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DiscussionBoard41.docx
week3NeoclassicismtotheRomanticera.docx
DISCUSION4REPLY.docx
DiscussionBoard41.docx
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Discussion Board 4 Prompt B: What is the moral point of the Yahoos in Jonathan Swift's Gulliver's Travels?
The Yahoos in Gulliver's Travels represent the negative image of humanity, which reveals the cruel judgment of Swift over human nature. They are depicted as dirty, greedy, lustful and irrational beings that are physically similar to humans but act in low and vile manners. Their primitive urges and utter lack of rationality are different from the Houyhnhnms, who are rational and morally ordered. Swift demonstrates this dichotomy when Gulliver notes, "the Yahoos were the most filthy, noisome, and deformed animals which nature ever produced.” (Swift chapter IX 346). In one scene, the Yahoos fight over shiny rocks they dig up out of the ground, which demonstrates their mindless greed and materialism, as a clear satire of human greed. Through the Yahoos, Swift would indicate that human beings, lacking reason and virtue, are not better than brutes. This ethical teaching is particularly apparent when the behavior of the Yahoos reflects the corruption, selfishness and savagery that Swift observed in European society. By showing them as the natural land residents, untouched by civilization, Swift suggests that the primitiveness of the human race is inherent, and not a factor of poor education or bad government.
Swift makes Gulliver identify himself as a Yahoo to come to terms with the ugly reality of human nature. First, Gulliver considers himself immensely superior to the Yahoos and denies having anything to do with them. However, the logical comparisons made by his Houyhnhnm master, which point out the similarities in the shape of the bodies and desires, slowly undo the denial of Gulliver. Ultimately, Gulliver must come to terms with the fact that even though he is dressed and speaks like a human, he has the same base instincts as the Yahoos. This point is the core of the satirical intention of Swift: to bring down human pride. The reader is supposed to be put through the same painful realization that Gulliver has been through, and question their own arrogant assumption of moral superiority and progress. Swift describes, “When I happened to behold the reflection of my own form in a lake or fountain, I turned away my face in horror and detestation of myself.” (Swift Chapter X 357). The fact that Gulliver is horrified by his own kind reflects the view of Swift, who believes that humanity, despite its claims of rationality and goodness, is fatally flawed. Gulliver is identified with the Yahoos by Swift as an attempt to demand that self-knowledge is the first step to wisdom, even though it is unpleasant.
Works Cited
Swift, Jonathan. Gulliver’s Travels. Planet eBook. (1726). https://antilogicalism.com/wp-content/uploads/2018/04/gullivers-travels.pdf
week3NeoclassicismtotheRomanticera.docx
This week you will read a selection of literary works from the Neoclassicism to the Romantic era. Student Learning Outcomes Addressed:
· Identify key ideas, significant historical or cultural events, and characteristic perspectives or attitudes expressed in the literature of different periods or regions.
· Analyze literary works as expressions of individual or communal values within the social, political, cultural, or religious contexts of different literary periods.
Core Competencies Addressed:
· Biographical, historical and literary analysis
Readings: Literary Project Instructions
From British Literature I , "Part 4: Neoclassicism and the Eighteenth Century”
· “Introduction,” pages 2120-2124.
· Aphra Behn, Oroonoko, pages 2125-2132.
· Jonathan Swift, Gulliver’s Travels, Part IV, Chapters 1-3, pages 2608-2619.
· Olaudah Equiano, from The Interesting Narrative of the Life of Olaudah Equiano: Or, Gustavus Vassa, the African, Chapter II, pages 2906-2917.
From British Literature II (Volume II), “Part 1: The Romantic Era”
· “Intro,” pages 1-5
· William Wordsworth, “I Wondered Lonely As a Cloud,” pages 37-39, and 66.
· Dorothy Wordsworth, Grasmere Journal, page 77.
· Percy Bysshe Shelley, “Ode to the West Wind,” pages 174-176.
· John Keats, “La Belle Dame Sans Merci,” pages 206-208, 219-220.
From A Glossary of Literary Terms
· “Novel,” pages 252-258
· “Satire,” pages 352-355
· “Ode” pages 262-263
· “Ballad,” pages 25-26
Assignments or Assessments: One Discussion board post and responses:
· Discussion 4: Neoclassicism and the Eighteenth Century and The Romantic Era
One reading quiz on the readings for this week. One Journal
DISCUSION4REPLY.docx
DISCUSION 4 :REPLY
Post 1)
The book Gulliver's Travels by Jonathan Swift contains several stories, but the one involving the Yahoos is the most interesting and reflective. The Yahoos were human-like brutes, or at least that is how Gulliver viewed them. Throughout the story, the Yahoos are portrayed as selfish and savage. Gulliver is disgusted by them, yet the story delivers a moral lesson: Yahoos are more similar to humans than we want to admit. Even if someone appears civilized, they can hide their deeper flaws. For example, Gulliver kept his clothes at the end of the story because he was embarrassed that the Houyhnhnms compared him to the Yahoos. The Yahoos were greedy and fought over useless things, much like people in 18th-century England, who pursued wealth and power. The moral of the story is that the people we look down on may not be so different from us. Without reason and self-awareness, we are no better than Yahoos. Gulliver is considered a Yahoo by the Houyhnhnms at first, just because of his appearance. Later, he tries to prove to them that he is not like a Yahoo in behavior. This was difficult for him to explain because he had to learn the Houyhnhnm language, which took him months to learn. Gulliver considered the Yahoos as a "cursed race" that he wanted to keep away from his guise. The Houyhnhnms eventually understood that, although Gulliver looked like a Yahoo, he did not act like one. Swift wanted Gulliver to realize that he was still similar to a Yahoo to send the message that humans, for all their pride, still have deep flaws such as greed and hypocrisy. The speaker compares Gulliver and the Yahoos to show that when we examine what both truly do, the differences fade, and the similarities—like selfishness and moral weakness—become clear.
Post2)
In Aphra Behn’s Oroonoko, the use of realistic detail, especially in her descriptions of plants, animals, clothing, tattoos, and the environment, serves both to ground the narrative in a believable world and to shape the reader’s perception of colonial encounters. These vivid details are not simply decorative. Instead, they create a sense of immediacy and authenticity that makes the story more engaging while also influencing how readers view the people and places being described.
One of the most striking aspects of Behn’s writing is how she portrays Surinam, the colony where much of the story takes place. She uses lush, sensory language to describe the natural world: “The trees…are always green and always in bloom…The very wood of all the trees has a fragrant smell.” These descriptions show an exotic paradise, but also a space of complexity and unfamiliar beauty. By providing so many concrete details, Behn invites readers into a world that feels real and alive.
This realism also extends to her descriptions of people. When she writes about Oroonoko’s physical appearance and his tattooed body, she uses language that makes him both noble and striking. Behn states, “He had all the sweetness that is peculiar to his great race.” These physical details are used not just to build character, but also to subtly challenge European stereotypes of African people as inferior. Oroonoko is described with admiration and even idealization, which complicates typical colonial narratives.
The effect of all this detail is powerful. Behn’s realism helps humanize her characters, build sympathy, and critique colonial systems. The specific imagery she uses encourages the reader to question power, race, and truth in storytelling. Her use of realistic detail, then, is not just descriptive, it’s political and emotional, shaping how we see both the character of Oroonoko and the world he inhabits
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