause him to destroy everything in his path [dependent]?
Susie was sick [independent], but she could not stop working [independent]
because she had to finish the report for the meeting the next day [dependent].
Types of Word Choices in Movie Reviews
Lannon (1983) suggests that word choice ultimately determines the quality of
your writing. After all, any sentence is only as effective as the words it contains.
Jacobs (1992) explains that word choice refers to a writer’s selection of word. The
selection should be accurate and explicit, so that all actions and ideas are clear. If a
passage is effective, if it conveys an idea well or gets at the essence of an action vividly
and powerfully, we may confidently say that the words are right.
Moreover, Winterowd (1981) also suggests that “words are symbols that convey
concepts and, therefore, are basic to the thought process. In fact, words and their
functions in sentences are topics that ought to interest the intellectually curious, and
some knowledge of words is necessary to the writer” (p. 399).
26
Concrete Words
Concrete refers to objects and things that people perceive through senses.
Sherman (1966) claims that concrete/specific language makes a writer’s style more
vigorous and colorful. In technical writing it is especially desirable because it not only
increases liveliness but also gives information more effectively and reduces the
likelihood of vagueness. On the other hand, abstract/general words are vague. The
significant point is that in offering the interpretation a writer would be providing
additional objective facts rather than omitting them in favor of vague expressions or
unsubstantiated interpretation.
All writers know what to say to their readers but some do not have exact words
to convey the intended meaning. In order to convey the intended meaning, writers must
select concrete words which can convey the exact meaning. Concrete words are
subsets of abstract words. They give clear meaning for abstract words. Thus, writers
should select concrete words to be clear in the meaning that they want to express
(Sherman, 1966).
Examples:
Abstract/General Words
major incident response unit
Concrete/Specific Words
ambulance, police car
several factors safety, cost
bad weather hurricane
receptacle jar, beaker, can, box
obtain buy, rent, requisition
We are taking precautions
against fire.
We are installing fire doors and an
automatic sprinkler system.
27
Emotional Words
An emotional reaction is a kind of human behavior; all human beings have
needs and must try to fulfill their needs. Therefore, writers should know how to
motivate needs through emotions so that their messages motivate the readers and thus
fulfill their interests. Writers should realize that emotional words are important, and
thus they should be careful about picking up a word for the writing. Mortensen (2007)
suggests that if we want to create emotion, choose words that will trigger feelings.
There are many words that are emotionally loaded with and represent different values
of different people. Moreover, words, because of their various lengths, can convey
emotional colors. Generally, short words are more blunt, direct, and harsh. Longer
words are drawn out to evoke colors of melancholy or suffering.
Examples:
Unemotional Words Emotional Words
cheap thrifty
traditional old-fashioned
fun merriment
sad painful
strange eccentric
Related Studies
There are few research studies on online movie review writing. Some studies
investigated writing styles in movie synopses, while other studies analyzed the
persuasive styles used in movie handbills or the persuasive influence of movie reviews
on online consumers.
28
Kungwanpradit (2004) conducted a study on writing style used in movie
overviews on the website “Yahoo! Movies.” The study investigated the general
characteristics of movie overviews, the use of sentence structure, the use of word
choice, and the use of tone in movie overviews. The findings revealed that there are
three general characteristics of movie overviews: number of sentences used in movie
overviews, the identifying actor’s and actress’s names, and the content of movie
overviews. In the part of grammatical structures, the most frequent structures used in
movie overviews are complex sentences, then compound-complex sentences, simple
sentences, compound sentences and fragments respectively. Simple sentences and
compound sentences are mostly used in comedies. Complex sentences are used most in
dramas, compound-complex sentences in romances. Besides, similes are frequently
used in dramas. Metaphors are most frequently used in romance. Metonymy and
hyperbole are mostly used by comedies. Furthermore, the findings about word choice
revealed that concrete words are used less than abstract words. Finally, the study found
that most movie overviews convey a purposive tone or an emotional tone.
Charoenchasri (2007) conducted a study on genre analysis of Newsgroup movie
reviews on www.imdb.com. This study was undertaken to analyze the particular
aspects of moves, sub-moves, and steps seen in the schematic description of rhetorical
pattern of movie review genre on the Imbd domain and the use of lexical features. The
findings showed that movie reviews on the Imdb domain follow the five moves in the
corpus of movie reviews: introducing the movie, describing the movie’s storyline,
providing comments, concluding the review, and offering other information. Also, the
study pointed out that the organization of ideas to establish moves and to reflectively
indicate the intentional rationale behind moves and steps is underlined by means of
29
utilizing discourse markers that help to convey the communicatively functional
statement under the entire rhetorical arrangement of the text.
Meeprom (2005) conducted a case study on language styles of online film
synopses at Yahoo! Movies. The case study investigated three aspects of language
style: characteristics typical of the film synopses, distribution of word categories, and
grammatical structures of sentences. The findings showed that the film synopses in the
sample ranged widely in style and included 35 typical characteristics. Also, the
findings revealed the patterns of “main characters plus conflict” and “main characters
plus conflict and climax” were most frequently used. Moreover, the study found that
nouns were the most frequent used, followed by verbs and prepositions. As for the
grammatical structure analysis, complex sentences were the most frequently found and
the relative clause was the predominant method of combining sentences. The active
voice and the present tense were usually used. The style, analyzed by the computer
programme Right-Writer3.0, was defined as weak and mostly difficult to read.
In another study, Eliashberg & Shugan (1999) investigated an important factor
of film critics. This study considered the relationship between the market performance
of entertainment services and the role of critics. The objective of this study was to
examine the potential role that critics may play in predicting and influencing the
commercial box office. The findings showed that critical reviews correlate with late
and cumulative box office receipts, but do not have a significant correlation with early
box office receipts. These findings suggested that critics, at least from an aggregate
level perspective, appear to act more as leading indicators than as opinion leaders.
Besides, Bozilovic (1998) conducted a study on factors of film
communicability. This study aimed to show that film critiques have an inevitable role
in the communication. The findings of this study showed that a critique is an important
30
mediator in the communication of the film and the audience so it should be made in
such a way as to provoke and enhance communication. The influence of film criticism
is proved by the number of empirical researches. The study showed that with the age of
the examinees knowledge develops and the comments on the critique in the newspapers
are used as the basis for film selection.
Summary of the Chapter
This chapter presented the literature as the theoretical framework for this study.
The first section described the concept of writing a movie review and then the overview
of the IMDB domain and action movies were discussed. The third section highlighted
the writing style and writing genre as well as types of sentence structure and word
choices. The previous studies contributed to the study both abroad and in Thailand
were presented in the final section.
CHAPTER III
METHODOLOGY
This present study aimed to find out common features of action movie reviews on
the website www.imdb.com. Writing style, specifically common types of writing,
sentence structures and word choices in action movie reviews were also investigated.
This chapter then presents the research methodology beginning with a description of
research procedure including research design, sources of data, and the procedure for data
collection and analysis.
.
Research Procedure
Research Design
This study is a qualitative study by nature. To be more specific, the qualitative data,
the content of movie reviews, were collected and analyzed using the framework of
Rudeen (2000) and Grabris et al. (2001). The source of the data was www.imdb.com.
which the movie reviews were posted, and the content in the movie reviews were
analyzed to find out the common features of movie review writing.
Data Collection
The data of this study were collected from Internet Websites “www.Imdb.com”.
The reason to select Internet Websites to be the main source of data because at present the
Internet is quickly search engines for people to get information of movies. The IMDB is
the professional reviews site and well known for containing the largest accumulation of
data about films. Moreover, Wikipedia (2009), Kats et al. (2002), and Melville et al.
(2002) mention that IMDB is popular in terms of entertainment professionals. This site
gives information about movies and good source of movie reviews written by members in
32
the Usenet newsgroup who are professional in writing movie reviews. Customers have a
chance to present their opinions towards movies they want to criticize. Besides, the data
of this study were selected from action movie review writing. Everybody loves to see
movies and each has a different choice to watch movies of their interest. A few love
comedy movies, a few might prefer drama movies others might love horror movies and
quite a lot of people love to see action movies (Hanson, 2009). Additionally, people need
excitement. Action movies are a simple and effective out, allowing people to experience
a heightened state with no risk in a convenient form. Then, the reason to select this action
movie was that action movies are loved by all age groups such as children, youngsters
and older generation.
Sampling procedure
According to the selection, all selected action movie reviews are randomly
collecting from top 250 Worldwide Box Office which each movie has grossed over
US$200,000,000 at the box office during their theatrical runs. All selected data were
collected during the year 2007 – 2008 on www.imdb.com. Figure 2 presents the detailed
information of the ten action movie reviews of this present study.
Action Movie: Year 2007 - 2008 Worldwide Box Office
1. Pirates of the Caribbean: At World’s End (2007) 2. Spider-Man 3 (2007) 3. Indiana Jones and the Kingdom of the Crystal Skull (2008) 4. Transformers (2007) 5. Iron Man (2008) 6. Quantum of Solace (2008) 7. National Treasure: Book of Secrets (2007) 8. The Bourne Ultimatum (2007) 9. Live Free or Die Hard (2007)
10. The Incredible Hulk (2008)
US$958,404,152 US$885,430,303 US$783,400,000 US$700,759,914 US$571,827,600 US$569,968,427 US$453,961,501 US$440,725,045 US$377,520,804 US$254,218,390
Figure 2. The Titles of Action Movie Reviews and Their Grossed Income
33
Data Analysis
This study used content analysis method to find out the common features of action
movie review writing. A personal computer with Internet access and compact disc
recordable (CD-R) was used in collecting data from online sources. The collected files,
the texts of action movie review from the website www.imdb.com were copied. Then the
data were manually analyzed in the following steps:
To answer the first research question: What are the common features of action
movie review writing? The common features of writing used in action movie reviews
were analyzed in terms of the common features of movie review writing that typically
found in action movie reviews based on Rudeen’s organizational formats (2000) and
Garbis et al.,’s (2001) movie review guidelines.
The results revealed the common features in terms of the main pattern and the
organizational formats used in ten action movie reviews.
To answer the second research question: What are the common types of writing,
sentence structures, and word choices used in action movie reviews? First, the data were
analyzed based on three types of writing: informative, persuasive, and narrative. Next,
four types of sentence structures: simple, compound, complex and compound-complex
sentences used in the movie content were analyzed. The results showed the types of
writing and the types of sentence structure used most in the ten action movie reviews.
Finally, to answer the third research question: What are the frequencies of types of
writing, sentence structure, and word choices used in action movie reviews. The
researcher analyzed the most frequency of types of writing, sentence structures, and word
choices both quantitatively and qualitatively by presenting in percentage.
34
Summary of the Chapter
This chapter discussed the research methodology including research design,
sources of data, sampling procedure, data collection and analysis. The sources of data for
the study were the action movie reviews on the website www.imdb.com. The data were
the content of the movie reviews, and the data were analyzed using the content analysis
based on the framework and the guidelines of movie review writing. Chapter four
presents the results of the study.
CHAPTER IV
FINDINGS
This study investigated common features of action movie review writing. This
chapter presents the results of the study which are divided into two main sections.
The first section presents the results of the common features of movie review writing
that typically found in action movie reviews based on Rudeen’s organizational
formats (2000) and Garbis et al.,’s (2001) movie review guidelines. The second
section discusses types of writing, sentence structures, and word choices in action
movie review writing.
Common Features in Action Movie Reviews Writing
This study aimed at investigating common features of action movie review
writing. The content of each part of the texts as well as its purposes was analyzed to
find out the common features of action movie reviews. The findings revealed four
overall patterns of writing in action movie reviews: a broad overview of the movie, a
comparison with the previous episode of the film, description of the movie’s storyline,
and making comments. The first pattern was aimed to provide a broad overview of
the movie including the actors’ role and the background information related to the
movie for the readers. The second pattern was intended to compare the present movie
with the previous episodes while the third pattern was the description of the movie’s
storyline and the last pattern is the provision of the reviewer’s comments on the
movie, both positive and negative or the conclusion of the review. The description of
overall patterns in action movie review writing was summarized in Table 1.
36
Table 1
Overall Patterns of Action Movie Reviews Writing
Patterns of Action Movie Review
Writing
Intents
1. Providing a Broad Overview
Intent 1: Giving the general description of the
movie
Intent 2: Giving the background knowledge
related to the movie
2. Comparison with the Previous
Episodes (i.e. Spiderman 1, 2,
& 3)
Intent 1: Comparison with the previous episode
Intent 2: Comparison with all previous episodes
3. Describing the Movie’s
Storyline
Intent 1: Describing the impression events in the
movie
4. Providing Reviewer’s
Comments or Concluding the
Review
Intent 1: Giving reviewer’s comments or making
an entire judgment in positive and negative or
evaluate the movie
Intent 2: Giving suggestions in the movie or
offering other information such as other special
comments or contact information of the reviewer
Table 1 shows each pattern of action movie reviews with its intents in each
part of the text. The following section is then the explanation of four patterns of the
movie reviews as well as the sample review content to help the readers have a
profound understanding.
