Etruscan roman
2 years ago
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IDES310Roman-Terms.docx
IDES310EtruscanRomanppt28129.pptx
Chap_3_28229.pptx
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IDES310Roman-Terms.docx
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Chapter 3 Roman Terms from textbook |
Additional Roman Architectural Terms |
Roman Furnishings/Motifs |
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Barrel vault |
Tuscan Order |
Tables |
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Pediment |
Composite Order |
Stools |
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Coffers |
Roman Aqueduct |
Cabinets |
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Rotunda |
Roman Arch |
Carved stone throne |
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Oculus |
Voussoir |
Bed/couch |
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Tepidarium |
Keystone |
Wicker chair |
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Caldarium |
Arcade |
Motifs: |
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Frigidaium |
Thrust |
Human figure |
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Palaestra |
Groin Vault |
Acanthus |
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Atrium |
Dome |
Rinceau |
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Domus |
Ashlar |
Guilloche |
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Tablinum |
Concrete |
Rosette |
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Peristyle |
Pozzolana |
Swan |
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Insula |
Amphitheaters |
Eagle |
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Trompe l’oiel |
Colosseum in Rome |
Monopodium |
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Wainscot |
Vomitorium |
Lion |
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Amphorae |
Cantilevers |
Oxen |
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Tabernae |
Roman Baths-Baths of Caracalla |
Sphinx |
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Triclinium |
Hypocasts |
Griffin |
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Fulcrum |
Laconicum |
Arabesque |
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Cathedra |
Diocletian |
Wave pattern |
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Sella curulis |
Cella |
Laurel wreaths |
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Barrel chair |
Maison Carree at Nimes |
Festoons |
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Pilasters |
Fret |
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Coffered Vault |
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Niche |
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Apses |
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Pantheon |
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Attic |
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Nave |
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Pompeii |
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Herculaneum |
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Mosaics |
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Fresco |
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IDES310EtruscanRomanppt28129.pptx
ETRUSCANROMAN
CHAPTER 3
Roman House and Floor Plan
Egretia.com
Classical Orders – 2 Roman
designingbuildings.co.uk/
Roman Orders:
Tuscan - simplified Doric with a smooth shaft
Composite capital -Ionic and Corinthian combined
Greek
Roman
ROMAN ARCH
Ancient Roman Colosseum in Rome - Vomitorium explanation
The information below and the image are from the above web page link
Estimates put seating capacity at anywhere between 60.000 and 85.000 people, but around 65.000 seems to be the generally accepted figure. With a crowd this enormous the ancient Roman Colosseum experienced similar logistics to modern stadiums, one of them was how quickly people could be seated or evacuated. The Romans had a similar system of numbered entrances and staircases to modern stadiums (or is it rather the other way around) this ensured rapid entry and exit.
Vomitorium (plural - Vomitoria) was the name given to the passages which led to the entrance of each numbered division of the Colosseum seating. The latin definition for Vomitoria means rapid expulsion or discharge, which is where the English language adopted their colorful word "Vomit" from. (Don't say you don't learn interesting stuff on this web site!)
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Chap_3_28229.pptx
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Copyright ©2024 Bloomsbury Publishing Inc. All rights reserved. No part of this presentation covered by the copyright hereon may be reproduced or used in any form or by any means–graphic, electronic, or mechanical, including photocopying, recording, taping, or information storage and retrieval systems–without written permission of the publisher.
ISBN: 978-1-5013-8560-5
Sant’Apollinare in Classe
Ravenna, Italy,
535–538 ce.
Iktinos
Parthenon
Athens, Greece
447–438 bce.
Apollodorus
The Pantheon
Rome, Italy
113–125 CE.
Toilets, Baths
of the Cyclops,
Thugga, Tunisia,
third century ce.
Food and wine
shop, Pompeii,
Italy, 79 ce.
Onesimos The African
Groom, 480 bce.
Douris, The writing lesson: youth practicing calligraphy, 480 bce.
VOCABULARY – parts of a temple
architrave
capital
caryatid
cella
cornice
entasis
frieze
in antis
metope
pediment
peristyle
portico
stylobate
triglyph
tympanum
VOCABULARY – furniture and objects
amphora
barrel chair
cathedra
coffer
fulcrum
hydria
klismos
sella curulis
VOCABULARY – Roman house
vestibulum
cubiculum
atrium
impluvium
tablinum
triclinium
exedra
alae
peristyle
latrina
culina
Roman house
VOCABULARY – the orders
Doric
Ionic
Corinthian
Composite
Minoan
Tuscan
Eruption at Vesuvius, 79 CE
Column in Antis
architrave
entablature
barrel vault
CONCLUSION
When we look at ancient Greece, we often find ourselves marveling at their products, their majestic temples, and their exquisite statues. Well-crafted vases delineated scenes of myth and life, and both played out in the world of things, including a vast repertoire of furniture. Roman history provides many distractions, from the violence of gladiatorial fights, the drudgery of military campaigns, the competence of engineering projects, and the epic destruction of Pompeii and Herculaneum. Rome took the art of monumental architecture in new directions, and Roman interiors developed an enhanced appreciation of luxury. The Greeks and Romans competed against each other culturally and aesthetically. It is only in retrospect that subsequent generations could view their artistic productions together as the model for the millennia that followed.
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