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Short Story Part-2

1) The Detective Story

Few would disagree that mythology forms an important fund of source material for literature proper. Celebrated works such as the Epic of Gilgamesh, Ovid’s Metamorphoses, and Beowulf were inspired by antecedent folktales of gods and heroes that had been passed down through generations of oral tradition. But the idea of mythology also carries with it the less flattering connotation of superstition and even falsity. We have only to recall popular television series such as Mythbusters to remind ourselves that to call something a myth is to distinguish it from historical and scientific fact.

Although we may prefer to think of the modern West as a technologically advanced “mythbusting” culture, many thinkers have gone beyond the idea of myth as mere primitive superstition to suggest that contemporary society is pervaded by myths that reflect and influence our ways of thinking. In his 1957 book Mythologies, for example, French cultural theorist Roland Barthes argues that myth continues to operate in today’s world as a means of transforming history into nature; in other words, various stories and images encourage us to regard socially constructed ideas and conditions as “just the way things are.” This notion has proved especially useful for understanding popular literary forms such as the adventure story, science fiction, the western, and the romantic comedy. These kinds of texts owe much of their persuasive power to the fact that we often view them as trivial entertainments rather than influential cultural myths. Like the “moles” or “sleeper cells” of the spy thriller, these mass-produced and distributed myths enter into our collective imagination, mirroring, reinforcing, and occasionally questioning opinions and perspectives. And no popular genre has exerted more influence than the detective story, which emerged in the early 19th century to assume a truly mythic status within modern western culture.

Understood as a narrative of mystery, investigation, and solution, the detective story sporadically appeared in various times and places before flowering in the Victorian era. Critics have discerned seminal tales of deduction in works such as the Hebrew Bible (in Daniel’s deciphering of the cryptic “handwriting on the wall” in Nebuchadnezzar’s palace), in Sophocles’s Oedipus Rex (429 BC), and the Elizabethan play Arden of Faversham (1592), a “true-crime” drama often attributed to William Shakespeare. During the 18th century, crime and mystery motifs suffused popular genres ranging from the Gothic novels of Horace Walpole, Ann Radcliffe, and Jane Austen to Realist fictions such as Daniel Defoe’s Moll Flanders (1722), Henry Fielding’s Jonathan Wild (1743), and William Godwin’s Caleb Williams (1794). But it was not until the 19th century that historical and fictional sleuths emerged to share a “symbiotic” relationship. After Louis XIV constituted the first modern police force in 1667 France, similar bodies appeared throughout Europe during the 18th and 19th centuries. Plainclothes police detectives were initially viewed with suspicion as agents of state surveillance and repression. The reputation of these early sleuths was further compromised by spectacular failures and scandals that called into question the honesty and competence of the nascent detective forces.

Perhaps no single historical detective better represents the spirit of these times than Eugène FrançoisVidocq (1775–1857), whose strange and colorful career reads like one of the picaresque novels popular in his day. Thief, soldier, duelist, and confidence man, Vidocq was sentenced to an eight year prison term at the age of 22, the first in a series of incarcerations from which he escaped. He eventually became a successful police informer, first chief of la Brigade de la Sûreté (the French national police force), and founder of the world’s first private detective agency, Le Bureau des Renseignements (“Office of Information”). Despite his fame, Vidocq could never permanently shake his criminal past; on two separate occasions, he was compelled to resign because of rumors that he and his operatives, many of whom were themselves ex-convicts, had arranged crimes that they purported to resolve. At once suspected and revered, Vidocq celebrated his own exploits in Mémoires (1828), an autobiographical work in which the detective celebrates adventures that would inspire the most famous detective fictions of all time.

However chaotic and ambiguous, the figure of Vidocq is central to the clear-thinking detective of Victorian prose fiction, a truly mythic hero that embodies Enlightenment ideals of rationalism and empiricism. Vidocq was fictionalized in various ways by Honoré de Balzac and Victor Hugo; more importantly, however, he moved Edgar Allan Poe to invent the modern detective story. Having read Vidocq’s memoirs, Poe wrote “The Murders in the Rue Morgue” (1841), in which impoverished aristocrat Chevalier Auguste Dupin investigates the brutal killing and mutilation of two women residing on the titular Paris street. This was not only the first literary text devoted principally to a structure of mystery, investigation, and solution, but one that inaugurates the “locked room” motif in which the crime has been committed in a sealed space without visible means of entrance or exit. With “The Murders in the Rue Morgue,” “The Mystery of Marie Roget” (1843), “The Gold Bug” (1843), and “The Purloined Letter” (1844), Poe developed a number of other conventions central to the detective story as we know it. Dupin, along with the similar figure Legrand in “The Gold Bug,” is a brilliant reasoner capable of discerning the hidden truths that lie behind apparently disparate phenomena. Indeed, he is so distinctive that he must be segregated from the other characters in the story, most especially the bungling policemen that Poe would also satirize in “The 268269Tell Tale Heart” (1843). Symbolically isolated in a curtained apartment (or, in the case of Legrand, a small island), the strange and inaccessible genius must be related to the reader via a more accessible first-person narrator. Poe’s imagination may have been stirred by Vidocq, but he created from this democratic historical figure a Romantic hero set apart from the masses by his superhuman intellectual powers.

If Vidocq inspired Poe, then his Auguste Dupin in turn provided the basis for Sherlock Holmes, the brainchild of physician Sir Arthur Conan Doyle. Making his debut in the novella A Study in Scarlet (1887), Holmes would appear as the hero of three other full-length novels (The Sign of Four [1890], The Hound of the Baskervilles [1901], and The Valley of Fear) as well as fifty-six short stories. Universally known by his pipe, deerstalking cap, and especially his magnifying glass, Holmes is without question the world’s most famous literary sleuth. Doyle’s boyhood fascination with Auguste Dupin clearly emerges in his rendition of Holmes as a brilliant savant who might survey a person, place, or thing for clues lost on the average observer. During a time of increasing urban anonymity, Doyle imagines a superhero capable of deducing a stranger’s identity from seemingly trivial details such as a pocket-watch or a bit of cigarette ash (the latter a subject of one of Holmes’s academic monographs). Like Dupin, Holmes lives in semi-seclusion with a friend and colleague, in this case Dr. John Watson—the narrator who masticates the great detective’s complex achievements for a grateful reading public. A cocaine user and a master of outlandish disguise, Holmes inherits the eccentricity of Vidocq and Dupin. But he is also possessed of an empirical emphasis that renders him a bit more down-to-earth than Poe’s esoteric genius. We are as likely to find Holmes dabbling in chemistry and martial arts as sitting in an otherworldly trance. Throughout the course of the Doyle oeuvre, Holmes even begins to collaborate with policemen such as Inspector Lestrade, with whom he enjoys an amiably competitive relationship. As he turns his piercing gaze upon the dark and often dangerous recesses of Victorian England, Holmes embodies the hopes and fears of Enlightenment society. Debunking curses, ghosts, and even vampires, he reads as a hero of positivism—the notion that science and reason will eventually cure humanity’s ills. And yet many of the problems confronted by Holmes are those brought on by modern “progress”: urbanization, industrialization, and western imperial expansion. Alarmed by headlines about British losses in the Boer Wars or the bloody exploits of the anonymous serial killer Jack the Ripper, Victorian readers must have been gladdened by the myth of a great detective for whom the most puzzling mysteries are, after all, “elementary.”

The high-tech carnage of World War I left no doubt that the Age of Reason was at best a mixed blessing; the same culture that could develop vaccines for rabies, tetanus, and anthrax could also invent machine guns, high-explosives, 269270and nerve gas. A veteran of Britain’s campaigns in South Africa, Doyle lost a son, a brother, and two nephews to the “Great War”; he turned from the certainties embodied in Sherlock Holmes to pursuit of a spiritualism that might offer access to some better world. But the detective story itself persisted during the early 1900s as a reassuring fable of human problem-solving capabilities. An immediate and memorable successor of Sherlock Holmes is R. Austin Freeman’s Dr. Thorndyke; between 1907 and 1942 Freeman wrote dozens of “inverted” detective stories in which the reader is privy to a crime probed throughout the course of the story. The suspense here arises not so much in the solution itself as in the detective’s method of inquiry. An early representation of the forensic scientist, Thorndyke deploys an encyclopedic knowledge of just about everything, as well as an array of technical instruments, in the service of the scientific investigation. Like Doyle, Freeman was himself a former medical doctor and he personally verified the legitimacy of Thorndyke’s fictional methodologies. In stories such as “The Mandarin’s Pearl” (1909), Dr. Thorndyke carries on the Holmesian crusade against superstition and ignorance, at times outdoing his famous predecessor’s materialist bent.

While Thorndyke represents the apex of scientific detection, other mystery writers also did much to conserve the Enlightenment notions of the human condition. Indeed, the 1920s and 1930s are often regarded a “Golden Age” of detective fiction in which writers such as S.S. Van Dine, Agatha Christie, and Dorothy Sayers proffered a “kinder, gentler” variety of detective story. The quintessential Golden Age fictions are the English Country House mysteries and the aptly named “cozy.” In contrast to the bustling metropolitan milieu of Poe and Doyle, these kinds of stories take place in serene pastoral rural settings that hold a finite number of suspects. While the preeminent reasoning ability of the detective persists, the sensational violence of Victorian crime fiction gives way to one or two tidy murders, small aberrations in a generally well-ordered universe. Books such as Sayers’s Lord Peter Wimsey novel Clouds of Witness (1926) and Christie’s The Murder at the Vicarage (1932), featuring spinster detective Miss Jane Marple, invite the reader to participate in the solution of the crime amidst the charming scenery of rural England. Sayers’s novels, along with the “Father Brown” short-stories of her contemporary G.K. Chesterton, prove especially redemptive in their attempts to reconcile human reason with Christian faith.

“It is the ladies and gentlemen of … Golden Age detective fiction that really get me down,” writes Raymond Chandler in “The Simple Art of Murder” (1944): “The English may not always be the best writers in the world, but they are incomparably the best dull writers.” Chandler castigated Golden Age mysteries as boring, contrived, and implausible; he lauded instead Dashiell Hammett, whose novels and stories “took murder out of the Venetian vase and dropped 270271it into the alley.” Chandler’s essay is really a manifesto for the “hard-boiled” detective story—a subgenre of mystery fiction that represents a radical break with the niceties of Golden Age mystery fiction. Whether in terms of its conflict, hero, or resolution, hard-boiled fiction is characterized by a harsh realism and sense of alienation wholly consistent with literary modernism. Writing for Black Mask and other pulps (magazines printed on cheap wood-pulp paper), early hard-boiled fictionists such as Carroll John Daly, Dashiell Hammett, and Raymond Chandler returned to the violent and chaotic urban settings of Poe’s “Murders in the Rue Morgue” and Doyle’s The Sign of Four. The American metropolis (most particularly Los Angeles and San Francisco) becomes an arena for theft, murder, assault, and even torture—brutal crimes depicted in graphic and unflinching terms. This corrupt and perilous world demands a hero tough enough to withstand its rigors and yet virtuous enough to resist its temptations.

Generally a private detective, rather than a policeman or gifted amateur, the hard-boiled “shamus” (slang for detective) may take the form of a consummate professional (as in Hammett’s Continental Op stories and his novel The Maltese Falcon [1929]) or a lonely knight errant; such is the case with Chandler’s The Big Sleep (1939) and his ensuing Philip Marlowe books. Critics have variously identified the hard-boiled hero as a descendent of the WWI veteran of trench warfare (indeed, the trenchcoat is his trademark garment) and as a small businessman caught between authorities, the criminal underworld, and the plutocratic elite. The “tough guys” of hard-boiled fiction balance intellectualism with a cynical outlook and a propensity for violence appropriate to their unforgiving environment. In these tales, logical deduction often yields to fistfights and gunplay; insightful, even lyrical reflection may be intertwined with the rough language of the streets. While the hard-boiled detective maintains a personal code of justice or morality, he rarely achieves a complete resolution to the mystery at hand: we may get to the bottom of a given crime, but such knowledge has little effect on the larger corruptions of modern society. This pervasive sense of futility lies at the heart of hard-boiled fiction and stands as the subgenre’s most important departure from Victorian and Golden Age positivism.

As we see in texts ranging from Akira Kurosawa’s film noir Stray Dog (1946) to the television series Dragnet (1951–69) and the 87th Precinct fictions of Ed McBain, the detective story would achieve even greater heights of realism in the “police procedural,” a semi-documentary variant that strives to faithfully represent the profession of law enforcement. At the same time, however, postmodernist writers would turn to the detective story to call into question the project of realism itself. Broadly speaking, postmodernism rests on two basic assumptions: 1) that what we generally call “reality” is inseparable from various 271272forms of representation; 2) that these stories, images, and mythologies that comprise the reality of a given society are themselves open to multiple interpretations. In other words, we do not live a universe of fixed and stable “referents” but rather in a fluid realm of mutable codes and narratives. Postmodernist artists have parodied all kinds of literary genres, but the detective story offers a particularly soft target in that the detective hero is, generally speaking, a mythic reader of signs. A crime scene replete with clues in this sense reads as a text open to the authoritative interpretation of the detective. Texts such as Jorge Luis Borges’s “Death and the Compass” (1945), Samuel Beckett’s Molloy (1951), and Thomas Pynchon’s The Crying of Lot 49 (1966) may be read as works of “anti-detective” fiction that evoke the basic conventions of the mystery genre only to frustrate our desire for certain resolution. In such tales, the sleuth may be lured into a trap or dilemma that reveals the impossibility of confident interpretation. In many anti-detective fictions, the clear distinction between detective and criminal fails, leaving the hero in a terrifying “identity crisis.”