Pattern 1: Providing a Broad Overview
This pattern focuses on giving information, general description, or background
of the movie to the readers. The reviewers provide general information or description
37
of actor’s roles, scenes, highlight, or spotlight events of the movie. This pattern
consists of 2 intents as follows.
Intent 1: Giving the general description/information of the movie. This part
mainly focuses on scenes or actors’ role which the reviewers consider that it is
important to help the readers to get some general information so that they can make a
decision whether to see the movie. Below is the example of Intent 1.
Example
Director: Paul Greengrass, Screenplay: Tony Gilroy, Scott Z. Burns, George
Nolfi (based on the novel by Robert Ludlum) Cast: Matt Damon, Joan Allen,
David Strathairn MPAA Classification: PG-13 (The Bourne Ultimatum)
This part illustrates that the reviewer gives the information about the names of
the film director (Paul Greengrass) movie stars (Matt Damon), and movie
classification rating which parent have to suggest their children (parental guidance
suggested: PG-13).
Intent 2: Giving the background knowledge related to the movie. This part of
the review mainly presents the general background knowledge of the movie such as
the information about the previous movie and the income.
Example
For the last two months, the story around Live Free or Die Hard (Die Hard IV)
has been Fox's decision to rework the film for the sake of getting a PG-13
rating. Of course, the original three Die Hard films were hard-R, with graphic
violence, pervasive profanity, and a general rough-and-tumble quality that
were (along with the Lethal Weapon films) the standard bearers of adult action
entertainment for about a decade. (Live Free or Die Hard)
This part shows that the reviewer wants to present the background knowledge
about the movie classification. As the example, the reviewer tells the reader about the
movie classification of all the original three Die Hard films which were classified as
hard-R, with graphic violence.
38
Pattern 2: Comparison with the Previous Episode
This pattern aims to compare the present episode of the movie with the
previous one and explain the difference between the two versions and interesting
things in the movies.
Intent 1: Comparison with the previous episode. This option uses only one
previous episode to explain what interests towards the movies are.
Example
The first National Treasure canoodled the American Revolution into a mildly
entertaining The Da Vinci code spoof. Book of Secrets schlumps the Civil
War into dreck. (National Treasure: Book of Secrets)
This part shows that the reviewer wants to explain the useful information
between the present and previous episode of the movie. The reviewer tells the main
these of the previous episode of National Treasure that involves the Da Vinci code
spoof; while, the present movie is about the Civil War.
Intent 2: Comparison with all previous episodes
In Intent 2, the reviewer gives the information for all previous episodes and
explains the main interests in the movies or explains the difference among those
previous episodes.
Example
Compared to "Pirates of the Caribbean: The Curse of the Black Pearl"
(hereafter referred to as Pirates 1), its sequel, "Pirates of the Caribbean: Dead
Man's Chest" (hereafter referred to as Pirates 2), was a complete and utter
waste of everyone's time, a sorry state of affairs that robbed those colorful
pirate rogues we had come to know and love of their ineffable charm.
Three's supposed to be a charm of course but you won't find much of that in
Gore Verbinski's continuation (current thinking: culmination) of his silly yet
spectacular swashbuckling saga starring Johnny Depp, Orlando Bloom, Keira
Knightley, and Geoffrey "them's more what you'd call guidelines than actual
rules" Rush.
Compared to Pirates 2, "Pirates of the Caribbean: At World's End" (hereafter
referred to as Pirates 3) often feels like Pirates 1, which is a bit unfair since it's
nowhere near that good. But it's better than Pirates 2. Keep telling yourself
that and you'll likely make it through to the (world's) end.
39
What you will find in Pirates 3 is a lot of the same. And I mean a *lot* of the
same. Save from an opening sequence in Singapore (with Chow Yun-Fat) and
a brief, much ballyhooed cameo by Keith Richards as Captain Jack's
paterfamilias (Depp often cited the Rolling Stones guitarist as his inspiration
for Sparrow's body language and vocal deliveries) there's little here we haven't
seen before. This time it's longer, noisier, more spectacular, perhaps, in terms
of its set pieces--the battle scenes, especially--but bigger isn't necessarily
better (although it *is* better than Pirates 2). (Pirate of the Caribbean: At
World’s End)
This examples above shows that the reviewer’s intent to make readers
understand the content of the present movie by comparing with all the previous
episodes. Moreover, the reviewer points out the main important points between the
previous and the present movie to help readers to understand what the present movie
presents.
Pattern 3: Describing the Movie’s Storyline
This pattern aims to focus on explaining scenes, detailed events, and situations
in the movie. There is the only one intent found in action movie reviews.
Intent 1: Describing the impressive events in the movie. This option explains
the impressive events that occur in the movie and gives some examples or situations
of storylines.
Example
Director Paul Greengrass (The Bourne Supremacy, United 93) wastes zero
time in mining the action from this storyline. As a filmmaker, his edit points
are quick, his camera shaky, and his close-ups constant. He wants realism and
he wants his action to appear in real-time. The pseudo-documentary style he's
becoming known for is at its best here, muting the spectacle of his stunts to
make room for believability in the play-pretend realism. And since it appears
many of his stunts were actually coordinated on set-and not in front of a
computer monitor-the realism is certainly accepted as, well, real.
For this reason, The Bourne Ultimatum sprints as a missile for the moon. It's
fast and sometimes infuriatingly so, as it rounds plot corners at double-time,
leaving us confused and choking on its dust. But all is forgiven when a clever
foot-chase is launched, when Bourne kicks down the clutch of a motorcycle,
as he hijacks an NYPD squad car, as he leaps from a roof, etc, etc. Luckily his
stunts are as loud as they are intelligent. And since Bourne stays generally
low-tech with his tricks, he becomes a sort of spy-version of MacGyver. (The
Bourne Ultimatum)
40
As shown in the example above, the reviewer explains the impressive events
in the movie, the action of this movie by giving credit to the director that many of
stunts were actually coordinated on set-and not in front of a computer monitor, so the
realism is certainly accepted.
Pattern 4: Providing Reviewer’s Comments or Concluding the Review
For this pattern the reviewer expresses his/her point of view, comments,
evaluate and make judgments for the movie in both a positive and negative way. The
reviewers’ expression can help readers to decide whether or not to see the movie.
Intent 1: Giving reviewer’s comments or making an entire judgment in
positive and negative or evaluate the movie.
Example
QUANTUM OF SOLACE has one of the more complex and satisfying of the
Bond film plots. The character of Bond has more depth than he does in some
of the more pulpy entries in the series. It is one of the rare Bond films that can
be appreciated on an adult level. I rate it a +2 on the -4 to +4 scale or 7/10.
(Quantum of Solace)
The extract shows that the reviewer males comments on the plot of the movie
and the characters of the actors. Moreover, the reviewer gives the rating scale (7/10).
Intent 2: Giving suggestions in the movie or offering other information such
as special comments or contact information of the reviewer. This intent aims to make
suggestion or recommendation about the movie.
Example
SPIDER-MAN 3 runs 2:20. It is rated PG-13 for "sequences of intense action
violence" and would be acceptable for kids around 6 and up.
My son Jeffrey, age 18, gave it *** 1/2, although he didn't like it as much as
the second and he thought this one was too predictable. He really liked the
action, the story and the multiple villains. He especially like the way they did
more with humor. His girlfriend Yasmin, age 17, wanted to give it "five
million trillion stars," but I refused to let her go above my scale's maximum of
****. She loved the movie's great twists and turns and the way it scared her.
But, most of all, she loved Spider-Man. (Spider-Man3)
41
This example demonstrates that the reviewer presents special comments to
make the content of movie review reasonable. As the example, the reviewer also
gives his son and his son’s girlfriend to comment the movie.
Organizational Formats of Action Movie Review Writing
The further analysis of the content of the texts in the movie reviews was
investigated to find out the common features of the movie review writing in terms of
organizational formats based on Rudeen’s (2000) and the guidelines of movie review
by Garbis et al. (2001). The following tables demonstrate the organizational formats
in then action movie reviews.
Table 2
Organizational Formats and Guideline of Movie Review Writing
Movie Title: Pirates of the Caribbean: At World's End
Organizational
Formats
(Rudeen, 2000)
Text
Guidelines of
Movie Review
Writing
(Garbis et al.,
2001)
Title and deck
Introduction
PIRATES OF THE CARIBBEAN: AT
WORLD'S END A film review by David N.
Butterworth Copyright 2007 David N.
Butterworth
** (out of ****)
Compared to "Pirates of the Caribbean: The
Curse of the Black Pearl" (hereafter referred to
as Pirates 1), its sequel, "Pirates of the
Caribbean: Dead Man's Chest" (hereafter
referred to as Pirates 2), was a complete and
utter waste of everyone's time, a sorry state of
affairs that robbed those colorful pirate rogues
we had come to know and love of their
ineffable charm.
None
None
42
Table 2
Continued
Organizational
Formats
(Rudeen, 2000)
Text
Guidelines of
Movie Review
Writing
(Garbis et al.,
2001)
Three's supposed to be a charm of course but
you won't find much of that in Gore Verbinski's
continuation (current thinking: culmination) of
his silly yet spectacular swashbuckling saga
starring Johnny Depp, Orlando Bloom, Keira
Knightley, and Geoffrey "them's more what
you'd call guidelines than actual rules" Rush.
Compared to Pirates 2, "Pirates of the
Caribbean: At World's End" (hereafter referred
to as Pirates 3) often feels like Pirates 1, which
is a bit unfair since it's nowhere near that good.
But it's better than Pirates 2. Keep telling
yourself that and you'll likely make it through to
the (world's) end.
Actors’ roles
What you will find in Pirates 3 is a lot of the
same. And I mean a *lot* of the same. Save
from an opening sequence in Singapore (with
Chow Yun-Fat) and a brief, much ballyhooed
cameo by Keith Richards as Captain Jack's
paterfamilias (Depp often cited the Rolling
Stones guitarist as his inspiration for Sparrow's
body language and vocal deliveries) there's little
here we haven't seen before. This time it's
longer, noisier, more spectacular, perhaps, in
terms of its set pieces--the battle scenes,
especially--but bigger isn't necessarily better
(although it *is* better than Pirates 2).
Offers actors’
roles
&
Offers movie
techniques used
43
Table 2
Continued
Organizational
Formats
(Rudeen, 2000)
Text
Guidelines of
Movie Review
Writing
(Garbis et al.,
2001)
Not only are Cap'n Jack, Will Turner, Elizabeth
Swann, Barbossa, that flamin' monkey, and
those two funny pirates (one with the wooden
eye?) all back in fine fighting form but so too
are the entire cast of Pirates 2, pretty much,
including locker room attendant Davy Jones
(Bill Nighy) and his fleet of fishy followers, the
Jamaican high priestess Tia Dalma (Naomie
Harris), "Bootstrap" Bill Turner (Stellan
Skarsgard), and Lord Cutler Beckett (Tom
Hollander).
Storyline
Beckett rises to a position of prominence in
Pirates 3, forming an unhealthy alliance with
old tentacle face in a bid to rid the Seven Seas
of Sparrow and his motley crew of brigands and
ruffians (Beckett's keeping Jones's heart on ice
in the cooler, so to speak, so he has the upper
hand). Fortunately for the good guys Ms.
Swann also puts in a bid for more screen time
and wins, elevating her pulchritudinous position
to King of the Pirate Lords! Which doesn’t
leave much room for Jack...?
Offers a brief
summary
Conclusion Depp's more subdued this go around. At least
he's not reduced to clown status, as he was last
time, but he was key to the first film's success
and his savvy "savvy?" is neither here nor there.
Instead, Pirates 3 spreads the witty asides
around. It's not quite the same.
Plumbing the art decorator's depths with
characters and situations we've come to enjoy,
the atmospheric "Pirates of the Caribbean: At
World's End" winds up evening the series out.
Would I see it again? If appropriately
compensated, maybe. Would I watch Pirates 2
again? "I'm disinclined to acquiesce to [that]
request. Means 'no.'"
Address how
well the movie
Offers the
reader in
reviewer
opinion
44
As shown in Table 2, the results revealed that this reviewer wrote the movie
review “Pirates of the Caribbean: At World's End” using according to Rudeen’s
(2000) organizational formats. However, the reviewer did not inform the reader
where they could see the movie. Furthermore, base on Garbis et al.,’s (2001) movie
review guidelines, the findings revealed that part of writing which offers overall
impression of the movie was not found.
