AFRICAN WOMEN IN FILM

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  • Article Contents
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    • p. 121
    • p. 122
  • Issue Table of Contents
    • Black Camera, Vol. 22/23, Vol. 22, no. 2 - Vol. 23, no. 1 (Spring, 2008), pp. 1-145
      • Front Matter
      • Director's Notes [pp. 2-2]
      • Essay
        • Denzel Washington: A Study in Black and Blue [pp. 3-23]
      • Interviews
        • A Black Camera Interview: "I Am Not a Filmmaker Engagé. I Am an Ordinary Citizen Engage." [pp. 24-34]
        • A Black Camera Interview: Documentary Practice as Political Intervention-The Case of "Sugar Babies": A Conversation With... [pp. 35-48]
        • A Black Camera Interview: Nappy or Straight: Must We Choose? Regina Kimbell on Black Hair-Itage [pp. 49-59]
        • A Black Camera Interview: Filmmaking Is My Life, Politics My Mistress [pp. 60-77]
        • A Black Camera Interview: "I Make Documentaries to Give Voice to the Voiceless and Tell Stories That Haven't Been Told from the Margins." [pp. 78-91]
      • Tributes To: St. Clair Bourne
        • St. Clair Bourne 1943-2007 [pp. 92-99]
        • St. Clair Bourne: The People's Documentary Filmmaker [pp. 100-102]
        • Remarks from St. Clair Bourne Memorial: Riverside Church - January 25, 2008 [pp. 103-104]
        • Saint Clair, My Man, Saint Clair [pp. 105-106]
        • A Black Camera Interview (1992): St. Clair Bourne [pp. 107-112]
        • A Black Camera Interview (2006): St. Clair Bourne [pp. 113-118]
      • Film and Book Reviews
        • A Black Camera Movie Review: Sisters in Law [pp. 120-122]
        • A Black Camera Movie Review: Forgiveness [pp. 123-124]
        • A Black Camera Movie Review: Quilombo Country [pp. 125-126]
        • A Black Camera Book Review: The Spike Lee Reader [pp. 127-128]
      • In Memoriam
        • Ivan Dixon 1931-2008 [pp. 129-132]
        • Aimé Césaire 1913-2008: In Honor of Aimé Césaire: Thinking Clearly and Dangerously [pp. 133-135]
      • Archival News
        • Black Film Center/Archive to Restore Jessie Maple's "Will" (1981) [pp. 136-136]
      • Nollywood: A Socially Conscious Cinema? [pp. 137-138]
      • Back Matter