While one direction of postmodernism turns the detective genre against itself, another sensitizes us to the social and political implications of mystery stories. If our understandings of self and world are shaped (even “constructed”) by various images and narratives, then the fictional detective comes into its own as a highly influential cultural myth. Since the 1960s, scholars have turned more attention to the ways in which detective fiction may manipulate our perceptions of race, class, and gender. On one hand, this has meant recognition of issues such as Arthur Conan Doyle’s promotion of British imperialism in the Sherlock Holmes stories, anti-semitism in Sayers’s Golden Age novels, racial stereotyping in Earl Derr Biggers’s Charlie Chan books (1925–1932), and the misogyny implicit in depiction of the sinister femme fatale in hard-boiled fiction. On the other hand, however, we have seen a renewed appreciation for minority writers’ revisions to the mystery story. Chester Himes and Walter Mosley, for example, have adopted the hard-boiled detective formula as a means of dramatizing the plight of African-Americans living amidst racial prejudice. Dorothy B. Hughes and Sara Paretsky likewise rewrite hard-boiled masculinism, foregrounding female sleuths who take on the crimes and corruptions of a male-dominated society. These crime fictions are often quite self aware (“self-reflexive”) about the way in which they refer not only to the “real world” of history and politics, but also to “pretexts” that intimate contrasting visions of self and world.

A basic understanding of detective fiction enables one to locate a given story, novel, television program, or film within the larger patterns of the genre. Encountering a particular text, we may analyze the piece in terms of the basic elements of the mystery story: crime or mystery, detective(s), mode of investigation, and solution or resolution. What kind of crime or violation initiates 272273the narrative? Bear in mind that a murder or assault against some member of the community’s elite may conjure a larger threat to the status quo. A wrong perpetrated upon a poor person or marginalized individual perhaps suggests a writer’s attempt to draw attention to prevailing social or political conditions. Consider then the extent to which the hero of the story resembles the cerebral detectives of the Victorian and Golden Age era or the “tough guys” of the hard-boiled formula. Is the hero a law enforcement officer or detective? Such a protagonist edges the text toward the “police procedural” subgenre. The detective’s methodology is likewise important; think about the epistemology (“way of knowing”) underscored by the rationalist approach to the solution of a crime as opposed to the scientific, technological protocols of the forensic investigation or the ironic, sometimes violent tactics employed by hard-boiled heroes. While we should not be too preoccupied with a given story’s conclusion, the question of solution remains central to detective fiction. Generally speaking, a “closed case” reaffirms our faith in human reason and resolve or our confidence in the authorities. Accordingly, stories that end with unsolved mysteries and criminals at large may unsettle the reader, provoking difficult questions about our ability to comprehend our environment.

At the dawn of the 21st century, the image of a fireside storyteller recounting tales of gods and heroes may seem archaic, even quaint. But the “power of myth,” as Joseph Campbell termed it, has not abated; indeed, throughout the last two centuries, mass production and distribution techniques have only amplified our experience of widely shared cultural parables. As we read a book, gather round the television, sit in a darkened movie theater, or even play a computer game, the detective story persists as a vital myth by which we understand ourselves

2) The Things They Carried

TIM O’BRIEN

First Lieutenant Jimmy Cross carried letters from a girl named Martha, a junior at Mount Sebastian College in New Jersey. They were not love letters, but Lieutenant Cross was hoping, so he kept them folded in plastic at the bottom of his rucksack. In the late afternoon, after a day’s march, he would dig his foxhole, wash his hands under a canteen, unwrap the letters, hold them with the tips of his fingers, and spend the last hour of light pretending. He would imagine romantic camping trips into the White Mountains in New Hampshire. He would sometimes taste the envelope flaps, knowing her tongue had been there. More than anything, he wanted Martha to love him as he loved her, but the letters were mostly chatty, elusive on the matter of love. She was a virgin, he was almost sure. She was an English major at Mount Sebastian, and she wrote beautifully about her professors and roommates and midterm exams, about her respect for Chaucer and her great affection for Virginia Woolf. She often quoted lines of poetry; she never mentioned the war, except to say, Jimmy, take care of yourself. The letters weighed ten ounces. They were signed “Love, Martha,” but Lieutenant Cross understood that “Love” was only a way of signing and did not mean what he sometimes pretended it meant. At dusk, he would carefully return the letters to his rucksack. Slowly, a bit distracted, he would get up and move among his men, checking the perimeter, then at full dark he would return to his hole and watch the night and wonder if Martha was a virgin.

Reprinted from The Things They Carried, by permission of Houghton Mifflin Company. Copyright © 1990 by Tim O'Brien.

The things they carried were largely determined by necessity. Among the necessities or near-necessities were P-38 can openers, pocket knives, heat tabs, wristwatches, dog tags, mosquito repellent, chewing gum, candy, cigarettes, salt tablets, packets of Kool-Aid, lighters, matches, sewing kits, Military Payment Certificates, C rations, and two or three canteens of water. Together, these items weighed between fifteen and twenty pounds, depending upon a man’s habits or rate of metabolism. Henry Dobbins, who was a big man, carried extra rations; he was especially fond of canned peaches in heavy syrup over pound cake. Dave Jensen, who practiced field hygiene, carried a toothbrush, 274275dental floss, and several hotel-size bars of soap he’d stolen on R&R in Sydney, Australia. Ted Lavender, who was scared, carried tranquilizers until he was shot in the head outside the village of Than Khe in mid-April. By necessity, and because it was SOP,1 they all carried steel helmets that weighed five pounds including the liner and camouflage cover. They carried the standard fatigue jackets and trousers. Very few carried underwear. On their feet they carried jungle boots—2.1 pounds—and Dave Jensen carried three pairs of socks and a can of Dr. Scholl’s foot powder as a precaution against trench foot. Until he was shot, Ted Lavender carried 6 or 7 ounces of premium dope, which for him was a necessity. Mitchell Sanders, the RTO,2 carried condoms. Norman Bowker carried a diary. Rat Kiley carried comic books. Kiowa, a devout Baptist, carried an illustrated New Testament that had been presented to him by his father, who taught Sunday school in Oklahoma City, Oklahoma. As a hedge against bad times, however, Kiowa also carried his grandmother’s distrust of the white man, his grandfather’s old hunting hatchet. Necessity dictated. Because the land was mined and booby-trapped, it was SOP for each man to carry a steel-centered, nylon-covered flak jacket, which weighed 6.7 pounds, but which on hot days seemed much heavier. Because you could die so quickly, each man carried at least one large compress bandage, usually in the helmet band for easy access. Because the nights were cold, and because the monsoons were wet, each carried a green plastic poncho that could be used as a raincoat or groundsheet or makeshift tent. With its quilted liner, the poncho weighed almost 2 pounds, but it was worth every ounce. In April, for instance, when Ted Lavender was shot, they used his poncho to wrap him up, then to carry him across the paddy, then to lift him into the chopper that took him away.

They were called legs or grunts.

To carry something was to hump it, as when Lieutenant Jimmy Cross humped his love for Martha up the hills and through the swamps. In its intransitive form, to hump meant to walk, or to march, but it implied burdens far beyond the intransitive.

1Standard operating procedure.

2Radio-telephone operator.

Almost everyone humped photographs. In his wallet, Lieutenant Cross carried two photographs of Martha. The first was a Kodacolor snapshot signed Love, though he knew better. She stood against a brick wall. Her eyes were gray and neutral, her lips slightly open as she stared straight-on at the camera. At night, sometimes, Lieutenant Cross wondered who had taken the picture, because he knew she had boyfriends, because he loved her so much, and because he could see the shadow of the picture-taker spreading out 275276against the brick wall. The second photograph had been clipped from the 1968 Mount Sebastian yearbook. It was an action shot—women’s volleyball—and Martha was bent horizontal to the floor, reaching, the palms of her hands in sharp focus, the tongue taut, the expression frank and competitive. There was no visible sweat. She wore white gym shorts. Her legs, he thought, were almost certainly the legs of a virgin, dry and without hair, the left knee cocked and carrying her entire weight, which was just over 100 pounds. Lieutenant Cross remembered touching that left knee. A dark theater, he remembered, and the movie was Bonnie and Clyde, and Martha wore a tweed skirt, and during the final scene, when he touched her knee, she turned and looked at him in a sad, sober way that made him pull his hand back, but he would always remember the feel of the tweed skirt and the knee beneath it and the sound of the gunfire that killed Bonnie and Clyde, how embarrassing it was, how slow and oppressive. He remembered kissing her good night at the dorm door. Right then, he thought, he should’ve done something brave. He should’ve carried her up the stairs to her room and tied her to the bed and touched that left knee all night long. He should’ve risked it. Whenever he looked at the photographs, he thought of new things he should’ve done.

What they carried was partly a function of rank, partly of field specialty.

As a first lieutenant and platoon leader, Jimmy Cross carried a compass, maps, code books, binoculars, and a .45-caliber pistol that weighed 2.9 pounds fully loaded. He carried a strobe light and the responsibility for the lives of his men.

As an RTO, Mitchell Sanders carried the PRC-25 radio, a killer, 26 pounds with its battery.

As a medic, Rat Kiley carried a canvas satchel filled with morphine and plasma and malaria tablets and surgical tape and comic books and all the things a medic must carry, including M&M’s for especially bad wounds, for a total weight of nearly 20 pounds.

As a big man, therefore a machine gunner, Henry Dobbins carried the M-60, which weighed 23 pounds unloaded, but which was almost always loaded. In addition, Dobbins carried between 10 and 15 pounds of ammunition draped in belts across his chest and shoulders.

As PFCs or Spec 4s, most of them were common grunts and carried the standard M-16 gas-operated assault rifle. The weapon weighed 7.5 pounds unloaded, 8.2 pounds with its full 20-round magazine. Depending on numerous factors, such as topography and psychology, the riflemen carried anywhere from 12 to 20 magazines, usually in cloth bandoliers, adding on another 8.4 pounds at minimum, 14 pounds at maximum. When it was available, they also carried M-16 maintenance gear—rods and steel brushes and 276277swabs and tubes of LSA oil—all of which weighed about a pound. Among the grunts, some carried the M-79 grenade launcher, 5.9 pounds unloaded, a reasonably light weapon except for the ammunition, which was heavy. A single round weighed 10 ounces. The typical load was 25 rounds. But Ted Lavender, who was scared, carried 34 rounds when he was shot and killed outside Than Khe, and he went down under an exceptional burden, more than 20 pounds of ammunition, plus the flak jacket and helmet and rations and water and toilet paper and tranquilizers and all the rest, plus the unweighed fear. He was dead weight. There was no twitching or flopping. Kiowa, who saw it happen, said it was like watching a rock fall, or a big sandbag or something—just boom, then down—not like the movies where the dead guy rolls around and does fancy spins and goes ass over teakettle—not like that, Kiowa said, the poor bastard just flat-fuck fell. Boom. Down. Nothing else. It was a bright morning in mid-April. Lieutenant Cross felt the pain. He blamed himself. They stripped off Lavender’s canteens and ammo, all the heavy things, and Rat Kiley said the obvious, the guy’s dead, and Mitchell Sanders used his radio to report one U.S. KIA and to request a chopper. Then they wrapped Lavender in his poncho. They carried him out to a dry paddy, established security, and sat smoking the dead man’s dope until the chopper came. Lieutenant Cross kept to himself. He pictured Martha’s smooth young face, thinking he loved her more than anything, more than his men, and now Ted Lavender was dead because he loved her so much and could not stop thinking about her. When the dustoff arrived, they carried Lavender aboard. Afterward they burned Than Khe. They marched until dusk, then dug their holes, and that night Kiowa kept explaining how you had to be there, how fast it was, how the poor guy just dropped like so much concrete. Boom-down, he said. Like cement.

In addition to the three standard weapons—the M-60, M-16, and M-79-they carried whatever presented itself, or whatever seemed appropriate as a means of killing or staying alive. They carried catch-as-catch-can. At various times, in various situations, they carried M-14s and CAR-15s and Swedish Ks and grease guns and captured AK-47s and Chi-Coms and RPGs and Simonov carbines and black market Uzis and .38-caliber Smith & Wesson handguns and 66 mm LAWs and shotguns and silencers and blackjacks and bayonets and C-4 plastic explosives. Lee Strunk carried a slingshot; a weapon of last resort, he called it. Mitchell Sanders carried brass knuckles. Kiowa carried his grandfather’s feathered hatchet. Every third or fourth man carried a Claymore antipersonnel mine—3.5 pounds with its firing device. They all carried framentation grenades—14 ounces each. They all carried at least one M-18 colored smoke grenade—24 ounces. Some carried CS or teargas grenades. Some 277278carried white phosphorus grenades. They carried all they could bear, and then some, including a silent awe for the terrible power of the things they carried.

In the first week of April, before Lavender died, Lieutenant Jimmy Cross received a good-luck charm from Martha. It was a simple pebble, an ounce at most. Smooth to the touch, it was a milky-white color with flecks of orange and violet, oval-shaped, like a miniature egg. In the accompanying letter, Martha wrote that she had found the pebble on the Jersey shoreline, precisely where the land touched water at high tide, where things came together but also separated. It was this separate-but-together quality, she wrote, that had inspired her to pick up the pebble and to carry it in her breast pocket for several days, where it seemed weightless, and then to send it through the mail, by air, as a token of her truest feelings for him. Lieutenant Cross found this romantic. But he wondered what her truest feelings were, exactly, and what she meant by separate-but-together. He wondered how the tides and waves had come into play on that afternoon along the Jersey shoreline when Martha saw the pebble and bent down to rescue it from geology. He imagined bare feet. Martha was a poet, with the poet’s sensibilities, and her feet would be brown and bare, the toenails unpainted, the eyes chilly and somber like the ocean in March, and though it was painful, he wondered who had been with her that afternoon. He imagined a pair of shadows moving along the strip of sand where things came together but also separated. It was phantom jealousy, he knew, but he couldn’t help himself. He loved her so much. On the march, through the hot days of early April, he carried the pebble in his mouth, turning it with his tongue, tasting sea salt and moisture. His mind wandered. He had difficulty keeping his attention on the war. On occasion he would yell at his men to spread out the column, to keep their eyes open, but then he would slip away into daydreams, just pretending, walking barefoot along the Jersey shore, with Martha, carrying nothing. He would feel himself rising. Sun and waves and gentle winds, all love and lightness.