Table 3
Organizational Formats and Guideline of Movie Review Writing
Movie Title: Spider-Man 3
Organizational
Formats
(Rudeen, 2000)
Text
Guidelines of
Movie Review
Writing
(Garbis et al.,
2001)
Title and deck
Introduction
SPIDER-MAN 3
A film review by Steve Rhodes
Copyright 2007 Steve Rhodes
RATING (0 TO ****): ***
In SPIDER-MAN 3, Spidey gets in touch with
his inner evil twin, which turns out to be a lot of
fun for him and for us. Even if the movie isn't
nearly as good as SPIDER-MAN 2, it's not a
GODFATHER 3 sort of disaster of a third
picture in a series. About the worst that can be
said of SPIDER-MAN 3 is that it's overstuffed
with villains and it's at least twenty minutes too
long.
But as a wildly expensive popcorn movie, it
delivers the goods nicely enough. Best of all,
it's quite funny. Returning as story's eponymous
lead, Tobey Maguire is never better than when
he's finally allowed to be mean.
None
Offers overall
impression of
the movie
45
Table 3
Continued
Organizational
Formats
(Rudeen, 2000)
Text
Guidelines of
Movie Review
Writing
(Garbis et al.,
2001)
Storyline
Actor’s role
One of the movies many storylines has a
meteorite crashing into earth, leaving behind a
substance that turns good men bad. This icky
and spidery black goo attaches itself to Peter
Parker, a.k.a. Spider-Man, our All-American
superhero. When it does, Spider-Man turns into
a killer who wants to seek revenge. Later, he'll
renounce his devils and learn the true power of
forgiveness in a rather sappy yet satisfying
ending.
Peter also turns into a real lady killer. He's a
player who struts his stuff with pride. By far the
film's funniest scene comes when Maguire does
an homage to John Travolta's Tony Manero in
SATURDAY NIGHT FEVER, as Maguire
disco dances down the streets of New York.
Another delicious moment comes as he does a
Gene Kelly-type dance number in a club as his
date, Gwen Stacy (Bryce Dallas Howard), looks
on in amazement. The whole date is intended as
a big show-off for his old squeeze, Mary Jane
Watson (Kirsten Dunst). This is the movie,
however, where Peter wants badly to pop the
question to Mary Jane, but circumstances keep
conspiring to stop his proposal from happening.
The "3" in the title could also refer to the
number of villains. This time we get three
villains for the price of one movie ticket. James
Franco plays "Goblin Junior," as the son of The
Great Goblin is derisively called. Thomas
Haden Church plays the Sandman, a character
created out of some great special effects. And,
Topher Grace plays Venom, a character with
somewhat similar skills to Spider-Man. Of
course, all three of the bad guys have
sympathetic good guy alter egos.
Offers movie
techniques used
Offers actors’
roles
Address how
well the movie
Offers movie
techniques used
46
Table 3
Continued
Organizational
Formats
(Rudeen, 2000)
Text
Guidelines of
Movie Review
Writing
(Garbis et al.,
2001)
Conclusion
Even though I wished it had been shorter, and
hence more focused, I had a good time. I've
heard it called the most expensive movie ever
made. If that's anywhere near true, they
significantly overspent since, although it looks
fine, it's certainly no LORD OF THE RINGS.
SPIDER-MAN 3 runs 2:20. It is rated PG-13
for "sequences of intense action violence" and
would be acceptable for kids around 6 and up.
My son Jeffrey, age 18, gave it *** 1/2,
although he didn't like it as much as the second
and he thought this one was too predictable. He
really liked the action, the story and the
multiple villains. He especially like the way
they did more with humor. His girlfriend
Yasmin, age 17, wanted to give it "five million
trillion stars," but I refused to let her go above
my scale's maximum of ****. She loved the
movie's great twists and turns and the way it
scared her. But, most of all, she loved Spider-
Man.
Offers the
reader in
reviewer
opinion
According to Table 3, the findings revealed that based on Rudeen’s
organizational formats (2000) the movie theater and cinema in which the movie was
shown was not found. Moreover, this movie review has written based on Garbis et
al.,’s (2001) movie review guidelines
47
Table 4
Organizational Formats and Guideline of Movie Review Writing
Movie Title: Indiana Jones and the Kingdom of the Crystal Skull
Organizational
Formats
(Rudeen, 2000)
Text
Guidelines of
Movie Review
Writing
(Garbis et al.,
2001)
Title and deck
Introduction
INDIANA JONES AND THE KINGDOM OF
THE CRYSTAL SKULL A film review by
Steve Rhodes Copyright 2008 Steve Rhodes
RATING (0 TO ****): *** 1/2
The magic is back!
Can Harrison Ford at his age really pull off the
role of action hero Indiana Jones again? I'm
here to tell you that he can and does it with
great comedic gusto to boot. The long wait for
the next Indiana Jones movie is over, and it was
well worth the wait.
You've probably already been talked out of
loving this movie by all of the other reviewers
whose mantra is that the latest Indy film is good
but nothing special. Don't listen to them.
INDIANA JONES AND THE KINGDOM OF
THE CRYSTAL SKULL is absolutely terrific.
In my packed audience, everyone was clearly
very attentive and on the edge of their seats
throughout this rip-roaring adventure. And, in a
time when the studios are releasing one long
movie after another whose two hour plus
running times feel twice that long, the latest
Indiana Jones manages to make its two hours
fly by. You'll swear the movie was less than
ninety minutes long.
None
Offers overall
impression of
the movie
48
Table 4
Continued
Organizational
Formats
(Rudeen, 2000)
Text
Guidelines of
Movie Review
Writing
(Garbis et al.,
2001)
Storyline
Actor’s roles
Director Steven Spielberg knows how to dazzle
us, and he certainly does it here. One of the
reasons why this Indy film works is the script,
full of snappy dialog. After reportedly rejecting
other screenwriters and scripts, Spielberg went
with writer David Koepp, whose wide-ranging
talents can be seen in a whole host of
wonderful, magical -- and sometimes
frightening -- movies, including ZATHURA: A
SPACE ADVENTURE, WAR OF THE
WORLDS, SPIDER-MAN and PANIC ROOM.
The film opens in 1947 in the Nevada desert,
where a nuclear test -- complete with a fake,
picture postcard slice of suburbia -- is
underway. Indy and George "Mac" McHale
(Ray Winstone) get themselves captured there
by KGB agents, led by Irina Spalko. As Spalko,
Cate Blanchett is a hoot, giving one of the best
bad Russian accents on record. Her villain is so
deliciously over the top that Blanchett steals
every scene she is in.
Since Mac is a double agent, a double, double
agent, or who knows what, he doesn't stay
teamed up with Indy for long. But INDIANA
JONES AND THE KINGDOM OF THE
CRYSTAL SKULL is a buddy comedy. Indy
sidekick Mutt Williams is played by Shia
LaBeouf (the young lead in
TRANSFORMERS). With a switchblade knife,
a big head of greasy hair that requires constant
combing, a leather jacket and a noisy
motorcycle, Mutt is a cross between James
Dean and a young Marlon Brando. He is also
every bit Indy's equal, with "Get on, Gramps"
being one of his first putdowns of Indy.
Offers movie
techniques used
Offers a brief
summary
Offers actors’
roles
49
Table 4
Continued
Organizational
Formats
(Rudeen, 2000)
Text
Guidelines of
Movie Review
Writing
(Garbis et al.,
2001)
Conclusion
Mutt says that as they speed away on his
motorcycle, eventually riding right through the
library at the college where Indy is currently
teaching.
The quest this time involves a highly magnetic
box with "Roswell, N. M." on the side and a
strangely shaped crystal skull located deep in
the Peruvian jungle. While never taking itself
too seriously, the movie miraculously makes all
of its shenanigans and mysteries appear
genuine, even if far-fetched.
This rollicking good adventure is a good-
spirited family film that will entertain young
and old alike. It's also a very handsome picture
as well. Every shot has a warm glow to it that
makes it all very inviting. But I've got to
confess that my favorite parts are when the old
Indy theme is played again and again.
Be ready to laugh loud and often. Personally, I
had a smile on my face throughout the whole
movie since it is such a treat. Some of the
classic lines ("I've got a bad feeling about
this.") are also a lot of fun.
This charmer has other potential as well.
Besides being a movie that should and will
make a mint at the box office, it could also be
used as the basis for a completely new
Disneyland ride. The old ride is great, but one
based on this latest film could be even more
exciting.
Address how
well the movie
Offers the
reader in
reviewer
opinion
50
Table 4
Continued
Organizational
Formats
(Rudeen, 2000)
Text
Guidelines of
Movie Review
Writing
(Garbis et al.,
2001)
INDIANA JONES AND THE KINGDOM OF
THE CRYSTAL SKULL runs what proves to
be a blazingly fast 2:02. It is rated PG-13 for
"adventure violence and scary images" and
would be acceptable for kids around 9 and up.
According to Rudeen’s organizational formats (2000), the findings revealed
that part of the place where it can be seen is not found. Moreover, this movie review
was written based on Rudeen’s organizational formats (2000).
Table 5
Organizational Formats and Guideline of Movie Review Writing
Movie Title: Transformers
Organizational
Formats
(Rudeen, 2000)
Text
Guidelines of
Movie Review
Writing
(Garbis et al.,
2001)
Title and deck
"Transfomers" - More than Meets the Eye
by Homer Yen
(c) 2007
None
51
Table 5
Continued
Organizational
Formats
(Rudeen, 2000)
Text
Guidelines of
Movie Review
Writing
(Garbis et al.,
2001)
Storyline
Introduction
In the mid-1980s, Hasbro Inc. launched a set of
unique toys that, when twisted and turned,
transformed into alien robots. The Transformers
lore told of good aliens called Autobots, led by
wise Optimus Prime (voice of Peter Cullen who
was the original voice in all of the Transformers
cartoons from the 80s), who battled against evil
Decepticons, led by the malicious Megatron
(voiced here by Hugo Weaving). Like all
cataclysmic wars, theirs eventually ripped their
home planet apart, and the reason for the war,
an amazing energy cube, was lost to the stars.
This seemed to happen many eons ago. From
various seemingly unrelated scenes that happen
early in the film, we can surmise that the cube
found its way to our planet and the power-
hungry Megatron was not far behind.
For some like me, the Transformers was as
synonymous to my childhood as baseball is to
American sports. And watching a film with
blockbuster ambitions replete with special
effects that boggle the mind, I was reminded of
my younger years when I was just thrilled to
have a Matchbox car where the doors and the
engine hood would open. But with the
exponential improvement in digital technology
as well as the increasing expertise of today's
filmmakers, three-story tall alien robots can
convincingly share space with six-foot-tall
human counterparts.
Offers a brief
summary
Offers overall
impression
52
Table 5
Continued
Organizational
Formats
(Rudeen, 2000)
Text
Guidelines of
Movie Review
Writing
(Garbis et al.,
2001)
Actors’ Roles
The special effects wizards at Industrial Light
& Magic have taken it to a whole new level as
they use computer magic to transform these
aliens with 10,000+ moving parts into all sorts
of vehicles. Frankly, I marvel at the genius that
goes into how a simple piece of corrugated
cardboard can be folded into a fully enclosed
box. Here, we have robots that leap into the air
and then start transforming into vehicles. We
have airplanes that plummet towards the ground
and then transform into robots before hitting the
asphalt. That means, oh man, I'm in boyhood
heaven.
The Autobots befriend a not-quite-ready-for-
prime-time teenager, Sam Witwicky (Shia
LeBeouf) who can aide the good guys in
finding the energy cube. Sam, unaware of his
mythical responsibilities, is instead trying to
catch the attention of schoolmate hottie,
Mickaela Banes (Megan Fox) and trying to
dodge around his overly inquisitive parents.
Sam's growth as a friend to the Autobots, as a
love interest to Mickaela, and as a responsible
son to his parents goes above and beyond what
we'd expect from a film like this. The romantic
and comedic elements are oddly appealing.
And yet, there is also a fair amount of action
and suspense that one would expect from a July
4th release. Outside of this summer's final
"Pirates of the Caribbean" installment,
"Transformers" has some of the most eye-
popping action sequences this year. Autobots
want to live peacefully and will protect humans,
but Decepticons want to destroy Autobots and
consider loss of human life as collateral
damage.