What they carried varied by mission.

When a mission took them to the mountains, they carried mosquito netting, machetes, canvas tarps, and extra bug juice.

If a mission seemed especially hazardous, or if it involved a place they knew to be bad, they carried everything they could. In certain heavily mined AOs,3 where the land was dense with Toe Poppers and Bouncing Betties, they took turns humping a 28-pound mine detector. With its headphones and big sensing plate, the equipment was stress on the lower back and shoulders, awkward 278279to handle, often useless because of the shrapnel in the earth, but they carried it anyway, partly for safety, partly for the illusion of safety.

3Areas of operations.

On ambush, or orher night missions, they carried peculiar little odds and ends. Kiowa always took along his new Testament and a pair of moccasins for silence. Dave Jensen carried night-sight vitamins high in carotene. Lee Strunk carried his slingshot; ammo, he claimed, would never be a problem. Rat Kiley carried brandy and M&M’s candy. Until he was shot, Ted Lavender carried the starlight scope, which weighed 6.3 pounds with its aluminum carrying case. Henry Dobbins carried his girlfriend’s pantyhose wrapped around his neck as a comfort. They all carried ghosts. When dark came, they would move out single file across the meadows and paddies to their ambush coordinates, where they would quietly set up the Claymores and lie down and spend the night waiting.

Other missions were more complicated and required special equipment. In mid-April, it was their missison to search out and destroy the elaborate tunnel complexes in the Than Khe area south of Chu Lai. To blow the tunnels they carried one-pound blocks of pentrite high explosives, four blocks to a man, 68 pounds in all. They carried wiring, detonators, and battery-powered clackers. Dave Jensen carried earplugs. Most often, before blowing the tunnels, they were ordered by higher command to search them, which was considered bad news, but by and large they just shrugged and carried out orders. Because he was a big man, Henry Dobbins was excused from tunnel duty. The others would draw numbers. Before Lavender died there were 17 men in the platoon, and whoever drew the number 17 would strip off his gear and crawl in headfirst with a flashlight and Lieutenant Cross’s .45-caliber pistol. The rest of them would fan out as security. They would sit down or kneel, not facing the hole, listening to the ground beneath them, imagining cobwebs and ghosts, whatever was down there—the tunnel walls squeezing in—how the flashlight seemed impossibly heavy in the hand and how it was tunnel vision in the very strictest sense, compression in all ways, even time, and how you had to wiggle in—ass and elbows—a swallowed-up feeling—and how you found yourself worrying about odd things: will your flashlight go dead? Do rats carry rabies? If you screamed, how far would the sound carry? Would your buddies hear it? Would they have the courage to drag you out? In some respects, though not many, the waiting was worse than the tunnel itself. Imagination was a killer.

On April 16, when Lee Strunk drew the number 17, he laughed and muttered something and went down quickly. The morning was hot and very still. Not good, Kiowa said. He looked at the tunnel opening, then out across a dry paddy toward the village of Than Khe. Nothing moved. No clouds or birds or people. As they waited, the men smoked and drank Kool-Aid, not talking much, feeling sympathy for Lee Strunk but also feeling the luck of the draw. 279280You win some, you lose some, said Mitchell Sanders, and sometimes you settle for a rain check. It was a tired line and no one laughed.

Henry Dobbins ate a tropical chocolate bar. Ted Lavender popped a tranquilizer and went off to pee.

After five minutes, Lieutenant Jimmy Cross moved to the tunnel, leaned down, and examined the darkness. Trouble, he thought—cave-in maybe. And then suddenly, without willing it, he was thinking about Martha. The stresses and fractures, the quick collapse, the two of them buried alive under all that weight. Dense, crushing love. Kneeling, watching the hole, he tried to concentrate on Lee Strunk and the war, all the dangers, but his love was too much for him, he felt paralyzed, he wanted to sleep inside her lungs and breathe her blood and be smothered. He wanted her to be a virgin and not a virgin, all at once. He wanted to know her. Intimate secrets—why poetry? Why so sad? Why that grayness in her eyes? Why so alone? Not lonely, just alone—riding her bike across campus or sitting off by herself in the cafeteria. Even dancing, she danced alone—and it was the aloneness that filled him with love. He remembered telling her that one evening. How she nodded and looked away. And how, later, when he kissed her, she received the kiss without returning it, her eyes wide open, not afraid, not a virgin’s eyes, just flat and uninvolved.

Lieutenant Cross gazed at the tunnel. But he was not there. He was buried with Martha under the white sand at the Jersey shore. They were pressed together, and the pebble in his mouth was her tongue. He was smiling. Vaguely, he was aware of how quiet the day was, the sullen paddies, yet he could not bring himself to worry about matters of security. He was beyond that. He was just a kid at war, in love. He was twenty-two years old. He couldn’t help it.

A few moments later Lee Strunk crawled out of the tunnel. He came up grinning, filthy but alive. Lieutenant Cross nodded and closed his eyes while the others clapped Strunk on the back and made jokes about rising from the dead.

Worms, Rat Kiley said. Right out of the grave. Fuckin’ zombie.

The men laughed. They all felt great relief.

Spook City, said Mitchell Sanders.

Lee Strunk made a funny ghost sound, a kind of moaning, yet very happy, and right then, when Strunk made that high happy moaning sound, when he went Ahhooooo, right then Ted Lavender was shot in the head on his way back from peeing. He lay with his mouth open. The teeth were broken. There was a swollen black bruise under his left eye. The cheekbone was gone. Oh shit, Rat Kiley said, the guy’s dead. The guy’s dead, he kept saying, which seemed profound—the guy’s dead. I mean really.

280 281

The things they carried were determined to some extent by superstition. Lieutenant Cross carried his good-luck pebble. Dave Jensen carried a rabbit’s foot. Norman Bowker, otherwise a very gentle person, carried a thumb that had been presented to him as a gift by Mitchell Sanders. The thumb was dark brown, rubbery to the touch, and weighed four ounces at most. It had been cut from a VC corpse, a boy of fifteen or sixteen. They’d found him at the bottom of an irrigation ditch, badly burned, flies in his mouth and eyes. The boy wore black shorts and sandals. At the time of his death he had been carrying a pouch of rice, a rifle, and three magazines of ammunition.

You want my opinion, Mitchell Sanders said, there’s a definite moral here.

He put his hand on the dead boy’s wrist. He was quiet for a time, as if counting a pulse, then he patted the stomach, almost affectionately, and used Kiowa’s hunting hatchet to remove the thumb.

Henry Dobbins asked what the moral was.

Moral?

You know. Moral.

Sanders wrapped the thumb in toilet paper and handed it across to Norman Bowker. There was no blood. Smiling, he kicked the boy’s head, watched the flies scatter, and said, It’s like with that old TV show—Paladin. Have gun, will travel.

Henry Dobbins thought about it.

Yeah, well, he finally said. I don’t see no moral.

There it is, man.

Fuck off.

They carried USO stationery and pencils and pens. They carried Sterno, safety pins, trip flares, signal flares, spools of wire, razor blades, chewing tobacco, liberated joss sticks and statuettes of the smiling Buddha, candles, grease pencils, The Stars and Stripes, fingernail clippers, Psy Ops leaflets, bush hats, bolos, and much more. Twice a week, when the resupply choppers came in, they carried hot chow in green mermite cans and large canvas bags filled with iced beer and soda pop. They carried plastic water containers, each with a 2-gallon capacity. Mitchell Sanders carried a set of starched tiger fatigues for special occasions. Henry Dobbins carried Black Flag insecticide. Dave Jensen carried empty sandbags that could be filled at night for added protection. Lee Strunk carried tanning lotion. Some things they carried in common. Taking turns, they carried the big PRC-77 scrambler radio, which weighed 30 pounds with its battery. They shared the weight of memory. They took up what others could no longer bear. Often, they carried each other, the wounded or weak. They carried infections. They carried chess sets, basketballs, Vietnamese-English dictionaries, insignia of rank, Bronze Stars and Purple Hearts, plastic 281282cards imprinted with the Code of Conduct. They carried diseases, among them malaria and dysentery. They carried lice and ringworm and leeches and paddy algae and various rots and molds. They carried the land itself—Vietnam, the place, the soil—a powdery orange-red dust that covered their boots and fatigues and faces. They carried the sky. The whole atmosphere, they carried it, the humidity, the monsoons, the stink of fungus and decay, all of it, they carried gravity. They moved like mules. By daylight they took sniper fire, at night they were mortared, but it was not battle, it was just the endless march, village to village, without purpose, nothing won or lost. They marched for the sake of the march. They plodded along slowly, dumbly, leaning forward against the heat, unthinking, all blood and bone, simple grunts, soldiering with their legs, toiling up the hills and down into the paddies and across the rivers and up again and down, just humping, one step and then the next and then another, but no volition, no will, because it was automatic, it was anatomy, and the war was entirely a matter of posture and carriage, the hump was everything, a kind of inertia, a kind of emptiness, a dullness of desire and intellect and conscience and hope and human sensibility. Their principles were in their feet. Their calculations were biological. They had no sense of strategy or mission. They searched the villages without knowing what to look for, not caring, kicking over jars of rice, frisking children and old men, blowing tunnels, sometimes setting fires and sometimes not, then forming up and moving on to the next village, then other villages, where it would always be the same. They carried their own lives. The pressures were enormous. In the heat of early afternoon, they would remove their helmets and flak jackets, walking bare, which was dangerous but which helped ease the strain. They would often discard things along the route of march. Purely for comfort, they would throw away rations, blow their Claymores and grenades, no matter, because by nightfall the resupply choppers would arrive with more of the same, then a day or two later still more, fresh watermelons and crates of ammunition and sunglasses and woolen sweaters—the resources were stunning—sparklers for the Fourth of July, colored eggs for Easter. It was the great American war chest—the fruits of science, the smokestacks, the canneries, the arsenals at Hartford, the Minnesota forests, the machine shops, the vast fields of corn and wheat—they carried like freight trains; they carried it on their backs and shoulders—and for all the ambiguities of Vietnam, all the mysteries and unknowns, there was at least the single abiding certainty that they would never be at a loss for things to carry.

After the chopper took Lavender away, Lieutenant Jimmy Cross led his men into the village of Than Khe. They burned everything. They shot chickens and dogs, they trashed the village well, they called in artillery and watched 282283the wreckage, then they marched for several hours through the hot afternoon, and then at dusk, while Kiowa explained how Lavender died, Lieutenant Cross found himself trembling.

He tried not to cry. With his entrenching tool, which weighed five pounds, he began digging a hole in the earth.

He felt shame. He hated himself. He had loved Martha more than his men, and as a consequence Lavender was now dead, and this was something he would have to carry like a stone in his stomach for the rest of the war.

All he could do was dig. He used his entrenching tool like an ax, slashing, feeling both love and hate, and then later, when it was full dark, he sat at the bottom of his foxhole and wept. It went on for a long while. In part, he was grieving for Ted Lavender, but mostly it was for Martha, and for himself, because she belonged to another world, which was not quite real, and because she was a junior at Mount Sebastian college in New Jersey, a poet and a virgin and uninvolved, and because he realized she did not love him and never would.

Like cement, Kiowa whispered in the dark. I swear to God—boom, down. Not a word.

I’ve heard this, said Norman Bowker.

A pisser, you know? Still zipping himself up. Zapped while zipping.

All right, fine. That’s enough.

Yeah, but you had to see it, the guy just—

I heard, man. Cement. So why not shut the fuck up?

Kiowa shook his head sadly and glanced over at the hole where Lieutenant Jimmy Cross sat watching the night. The air was thick and wet. A warm, dense fog had settled over the paddies and there was the stillness that precedes rain.

After a time Kiowa sighed.

One thing for sure, he said. The lieutenant’s in some deep hurt. I mean that crying jag—the way he was carrying on—it wasn’t fake or anything, it was real heavy-duty hurt. The man cares.

Sure, Norman Bowker said.

Say what you want, the man does care.

We all got problems.

Not Lavender.

No, I guess not. Bowker said. Do me a favor, though.

Shut up?

That’s a smart Indian. Shut up.

Shrugging, Kiowa pulled off his boots. He wanted to say more, just to lighten up his sleep, but instead he opened his New Testament and arranged it beneath his head as a pillow. The fog made things seem hollow and unattached. 283284He tried not to think about Ted Lavender, but then he was thinking how fast it was, no drama, down and dead, and how it was hard to feel anything except surprise. It seemed unchristian. He wished he could find some great sadness, or even anger, but the emotion wasn’t there and he couldn’t make it happen. Mostly he felt pleased to be alive. He liked the smell of the New Testament under his cheek, the leather and ink and paper and glue, whatever the chemicals were. He liked hearing the sounds of night. Even his fatigue, it felt fine, the stiff muscles and the prickly awareness of his own body, a floating feeling. He enjoyed not being dead. Lying there, Kiowa admired Lieutenant Jimmy Cross’s capacity for grief. He wanted to share the man’s pain, he wanted to care as Jimmy Cross cared. And yet when he closed his eyes, all he could think was Boom-down, and all he could feel was the pleasure of having his boots off and the fog curling in around him and the damp soil and the Bible smells and the plush comfort of night.

After a moment Norman Bowker sat up in the dark.

What the hell, he said. You want to talk, talk. Tell it to me.

Forget it.

No, man, go on. One thing I hate, it’s a silent Indian.

For the most part they carried themselves with poise, a kind of dignity. Now and then, however, there were times of panic, when they squealed or wanted to squeal but couldn’t, when they twitched and made moaning sounds and covered their heads and said Dear Jesus and flopped around on the earth and fired their weapons blindly and cringed and sobbed and begged for the noise to stop and went wild and made stupid promises to themselves and to God and to their mothers and fathers, hoping not to die. In different ways, it happened to all of them. Afterward, when the firing ended, they would blink and peek up. They would touch their bodies, feeling shame, then quickly hiding it. They would force themselves to stand. As if in slow motion, frame by frame, the world would take on the old logic—absolute silence, then the wind, then sunlight, then voices. It was the burden of being alive. Awkwardly, the men would reassemble themselves, first in private, then in groups, becoming soldiers again. They would repair the leaks in their eyes. They would check for casualties, call in dustoffs, light cigarettes, try to smile, clear their throats and spit and begin cleaning their weapons. After a time someone would shake his head and say, No lie, I almost shit my pants, and someone else would laugh, which meant it was bad, yes, but the guy had obviously not shit his pants, it wasn’t that bad, and in any case nobody would ever do such a thing and then go ahead and talk about it. They would squint into the dense, oppressive sunlight. For a few moments, perhaps, they would fall silent, lighting a joint and tracking its passage from man to man, inhaling, holding in the humiliation. 284285Scary stuff, one of them might say. But then someone else would grin or flick his eyebrows and say, Roger-dodger, almost cut me a new asshole, almost.

There were numerous such poses. Some carried themselves with a sort of wistful resignation, others with pride or stiff soldierly discipline or good humor or macho zeal. They were afraid of dying but they were even more afraid to show it.

They found jokes to tell.

They used a hard vocabulary to contain the terrible softness. Greased, they’d say. Offed, lit up, zapped while zipping. It wasn’t cruelty, just stage presence. They were actors. When someone died, it wasn’t quite dying, because in a curious way it seemed scripted, and because they had their lines mostly memorized, irony mixed with tragedy, and because they called it by other names, as if to encyst and destroy the reality of death itself. They kicked corpses. They cut off thumbs. They talked grunt lingo. They told stories about Ted Lavender’s supply of tranquilizers, how the poor guy didn’t feel a thing, how incredibly tranquil he was.

There’s a moral here, said Mitchell Sanders.

They were waiting for Lavender’s chopper, smoking the dead man’s dope.

The moral’s pretty obvious, Sanders said, and winked. Stay away from drugs. No joke, they’ll ruin your day every time.

Cute, said Henry Dobbins.

Mind blower, get it? Talk about wiggy. Nothing left, just blood and brains.

They made themselves laugh.

There it is, they’d say. Over and over—there it is, my friend, there it is—as if the repetition itself were an act of poise, a balance between crazy and almost crazy, knowing without going, there it is, which meant be cool, let it ride, because Oh yeah, man, you can’t change what can’t be changed, there it is, there it absolutely and positively and fucking well is.

They were tough.

They carried all the emotional baggage of men who might die. Grief, terror, love, longing—these were intangibles, but the intangibles had their own mass and specific gravity, they had tangible weight. They carried shameful memories. They carried the common secret of cowardice barely restrained, the instinct to run or freeze or hide, and in many respects this was the heaviest burden of all, for it could never be put down, it required perfect balance and perfect posture. They carried their reputations. They carried the soldier’s greatest fear, which was the fear of blushing. Men killed, and died, because they were embarrassed not to. It was what had brought them to the war in the first place, nothing positive, no dreams of glory or honor, just to avoid the blush of dishonor. They died so as not to die of embarrassment. They crawled into tunnels and walked point and advanced under fire. Each morning, 285286despite the unknowns, they made their legs move. They endured. They kept humping. They did not submit to the obvious alternative, which was simply to close the eyes and fall. So easy, really. Go limp and tumble to the ground and let the muscles unwind and not speak and not budge until your buddies picked you up and lifted you into the chopper that would roar and dip its nose and carry you off to the world. A mere matter of falling, yet no one ever fell. It was not courage, exactly; the object was not valor. Rather, they were too frightened to be cowards.

By and large they carried these things inside, maintaining the masks of composure. They sneered at sick call. They spoke bitterly about guys who had found release by shooting off their own toes or fingers. Pussies, they’d say. Candy-asses. It was fierce, mocking talk, with only a trace of envy or awe, but even so the image played itself out behind their eyes.

They imagined the muzzle against flesh. So easy: squeeze the trigger and blow away a toe. They imagined it. They imagined the quick, sweet pain, then the evacuation to Japan, then a hospital with warm beds and cute geisha nurses.

And they dreamed of freedom birds.

At night, on guard, staring into the dark, they were carried away by jumbo jets. They felt the rush of takeoff. Gone! they yelled. And then velocity—wings and engines—a smiling stewardess—but it was more than a plane, it was a real bird, a big sleek silver bird with feathers and talons and high screeching. They were flying. The weights fell off; there was nothing to bear. They laughed and held on tight, feeling the cold slap of wind and altitude, soaring, thinking It’s over, I’m gone!—they were naked, they were light and free—it was all lightness, bright and fast and buoyant, light as light, a helium buzz in the brain, a giddy bubbling in the lungs as they were taken up over the clouds and the war, beyond duty, beyond gravity and mortification and global entanglements—Sin loi! they yelled. I’m sorry, motherfuckers, but I’m out of it, I’m goofed, I’m on a space cruise, I’m gone!—and it was a restful, unencumbered sensation, just riding the light waves, sailing that big silver freedom bird over the mountains and oceans, over America, over the farms and great sleeping cities and cemeteries and highways and the golden arches of McDonald’s, it was flight, a kind of fleeing, a kind of falling, falling higher and higher, spinning off the edge of the earth and beyond the sun and through the vast, silent vacuum where there were no burdens and where everything weighed exactly nothing—Gone! they screamed. I’m sorry but I’m gone!—and so at night, not quite dreaming, they gave themselves over to lightness, they were carried, they were purely borne.

On the morning after Ted Lavender died, First Lieutenant Jimmy Cross crouched at the bottom of his foxhole and burned Martha’s letters. Then he 286287burned the two photographs. There was a steady rain falling, which made it difficult, but he used heat tabs and Sterno to build a small fire, screening it with his body, holding the photographs over the tight blue flame with the tips of his fingers.

He realized it was only a gesture. Stupid, he thought. Sentimental, too, but mostly just stupid.

Lavender was dead. You couldn’t burn the blame.

Besides, the letters were in his head. And even now, without photographs, Lieutenant Cross could see Martha playing volleyball in her white gym shorts and yellow T-shirt. He could see her moving in the rain.

When the fire died out, Lieutenant Cross pulled his poncho over his shoulders and ate breakfast from a can.

There was no great mystery, he decided.

In those burned letters Martha had never mentioned the war, except to say, Jimmy, take care of yourself. She wasn’t involved. She signed the letters “Love,” but it wasn’t love, and all the fine lines and technicalities did not matter. Virginity was no longer an issue. He hated her. Yes, he did. He hated her. Love, too, but it was a hard, hating kind of love.

The morning came up wet and blurry. Everything seemed part of everything else, the fog and Martha and the deepening rain.

He was a soldier, after all.

Half smiling, Lieutenant Jimmy Cross took out his maps. He shook his head hard, as if to clear it, then bent forward and began planning the day’s march. In ten minutes, or maybe twenty, he would rouse the men and they would pack up and head west, where the maps showed the country to be green and inviting. They would do what they had always done. The rain might add some weight, but otherwise it would be one more day layered upon all the other days.

He was realistic about it. There was that new hardness in his stomach. He loved her but he hated her.

No more fantasies, he told himself.

Henceforth, when he thought about Martha, it would be only to think that she belonged elsewhere. He would shut down the day-dreams. This was not Mount Sebastian, it was another world, where there were no pretty poems or midterm exams, a place where men died because of carelessness and gross stupidity. Kiowa was right. Boomdown, and you were dead, never partly dead.

Briefly, in the rain, Lieutenant Cross saw Martha’s gray eyes gazing back at him.

He understood.

It was very sad, he thought. The things men carried inside. The things men did or felt they had to do.

287 288

He almost nodded at her, but didn’t.

Instead he went back to his maps. He was now determined to perform his duties firmly and without negligence. It wouldn’t help Lavender, he knew that, but from this point on he would comport himself as a soldier. He would dispose of his good-luck pebble. Swallow it, maybe, or use Lee Strunk’s slingshot, or just drop it along the trail. On the march he would impose strict field discipline. He would be careful to send out flank security, to prevent straggling or bunching up, to keep his troops moving at the proper pace and at the proper interval. He would insist on clean weapons. He would confiscate the remainder of Lavender’s dope. Later in the day, perhaps, he would call the men together and speak to them plainly. He would accept the blame for what had happened to Ted Lavender. He would be a man about it. He would look them in the eyes, keeping his chin level, and he would issue the new SOPs in a calm, impersonal tone of voice, a lieutenant’s voice, leaving no room for argument or discussion. Commencing immediately, he’d tell them, they would no longer abandon equipment along the route of march. They would police up their acts. They would get their shit together, and keep it together, and maintain it neatly and in good working order.

He would not tolerate laxity. He would show strength, distancing himself.

Among the men there would be grumbling, of course, and maybe worse, because their days would seem longer and their loads heavier, but Lieutenant Jimmy Cross reminded himself that his obligation was not to be loved but to lead. He would dispense with love; it was not now a factor. And if anyone quarreled or complained, he would simply tighten his lips and arrange his shoulders in the correct command posture. He might give a curt little nod. Or he might not. He might just shrug and say, Carry on, then they would saddle up and form into a column and move out toward the villages west of Than Khe.

[1990]

3) The Red Convertible

LOUISE ERDRICH

I was the first one to drive a convertible on my reservation. And of course it was red, a red Olds. I owned that car along with my brother Henry Junior. We owned it together until his boots filled with water on a windy night and he bought out my share. Now Henry owns the whole car, and his younger brother Lyman (that’s myself), Lyman walks everywhere he goes.

How did I earn enough money to buy my share in the first place? My own talent was I could always make money. I had a touch for it, unusual in a Chippewa. From the first I was different that way, and everyone recognized it. I was the only kid they let in the American Legion Hall to shine shoes, for example, and one Christmas I sold spiritual bouquets for the mission door to door. The nuns let me keep a percentage. Once I started, it seemed the more money I made the easier the money came. Everyone encouraged it. When I was fifteen I got a job washing dishes at the Joliet Café, and that was where my first big break happened.

It wasn’t long before I was promoted to busing tables, and then the short-order cook quit and I was hired to take her place. No sooner than you know it I was managing the Joliet. The rest is history. I went on managing. I soon became part owner, and of course there was no stopping me then. It wasn’t long before the whole thing was mine.

After I’d owned the Joliet for one year, it blew over in the worst tornado ever seen around here. The whole operation was smashed to bits. A total loss. The fryalator was up in a tree, the grill torn in half like it was paper. I was only sixteen. I had it all in my mother’s name, and I lost it quick, but before I lost it I had every one of my relatives, and their relatives, to dinner, and I also bought that red Olds I mentioned, along with Henry.

Reprinted from Love Machine, by permission of Henry Holt & Company. Copyright © 1984, 1993 by Louise Erdrich.

The first time we saw it! I’ll tell you when we first saw it. We had gotten a ride up to Winnipeg, and both of us had money. Don’t ask me why, because we never mentioned a car or anything, we just had all our money. Mine was cash, a big bankroll from the Joliet’s insurance. Henry had two checks—a 289290week’s extra pay for being laid off, and his regular check from the Jewel Bearing Plant.

We were walking down Portage anyway, seeing the sights, when we saw it. There it was, parked, large as life. Really as if it was alive. I thought of the word repose, because the car wasn’t simply stopped, parked, or whatever. That car reposed, calm and gleaming, a for sale sign in its left front window. Then, before we had thought it over at all, the car belonged to us and our pockets were empty. We had just enough money for gas back home.

We went places in that car, me and Henry. We took off driving all one whole summer. We started off toward the Little Knife River and Mandaree in Fort Berthold and then we found ourselves down in Wakpala somehow, and then suddenly we were over in Montana on the Rocky Boy, and yet the summer was not even half over. Some people hang on to details when they travel, but we didn’t let them bother us and just lived our everyday lives here to there.

I do remember this one place with willows. I remember I laid under those trees and it was comfortable. So comfortable. The branches bent down all around me like a tent or a stable. And quiet, it was quiet, even though there was a powwow close enough so I could see it going on. The air was not too still, not too windy either. When the dust rises up and hangs in the air around the dancers like that, I feel good. Henry was asleep with his arms thrown wide. Later on, he woke up and we started driving again. We were somewhere in Montana, or maybe on the Blood Reserve—it could have been anywhere. Anyway it was where we met the girl.

All her hair was in buns around her ears, that’s the first thing I noticed about her. She was posed alongside the road with her arm out, so we stopped. That girl was short, so short her lumber shirt looked comical on her, like a nightgown. She had jeans on and fancy moccasins and she carried a little suitcase.

“Hop on in,” says Henry. So she climbs in between us.

“We’ll take you home,” I says. “Where do you live?”

“Chicken,” she says.

“Where the hell’s that?” I ask her.

“Alaska.”

“Okay,” says Henry, and we drive.