Offers movie
techniques used
Offers actors’
roles
Address how
well the movie
53
Table 5
Continued
Organizational
Formats
(Rudeen, 2000)
Text
Guidelines of
Movie Review
Writing
(Garbis et al.,
2001)
Conclusion
There are lots of characters, and each one gets a
good 15-minute's worth, although as a whole, it
never develops very much dramatically. And
it's heavy on special effects. If you consider all
the stuff that happening on screen, including:
smoke rising, people running around, robots
transforming, combat, and things getting
destroyed (all in one shot), you could easily
find this experience chaotic. But the project
knows what it wants to accomplish, and it does.
While not a great film, "Transformers" holds
your attention and is what the summer
moviegoing experience is all about.
Offers the
reader in
reviewer
opinion
An analysis of the movie review “Tranformers” revealed that the content of
this movie review was written based on a combination of Rudeen’s organizational
formats (2000) and Garbis et al.,’s (2001) movie review guidelines. However, the
reviewer did not provide the information of the theater or cinema that the movie was
shown.
54
Table 6
Organizational Formats and Guideline of Movie Review Writing
Movie Title: Iron Man
Organizational
Formats
(Rudeen, 2000)
Text
Guidelines of
Movie Review
Writing
(Garbis et al.,
2001)
Title and deck
Introduction
IRON MAN
A film review by Steve Rhodes
Copyright 2008 Steve Rhodes
RATING (0 TO ****): ** 1/2
As popcorn flicks go, IRON MAN has enough
action and goofy moments to mostly keep your
attention throughout its bloated two hour plus
running time. (There is probably a sizzling
ninety-minute movie buried within its one-
hundred-and-twenty-six minutes.) But its thin
script suggests that the movie is more interested
in setting up a franchise than entertaining us,
which it does do sporadically.
Don't get me wrong. When the movie clicks,
which isn't nearly often enough, you'll have a
good time. The best moments in the picture are
the silliest, as when Tony Stark (Robert
Downey Jr.) fails spectacularly in perfecting his
Iron Man suit, which is a wearable killing
machine.
The film's central premise is based on a heavy-
handed political message that is ridiculous and
inconsistent. Hollywood has been churning out
anti-war movies with reckless abandon for the
past several years, while audiences have been
avoiding them like the plague.
None
Over overall
impression of
the movie
55
Table 6
Continued
Organizational
Formats
(Rudeen, 2000)
Text
Guidelines of
Movie Review
Writing
(Garbis et al.,
2001)
Storyline
In IRON MAN, Hollywood attempts to sneak
its anti-war sentiments into an action film. Tony
Stark, a billionaire playboy who has made his
riches off of his armaments company, decides
that war and the weapons of war are immoral.
So, he orders his company to stop building
them, which are their only products. What does
he do then? He wages a one-man war with his
own personal weapon of mass destruction. So,
the message becomes -- I guess -- that wars and
weapons are okay so long as the wager of the
wars is a superhero and not our military.
But I digress. Most people, predominately teens
and young adults, going to see IRON MAN just
want to know if Iron Man is going to blow up a
lot of stuff. Trust me -- the body count will be
high and the explosions will be loud enough to
shake the walls of the theater. Get a big bag of
popcorn and be ready for plenty of death and
destruction. You won't be disappointed in that
regard.
When we first meet Tony, he has temporarily
left his buxom playmates behind so that he can
venture to Afghanistan in order to demonstrate
his latest innovation in firepower to some
military brass. Along the way he quotes his
father, who firmly believed that "Peace means
having a bigger stick than the other guy."
Address how
well the movie
Offers a brief
summary
56
Table 6
Continued
Organizational
Formats
(Rudeen, 2000)
Text
Guidelines of
Movie Review
Writing
(Garbis et al.,
2001)
After being captured by the enemy, Tony
converts to a peacenik but one with a really
lethal weapon in the form of an invincible iron
suit -- it's actually titanium, but it looks like
iron. What causes Tony's conversion? He finds
out that his weapons have the potential for
inflicting collateral damage. His faux-sentiment
will undoubtedly remind you of Claude Rains's
character in Casablanca, when he said "I'm
shocked, shocked to find that gambling is going
on in here!"
But in no time, Tony is back alone in his private
laboratory in California, aided only by his
personal secretary, Pepper Potts (Gwyneth
Paltrow). Pepper books the charitable events
that he rarely attends and does icky things like
reaching into Tony's chest in order to insert a
new device to protect his heart from the
shrapnel in his body.
We then hear more about how troubled the
wealthy Tony is. With no family and friends,
save possibly Pepper, he is said to be "a man
who has everything and nothing." Don't worry
about him too much, since he'll eventually be
earning everyone's accolades as he takes on the
bad guys. Most of this part of the story,
however, is conveniently left for the next
episodes in what I'm sure the studio is hoping
will be a long running franchise. This film ends
in a single and very predictable fight. I'm sure
that IRON MAN 2 will juice up the villain
count and concentrate even less on the minimal
storyline.
57
Table 6
Continued
Organizational
Formats
(Rudeen, 2000)
Text
Guidelines of
Movie Review
Writing
(Garbis et al.,
2001)
Conclusion
IRON MAN runs way too long at 2:06. It is
rated PG-13 for "some intense sequences of
sci-fi action and violence, and brief suggestive
content" and would be acceptable for kids
around 7 and up.
The film is playing in nationwide release now
in the United States. In the Silicon Valley, it is
showing at the AMC theaters, the Century
theaters and the Camera Cinemas.
Offers the
reader in
reviewer
opinion
According to Rudeen’s organizational formats (2000) and Garbis et al.,’s
(2001) movie review guidelines, the findings revealed that the content of this movie
review was written base on both of guidelines. However, part of the place where it
can be seen is not found base on Rudeen’s (2000). Moreover part of actor’s roles base
on Rudeen’s (2000) and Garbis et al.,’s (2001) were omitted.
58
Table 7
Organizational Formats and Guideline of Movie Review Writing
Movie Title: Quantum of Solace
Organizational
Formats
(Rudeen, 2000)
Text
Guidelines of
Movie Review
Writing
(Garbis et al.,
2001)
Title and deck
Introduction
&
Actors’ roles
QUANTUM OF SOLACE
(a film review by Mark R. Leeper)
CAPSULE: Picking up just after where
CASINO ROYALE left off, James Bond is
involved in trying to find the people behind the
death of his beloved Vesper. This is a decent
spy thriller on an adult level. The tone is
downbeat, but it is still one of the best in the
series. Marc Forster's action scenes could be
more coherent, but he is better with the
dramatic material. Rating: +2 (-4 to +4) or 7/10
The reinvention of James Bond films continues
with QUANTUM OF SOLACE. The old James
Bond had incredible luck and nearly always did
the right thing. This Bond bungles his way into
situations and is as likely to foul up someone
else's plan as he is to fix it. The tension between
M and Bond always seemed a little
disingenuous since Bond was clearly MI6's
super-weapon. The new Bond as of the last two
films is more of a loose cannon and is
dangerous to both sides. This makes for a much
more believable story. Bond super- villains
used to have nonsensical goals like starting
World War III or otherwise wiping out
humanity. Dominic Greene (played by Mathieu
Amalric of THE DIVING BELL AND THE
BUTTERFLY) has a rather nasty plot in the
current film, but it is not very different from
plots that have been hatched in the real world.
None
Offers overall
impression of
the movie
&
Offers actors’
roles
59
Table 7
Continued
Organizational
Formats
(Rudeen, 2000)
Text
Guidelines of
Movie Review
Writing
(Garbis et al.,
2001)
Storyline
The new Bond no longer has the incredible luck
at gambling the old one did, that kind of luck
would have severely damaged the story of
CASINO ROYALE, but he does have some
unaccountable skills like the old one did. In the
new film Bond seems to know how to pilot a
1950s vintage cargo plane. But the new Bond is
no longer the guy every schoolboy wanted to
be. The old Bond, when he loses the love of his
life, drowned the man responsible in a mud
bath. The new Bond drinks, and mourns, and
strikes out only sometimes at the people
responsible. Most of the glamour is gone. So
are the gadget-weapons (with the exception of
one in CASINO ROYALE). And the insistence
that his drinks be shaken and not stirred is a
relic of the past. Just about everything that
made the series childish have been done away
with. Rather than the romantic setting of
previous films like Istanbul, this Bond is not
afraid to spend much of the film in a Bolivian
slum. The film's colors are subdued and faded
to give the film a downbeat feel.
The new film starts uncharacteristically without
the usual gun- barrel and blood logo. Never
fear, fans, the trademark logo has been
relocated to the end of the film. Instead the film
starts with three long and mindless chases as
well as the worst Bond title sequence in recent
memory over the worst title sequence song.
With those out of the way to placate the wrong
kind of Bond fans the film settles down to a
reasonable pace and a more acceptable--even
complex--story.
Offers a brief
summary
Offers movie
techniques used
60
Table 7
Continued
Organizational
Formats
(Rudeen, 2000)
Text
Guidelines of
Movie Review
Writing
(Garbis et al.,
2001)
Vesper it seems had gotten involved with a
highly secret yet ubiquitous international
criminal organization, a sort of a latter-day
S.P.E.C.T.R.E. Daniel Craig as very probably
the best of the Bonds rushes in to find the new
organization and get revenge. He is not quite
equipped with all of the facts. Bond follows the
trail to Haiti. There his masquerade as someone
else brings him into contact with Camille (Olga
Kurylenko) who is on her own mission of
vengeance. Greene, a member of this secret
organization--it is called Quantum--is working
a deal with a Bolivian general involving
politics, power, and a stretch of worthless
desert. (By the way, calling the organization
Quantum is an insult to the viewer. The title
would have made perfect sense if the word
"quantum" was never used in the film. It was
like putting the mine in ENEMY MINE rather
than explain the title.)
Director Marc Forster has had a very mixed bag
of films to his credit. He directed MONSTER'S
BALL, FINDING NEVERLAND,
STRANGER THAN FICTION, and THE KITE
RUNNER. That is a very mismatched set of
films. While this film has one of the worst title
songs of the whole Bond series, it also has some
of the best music. Sadly it was not music
written for the film, but rather for Giacomo
Puccini's opera TOSCA. One of the film's few
funny moments had the leaders of Quantum
hashing out their plans electronically at a
performance of TOSCA. This bit of extreme
boorishness, talking over the transcendent
music, had to be a new low point for Bond
villains.
Address how
well the movie
61
Table 7
Continued
Organizational
Formats
(Rudeen, 2000)
Text
Guidelines of
Movie Review
Writing
(Garbis et al.,
2001)
Conclusion
The film takes some swipes at the United States
(as they did in previous films like YOU ONLY
LIVE TWICE) and for the first time in my
memory took a little swipe at Israel (claiming
one of the villains is ex-Mossad). Also the evil
Dominic Greene masquerades as an ecology
advocate spouting cliches.
QUANTUM OF SOLACE has one of the more
complex and satisfying of the Bond film plots.
The character of Bond has more depth than he
does in some of the more pulpy entries in the
series. It is one of the rare Bond films that can
be appreciated on an adult level. I rate it a +2 on
the -4 to +4 scale or 7/10.
Offers the
reader in
reviewer
comment
According to Rudeen’s organizational formats (2000) and Garbis et al.,’s
(2001) movie review guidelines, the findings revealed that the content of this movie
review was written base on both of guidelines. However, based on Rudeen’s (2000),
part of the place where it can be seen was omitted.
62
Table 8
Organizational Formats and Guideline of Movie Review Writing
Movie Title: National Treasure: Book of Secrets
Organizational
Formats
(Rudeen, 2000)
Text
Guidelines of
Movie Review
Writing
(Garbis et al.,
2001)
Title and deck
Introduction
Storyline
National Treasure: Book of Secrets
A Movie Review by Jonathan Moya
Rating: C+ or 2.5 out of 5
The Review:
National treasure: Book of Secrets at least gets
the history right before its treasure turns out to
be a watered-down piece of booty. The same
cast from the first movie plus the addition of
Helen Mirren as Benjamin Gates mom
(Nicholas Cage returns either laughing his way
through the role or laughing all the way to the
bank depending on your half-glass philosophy)
goes through practically the same adventure. In
true Santayana fashion "those who can not learn
from history are doomed to repeat it" forever in
the sequels.
The first National Treasure canoodled the
American Revolution into a mildly entertaining
The Da Vinci code spoof. Book of Secrets
schlumps the Civil War into dreck.
The conspiracy this time around involves the
Lincoln Assassination, a lost city of gold, what
looks like ancient Native American dildos
misinterpreted as treasure locations, two desks
on different sides of the world and the real
reason Mt. Rushmore was commissioned. And
that great MacGuffin, The Book of Secrets
which reveals the truth about the Kennedy
assassination, the missing eighteen minutes of
the Nixon tapes, the moon landing, Area 51 and
all the other time holes of presidential history--
all this to redeem the good name of great
granddaddy Gates from the muddiness of
misattribution.