We got up there and never wanted to leave. The sun doesn’t truly set there in summer, and the night is more a soft dusk. You might doze off, sometimes, but before you know it you’re up again, like an animal in nature. You never feel like you have to sleep hard or put away the world. And things would grow up there. One day just dirt or moss, the next day flowers and long grass. The girl’s name was Susy. Her family really took to us. They fed us and put us up. We 290291had our own tent to live in by their house, and the kids would be in and out of there all day and night. They couldn’t get over me and Henry being brothers, we looked so different. We told them we knew we had the same mother, anyway.

One night Susy came in to visit us. We sat around in the tent talking of this and that. The season was changing. It was getting darker by that time, and the cold was even getting just a little mean. I told her it was time for us to go. She stood up on a chair.

“You never seen my hair,” Susy said.

That was true. She was standing on a chair, but still, when she unclipped her buns the hair reached all the way to the ground. Our eyes opened. You couldn’t tell how much hair she had when it was rolled up so neatly. Then my brother Henry did something funny. He went up to the chair and said, “Jump on my shoulders.” So she did that, and her hair reached down past his waist, and he started twirling, this way and that, so her hair was flung out from side to side.

“I always wondered what it was like to have long pretty hair,” Henry says. Well we laughed. It was a funny sight, the way he did it. The next morning we got up and took leave of those people.

On to greener pastures, as they say. It was down through Spokane and across Idaho then Montana and very soon we were racing the weather right along under the Canadian border through Columbus, Des Lacs, and then we were in Bottineau County and soon home. We’d made most of the trip, that summer, without putting up the car hood at all. We got home just in time, it turned out, for the army to remember Henry had signed up to join it.

I don’t wonder that the army was so glad to get my brother that they turned him into a Marine. He was built like a brick outhouse anyway. We liked to tease him that they really wanted him for his Indian nose. He had a nose big and sharp as a hatchet, like the nose on Red Tomahawk, the Indian who killed Sitting Bull, whose profile is on signs all along the North Dakota highways. Henry went off to training camp, came home once during Christmas, then the next thing you know we got an overseas letter from him. It was 1970, and he said he was stationed up in the northern hill country. Whereabouts I did not know. He wasn’t such a hot letter writer, and only got off two before the enemy caught him. I could never keep it straight, which direction those good Vietnam soldiers were from.

I wrote him back several times, even though I didn’t know if those letters would get through. I kept him informed all about the car. Most of the time I had it up on blocks in the yard or half taken apart, because that long trip did a hard job on it under the hood.

291 292

I always had good luck with numbers, and never worried about the draft myself. I never even had to think about what my number was. But Henry was never lucky in the same way as me. It was at least three years before Henry came home. By then I guess the whole war was solved in the government’s mind, but for him it would keep on going. In those years I’d put his car into almost perfect shape. I always thought of it as his car while he was gone, even though when he left he said, “Now it’s yours,” and threw me his key.

“Thanks for the extra key,” I’d said. “I’ll put it up in your drawer just in case I need it.” He laughed.

When he came home, though, Henry was very different, and I’ll say this: the change was no good. You could hardly expect him to change for the better, I know. But he was quiet, so quiet, and never comfortable sitting still anywhere but always up and moving around. I thought back to times we’d sat still for whole afternoons, never moving a muscle, just shifting our weight along the ground, talking to whoever sat with us, watching things. He’d always had a joke, then, too, and now you couldn’t get him to laugh, or when he did it was more the sound of a man choking, a sound that stopped up the throats of other people around him. They got to leaving him alone most of the time, and I didn’t blame them. It was a fact: Henry was jumpy and mean.

I’d bought a color TV set for my mom and the rest of us while Henry was away. Money still came very easy. I was sorry I’d ever bought it though, because of Henry. I was also sorry I’d bought color, because with black-and-white the pictures seem older and farther away. But what are you going to do? He sat in front of it, watching it, and that was the only time he was completely still. But it was the kind of stillness that you see in a rabbit when it freezes and before it will bolt. He was not easy. He sat in his chair gripping the armrests with all his might, as if the chair itself was moving at a high speed and if he let go at all he would rocket forward and maybe crash right through the set.

Once I was in the room watching TV with Henry and I heard his teeth click at something. I looked over, and he’d bitten through his lip. Blood was going down his chin. I tell you right then I wanted to smash that tube to pieces. I went over to it but Henry must have known what I was up to. He rushed from his chair and shoved me out of the way, against the wall. I told myself he didn’t know what he was doing.

My mom came in, turned the set off real quiet, and told us she had made something for supper. So we went and sat down. There was still blood going down Henry’s chin, but he didn’t notice it and no one said anything, even though every time he took a bit of his bread his blood fell onto it until he was eating his own blood mixed in with the food.

292 293

While Henry was not around we talked about what was going to happen to him. There were no Indian doctors on the reservation, and my mom was afraid of trusting the old man, Moses Pillager, because he courted her long ago and was jealous of her husbands. He might take revenge through her son. We were afraid that if we brought Henry to a regular hospital they would keep him.

“They don’t fix them in those places,” Mom said; “they just give them drugs.”

“We wouldn’t get him there in the first place,” I agreed, “so let’s just forget about it.”

Then I thought about the car.

Henry had not even looked at the car since he’d gotten home, though like I said, it was in tip-top condition and ready to drive. I thought the car might bring the old Henry back somehow. So I bided my time and waited for my chance to interest him in the vehicle.

One night Henry was off somewhere. I took myself a hammer. I went out to that car and I did a number on its underside. Whacked it up. Bent the tail pipe double. Ripped the muffler loose. By the time I was done with the car it looked worse than any typical Indian car that has been driven all its life on reservation roads, which they always say are like government promises—full of holes. It just about hurt me, I’ll tell you that! I threw dirt in the carburetor and I ripped all the electric tape off the seats. I made it look just as beat up as I could. Then I sat back and waited for Henry to find it.

Still, it took him over a month. That was all right, because it was just getting warm enough, not melting, but warm enough to work outside.

“Lyman,” he says, walking in one day, “that red car looks like shit.”

“Well it’s old,” I says. “You got to expect that.”

“No way!” says Henry. “That car’s a classic! But you went and ran the piss right out of it, Lyman, and you know it don’t deserve that. I kept that car in Aone shape. You don’t remember. You’re too young. But when I left, that car was running like a watch. Now I don’t even know if I can get it to start again, let alone get it anywhere near its old condition.”

“Well you try,” I said, like I was getting mad, “but I say it’s a piece of junk.”

Then I walked out before he could realize I knew he’d strung together more than six words at once.

After that I thought he’d freeze himself to death working on that car. He was out there all day, and at night he rigged up a little lamp, ran a cord out the window, and had himself some light to see by while he worked. He was better than he had been before, but that’s still not saying much. It was easier for him to do the things the rest of us did. He ate more slowly and didn’t jump up and down during the meal to get this or that or look out the window. I put my 293294hand in the back of the TV set, I admit, and fiddled around with it good, so that it was almost impossible now to get a clear picture. He didn’t look at it very often anyway. He was always out with that car or going off to get parts for it. By the time it was really melting outside, he had it fixed.

I had been feeling down in the dumps about Henry around this time. We had always been together before. Henry and Lyman. But he was such a loner now that I didn’t know how to take it. So I jumped at the chance one day when Henry seemed friendly. It’s not that he smiled or anything. He just said, “Let’s take that old shitbox for a spin.” Just the way he said it made me think he could be coming around.

We went out to the car. It was spring. The sun was shining very bright. My only sister, Bonita, who was just eleven years old, came out and made us stand together for a picture. Henry leaned his elbow on the red car’s windshield, and he took his other arm and put it over my shoulder, very carefully, as though it was heavy for him to lift and he didn’t want to bring the weight down all at once.

“Smile,” Bonita said, and he did.

That picture, I never look at it anymore. A few months ago, I don’t know why, I got his picture out and tacked it on the wall. I felt good about Henry at the time, close to him. I felt good having his picture on the wall, until one night when I was looking at television. I was a little drunk and stoned. I looked up at the wall and Henry was staring at me. I don’t know what it was, but his smile had changed, or maybe it was gone. All I know is I couldn’t stay in the same room with that picture. I was shaking. I got up, closed the door, and went into the kitchen. A little later my friend Ray came over and we both went back into that room. We put the picture in a brown bag, folded the bag over and over tightly, then put it way back in a closet.

I still see that picture now, as if it tugs at me, whenever I pass that closet door. The picture is very clear in my mind. It was so sunny that day Henry had to squint against the glare. Or maybe the camera Bonita held flashed like a mirror, blinding him, before she snapped the picture. My face is right out in the sun, big and round. But he might have drawn back, because the shadows on his face are deep as holes. There are two shadows curved like little hooks around the ends of his smile, as if to frame it and try to keep it there—that one, first smile that looked like it might have hurt his face. He has his field jacket on and the worn-in clothes he’d come back in and kept wearing ever since. After Bonita took the picture, she went into the house and we got into the car. There was a full cooler in the trunk. We started off, east, toward Pembina and the Red River because Henry said he wanted to see the high water.

294 295

The trip over there was beautiful. When everything starts changing, drying up, clearing off, you feel like your whole life is starting. Henry felt it, too. The top was down and the car hummed like a top. He’d really put it back in shape, even the tape on the seats was very carefully put down and glued back in layers. It’s not that he smiled again or even joked, but his face looked to me as if it was clear, more peaceful. It looked as though he wasn’t thinking of anything in particular except the bare fields and windbreaks and houses we were passing.

The river was high and full of winter trash when we got there. The sun was still out, but it was colder by the river. There were still little clumps of dirty snow here and there on the banks. The water hadn’t gone over the banks yet, but it would, you could tell. It was just at its limit, hard swollen glossy like an old gray scar. We made ourselves a fire, and we sat down and watched the current go. As I watched it I felt something squeezing inside me and tightening and trying to let go all at the same time. I knew I was not just feeling it myself; I knew I was feeling what Henry was going through at that moment. Except that I couldn’t stand it, the closing and opening. I jumped to my feet. I took Henry by the shoulders and I started shaking him. “Wake up,” I says, “wake up, wake up, wake up!” I didn’t know what had come over me. I sat down beside him again.

His face was totally white and hard. Then it broke, like stones break all of a sudden when water boils up inside them.

“I know it,” he says. “I know it. I can’t help it. It’s no use.”

We start talking. He said he knew what I’d done with the car. It was obvious it had been whacked out of shape and not just neglected. He said he wanted to give the car to me for good now, it was no use. He said he’d fixed it just to give it back and I should take it.

“No way,” I says, “I don’t want it.”

“That’s okay,” he says, “you take it.”

“I don’t want it, though,” I says back to him, and then to emphasize, just to emphasize, you understand, I touch his shoulder. He slaps my hand off.

“Take that car,” he says.

“No,” I say. “Make me,” I say, and then he grabs my jacket and rips the arm loose. That jacket is a class act, suede with tags and zippers. I push Henry backwards, off the log. He jumps up and bowls me over. We go down in a clinch and come up swinging hard, for all we’re worth, with our fists. He socks my jaw so hard I feel like it swings loose. Then I’m at his rib cage and land a good one under his chin so his head snaps back. He’s dazzled. He looks at me and I look at him and then his eyes are full of tears and blood and at first I think he’s crying. But no, he’s laughing. “Ha! Ha!” he says. “Ha! Ha! Take good care of it.”

295 296

“Okay,” I says, “okay, no problem. Ha! Ha!”

I can’t help it, and I start laughing, too. My face feels fat and strange, and after a while I get a beer from the cooler in the trunk, and when I hand it to Henry he takes his shirt and wipes my germs off. “Hoof-and-mouth disease,” he says. For some reason this cracks me up, and so we’re really laughing for a while, and then we drink all the rest of the beers one by one and throw them in the river and see how far, how fast, the current takes them before they fill up and sink.

“You want to go on back?” I ask after a while. “Maybe we could snag a couple nice Kashpaw girls.”

He says nothing. But I can tell his mood is turning again.

“They’re all crazy, the girls up here, every damn one of them.”

“You’re crazy too,” I say, to jolly him up. “Crazy Lamartine boys!”

He looks as though he will take this wrong at first. His face twists, then clears, and he jumps up on his feet. “That’s right!” he says. “Crazier 'n hell. Crazy Indians!”

I think it’s the old Henry again. He throws off his jacket and starts swinging his legs out from the knees like a fancy dancer. He’s down doing something between a grass dance and a bunny hop, no kind of dance I ever saw before, but neither has anyone else on all this green growing earth. He’s wild. He wants to pitch whoopee! He’s up and at me and all over. All this time I’m laughing so hard, so hard my belly is getting tied up in a knot.

“Got to cool me off!” he shouts all of a sudden. Then he runs over to the river and jumps in.

There’s boards and other things in the current. It’s so high. No sound comes from the river after the splash he makes, so I run right over. I look around. It’s getting dark. I see he’s halfway across the water already, and I know he didn’t swim there but the current took him. It’s far. I hear his voice, though, very clearly across it.

“My boots are filling,” he says.

He says this in a normal voice, like he just noticed and he doesn’t know what to think of it. Then he’s gone. A branch comes by. Another branch. And I go in.

By the time I get out of the river, off the snag I pulled myself onto, the sun is down. I walk back to the car, turn on the high beams, and drive it up the bank. I put it in first gear and then I take my foot off the clutch. I get out, close the door, and watch it plow softly into the water. The headlights reach in as they go down, searching, still lighted even after the water swirls over the back end. I wait. The wires short out. It is all finally dark. And then there is only the water, the sound of it going and running and going and running and running.

[1984

4) The Adventure of the Beryl Coronet

SIR ARTHUR CONAN DOYLE

“Holmes,” said i as I stood one morning in our bow-window looking down the street, “here is a madman coming along. It seems rather sad that his relatives should allow him to come out alone.”

My friend rose lazily from his armchair and stood with his hands in the pockets of his dressing-gown, looking over my shoulder. It was a bright, crisp February morning, and the snow of the day before still lay deep upon the ground, shimmering brightly in the wintry sun. Down the centre of Baker Street it had been ploughed into a brown crumbly band by the traffic, but at either side and on the heaped-up edges of the foot-paths it still lay as white as when it fell. The gray pavement had been cleaned and scraped, but was still dangerously slippery, so that there were fewer passengers than usual. Indeed, from the direction of the Metropolitan Station no one was coming save the single gentleman whose eccentric conduct had drawn my attention.

He was a man of about fifty, tall, portly, and imposing, with a massive, strongly marked face and a commanding figure. He was dressed in a sombre yet rich style, in black frock-coat,1 shining hat, neat brown gaiters,2 and well-cut pearl-gray trousers. Yet his actions were in absurd contrast to the dignity of his dress and features, for he was running hard, with occasional little springs, such as a weary man gives who is little accustomed to set any tax upon his legs. As he ran he jerked his hands up and down, waggled his head, and writhed his face into the most extraordinary contortions.

“What on earth can be the matter with him?” I asked. “He is looking up at the numbers of the houses.”

“I believe that he is coming here,” said Holmes, rubbing his hands.

“Here?”

1A double-breasted, knee-length coat.

2Leggings

First published in Strand Magazine, May 1892.

“Yes; I rather think he is coming to consult me professionally. I think that I recognize the symptoms. Ha! did I not tell you?” As he spoke, the man, puffing 326327and blowing, rushed at our door and pulled at our bell until the whole house resounded with the clanging.

A few moments later he was in our room, still puffing, still gesticulating, but with so fixed a look of grief and despair in his eyes that our smiles were turned in an instant to horror and pity. For a while he could not get his words out, but swayed his body and plucked at his hair like one who has been driven to the extreme limits of his reason. Then, suddenly springing to his feet, he beat his head against the wall with such force that we both rushed upon him and tore him away to the centre of the room. Sherlock Holmes pushed him down into the easy-chair and, sitting beside him, patted his hand and chatted with him in the easy, soothing tones which he knew so well how to employ.

“You have come to me to tell your story, have you not?” said he. “You are fatigued with your haste. Pray wait until you have recovered yourself, and then I shall be most happy to look into any little problem which you may submit to me.”

The man sat for a minute or more with a heaving chest, fighting against his emotion. Then he passed his handkerchief over his brow, set his lips tight, and turned his face towards us.

“No doubt you think me mad?” said he.

“I see that you have had some great trouble,” responded Holmes.

“God knows I have!—a trouble which is enough to unseat my reason, so sudden and so terrible is it. Public disgrace I might have faced, although I am a man whose character has never yet borne a stain. Private affliction also is the lot of every man; but the two coming together, and in so frightful a form, have been enough to shake my very soul. Besides, it is not I alone. The very noblest in the land may suffer unless some way be found out of this horrible affair.”

“Pray compose yourself, sir,” said Holmes, “and let me have a clear account of who you are and what it is that has befallen you.”

“My name,” answered our visitor, “is probably familiar to your ears. I am Alexander Holder, of the banking firm of Holder & Stevenson, of Threadneedle Street.”

The name was indeed well known to us as belonging to the senior partner in the second largest private banking concern in the City of London. What could have happened, then, to bring one of the foremost citizens of London to this most pitiable pass? We waited, all curiosity, until with another effort he braced himself to tell his story.

3Underground railway

“I feel that time is of value,” said he; “that is why I hastened here when the police inspector suggested that I should secure your coöperation. I came to Baker Street by the Underground3 and hurried from there on foot, for the cabs 327328go slowly through this snow. That is why I was so out of breath, for I am a man who takes very little exercise. I feel better now, and I will put the facts before you as shortly and yet as clearly as I can.

“It is, of course, well known to you that in a successful banking business as much depends upon our being able to find remunerative investments for our funds as upon our increasing our connection and the number of our depositors. One of our most lucrative means of laying out money is in the shape of loans, where the security is unimpeachable. We have done a good deal in this direction during the last few years, and there are many noble families to whom we have advanced large sums upon the security of their pictures, libraries, or plate.4

“Yesterday morning I was seated in my office at the bank when a card was brought in to me by one of the clerks. I started when I saw the name, for it was that of none other than—well, perhaps even to you I had better say no more than that it was a name which is a household word all over the earth—one of the highest, noblest, most exalted names in England. I was overwhelmed by the honour and attempted, when he entered, to say so, but he plunged at once into business with the air of a man who wishes to hurry quickly through a disagreeable task.

“‘Mr. Holder,’ said he, ‘I have been informed that you are in the habit of advancing money.’

“‘The firm do so when the security is good,’ I answered.

“‘It is absolutely essential to me,’ said he, ‘that I should have £50,000 at once. I could, of course, borrow so trifling a sum ten times over from my friends, but I much prefer to make it a matter of business and to carry out that business myself. In my position you can readily understand that it is unwise to place one’s self under obligations.’

“‘For how long, may I ask, do you want this sum?’ I asked.

“‘Next Monday I have a large sum due to me, and I shall then most certainly repay what you advance, with whatever interest you think it right to charge. But it is very essential to me that the money should be paid at once.’

“‘I should be happy to advance it without further parley from my own private purse,’ said I, “were it not that the strain would be rather more than it could bear. If, on the other hand, I am to do it in the name of the firm, then in justice to my partner I must insist that, even in your case, every businesslike precaution should be taken.’

“‘I should much prefer to have it so,’ said he, raising up a square, black morocco5 case which he had laid beside his chair. ‘You have doubtless heard of the Beryl Coronet?’

4Silver

5Leather

328 329

“‘One of the most precious public possessions of the empire,’ said I.

“‘Precisely.’ He opened the case, and there, imbedded in soft, fleshcoloured velvet, lay the magnificent piece of jewellery which he had named. ‘There are thirty-nine enormous beryls,’6 said he, ‘and the price of the gold chasing7 is incalculable. The lowest estimate would put the worth of the coronet at double the sum which I have asked. I am prepared to leave it with you as my security.’

“I took the precious case into my hands and looked in some perplexity from it to my illustrious client.

“‘You doubt its value?’ he asked.

“‘Not at all. I only doubt— — —’

“‘The propriety of my leaving it. You may set your mind at rest about that. I should not dream of doing so were it not absolutely certain that I should be able in four days to reclaim it. It is a pure matter of form. Is the security sufficient?”

“‘Ample.’

“‘You understand, Mr. Holder, that I am giving you a strong proof of the confidence which I have in you, founded upon all that I have heard of you. I rely upon you not only to be discreet and to refrain from all gossip upon the matter but, above all, to preserve this coronet with every possible precaution because I need not say that a great public scandal would be caused if any harm were to befall it. Any injury to it would be almost as serious as its complete loss, for there are no beryls in the world to match these, and it would be impossible to replace them. I leave it with you, however, with every confidence, and I shall call for it in person on Monday morning.’

“Seeing that my client was anxious to leave, I said no more; but, calling for my cashier, I ordered him to pay over fifty £1000 notes. When I was alone once more, however, with the precious case lying upon the table in front of me, I could not but think with some misgivings of the immense responsibility which it entailed upon me. There could be no doubt that, as it was a national possession, a horrible scandal would ensue if any misfortune should occur to it. I already regretted having ever consented to take charge of it. However, it was too late to alter the matter now, so I locked it up in my private safe and turned once more to my work.

6A transparent gem sometimes called an aquamarine.

7Ornamentation

“When evening came I felt that it would be an imprudence to leave so precious a thing in the office behind me. Bankers’ safes had been forced before now, and why should not mine be? If so, how terrible would be the position 329330in which I should find myself! I determined, therefore, that for the next few days I would always carry the case backward and forward with me, so that it might never be really out of my reach. With this intention, I called a cab and drove out to my house at Streatham, carrying the jewel with me. I did not breathe freely until I had taken it upstairs and locked it in the bureau of my dressing-room.

“And now a word as to my household, Mr. Holmes, for I wish you to thoroughly understand the situation. My groom and my page sleep out of the house, and may be set aside altogether. I have three maidservants who have been with me a number of years and whose absolute reliability is quite above suspicion. Another, Lucy Parr, the second waiting-maid, has only been in my service a few months. She came with an excellent character, however, and has always given me satisfaction. She is a very pretty girl and has attracted admirers who have occasionally hung about the place. That is the only drawback which we have found to her, but we believe her to be a thoroughly good girl in every way.

“So much for the servants. My family itself is so small that it will not take me long to describe it. I am a widower and have an only son, Arthur. He has been a disappointment to me, Mr. Holmes—a grievous disappointment. I have no doubt that I am myself to blame. People tell me that I have spoiled him. Very likely I have. When my dear wife died I felt that he was all I had to love. I could not bear to see the smile fade even for a moment from his face. I have never denied him a wish. Perhaps it would have been better for both of us had I been sterner, but I meant it for the best.

“It was naturally my intention that he should succeed me in my business, but he was not of a business turn. He was wild, wayward, and, to speak the truth, I could not trust him in the handling of large sums of money. When he was young he became a member of an aristocratic club, and there, having charming manners, he was soon the intimate of a number of men with long purses and expensive habits. He learned to play heavily at cards and to squander money on the turf, until he had again and again to come to me and implore me to give him an advance upon his allowance, that he might settle his debts of honour. He tried more than once to break away from the dangerous company which he was keeping, but each time the influence of his friend, Sir George Burnwell, was enough to draw him back again.

“And, indeed, I could not wonder that such a man as Sir George Burnwell should gain an influence over him, for he has frequently brought him to my house, and I have found myself that I could hardly resist the fascination of his manner. He is older than Arthur, a man of the world to his finger-tips, one who had been everywhere, seen everything, a brilliant talker, and a man of great personal beauty. Yet when I think of him in cold blood, far away from 330331the glamour of his presence, I am convinced from his cynical speech and the look which I have caught in his eyes that he is one who should be deeply distrusted. So I think, and so, too, thinks my little Mary, who has a woman’s quick insight into character.

“And now there is only she to be described. She is my niece; but when my brother died five years ago and left her alone in the world I adopted her, and have looked upon her ever since as my daughter. She is a sunbeam in my house—sweet, loving, beautiful, a wonderful manager and housekeeper, yet as tender and quiet and gentle as a woman could be. She is my right hand. I do not know what I could do without her. In only one matter has she ever gone against my wishes. Twice my boy has asked her to marry him, for he loves her devotedly, but each time she has refused him. I think that if anyone could have drawn him into the right path it would have been she, and that his marriage might have changed his whole life; but now, alas! it is too late—forever too late!

“Now, Mr. Holmes, you know the people who live under my roof, and I shall continue with my miserable story.

“When we were taking coffee in the drawing-room that night after dinner, I told Arthur and Mary my experience, and of the precious treasure which we had under our roof, suppressing only the name of my client. Lucy Parr, who had brought in the coffee, had, I am sure, left the room; but I cannot swear that the door was closed. Mary and Arthur were much interested and wished to see the famous coronet, but I thought it better not to disturb it.

“‘Where have you put it?’ asked Arthur.

“‘In my own bureau.’

“‘Well, I hope to goodness the house won’t be burgled during the night,’ said he.

“‘It is locked up,’ I answered.

“‘Oh, any old key will fit that bureau. When I was a youngster I have opened it myself with the key of the box-room cupboard.’

“He often had a wild way of talking, so that I thought little of what he said. He followed me to my room, however, that night with a very grave face.

“‘Look here, dad,’ said he with his eyes cast down, ‘can you let me have £200?’

“‘No, I cannot!’ I answered sharply. ‘I have been far too generous with you in money matters.’

“‘You have been very kind,’ said he, ‘but I must have this money, or else I can never show my face inside the club again.’

“‘And a very good thing, too!’ I cried.

“‘Yes, but you would not have me leave it a dishonoured man,’ said he. ‘I could not bear the disgrace. I must raise the money in some way, and if you will not let me have it, then I must try other means.’

331 332

“I was very angry, for this was the third demand during the month. ‘You shall not have a farthing8 from me,’ I cried, on which he bowed and left the room without another word.

“When he was gone I unlocked my bureau, made sure that my treasure was safe, and locked it again. Then I started to go round the house to see that all was secure—a duty which I usually leave to Mary but which I thought it well to perform myself that night. As I came down the stairs I saw Mary herself at the side window of the hall, which she closed and fastened as I approached.

“‘Tell me, dad,’ said she, looking, I thought, a little disturbed, ‘did you give Lucy, the maid, leave to go out to-night?’

“‘Certainly not.’

“‘She came in just now by the back door. I have no doubt that she has only been to the side gate to see someone, but I think that it is hardly safe and should be stopped.’

“‘You must speak to her in the morning, or I will if you prefer it. Are you sure that everything is fastened?’

“‘Quite sure, dad.’

“‘Then, good-night.’ I kissed her and went up to my bedroom again, where I was soon asleep.

“I am endeavouring to tell you everything, Mr. Holmes, which may have any bearing upon the case, but I beg that you will question me upon any point which I do not make clear.”

“On the contrary, your statement is singularly lucid.”

“I come to a part of my story now in which I should wish to be particularly so. I am not a very heavy sleeper, and the anxiety in my mind tended, no doubt, to make me even less so than usual. About two in the morning, then, I was awakened by some sound in the house. It had ceased ere I was wide awake, but it had left an impression behind it as though a window had gently closed somewhere. I lay listening with all my ears. Suddenly, to my horror, there was a distinct sound of footsteps moving softly in the next room. I slipped out of bed, all palpitating with fear, and peeped round the corner of my dressing-room door.