None
Offer overall
impression of
the movie
Offer a brief
summary
63
Table 8
Continued
Organizational
Formats
(Rudeen, 2000)
Text
Guidelines of
Movie Review
Writing
(Garbis et al.,
2001)
Actors’ roles
Conclusion
This is a serious spoof of a spoof which means
the facts and plot turns don't connect in any
coherent or logical way, and the action except
for one good car chase in London (this is a Jerry
Bruckheimer extravaganza after all) mainly
grinds together in anticlimactic jolts. Yes, the
cast looks happy- they trapeze around the world
and got well paid for it (hopefully, in
confederate notes).
When half the cast start mysteriously slipping
in and out of American and British and German
accents there is a sense that a little too much
self-medication at the complimentary set wet
bar was taking place. Nicolas Cage does the
lamest cockney accent ever put on film in one
scene in a mock argument between his on and
off again ex played by Diane Kreuger only half-
disguising her German heritage. Even Helen
Mirren frequently reverts to uttering the
Queen's English.
We haven't seen method from Nicolas Cage in
many a moon. He has been too busy being these
lame action idiots (Ghost Rider and Wicker
Man). It may not even be in his genes anymore.
Does he really like the look of himself as an
action figure that much?
America never tires of conspiracy theories and
treasure hunts, so National Treasure: Book of
Secrets should be a big hit.
For me, however, it gets a lost in time grade of
C+.
Offer movie
techniques used
Offer actors’
roles
Address how
well the movie
Offers the
reader in
reviewer
opinion
64
Table 8
Continued
Organizational
Formats
(Rudeen, 2000)
Text
Guidelines of
Movie Review
Writing
(Garbis et al.,
2001)
The Credits: Directed by Jon Turteltaub; written
by Marianne and Cormac Wibberley, based on
a story by the Wibberleys, Greg Poirier, Ted
Elliott and Terry Rossio, based on characters
created by Jim Kouf, Oren Aviv and Charles
Segars; directors of photography, John
Schwartzman and Amir Mokri; edited by
William Goldenberg and David Rennie; music
by Trevor Rabin; production designer, Dominic
Watkins; produced by Mr. Turteltaub and Jerry
Bruckheimer; released by Walt Disney Pictures
and Jerry Bruckheimer Films. Running time: 2
hours 4 minutes.
WITH: Nicolas Cage (Ben Franklin Gates), Jon
Voight (Patrick Gates), Harvey Keitel (Agent
Sadusky), Ed Harris (Mitch Wilkinson), Diane
Kruger (Abigail Chase), Justin Bartha (Riley
Poole), Helen Mirren (Emily Appleton) and
Bruce Greenwood (the President). "National
Treasure: Book of Secrets" is rated PG
(Parental guidance suggested) for bloodless
violence and mild innuendo.
The findings revealed that the content of this movie review was written base
on According to Rudeen’s organizational formats (2000) and Garbis et al.,’s (2001)
movie review guidelines. Besides, part of the place where it can be seen base on
Rudeen’s (2000) was omitted.
65
Table 9
Organizational Formats and Guideline of Movie Review Writing
Movie Title: The Bourne Ultimatum
Organizational
Formats
(Rudeen, 2000)
Text
Guidelines of
Movie Review
Writing
(Garbis et al.,
2001)
Title and deck
Introduction
Actors’ roles
The Bourne Ultimatum
reviewed by Samuel Osborn
Director: Paul Greengrass Screenplay: Tony
Gilroy, Scott Z. Burns, George Nolfi (based on
the novel by Robert Ludlum) Cast: Matt
Damon, Joan Allen, David Strathairn MPAA
Classification: PG-13
The auditorium in which I screened The Bourne
Ultimatum was filled to capacity and humming
comfortably with the floating refreshment of air
conditioning when I took my seat. By the film's
end, the theatre was still full to capacity but the
room's temperature had risen several
uncomfortable degrees. The air conditioning
was furiously rattling, expelling refrigerated air
as efficiently as possible, but it couldn't keep up
with the perspiration-inducing intensity that the
film had caused our heart-rates to rise to. The
film had indirectly made the room hotter. Talk
about global warming.
Stoic, solemn, and robotic, Jason Bourne
returns for his trilogy capper, The Bourne
Ultimatum. Less of a continuation and more of
an upgrade from The Bourne Supremacy, this
third installment, working off of Robert
Ludlum's source material again, invents new
memories for the amnesiac hero to remember.
What used to be Operation Treadstone has now
been upgraded to Operation Blackbriar and Mr.
Bourne was (of course) involved with it in some
corner of his blurry past.
None
Offers overall
impression of
the movie
Offers actors’
roles
66
Table 9
Continued
Organizational
Formats
(Rudeen, 2000)
Text
Guidelines of
Movie Review
Writing
(Garbis et al.,
2001)
Storyline
As Ultimatum picks up almost immediately
after Supremacy left off, Jason Bourne is still
on the run, hurdling cops like leapfrog and
outrunning the CIA like they were a pack of
blind, one-legged cats. Falling in beside the
defensive, calculating Pamela Landy (Joan
Allen) as the CIA's resident Bourne expert is
Noah Vosen (David Strathairn). Vosen heads
up the Blackbriar gang and has hooked a
reporter, Simon Ross (Paddy Considine), whose
exposure stories on Bourne have uncovered
confidential information. Because the
information concerns Bourne's past and because
it's a matter of national security, Ms. Landy,
Mr. Vosen, and Mr. Bourne are all on his trail.
Director Paul Greengrass (The Bourne
Supremacy, United 93) wastes zero time in
mining the action from this storyline. As a
filmmaker, his edit points are quick, his camera
shaky, and his close-ups constant. He wants
realism and he wants his action to appear in
real-time. The pseudo-documentary style he's
becoming known for is at its best here, muting
the spectacle of his stunts to make room for
believability in the play-pretend realism. And
since it appears many of his stunts were actually
coordinated on set-and not in front of a
computer monitor-the realism is certainly
accepted as, well, real.
For this reason, The Bourne Ultimatum sprints
as a missile for the moon. It's fast and
sometimes infuriatingly so, as it rounds plot
corners at double-time, leaving us confused and
choking on its dust.
Offers a brief
summary
Offers movie
techniques used
Address how
well the movie
67
Table 9
Continued
Organizational
Formats
(Rudeen, 2000)
Text
Guidelines of
Movie Review
Writing
(Garbis et al.,
2001)
Conclusion
But all is forgiven when a clever foot-chase is
launched, when Bourne kicks down the clutch
of a motorcycle, as he hijacks an NYPD squad
car, as he leaps from a roof, etc, etc. Luckily his
stunts are as loud as they are intelligent. And
since Bourne stays generally low-tech with his
tricks, he becomes a sort of spy-version of
MacGyver.
Though I'm not positive as to how essential this
installment is to the Bourne legacy. CIA
Director Ezra Kramer is discussing the Bourne
subject with Ms. Landy early on in the story.
Both are unsure of Bourne's importance to the
agency, weighing out the possibility of giving
up the search altogether. Landy mentions that
maybe he's not involved with this particular
quarrel at all; that this isn't Bourne's fight.
Kramer shrugs, frowns, and says, "Well, let's
keep looking." It seems even the fictional
players are stretching their connection to
Bourne to keep this story chugging. And it's
true; the Bourne legacy doesn't require this
story to be told. This becomes apparent when
the same good joke from the second film is
repeated twice more in the third; and also when
the action set-pieces are nearly the same, if not
extended to a more satisfying length. Like I
said, this is more of an upgrade than a sequel.
But don't think I'm complaining. The
intelligence of the screenplay is a damned
marvel. To craft the delicate logic of such a
complex CIA tale deserves a merit on its own.
And so what if it's a formula their running
through the Hollywood factory for another go-
round? The last film was the best spy film in
ages.
Offer the reader
in reviewer
opinion
68
Table 9
Continued
Organizational
Formats
(Rudeen, 2000)
Text
Guidelines of
Movie Review
Writing
(Garbis et al.,
2001)
Just imagine how good this upgraded version is.
And technically The Bourne Ultimatum does
have its own (very valid) storyline that jet-sets
Jason from Morocco to Paris to London to
Madrid and finally to good ole' Manhattan. And
though what character building that's continued
here may not be required viewing for any
Bourne enthusiast, the power that David
Strathairn most certainly is. Skeletal and sever,
Strathairn's Noah Vosen is a formidable needle
of a villain. He's human, as all CIA leaders
claim to be, but that trait is buried beneath a
permafrost mounted by his overwhelming
coldness. Strathairn drives this storyline into a
realm of quasi-originality, making The Bourne
Ultimatum relevant enough for us to enjoy it
unabashedly. Because of him we swallow again
the tired conceit of Bourne's lost memory and
his lingering guilt. We admit that, yeah, this
truly is a magnificent flick. Samuel Osborn
After observing, the findings revealed that the content of this movie review
was written base on Rudeen’s organizational formats (2000) and Garbis et al.,’s
(2001) movie review guidelines. However, part of the place where it can be seen base
on Rudeen’s (2000) was not found.
69
Table 10
Organizational Formats and Guideline of Movie Review Writing
Movie Title: Live Free or Die Hard
Organizational
Formats
(Rudeen, 2000)
Text
Guidelines of
Movie Review
Writing
(Garbis et al.,
2001)
Title and deck
Introduction
Live Free Or Die Hard
2007
126 minutes
Rated PG-13
By Scott Mendelson
For the last two months, the story around Live
Free Or Die Hard (aka Die Hard IV) has been
Fox's decision to rework the film for the sake of
getting a PG-13 rating. Of course, the original
three Die Hard films were hard-R, with graphic
violence, pervasive profanity, and a general
rough-and-tumble quality that were (along with
the Lethal Weapon films) the standard bearers
of adult action entertainment for about a
decade. Having now seen the film, I now ask
Fox what exactly it was thinking, but not for the
reason you think.
The film is still brutally violent, with an on
screen body count that nearly exceeds the
combined totals of parts 1 and 3 (part 2, with its
two passenger airplane crashes, is still the
record holder). There are point-blank
executions galore, and many vicious fight
scenes, gruesome explosions, and fatal car
wrecks. Point being, fans of the series should
know that this is still a rough, profane, and
violent adult action film. On the other hand, it's
a sorry state for the MPAA when this is
considered more appropriate for children than
the previous entries just because there is less
blood and no one says the 'f' word (the way they
work in McClane's catchphrase within these
confines is surprisingly effective).
None
None
70
Table 10
Continued
Organizational
Formats
(Rudeen, 2000)
Text
Guidelines of
Movie Review
Writing
(Garbis et al.,
2001)
Actors’ roles
Storyline
However, for those who are old enough to
attend middle school or drive a car, this is a
surprisingly effective large-scale adventure
picture. The plot involves Timothy Olyphant as
a rogue ex-government agent attempting to shut
down the country by hacking into our electrical
systems. Ironically, the story progression in the
first act often resembles Willis's terrific 16
Blocks from last year, albeit with emotional
heft traded in for elaborate shootouts and fights.
The action scenes are set-up in a way to mirror
the claustrophobia and vulnerability of the
original film. With the exception of a third act
True Lies rip-off, the action bits are relatively
creative and the filmmakers were smart to fill
the villain roster with notable sidekicks and
thugs. Maggie Q does king-fu and District B-
13's Cyril Raffaelli does his 'parkour' wall-
bouncing thing, alas all too briefly.
As for our star, a bald Bruce Willis slides back
into his signature role with a minimum of fuss.
The main qualms come with the heavy-handed
treatment of the generation gap between
McClane and the villain, as well as Willis's
accidental sidekick (Justin Long plays a
computer geek who's apparently too young to
have heard of the classic song 'Fortunate Son').
Also, the screenplay goes a little
overboard in re-establishing McClane as a bitter
pill who only reluctantly saves the day (the
opening scene is also a little creepy as McClane
is shown basically stalking his college-aged
daughter). Justin Long comes off better than
expected, thanks to a subplot that deals with his
guilt for having inadvertently helped cause the
chaos that unfolds.
Offers actors’
roles
Offers a brief
summary
71
Table 10
Continued
Organizational
Formats
(Rudeen, 2000)
Text
Guidelines of
Movie Review
Writing
(Garbis et al.,
2001)
Conclusion
For most of the film, he is not hip or cool, but
scared and slightly ashamed.
Speaking of that college-aged daughter, the
third act stumbles by allowing Lucy McClane
to be abducted by the villains, which is
unfortunate, as the character has been
kidnapped in at least two Die Hard videogames.
Since the conflict between McClane and the
evil Gabriel is established and Long spends
much of the film in mortal peril, there is no
reason to pull out this most tired of chicks.
Regardless of past whiffs (the Underworld
films), director Len Wiseman proves capable of
pulling together a solid, crowd-pleasing action
vehicle that showcases authentic top-notch stunt
work and quality fight choreography. As a
bonus, the supporting cast is filled with reliable
character actors. Cliff Curtis is solid as the head
government agent dealing with the mess,
although Zeljko Ivanek is so wasted that I was
sure he was going to be revealed as a traitor in
the third act.
I still question Fox's decision to dub out the f-
words in order to get that PG-13 (the bad
dubbing is pretty funny at times), since they've
now created a film that is still inappropriate for
younger children but whose rating may scare
off or offend hard-action junkies. And, if Fox
wants the family audience, why are they
opening this against Pixar's Ratatouille?
Offer the reader
in reviewer
opinion
72
Table 10
Continued
Organizational
Formats
(Rudeen, 2000)
Text
Guidelines of
Movie Review
Writing
(Garbis et al.,
2001)
Studio politics aside, Live Free Or Die Hard is a
fun, well- crafted adult action film. So far, with
this and Rocky Balboa, we're 2 for 2 in 80s
nostalgia revamps. This gives me hope for
Rambo IV (which will be a hard-R), to say
nothing of the much anticipated (and somewhat
feared) fourth Indiana Jones film. It's not a
patch on the original, or the underrated Die
Harder, but it is about as good as Die Hard
With A Vengeance. It doesn't Die Hardest, but
it doesn't Die Hardly either.
The findings revealed that part of the place where it can be seen based on
Rudeen’s (2000) was omitted. In addition, there are three parts base on Garbis et
al.,’s (2001) movie review guidelines omitted: offers overall impression of the movie,
offers movie techniques used, and address how well the movie.
73
Table 11
Organizational Formats and Guideline of Movie Review Writing
Movie Title: The Incredible Hulk
Organizational
Formats
(Rudeen, 2000)
Text
Guidelines of
Movie Review
Writing
(Garbis et al.,
2001)
Title and deck
Introduction
Storyline
&
Actors’ roles
THE INCREDIBLE HULK (2008)
Reviewed by Jerry Saravia
RATING: One star and a half
Why on earth did Edward Norton make a
boring Hulk movie? Why do moviegoers hate
Ang Lee's "Hulk" so much? Why even bother
with essentially reimagining or remaking, or
whatever you want to call it these days, the
2003 box-office bust that was "Hulk"? These
questions plagued me while watching "The
Incredible Hulk," which is a mediocre and
completely flat, superficial superhero movie
that tries to do too much and accomplishes too
little.
Edward Norton initially makes a convincingly
scrawny Bruce Banner, living in Brazil and
working at a soda factory. He has maintained
communication with a genetic scientist who
may know how to cure Bruce's Green Giant
anger problem. Unfortunately, a drop of Bruce's
blood that accidentally falls into an open soda
bottle is all that is needed to raise awareness
from the government and the sour, unemotional
General Ross (William Hurt). The military
arrives armed and ready to shoot Bruce Banner,
though there is a new foe, a Marine named Emil
Blonsky (Tim Roth), who is interested in
acquiring a sample of that genetic Hulk pool.
Most plaguing question: if General Ross only
wants to capture the Hulk and use him as a
weapon, how is killing Bruce Banner going
make that possible? The answer may be that the
General will use Blonsky as his new guinea pig,
though the script never quite makes that clear.
None
Offers a brief
summary
&
Offers actors’
role
74
Table 11
Continued
Organizational
Formats
(Rudeen, 2000)
Text
Guidelines of
Movie Review
Writing
(Garbis et al.,
2001)
Nevertheless, Betty Ross (the pallid Liv Tyler)
is waiting in the wings for Bruce to show up,
despite being lovey-dovey with a new beau.
How can anyone compete with the Green
Giant? Oh, well, he has one deficiency - he
can't get too excited and have sex.
The origin plot of the Incredible Hulk since its
inception in the late 60's never made a lot of
sense - what is the point of using a genetically-
engineered Hulk as a secret weapon when his
animal instincts cause him to destroy everything
in his path? Does that not defeat the purpose,
General Ross? Yes, I am asking you, Mr. Ross.
Of course, that would not matter if the film was
entertaining and thrilling. Face it: the sight of
an enormous Hulk wrecking havoc is always
fun to watch. And the scenes where Hulk
destroys a few vehicles on a college campus is
exciting and nifty...and just as dispiriting. The
lack of spirit can be attributed to director Louis
Letterier ("Transporter") and star Edward
Norton who seem to go through the motions.
Numerous action-filled moments of Hulk
throwing a car or a tank in the air or causing the
ground beneath him to break become
monotonous. So does Edward Norton, who
never quite infuses Bruce Banner or the Hulk
with any personality or any depth to his anger
issues. Norton never becomes convincingly
angry either, and how can Edward Norton of
"American History X" never come across as
convincingly angry? It just seems like a
disservice to have a weakling still come across
as a tall green-skinned weakling with muscles -
there is no real sense of transformation or
urgency. The theme seems to be this: Hulk
loves to smash.
Offers movie
techniques used
75
Table 11
Continued
Organizational
Formats
(Rudeen, 2000)
Text
Guidelines of
Movie Review
Writing
(Garbis et al.,
2001)
Conclusion
A big mistake is the casting of Tim Roth, who
comes across as evil, mean and most certainly
angry, though it is such a one-dimensional
character that it is hard to care whether he lives
or dies - he is just a mean prick from the
beginning. Perhaps Tim Roth should've played
Bruce Banner - he might have come closer to
tapping into that inner rage that is the Hulk in
all of us. Eric Bana came close but the late Bill
Bixby fully accomplished that goal. This is
where a good screenplay is needed, folks. The
cast of characters are limp and underwritten.
William Hurt delivers no zeal or emotion as the
angry General Ross. Compare Hurt's take to
Sam Elliott's in the 2003 Hulk and you see a
world of difference. Ditto for Liv Tyler who is
uncharismatic and lifeless that I can't believe
this is the same actress from "Lord of the
Rings" or even "Heavy." And she scores a -15
on any chemistry with Norton. Check out
Jennifer Connelly from, once again, the 2003
Hulk for a more well- rounded character.
This "Hulk" film is a dull disaster with an
unconvincing love story, non-threatening
villains, lots of amped-up explosions, and a lead
character who hardly seems to be the same
person that becomes the Hulk. For a fully
developed and humanistic take on a raging
Hulk and a complex Bruce Banner who wishes
for the beast to be expunged, check out the TV
series or the 2003 Hulk. This droning Hulk of a
movie is for the birds.
Offers the
reader in
reviewer
opinion
76
As shown in Table 11, the findings revealed that the content of this movie
review was written based on Rudeen’s organizational formats (2000) and Garbis et
al.,’s (2001) movie review guidelines. However, the information about the cinemas
and theaters based on Rudeen’s (2000) were omitted and parts of the content that
address how good the movies based on Garbis et al.,’s (2001) was also omitted.
To summarize, the organizational formats of ten action movie reviews were
written based on by using both Rudeen’s organizational formats (2000) and Garbis et
al.,’s (2001) movie review guidelines. Of all the ten action movie reviews, three
movie reviews were written using Rudeen’s organizational formats (2000), and
another three reviews used Garbis et al.,’s (2001) movie review guidelines. In
addition, four movie reviews used both Rudeen’s organizational formats (2000) and
Garbis et al.,’s (2001). However, some parts of formats and guidelines were omitted
depending on reviewers. Moreover, some parts of writing was mentioned may be
used to present the first step or last step in movie review writing. The parts of writing
are the steps arranged depending on the purpose of movie reviewers to present or to
persuade their readers. It can be concluded that the steps of writing are flexible; they
were used to convey ideas in the movies in accordance with the aims of movie
reviewers. It means that reviewers can indicate the movie review by offering their
intention through writing independently.
77
Types of Writing, Sentence Structures, and Word Choices in Action
Movie Review Writing
To find out the writing style of action movie review writing, the content of the
movie reviews was analyzed in accordance with types of writing, sentence structure
and word choice. First, three types of writing frequently used in writing a movie
review including informative writing, persuasive writing and narrative writing were
used as the basis for analyzing the content of action movie reviews. In addition, four
types of sentence structure: simple sentence, compound sentence, complex sentence
and compound-complex sentence were investigated. To indicate word choice, the
researcher examined three types of word choice: concrete nouns, descriptive words
and emotional words that frequently occurred in action movie reviews.
Types of Writing
According the purposes of writing, the reviewers used informative writing to
give information and general description about movies, and they presented the
information using facts; whereas, the native writing was used to present the storyline,
plot, or showing outstanding parts of the movies. To provide comments, make
suggestions, and persuade reader’s interest, the reviews wrote using the persuasive
writing. The analysis of texts of ten action movie reviews in terms of types of writing
with their purposes was illustrated in Table 12.
78
Table 12
Types of Writing in Action Movie Reviews
Types of Writing Description
1. Informative
Writing
To give information and general description about movie
which the reviewers present this information in fact.
Example
For the last two months, the story around Live Free Or Die
Hard (aka Die Hard IV) has been Fox's decision to rework
the film for the sake of getting a PG-13 rating. Of course,
the original three Die Hard films were hard-R, with graphic
violence, pervasive profanity, and a general rough-and-
tumble quality that were (along with the Lethal Weapon
films) the standard bearers of adult action entertainment for
about a decade. Having now seen the film, I now ask Fox
what exactly it was thinking, but not for the reason you
think. The film is still brutally violent, with an on screen
body count that nearly exceeds the combined totals of parts
1 and 3 (part 2, with its two passenger airplane crashes, is
still the record holder). (Live Free or Die Hard)
This example shows that the reviewer wants to tell
the readers that the movie was brutally violent.
2. Narrative Writing
To present the storyline, plot, or showing outstanding parts
of the movie.
Example
The film opens in 1947 in the Nevada desert, where a
nuclear test -- complete with a fake, picture postcard slice of
suburbia -- is underway. Indy and George "Mac" McHale
(Ray Winstone) get themselves captured there by KGB
agents, led by Irina Spalko. As Spalko, Cate Blanchett is a
hoot, giving one of the best bad Russian accents on record.
Her villain is so deliciously over the top that Blanchett steals
every scene she is in. (Indiana Jones and the Kingdom of the
Crystal Skull)
This example shows that the reviewer present the
storyline to readers which involved a sequence of time.
79
Table 12
Continued
Types of Writing Description
3. Persuasive Writing
To provide comments, to give suggestions, and to persuade
reader’s interest.
Example
Be ready to laugh loud and often. Personally, I had a smile
on my face throughout the whole movie since it is such a
treat. Some of the classic lines ("I've got a bad feeling about
this.") are also a lot of fun.
This charmer has other potential as well. Besides being a
movie that should and will make a mint at the box office, it
could also be used as the basis for a completely new
Disneyland ride. The old ride is great, but one based on this
latest film could be even more exciting. (Indiana Jones and
The Kingdom of the Crystal Skull)
As the example, the finding revealed that the
reviewer tried to convince readers to agree in his point of
view since the goal of persuasive writing is to persuade the
readers to accept the reviewer’s opinions.
As shown in Table 12, three types of writing: informative, narrative and
persuasive writing were used respectively in six movie reviews. The reviewers started
the reviews by using informative writing, followed by narrative writing and
persuasive writing. In one movie review, the reviewer started the review by narrating,
and in three movie reviews, the reviewers started the review by using persuasive
writing, followed by informative writing, and narrative writing. In the last part of the
texts, the reviewer tried to persuade the readers using persuasive writing again.
80
According to the types of writing, it appeared that six movie reviews (60%)
started with informative writing followed by narrative writing and persuasive writing
respectively. Only one movie review (10%) uses narrative writing in the beginning of
the review then informative writing, and persuades writing while three movie reviews
(30%) begin with persuasive writing followed by informative writing, and then
narrative writing, and end with persuasive writing.
Types of Sentence Structures
The further analysis was based on four types of sentence structure: simple
sentence, compound sentence, complex sentence, and compound-complex sentence.
The researcher also counted the frequency of each type of sentence structure used.
Furthermore, fragmentary or non-sentence was also examined. The results revealed
that of four types of sentence structure in ten action movie reviews, simple sentence
was most frequently used (128); while the compound-complex sentence was used
least. The findings are illustrated in Table 13 and Figure 3.
.