“‘Arthur!’ I screamed, ‘you villain! you thief! How dare you touch that coronet?’

8Quarter penny

“The gas was half up, as I had left it, and my unhappy boy, dressed only in his shirt and trousers, was standing beside the light, holding the coronet in his hands. He appeared to be wrenching at it, or bending it with all his 332333strength. At my cry he dropped it from his grasp and turned as pale as death. I snatched it up and examined it. One of the gold corners, with three of the beryls in it, was missing.

“‘You blackguard!’ I shouted, beside myself with rage. ‘You have destroyed it! You have dishonoured me forever! Where are the jewels which you have stolen?’

“‘Stolen!’ he cried.

“‘Yes, you thief!’ I roared, shaking him by the shoulder.

“‘There are none missing. There cannot be any missing,’ said he.

“‘There are three missing. And you know where they are. Must I call you a liar as well as a thief? Did I not see you trying to tear off another piece?’

“‘You have called me names enough,’ said he; ‘I will not stand it any longer. I shall not say another word about this business, since you have chosen to insult me. I will leave your house in the morning and make my own way in the world.’

“‘You shall leave it in the hands of the police!’ I cried, half-mad with grief and rage. ‘I shall have this matter probed to the bottom.’

“‘You shall learn nothing from me,’ said he with a passion such as I should not have thought was in his nature. ‘If you choose to call the police, let the police find what they can.’

“By this time the whole house was astir, for I had raised my voice in my anger. Mary was the first to rush into my room, and, at the sight of the coronet and of Arthur’s face, she read the whole story and, with a scream, fell down senseless on the ground. I sent the house-maid for the police and put the investigation into their hands at once. When the inspector and a constable entered the house, Arthur, who had stood sullenly with his arms folded, asked me whether it was my intention to charge him with theft. I answered that it had ceased to be a private matter, but had become a public one, since the ruined coronet was national property. I was determined that the law should have its way in everything.

“‘At least,’ said he, ‘you will not have me arrested at once. It would be to your advantage as well as mine if I might leave the house for five minutes.’

“‘That you may get away, or perhaps that you may conceal what you have stolen,’ said I. And then, realising the dreadful position in which I was placed, I implored him to remember that not only my honour but that of one who was far greater than I was at stake; and that he threatened to raise a scandal which would convulse the nation. He might avert it all if he would but tell me what he had done with the three missing stones.

“‘You may as well face the matter,’ said I; ‘you have been caught in the act, and no confession could make your guilt more heinous. If you but make such 333334reparation as is in your power, by telling us where the beryls are, all shall be forgiven and forgotten.’

“‘Keep your forgiveness for those who ask for it,’ he answered, turning away from me with a sneer. I saw that he was too hardened for any words of mine to influence him. There was but one way for it. I called in the inspector and gave him into custody. A search was made at once not only of his person but of his room and of every portion of the house where he could possibly have concealed the gems; but no trace of them could be found, nor would the wretched boy open his mouth for all our persuasions and our threats. This morning he was removed to a cell, and I, after going through all the police formalities, have hurried round to you to implore you to use your skill in unravelling the matter. The police have openly confessed that they can at present make nothing of it. You may go to any expense which you think necessary. I have already offered a reward of £1000. My God, what shall I do! I have lost my honour, my gems, and my son in one night. Oh, what shall I do!”

He put a hand on either side of his head and rocked himself to and fro, droning to himself like a child whose grief has got beyond words.

Sherlock Holmes sat silent for some few minutes, with his brows knitted and his eyes fixed upon the fire.

“Do you receive much company?” he asked.

“None save my partner with his family and an occasional friend of Arthur’s. Sir George Burnwell has been several times lately. No one else, I think.”

“Do you go out much in society?”

“Arthur does. Mary and I stay at home. We neither of us care for it.”

“That is unusual in a young girl.”

“She is of a quiet nature. Besides, she is not so very young. She is four-and-twenty.”

“This matter, from what you say, seems to have been a shock to her also.”

“Terrible! She is even more affected than I.”

“You have neither of you any doubt as to your son’s guilt?”

“How can we have when I saw him with my own eyes with the coronet in his hands.”

“I hardly consider that a conclusive proof. Was the remainder of the coronet at all injured?”

“Yes, it was twisted.”

“Do you not think, then, that he might have been trying to straighten it?”

“God bless you! You are doing what you can for him and for me. But it is too heavy a task. What was he doing there at all? If his purpose were innocent, why did he not say so?”

“Precisely. And if it were guilty, why did he not invent a lie? His silence appears to me to cut both ways. There are several singular points about the 334335case. What did the police think of the noise which awoke you from your sleep?”

“They considered that it might be caused by Arthur’s closing his bedroom door.”

“A likely story! As if a man bent on felony would slam his door so as to wake a household. What did they say, then, of the disappearance of these gems?”

“They are still sounding the planking and probing the furniture in the hope of finding them.”

“Have they thought of looking outside the house?”

“Yes, they have shown extraordinary energy. The whole garden has already been minutely examined.”

“Now, my dear sir,” said Holmes, “is it not obvious to you now that this matter really strikes very much deeper than either you or the police were at first inclined to think? It appeared to you to be a simple case; to me it seems exceedingly complex. Consider what is involved by your theory. You suppose that your son came down from his bed, went, at great risk, to your dressing-room, opened your bureau, took out your coronet, broke off by main force a small portion of it, went off to some other place, concealed three gems out of the thirty-nine, with such skill that nobody can find them, and then returned with the other thirty-six into the room in which he exposed himself to the greatest danger of being discovered. I ask you now, is such a theory tenable?”

“But what other is there?” cried the banker with a gesture of despair. “If his motives were innocent, why does he not explain them?”

“It is our task to find that out,” replied Holmes; “so now, if you please, Mr. Holder, we will set off for Streatham together, and devote an hour to glancing a little more closely into details.”

My friend insisted upon my accompanying them in their expedition, which I was eager enough to do, for my curiosity and sympathy were deeply stirred by the story to which we had listened. I confess that the guilt of the banker’s son appeared to me to be as obvious as it did to his unhappy father, but still I had such faith in Holmes’s judgment that I felt that there must be some grounds for hope as long as he was dissatisfied with the accepted explanation. He hardly spoke a word the whole way out to the southern suburb, but sat with his chin upon his breast and his hat drawn over his eyes, sunk in the deepest thought. Our client appeared to have taken fresh heart at the little glimpse of hope which had been presented to him, and he even broke into a desultory chat with me over his business affairs. A short railway journey and a shorter walk brought us to Fairbank, the modest residence of the great financier.

Fairbank was a good-sized square house of white stone, standing back a little from the road. A double carriage-sweep, with a snow-clad lawn, stretched down in front to two large iron gates which closed the entrance. On the right 335336side was a small wooden thicket, which led into a narrow path between two neat hedges stretching from the road to the kitchen door, and forming the tradesmen’s entrance. On the left ran a lane which led to the stables, and was not itself within the grounds at all, being a public, though little used, thoroughfare. Holmes left us standing at the door and walked slowly all round the house, across the front, down the tradesmen’s path, and so round by the garden behind into the stable lane. So long was he that Mr. Holder and I went into the dining-room and waited by the fire until he should return. We were sitting there in silence when the door opened and a young lady came in. She was rather above the middle height, slim, with dark hair and eyes, which seemed the darker against the absolute pallor of her skin. I do not think that I have ever seen such deadly paleness in a woman’s face. Her lips, too, were bloodless, but her eyes were flushed with crying. As she swept silently into the room she impressed me with a greater sense of grief than the banker had done in the morning, and it was the more striking in her as she was evidently a woman of strong character, with immense capacity for self-restraint. Disregarding my presence, she went straight to her uncle and passed her hand over his head with a sweet womanly caress.

“You have given orders that Arthur should be liberated, have you not, dad?” she asked.

“No, no, my girl, the matter must be probed to the bottom.”

“But I am so sure that he is innocent. You know what woman’s instincts are. I know that he has done no harm and that you will be sorry for having acted so harshly.”

“Why is he silent, then, if he is innocent?”

“Who knows? Perhaps because he was so angry that you should suspect him.”

“How could I help suspecting him, when I actually saw him with the coronet in his hand?”

“Oh, but he had only picked it up to look at it. Oh, do, do take my word for it that he is innocent. Let the matter drop and say no more. It is so dreadful to think of our dear Arthur in prison!”

“I shall never let it drop until the gems are found—never, Mary! Your affection for Arthur blinds you as to the awful consequences to me. Far from hushing the thing up, I have brought a gentleman down from London to inquire more deeply into it.”

“This gentleman?” she asked, facing round to me.

“No, his friend. He wished us to leave him alone. He is round in the stable lane now.”

“The stable lane?” She raised her dark eyebrows. “What can he hope to find there? Ah! this, I suppose, is he. I trust, sir, that you will succeed in 336337proving, what I feel sure is the truth, that my cousin Arthur is innocent of this crime.”

“I fully share your opinion, and I trust, with you, that we may prove it,” returned Holmes, going back to the mat to knock the snow from his shoes. “I believe I have the honour of addressing Miss Mary Holder. Might I ask you a question or two?”

“Pray do, sir, if it may help to clear this horrible affair up.”

“You heard nothing yourself last night?”

“Nothing, until my uncle here began to speak loudly. I heard that, and I came down.”

“You shut up the windows and doors the night before. Did you fasten all the windows?”

“Yes.”

“Were they all fastened this morning?”

“Yes.”

“You have a maid who has a sweetheart? I think that you remarked to your uncle last night that she had been out to see him?”

“Yes, and she was the girl who waited in the drawing-room, and who may have heard uncle’s remarks about the coronet.”

“I see. You infer that she may have gone out to tell her sweetheart, and that the two may have planned the robbery.”

“But what is the good of all these vague theories,” cried the banker impatiently, “when I have told you that I saw Arthur with the coronet in his hands?”

“Wait a little, Mr. Holder. We must come back to that. About this girl, Miss Holder. You saw her return by the kitchen door, I presume?”

“Yes; when I went to see if the door was fastened for the night I met her slipping in. I saw the man, too, in the gloom.”

“Do you know him?”

“Oh, yes! he is the green-grocer who brings our vegetables round. His name is Francis Prosper.”

“He stood,” said Holmes, “to the left of the door—that is to say, farther up the path than is necessary to reach the door?”

“Yes, he did.”

“And he is a man with a wooden leg?”

Something like fear sprang up in the young lady’s expressive black eyes. “Why, you are like a magician,” said she. “How do you know that?” She smiled, but there was no answering smile in Holmes’s thin, eager face.

“I should be very glad now to go upstairs,” said he. “I shall probably wish to go over the outside of the house again. Perhaps I had better take a look at the lower windows before I go up.”

337 338

He walked swiftly round from one to the other, pausing only at the large one which looked from the hall onto the stable lane. This he opened and made a very careful examination of the sill with his powerful magnifying lens. “Now we shall go upstairs,” said he at last.

The banker’s dressing-room was a plainly furnished little chamber, with a gray carpet, a large bureau, and a long mirror. Holmes went to the bureau first and looked hard at the lock.

“Which key was used to open it?” he asked.

“That which my son himself indicated—that of the cupboard of the lumber-room.”

“Have you it here?”

“That is it on the dressing-table.”

Sherlock Holmes took it up and opened the bureau.

“It is a noiseless lock,” said he. “It is no wonder that it did not wake you. This case, I presume, contains the coronet We must have a look at it.” He opened the case, and taking out the diadem he laid it upon the table. It was a magnificent specimen of the jeweller’s art, and the thirty-six stones were the finest that I have ever seen. At one side of the coronet was a cracked edge, where a corner holding three gems had been torn away.

“Now, Mr. Holder,” said Holmes, “here is the corner which corresponds to that which has been so unfortunately lost. Might I beg that you will break it off.”

The banker recoiled in horror. “I should not dream of trying,” said he.

“Then I will.” Holmes suddenly bent his strength upon it, but without result. “I feel it give a little,” said he; “but, though I am exceptionally strong in the fingers, it would take me all my time to break it. An ordinary man could not do it. Now, what do you think would happen if I did break it, Mr. Holder? There would be a noise like a pistol shot. Do you tell me that all this happened within a few yards of your bed and that you heard nothing of it?”

“I do not know what to think. It is all dark to me.”

“But perhaps it may grow lighter as we go. What do you think, Miss Holder?”

“I confess that I still share my uncle’s perplexity.”

“Your son had no shoes or slippers on when you saw him?”

“He had nothing on save only his trousers and shirt.”

“Thank you. We have certainly been favoured with extraordinary luck during this inquiry, and it will be entirely our own fault if we do not succeed in clearing the matter up. With your permission, Mr. Holder, I shall now continue my investigations outside.”

He went alone, at his own request for he explained that any unnecessary footmarks might make his task more difficult. For an hour or more he was at 338339work, returning at last with his feet heavy with snow and his features as inscrutable as ever.

“I think that I have seen now all that there is to see, Mr. Holder,” said he; “I can serve you best by returning to my rooms.”

“But the gems, Mr. Holmes. Where are they?”

“I cannot tell.”

The banker wrung his hands. “I shall never see them again!” he cried. “And my son? You give me hopes?”

“My opinion is in no way altered.”

“Then, for God’s sake, what was this dark business which was acted in my house last night?”

“If you can call upon me at my Baker Street rooms to-morrow morning between nine and ten I shall be happy to do what I can to make it clearer. I understand that you give me carte blanche to act for you, provided only that I get back the gems, and that you place no limit on the sum I may draw.”

“I would give my fortune to have them back.”