81
Table 13
Frequency of Sentence Structures in Ten Action Movie Reviews
Movie Title Simple
Sentence
Compound
Sentence
Complex
Sentence
Compound-
complex
Sentence
Fragment /
Non-
Sentence
Pirates of the
Caribbean: At
World’s End
14 2 1 3 2
Spider-Man 3 14 6 9 4 0
Indiana Jones
and the Kingdom
of the Crystal
Skull
17 7 8 4 0
Transformers 5 10 8 2 0
Iron Man 14 5 14 3 0
Quantum of
Solace 25 9 9 1 0
National
Treasure: Book
of Secrets
9 3 1 4 0
The Bourne
Ultimatum 12 8 18 4 1
Live Free or Die
Hard 5 14 6 5 0
The Incredible
Hulk 13 12 8 6 0
Total 128 76 82 36 3
As Table 13, there are five types of sentence structures used in the collected
data of ten action movie reviews. However, percentage of sentence structures in ten
action movie reviews can be found in Figure 3.
82
Fragment / Non-
Sentence
0.92%
Compound-complex
Sentence
11.08%
Complex Sentence
25.23%
Compound Sentence
23.38%
Simple Sentence
39.38%
Figure 3. Percentages of Sentence Structures in Ten Action Movie Reviews
According to Table 13 and Figure 3, the use of sentence structure of action
movie review shows that the simple sentence is the most frequently used in action
movie reviews writing. There are 128 simple sentences used in action movie review
(39.38%), followed by complex sentences (82 sentences, 25.23%), compound
sentences (76 sentences, 23.38%), compound-complex sentences (36 sentences,
11.08%), respectively. As for fragment or non-sentence, they constitute three
sentences (0.92%) of the entire sentence.
As the findings, simple sentences were the most frequently sentences used in
the action movie review, because of writing a review is a kind of writing to link
between the writers and the readers. In general of action movie review writing,
writers prefer to present the fact of information. Then, writing with simple sentence is
the most basic type to express writer’s ideas. It can be said that simple sentence can
be very effective for grabbing a reader’s attention. Although the simple sentence is
the most natural structure, too many simple sentences can make the writing seem
childish.
83
Word Choices
The results revealed three types of word choices: concrete nouns, descriptive
words, and emotional words.
Concrete Nouns and Descriptive Words
Concrete nouns were used to convey the intended meaning. Moreover,
concrete noun is classified by its ability to reach the senses. Concrete nouns are
something physical that can taste, touch, hear, smell or see an item the word is a
concrete noun. For descriptive words, they can make the writing clearer and more
interesting. Writers select both of concrete nouns and descriptive words to make
readers create a picture which the word refers to. The findings of the study revealed
that word choices used in the movie reviews were concrete nouns and descriptive
words as shown in Table 14.
Table 14
Concrete Nouns and Descriptive Words Typically Found in Action Movie Reviews
Concrete Nouns Descriptive Words
popcorn room hotter
vintage cargo plane smoke rising
leather jacket laugh loud
switchblade knife hard action
the classic song greasy hair
soda bottle wooden eye
masquerade noisy motorcycle
the auditorium long wait
schoolboy completely flat
84
Moreover, after reading a concrete noun and descriptive word, readers can
understand and perceive the meaning easily by recalling a thing in their real life as the
examples below.
As popcorn flicks go, IRON MAN has enough action and goofy moments to
mostly keep your attention throughout its bloated two hour plus running time.
(Iron Man)
Can Harrison Ford at his age really pull off the role of action hero Indiana
Jones again? I'm here to tell you that he can and does it with great comedic
gusto to boot. The long wait for the next (Indiana Jones and the Kingdom of
the Crystal Skull)
The new Bond no longer has the incredible luck at gambling the old one did,
that kind of luck would have severely damaged the story of CASINO
ROYALE, but he does have some unaccountable skills like the old one did. In
the new film Bond seems to know how to pilot a 1950s vintage cargo plane.
But the new Bond is no longer the guy every schoolboy wanted to be.
(Quantum of Solace)
If you consider all the stuff that happening on screen, including: smoke rising,
people running around, robots transforming, combat, and things getting
destroyed (all in one shot), you could easily find this experience chaotic.
(Transformer)
The above example shows that concrete nouns and descriptive words are
useful for writers to express the writer’s intention. However, most of concrete nouns
in action movie reviews are names of place, persons, or things that can be seen,
touched or felt. Besides, most of descriptive words in action movie reviews used
vivid verbs to make the reviews more interesting, so that the readers will read the
reviews and draw a picture which word refers to.
Emotional Words
An emotional word is used to trigger feelings. There are many words that are
emotionally loaded and represented different values to different people. Action
movies are a kind of movies which have lots of physical stunts and activity, possibly
extended chase scenes, races, rescues, battles, fights, escapes, and destructive
disasters. The contents action movie reviews involve the feeling that writers express
85
to his/her reviews. Then, the emotional words that writers express through reviews
can be classified into three main kinds. There are emotional words about “fun”,
followed by emotional words about “violence” and emotional words about
“disappointment”. However, the examples of emotional words typically found in
investigated action movie reviews can be seen in the following table.
Table 15
Emotional Words Typically Found in Action Movie Reviews
Emotional Words
Fun Violence Disappointment
a lot of fun disaster a lot of the same
funniest boggle the mind disincline to acquiesce
to be a charm the most popping action lame action idiots
come to enjoy to shake the walls become monotonous
great comedic gusto heart-rates to rise dull disaster
well worth the wait brutally violent non threatening villains
absolutely terrific many vicious fight a big mistake
The following examples are emotional words used to express the feeling of
fun-exciting, violence, and disappointment.
Fun
Emotional words of fun are mostly found in action movie reviews; writers aim
to present an amusing tone to readers.
In SPIDER-MAN 3, Spidey gets in touch with his inner evil twin, which turns
out to be a lot of fun for him and for us. (Spider-Man 3)
Another delicious moment comes as he does a Gene Kelly-type dance number
in a club as his date, Gwen Stacy (Bryce Dallas Howard), looks on in
amazement. (Spider-Man 3)
86
I'm here to tell you that he can and does it with great comedic gusto to boot.
The long wait for the next Indiana Jones movie is over, and it was well worth
the wait…INDIANA JONES AND THE KINGDOM OF THE CRYSTAL
SKULL is absolutely terrific…And, in a time when the studios are releasing
one long movie after another whose two hour plus running times feel twice
that long, the latest Indiana Jones manages to make its two hours fly by.
You'll swear the movie was less than ninety minutes long… This rollicking
good adventure is a good-spirited family film that will entertain young and old
alike. It's also a very handsome picture as well… Be ready to laugh loud
and often. Personally, I had a smile on my face throughout the whole movie
since it is such a treat. (Indiana Jones and the Kingdom of the Crystal Skull)
As popcorn flicks go, IRON MAN has enough action and goofy moments to
mostly keep your attention throughout its bloated two hour plus running time.
(Iron Man)
Violence
Emotional words of violent were also mostly found in action movie reviews;
writers aim to show a violent or an exciting tone of writer’s feeling in action movie to
reader.
And watching a film with blockbuster ambitions replete with special effects
that boggle the mind, I was reminded of my younger years when I was just
thrilled to have a Matchbox car where the doors and the engine hood would
open. (Transformer)
Trust me -- the body count will be high and the explosions will be loud
enough to shake the walls of the theater. (Iron Man)
The air conditioning was furiously rattling, expelling refrigerated air as
efficiently as possible, but it couldn't keep up with the perspiration-inducing
intensity that the film had caused our heart-rates to rise to. (Bourne
Ultimatum)
The film is still brutally violent, with an on screen body count that nearly
exceeds the combined totals of parts 1 and 3… There are point-blank
executions galore, and many vicious fight scenes, gruesome explosions, and
fatal car wrecks. (Live Free or Die Hard)
87
Disappointment
Emotional words of disappointment are the third types of common words
found in action movie reviews; writers aim to present writer’s feeling of
disappointment in action movie to readers.
What you will find in Pirates 3 is a lot of the same. And I mean a *lot* of the
same…Would I watch Pirates 2 again? "I'm disinclined to acquiesce to [that]
request. Means 'no.'" (Pirates of the Caribbean: At World's End)
He has been too busy being these lame action idiots (Ghost Rider and Wicker
Man). It may not even be in his genes anymore. (National Treasure: Book of
Secrets)
The lack of spirit can be attributed to director Louis Letterier ("Transporter")
and star Edward Norton who seem to go through the motions. Numerous
action-filled moments of Hulk throwing a car or a tank in the air or causing the
ground beneath him to break become monotonous… A big mistake is the
casting of Tim Roth, who comes across as evil, mean and most certainly
angry, though it is such a one-dimensional character… This "Hulk" film is a
dull disaster with an unconvincing love story, non-threatening villains, lots of
amped-up explosions, and a lead character who hardly seems to be the same
person that becomes the Hulk. (The Incredible Hulk)
To sum up, there are many words that were emotionally loaded. According to
the findings, three main emotional words were found: fun, violence, and
disappointment words. These words can make readers to pay attention and encourage
them to know the significance of the message that communicate to them. The above
examples, words that convey an emotional color depended on how long or short they
were. Generally, shorter words are more blunt, direct, harsh, or sharp. Longer words
are drawn out to evoke colors of melancholy or suffering. However, emotional words
are also depend on the content of writing that writers present.
CHAPTER V
CONCLUSION AND DISCUSSION
The purpose of this study was to examine common features of action movie
review writing, particularly common patterns and organizational formats used in
writing online action movie reviews. The study also investigated types of writing,
sentence structure, and word choices in ten online movie reviews. This chapter then
presents a conclusion of the study together with discussions of the findings. Also, the
limitation of the study and recommendations for further studies are presented.
Conclusion
Regarding the first research question of what the common features of action
movie review writing are, the findings revealed four overall patterns of writing in
action movie reviews from www.imdb.com: a broad overview of the movie, to offer a
comparison with the previous episode of the film, to give description of the movie’s
storyline, and the last pattern intended to make comments on the movie. The first
pattern was aimed to provide a broad overview of the movie including the actors’ role
and the background information related to the movie for the readers. The second
pattern was intended to compare the present movie with the previous episodes while
the third pattern was the description of the movie’s storyline and the last pattern is the
provision of the reviewer’s comments on the movie, both positive and negative or the
conclusion of the review. To answer the first research question, the findings of this
study are consistent with Rudeen’s organizational formats (2000) and Garbis et al.,’s
(2001) movie review guidelines because movie review writing’s purpose is to express
reviewers’ idea of a movie with a short summary of plots and characters as well as
89
comments on the movie, then both of theoretical framework and the findings are
corroborated. To elaborate this point, Rudeen’s organizational formats (2000) and
Garbis et al.,’s (2001) movie review guidelines provide techniques in writing a movie
review and give guidelines of movie review writing. After observing ten action
movie reviews from www.imdb.com, the findings of the current study were consistent
with them. That is, movie reviewers try to express their ideas to readers by presenting
a broad overview of the movie, a comparison with the previous version of the film,
description of the movie’s storyline, and making comments.
With regard to the second and third research questions asking about the
writing styles in terms of types of writing, sentence structures, and word choices
commonly used in action movie reviews as well as the frequencies of sentence
structure, and word choices occurred in action movie reviews. The first type of
writing, informative writing was used in all ten movie reviews. Winterowd (1981)
claimed that informative writing has to give the reader information. The importance
thing to be concerned in writing informative pieces is writers have to write with
clarity and precision. Narrative writing was used in the next part of writing in a
movie review. That is, the reviewers aimed to tell the storyline, plot, or outstanding
part of the movie to make the reader know the brief content of the movie by using
narrative writing. Finally, persuasive writing was used in order to make comments or
give a conclusion of the movie to persuade the reader’s interest. This style of writing
was found in 6 movie reviews (60%).
According to types of sentence structure used, simple sentence is the most
frequently used in action movie review writing. First all reviewers like to offer
information of the movie to make the reader know the general of movie. There are
128 simple sentences in action movie review (39.38%), followed by complex
90
sentence (25.23%), compound sentence (23.38%), compound-complex sentence
(11.08%). For fragment (non-sentences), they constituted 0.92% of all of the
sentences. Reviewers used simple sentence most because this type of sentence
structure is easy to read and understand. Movie review is a piece of writing that
writers convey their ideas through the words. This supported the finding that the
writers mostly use simple sentence to present their writer’s idea in movie reviews.
Besides, reviewers used concrete word to convey the intended meaning.
According to Sherman (1966) writers should select the concrete words to give clear
meaning that they want to express. In action movie reviews writing, the concrete
nouns and descriptive words were frequently used because the writers needed the
readers to portray a significant event clearly. Furthermore, movie review writing is
written to help the readers make a decision whether or not to see a movie. It offers
writer’s opinions on the qualities of a particular movie. It also tells a little about the
story line to catch readers’ interest and encourage them to venture to the theatres to
see the movies by themselves. Then, writers must select concrete nouns and
descriptive words to convey the exact meaning.
The use of emotional words attacked the readers’ interest because writing a
review is a kind of writing that links between the reviewers and the readers. The
message conveys brief content of the movies and some ideas that a reviewer has
attempted to persuade and attract a reader to see the movies. Then, the findings of
action movie reviews writing revealed three main types of emotional words. The
emotional words about fun evoke readers to interest or participate in movie. The
emotional words about violence reflect the cruel events in the movie. The emotional
words about disappointment reflect the writer’s feelings which readers can judge
whether or not to see the movie.
91
Discussion
The results of the study revealed that there were four patterns found in action
movie reviews writing which there were consistent with Rudeen’s organizational
formats (2000) and Garbis et al.,’s (2001) movie review guidelines. It can be said that
a good movie review were provided writers opinions on the qualities of a movie, tells
a little about the storyline to catch readers interest and encourage readers to see the
movie.
According to the previous study, Charoenchasri (2007) investigated on genre
analysis of newsgroup movie reviews on www.imdb.com. The finding showed that
movie reviews on the Imdb domain follow the five moves in the corpus of movie
reviews: introducing the movie, emphasizing on describing the movie’s storyline,
providing comments, concluding the review, and offering other information. The
results in this study were in line with the previous study. There were only four
patterns found in this study: providing a board overview, comparison with the
previous episodes, describing the movie’s storyline, and providing reviewer’s
comments or concluding the review. This study focused on action movie reviews, but
the previous study focused on all kinds of movie reviews.
However, some patterns or moves as mentioned in the previous study may be
used to present the first step or last step in movie review writing. The patterns or
moves of movie review writing are steps arranged depending on the purpose of movie
reviewers to present or to persuade their readers. It can be concluded that the steps of
patterns or moves are freely conveyed according to the aims of movie reviewers.
That is, reviewers can indicate patterns or moves of movie reviews by offering their
intention through writing independently.
92
Moreover, Kungwanpradit (2004) investigated writing style used in movie
overviews on web site “Yahoo! Movies”. The findings of the previous study showed
that simple sentence and compound sentence were mostly used in comedies. The
complex sentence was used most in drama, compound-complex sentence in romance.
The results were different from this present study because the data of this study were
only action movie reviews. The findings of this study found that simple sentence
were mostly used. However, concrete words were mostly used in writing to help
readers form a picture that words refer to. It was consistent with this study which
writers selected concrete words to convey the exact meaning through his/her action
movie reviews.
Limitations
The limitations in this study were as in the following. Firstly, the data
collected in this study were small. There were only ten action movie reviews.
Therefore, the data were limited by kinds of movies. The action movie has a few
quantities to release in each year. Secondly, the data were collected data from only
one website the IMBD domain. Therefore, this site is the one professional review
site. Thirdly, the data selected in this study was limited by gross of box office which
each movie has grossed over US$200,000,000 at the box office during their theatrical
runs. Finally, there were few previous studies on online movie reviews; the other
aspects of common features of movie review writing yet have been uninvestigated,
particularly in action movie reviews. Then, some aspects like grammatical or
rhetorical writing were not explored in this study.
93
Recommendations for Further Study
Due to language is an essential device for communication which can convey
messages, ideas, or feelings to the readers. This study investigated common features
of action movie review writing on www.imdb.com. The findings of this study can
offer benefits the readers, writers, and other interested to understand and see the
essentials of action movie review writing.
However, this is the one study to research in action movie reviews from an
online source. In the globalization, especially the areas involved movie reviews, there
are many online sources like www.movies.yahoo.com, www.depreview.com,
www.consumerreview.com, and other online sources. Any further study about
common features of movie reviews may consider to investigating other types of
movie reviews such as comedy, romance, fantasy, thriller, and so on. It can be
concluded that other interesting topics related to common features of movie reviews
writing, the researchers can collect the data from other different types of movie
reviews and websites.
REFERENCES
95
REFERENCES
Allen, R., & Smith, M. (1999). Film Theory and Philosophy. New York: Oxford
University Press.
Arapoff, N. (1970). Writing through Understanding. USA: Holt, Rinehart and Winston.
Baker, M. (1992). In Other Words: A Coursebook on Translation. London and New
York: Routledge.
Bowen, K & Cali, K. (2003). Teaching the Features of Effective Writing. Retrieved April
26, 2008, from http://www.learnnc.org/lp/pages/686.
Bozilovic, N. (1998). The Film Critique as a Factor of Film Communicativity. The
Scientific Journal FACTA Universitatis, 1(5). Retrieved May 9, 2008, from
http://facta.junis.ni.ac.yu/pas/pas98/pas98-08.pdf.
Chaovalit P., & Zhou L. (2005). Movie Review Mining: a Comparison between
Supervised and Unsupervised Classification Approaches, HICSS’05.
Proceeding of the 38th Annual Hawaii International Conference on System
Sciences.
Charoenchari, C. (2007). Genre Analysis of Newgroup Movie Reviews on www.imdb.com.
Master of Art Thesis in English for Specific Purposes, Kasetsart University.
Coffy, M. P. (1987). Communication through Writing. Englewood Cliffs, N.J.: Prentice-
Hall.
Crystal, D., & Davy, D. (1969). Investigating English Style. London: Longman.
Dirks, T. (2008). Film Genres Origins & Types. Retrieved March 16, 2008, from
http://www.filmsite.org/filmgenres.html.
Drewry, J. (1974). Writing Book Reviews. Boston: The Writer.
96
Duan, W., Gu, B. & Whinson A. B. (2008). The Dynamics of Online Word-of-Mouth and
Product Sales-An Empirical Investigation of the Movie Industry. Journal of
Retailing, 84(2, 2008), 233-242.
Essay-Paper.net (2006). Film Review. Retrieved December 1, 2007, from
http://www.eassy-paper.net/film_review.html.
Eliashberg, J. & Shugan, S.M. (1999). Film Critics: Influencers or Predictors?. Retrieved
May 9, 2008, from http://bear.cba.uf/edu/shugan/profile/FCIP.pdf.
Emily Carr Institute (2007). Writing Reviews (Film). Retrieved May 9, 2008, from
http://www.eciad.ca/wc/Filmreview.htm.
Garbis, M., Adams, C. & Baltimore (2001). Film Analysis Terms. Retrieved December 1,
2007, from http://www.studyguide.org/filmterms.htm.
Gould, E., DiYanni, R., & Smith, W. (1989). The Act of Writing. New York: Random
House.
Guth, H.P. (1969). Words and Ideas. 3 rd ed. USA: Wadsworth.
Hanson, J. (2009), Why do we love action movies and how it has evolved. Retrieved May
6, 2009, from http://www.articlealley.com/article_811681_32.html.
Holtz, H. R. (1983). Persuasive Writing. USA: McGraw-Hill.
Hutchison Sr., E. R. (1996). Writing for Mass Communication. 2 nd ed. USA: Longman.
Indiana Jones and the Kingdom of the Crystal Skull (2008). Retrieved May 6, 2009, from
http://www.imdb.com/Reviews/415/41559
Iron Man (2008). Retrieved May 6, 2009, from http://www.imdb.com/Reviews/
415/41546
Juergensen, K. (1998). The Art of Writing Movie Reviews. Retrieved May 12, 2008, from
http://www.cuw.edu/tools/resources/lrc/writing_center/pdfs/reviews.pdf.
97
Kamerman, S. E. (1978). Book Reviewing: guide to writing book reviews for newspaper,
magazines, radio, and television. Boston: The Writer.
Katz, B., Jimmy, J. & Sue Felshin S. (2002). The START Multimedia Information System:
Current Technology and Future Directions. In Proceedings of the International
Workshop on Multimedia Information Systems (MIS 2002), Tempe, Arizona.
Kelsch, L. M. & Kelsch T. (1981). Writing Effectively: A Practical Guide. New Jersey:
Prentice-Hall, Inc.
Klammer, E. (1977). Sentence Sense: a Basic Grammar. USA: Harcourt Brace
Jovanovich.
Kungwanpradit, K. (2004). An Analysis of Writing Style of Movie Overviews on Web Site
“Yahoo! Movies”. Master of Art Thesis, Ramkhamhaeng University.
Lannon, J. M. (1983). The Writing Process: a concise rhetoric. Boston: Little, Brown.
Live Free or Die Hard (2007). Retrieved May 6, 2009, from http://www.imdb.com/
Reviews/411/41139
McCrimmon, J. M. (1963). Writing with a Purpose. 3 rd ed. USA: Houghton Mifflin.
Meeprom, B. (2005). Language Styles of Online Film Synopses at Yahoo! Movies a Case
Study. Master of Art Thesis, King Mongkut’s Institute of Technology North
Bangkok.
Mencher, M. (1999). Basic Media Writing. Boston: McGraw-Hill College.
National Treasure: Book of Secrets (2007). Retrieved May 6, 2009, from
http://www.imdb.com/Reviews/414/41401
Palmer, R. (1973). Write in Style: A Guide to Good English. London: E & FN Spon.
Pirates of the Caribbean: Dead Man’s Chest (2006). Retrieved May 06, 2009, from
http://www.imdb.com/Reviews/411/41126
98
Quantum of Solace (2008). Retrieved May 6, 2009, from http://www.imdb.com/Reviews/
417/41713
Reid, J.M. (1998). The Process of Composition. 2 nd ed. Englewood Cliffs, N.J.: Prentice-
Hall.
Rhetorical Modes in Essay Writing (2008). Retrieved June 06, 2008, from http://www.
daltonstate.edu/esl/Rhetorical%20Modes.htm.
Roberts, E. V. & Jacobs, H. E. (1987). Fiction: an Introduction to Reading and Writing.
3 rd ed. USA: Prentice Hall.
Rudeen, K. (2000). Reading Movie Reviews. Retrieved February 4, 2009, from
http://www.bangkokpost.com/education/movies.htm.
Salvetti, F., Lewis, S. & Reichenbach, C. (2004). Automatic Opinion Polarity
Classification of Movie Reviews, 17(1). Retrieved April 18, 2008, from
http://www.colorado.edu/ling/CRIL/Volum17_Issue1/paper_SALVETTI_LEWI
S-REICHENBACH.pdf.
Sheard, J.A. (1954). The Words We Use. London: Andre Deutsch.
Sherman, T. A. (1966). Modern Technical Writing. 2 nd ed. USA: Prentice-Hall.
Spider-Man 3 (2007). Retrieved May 06, 2009, from http://www.imdb.com/Reviews/
410/41077
The Bourne Ultimatum (2007). Retrieved May 6, 2009, from http://www.imdb.com/
Reviews/412/41204
The Incredible Hulk (2008). Retrieved May 6, 2009, from http://www.imdb.com/
Reviews/418/41850
The Writing Center (2009). Writing the Film Review. Retrieved May 6, 2009, from
http://www.epcc.edu/Student/Tutorial/Writingcenter/Handouts/criticalanalysisre
searchpaper/criticalanalysis/handouts/FilmReviw.pdf.
99
The WritingSite.Org (2008). Writing Genres. Retrieved February 14, 2009, from http://
www.thewritingsite.org/resources/genre/default.asp.
Transformers (2007). Retrieved May 6, 2009, from http://www.imdb.com/Reviews/
411/41162
Wikipedia, the Free Encyclopedia (2009). Internet Movie Database. Retrieved April 29,
2009 from http://en.wikipedia.org/wiki/Internet_Movie_Database
Winterowd, W.R. (1981). The Contemporary Writer. 2 nd ed. USA: Harcourt Brace
Jovanovich.
Zhang, X., Dellarocas, C. & Awad, N. F. (2004). Estimating Word-of-Mouth for Movies:
The Impact of Online Movie Reviews on Box Office Performance. Retrieved
May 20, 2008 from http://opim.wharton.upenn.edu/wise2004/sun413.pdf
Zinsser, W. (1995). On Writing Well: an Informal Guide to Writing Nonfiction. New
York: HarperPerennial.
VITAE
101
VITAE
Name: Ms. Sukumal Sukhum
Date of Birth: November 09, 1973
Place of Birth: Bangkok
Address: 877 Sukhumvit 49-14, Soi Prasertsit, Klong-Ton,
Wattana, Bangkok, 10110
Education Background:
1994 Bachelor of Arts (English)
Ramkhamhaeng University, Bangkok
2009 Master of Arts (English)
Srinakharinwirot University, Bangkok
- Cover
- Abstract
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Bibliography
- Vitae