“Very good. I shall look into the matter between this and then. Good-bye; it is just possible that I may have to come over here again before evening.”

It was obvious to me that my companion’s mind was now made up about the case, although what his conclusions were was more than I could even dimly imagine. Several times during our homeward journey I endeavoured to sound him upon the point, but he always glided away to some other topic, until at last I gave it over in despair. It was not yet three when we found ourselves in our room once more. He hurried to his chamber, and was down again in a few minutes dressed as a common loafer. With his collar turned up, his shiny, seedy coat, his red cravat, and his worn boots, he was a perfect sample of the class.

“I think that this should do,” said he, glancing into the glass above the fireplace. “I only wish that you could come with me, Watson, but I fear that it won’t do. I may be on the trail in this matter, or I may be following a will-o’-the-wisp, but I shall soon know which it is. I hope that I may be back in a few hours.” He cut a slice of beef from the joint upon the sideboard, sandwiched it between two rounds of bread, and thrusting this rude meal into his pocket he started off upon his expedition.

I had just finished my tea when he returned, evidently in excellent spirits, swinging an old elastic-sided boot in his hand. He chucked it down into a corner and helped himself to a cup of tea.

“I only looked in as I passed,” said he. “I am going right on.”

“Where to?”

“Oh, to the other side of the West End. It may be some time before I get back. Don’t wait up for me in case I should be late.”

339 340

“How are you getting on?”

“Oh, so so. Nothing to complain of. I have been out to Streatham since I saw you last, but I did not call at the house. It is a very sweet little problem, and I would not have missed it for a good deal. However, I must not sit gossiping here, but must get these disreputable clothes off and return to my highly respectable self.”

I could see by his manner that he had stronger reasons for satisfaction than his words alone would imply. His eyes twinkled, and there was even a touch of colour upon his sallow cheeks. He hastened upstairs, and a few minutes later I heard the slam of the hall door, which told me that he was off once more upon his congenial hunt.

I waited until midnight, but there was no sign of his return, so I retired to my room. It was no uncommon thing for him to be away for days and nights on end when he was hot upon a scent, so that his lateness caused me no surprise. I do not know at what hour he came in, but when I came down to breakfast in the morning there he was with a cup of coffee in one hand and the paper in the other, as fresh and trim as possible.

“You will excuse my beginning without you, Watson,” said he, “but you remember that our client has rather an early appointment this morning.”

“Why, it is after nine now,” I answered. “I should not be surprised if that were he. I thought I heard a ring.”

It was, indeed, our friend the financier. I was shocked by the change which had come over him, for his face which was naturally of a broad and massive mould, was now pinched and fallen in, while his hair seemed to me at least a shade whiter. He entered with a weariness and lethargy which was even more painful than his violence of the morning before, and he dropped heavily into the armchair which I pushed forward for him.

“I do not know what I have done to be so severely tried,” said he. “Only two days ago I was a happy and prosperous man, without a care in the world. Now I am left to a lonely and dishonoured age. One sorrow comes close upon the heels of another. My niece, Mary, has deserted me.”

“Deserted you?”

“Yes. Her bed this morning had not been slept in, her room was empty, and a note for me lay upon the hall table. I had said to her last night, in sorrow and not in anger, that if she had married my boy all might have been well with him. Perhaps it was thoughtless of me to say so. It is to that remark that she refers in this note:

· “My Dearest Uncle: “I feel that I have brought trouble upon you, and that if I had acted differently this terrible misfortune might never have occurred. I cannot, with this thought in my 340341mind, ever again be happy under your roof, and I feel that I must leave you forever. Do not worry about my future, for that is provided for; and, above all, do not search for me, for it will be fruitless labour and an ill-service to me. In life or in death, I am ever

· “Your loving

· “MARY.

“What could she mean by that note, Mr. Holmes? Do you think it points to suicide?”

“No, no, nothing of the kind. It is perhaps the best possible solution. I trust, Mr. Holder, that you are nearing the end of your troubles.”

“Ha! You say so! You have heard something, Mr. Holmes; you have learned something! Where are the gems?”

“You would not think £1000 apiece an excessive sum for them?”

“I would pay ten.”

“That would be unnecessary. Three thousand will cover the matter. And there is a little reward, I fancy. Have you your check-book? Here is a pen. Better make it out for £4000.”

With a dazed face the banker made out the required check. Holmes walked over to his desk, took out a little triangular piece of gold with three gems in it, and threw it down upon the table.

With a shriek of joy our client clutched it up.

“You have it!” he gasped. “I am saved! I am saved!”

The reaction of joy was as passionate as his grief had been, and he hugged his recovered gems to his bosom.

“There is one other thing you owe, Mr. Holder,” said Sherlock Holmes rather sternly.

“Owe!” He caught up a pen. “Name the sum, and I will pay it.”

“No, the debt is not to me. You owe a very humble apology to that noble lad, your son, who has carried himself in this matter as I should be proud to see my own son do, should I ever chance to have one.”

“Then it was not Arthur who took them?”

“I told you yesterday, and I repeat to-day, that it was not.”

“You are sure of it! Then let us hurry to him at once to let him know that the truth is known.”

“He knows it already. When I had cleared it all up I had an interview with him, and finding that he would not tell me the story, I told it to him, on which he had to confess that I was right and to add the very few details which were not yet quite clear to me. Your news of this morning, however, may open his lips.”

“For heaven’s sake, tell me, then, what is this extraordinary mystery!”

“I will do so, and I will show you the steps by which I reached it. And let me say to you, first, that which it is hardest for me to say and for you to hear: 341342there has been an understanding between Sir George Burnwell and your niece Mary. They have now fled together.”

“My Mary? Impossible!”

“It is unfortunately more than possible; it is certain. Neither you nor your son knew the true character of this man when you admitted him into your family circle. He is one of the most dangerous men in England—a ruined gambler, an absolutely desperate villain. a man without heart or conscience. Your niece knew nothing of such men. When he breathed his vows to her, as he had done to a hundred before her, she flattered herself that she alone had touched his heart. The devil knows best what he said, but at least she became his tool and was in the habit of seeing him nearly every evening.”

“I cannot, and I will not, believe it!” cried the banker with an ashen face.

“I will tell you, then, what occurred in your house last night. Your niece, when you had, as she thought, gone to your room, slipped down and talked to her lover through the window which leads into the stable lane. His footmarks had pressed right through the snow, so long had he stood there. She told him of the coronet. His wicked lust for gold kindled at the news, and he bent her to his will. I have no doubt that she loved you, but there are women in whom the love of a lover extinguishes all other loves, and I think that she must have been one. She had hardly listened to his instructions when she saw you coming downstairs, on which she closed the window rapidly and told you about one of the servants’ escapade with her wooden-legged lover, which was all perfectly true.

“Your boy, Arthur, went to bed after his interview with you, but he slept badly on account of his uneasiness about his club debts. In the middle of the night he heard a soft tread pass his door, so he rose and, looking out, was surprised to see his cousin walking very stealthily along the passage until she disappeared into your dressing-room. Petrified with astonishment, the lad slipped on some clothes and waited there in the dark to see what would come of this strange affair. Presently she emerged from the room again, and in the light of the passage-lamp your son saw that she carried the precious coronet in her hands. She passed down the stairs, and he, thrilling with horror, ran along and slipped behind the curtain near your door, whence he could see what passed in the hall beneath. He saw her stealthily open the window, hand out the coronet to someone in the gloom, and then closing it once more hurry back to her room, passing quite close to where he stood hid behind the curtain.

“As long as she was on the scene he could not take any action without a horrible exposure of the woman whom he loved. But the instant that she was gone he realized how crushing a misfortune this would be for you, and how all-important it was to set it right. He rushed down, just as he was, in his bare 342343feet, opened the window, sprang out into the snow, and ran down the lane, where he could see a dark figure in the moonlight. Sir George Burnwell tried to get away, but Arthur caught him, and there was a struggle between them, your lad tugging at one side of the coronet, and his opponent at the other. In the scuffle, your son struck Sir George and cut him over the eye. Then something suddenly snapped, and your son, finding that he had the coronet in his hands, rushed back, closed the window, ascended to your room, and had just observed that the coronet had been twisted in the struggle and was endeavouring to straighten it when you appeared upon the scene.”

“Is it possible?” gasped the banker.

“You then roused his anger by calling him names at a moment when he felt that he had deserved your warmest thanks. He could not explain the true state of affairs without betraying one who certainly deserved little enough consideration at his hands. He took the more chivalrous view, however, and preserved her secret.”

“And that was why she shrieked and fainted when she saw the coronet,” cried Mr. Holder. “Oh, my God! what a blind fool I have been! And his asking to be allowed to go out for five minutes! The dear fellow wanted to see if the missing piece were at the scene of the struggle. How cruelly I have misjudged him!”

“When I arrived at the house,” continued Holmes, “I at once went very carefully round it to observe if there were any traces in the snow which might help me. I knew that none had fallen since the evening before, and also that there had been a strong frost to preserve impressions. I passed along the tradesmen’s path, but found it all trampled down and indistinguishable. Just beyond it, however, at the far side of the kitchen door, a woman had stood and talked with a man, whose round impressions on one side showed that he had a wooden leg. I could even tell that they had been disturbed, for the woman had run back swiftly to the door, as was shown by the deep toe and light heel marks, while Wooden-leg had waited a little, and then had gone away. I thought at the time that this might be the maid and her sweetheart, of whom you had already spoken to me, and inquiry showed it was so. I passed round the garden without seeing anything more than random tracks, which I took to be the police; but when I got into the stable lane a very long and complex story was written in the snow in front of me.

“There was a double line of tracks of a booted man, and a second double line which I saw with delight belonged to a man with naked feet. I was at once convinced from what you had told me that the latter was your son. The first had walked both ways, but the other had run swiftly, and as his tread was marked in places over the depression of the boot, it was obvious that he had passed after the other. I followed them up and found they led to the hall window, where Boots 343344had worn all the snow away while waiting. Then I walked to the other end, which was a hundred yards or more down the lane. I saw where Boots had faced round, where the snow was cut up as though there had been a struggle, and, finally, where a few drops of blood had fallen, to show me that I was not mistaken. Boots had then run down the lane, and another little smudge of blood showed that it was he who had been hurt. When he came to the highroad at the other end, I found that the pavement had been cleared, so there was an end to that clue.

“On entering the house, however, I examined, as you remember, the sill and framework of the hall window with my lens, and I could at once see that someone had passed out. I could distinguish the outline of an instep where the wet foot had been placed in coming in. I was then beginning to be able to form an opinion as to what had occurred. A man had waited outside the window; someone had brought the gems; the deed had been overseen by your son; he had pursued the thief; had struggled with him; they had each tugged at the coronet, their united strength causing injuries which neither alone could have effected. He had returned with the prize, but had left a fragment in the grasp of his opponent. So far I was clear. The question now was, who was the man and who was it brought him the coronet?

“It is an old maxim of mine that when you have excluded the impossible, whatever remains, however improbable, must be the truth. Now, I knew that it was not you who had brought it down, so there only remained your niece and the maids. But if it were the maids, why should your son allow himself to be accused in their place? There could be no possible reason. As he loved his cousin, however, there was an excellent explanation why he should retain her secret—the more so as the secret was a disgraceful one. When I remembered that you had seen her at that window, and how she had fainted on seeing the coronet again, my conjecture became a certainty.

“And who could it be who was her confederate? A lover evidently, for who else could outweigh the love and gratitude which she must feel to you? I knew that you went out little, and that your circle of friends was a very limited one. But among them was Sir George Burnwell. I had heard of him before as being a man of evil reputation among women. It must have been he who wore those boots and retained the missing gems. Even though he knew that Arthur had discovered him, he might still flatter himself that he was safe, for the lad could not say a word without compromising his own family.

“Well, your own good sense will suggest what measures I took next. I went in the shape of a loafer to Sir George’s house, managed to pick up an acquaintance with his valet, learned that his master had cut his head the night before, and, finally, at the expense of six shillings, made all sure by buying a pair of his cast-off shoes. With these I journeyed down to Streatham and saw that they exactly fitted the tracks.”

344 345

“I saw an ill-dressed vagabond in the lane yesterday evening,” said Mr. Holder.

“Precisely. It was I. I found that I had my man, so I came home and changed my clothes. It was a delicate part which I had to play then, for I saw that a prosecution must be avoided to avert scandal, and I knew that so astute a villain would see that our hands were tied in the matter. I went and saw him. At first, of course, he denied everything. But when I gave him every particular that had occurred, he tried to bluster and took down a life-preserver9 from the wall. I knew my man, however, and I clapped a pistol to his head before he could strike. Then he became a little more reasonable. I told him that we would give him a price for the stones he held—£1000 apiece. That brought out the first signs of grief that he had shown. ‘Why, dash it all!’ said he, ‘I’ve let them go at six hundred for the three!’ I soon managed to get the address of the receiver who had them, on promising him that there would be no prosecution. Off I set to him, and after much chaffering I got our stones at £1000 apiece. Then I looked in upon your son, told him that all was right, and eventually got to my bed about two o’clock, after what I may call a really hard day’s work.”

“A day which has saved England from a great public scandal,” said the banker, rising. “Sir, I cannot find words to thank you, but you shall not find me ungrateful for what you have done. Your skill has indeed exceeded all that I have heard of it. And now I must fly to my dear boy to apologize to him for the wrong which I have done him. As to what you tell me of poor Mary, it goes to my very heart. Not even your skill can inform me where she is now.”

“I think that we may safely say,” returned Holmes, “that she is wherever Sir George Burnwell is. It is equally certain, too, that whatever her sins are, they will soon receive a more than sufficient punishment.”

[1892]

9A club or bludgeon loaded with lead.