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When Society Erases a Woman

Alondra Rivera

English 240

Prof. Cueto

West Coast University

5/6/26

When Society Erases a Woman

Kate Chopin was an American writer of the late nineteenth century who wrote about the inner world of women and the societal restrictions placed upon them. Two of her short stories, The Story of an Hour (1894) and Désirée’s Baby (1892), are literary fiction set in the American South. In The Story of an Hour Louise Mallard is a woman who celebrates the death of her husband, but she dies when her husband comes to life. The story “Désirée's Baby” is the story of Désirée, who is rejected by her husband Armand when the baby turns out to be of mixed race, but the end reveals that Armand is of Black origin. In both “The Story of an Hour” and “Désirée's Baby,” Kate Chopin uses the theme of freedom versus oppression, irony, and symbolism to expose how marriage and patriarchal power destroy women who cannot conform to society's expectations.

The theme of freedom and oppression in both stories demonstrates that marriage in the world of Chopin depersonalizes women, and their happiness fully relies on the will of their husbands. In The Story of an Hour, Louise realizes she can now imagine “no one to live for her during those coming years; she would live for herself” (Chopin, 1894, par. 10), demonstrating just how completely marriage had erased her own sense of self until that moment. Her whisper of “Free! Body and soul free!” confirms that her suppression was all along continuing quietly, as it is written in (Chopin, 1894, par. 11). In Désirée's Baby, Désirée's entire emotional world mirrors Armand's moods: “when he frowned she trembled, but loved him. When he smiled, she asked no greater blessing of God” (Chopin, 1892, par. 14). Her happiness is not hers; it is his. Even at the end, “she had not changed the thin white garment nor the slippers which she wore” (Chopin, 1892), showing how thoroughly marriage had conditioned her out of independent thought or action. Studies on coercive control in intimate relationships show that as the independence and freedom of one party is gradually curtailed, a sense of self is lost over time (Choudhury et al., 2025), a reality that Chopin illustrated in her fiction long before psychology named it.

Dramatic irony is also employed by Chopin in both stories to reveal the difference between social attitudes toward women and the way those women actually live. In The Story of an Hour, “the doctors came and said she had died of heart disease, of joy that kills” (Chopin, 1894), a diagnosis that is far from the truth. Louise died because she lost the freedom she had just found, not because she was happy. The irony is even more pronounced in her private admission: “And yet she had loved him — sometimes. Often she had not. What did it matter” (Chopin, 1894, par. 11), which stands in contrast to society's expectations regarding her grief. In Désirée's Baby, Armand's own mother wrote that she thanked God “that our dear Armand will never know that his mother, who adores him, belongs to the race that is cursed with the brand of slavery” (Chopin, 1892, par 28). The man who destroyed Désirée over race carried that very heritage himself. According to Hassan and Tayib (2020), Chopin's irony is never humorous but is always tragic to reveal the conflicts of a society that expects women to pay for troubles involving men.

The symbolism of setting is another way Chopin reflects the inner worlds of her characters and predetermines their destinies. In The Story of an Hour, Louise sees through the window “the tops of trees that were all aquiver with the new spring life” (Chopin, 1894, par. 5) and “there were patches of blue sky showing here and there through the clouds” (Chopin, 1894), which echo her own fragile, incomplete awakening. In Désirée's Baby, the estate signals doom from the very first paragraph: “big, solemn oaks grew close to it, and their thick-leaved, far-reaching branches shadowed it like a pall” (Chopin, 1892, par. 6), and “the roof came down steep and black like a cowl, reaching out beyond the wide galleries that encircled the yellow stuccoed house” (Chopin, 1892, par. 6). A pall covers a coffin. A cowl evokes a shroud. Chopin makes L'Abri look like a grave before anything bad has happened.

Finally, the criticism of marriage as a social institution is also raised in both stories, as the men have full control over the identity and value of women. Louise describes marriage as having “a powerful will bending hers in that blind persistence with which men and women believe they have a right to impose a private will upon a fellow-creature” (Chopin, 1894). The depth of that control is confirmed by the fact that just a day earlier “she had thought with a shudder that life might be long” (Chopin, 1894); marriage had made her not want to live. In Désirée's Baby, Armand could give her one of the oldest and proudest names in Louisiana" (Chopin, 1892), meaning her entire social identity was borrowed from him. Once this identity is no longer needed, “he no longer loved her, because of the unconscious injury she had brought upon his home and his name” (Chopin, 1892). Her worth was never personal; it was always conditional.

Through the theme of freedom versus oppression, dramatic irony, and the symbolism of setting, Chopin argues in both stories that marriage as a patriarchal institution systematically deprives women of their freedom, with deadly consequences. Chopin's work still resonates because the expectation that women shrink themselves to fit the needs of men did not vanish with her era. Chopin urges readers to disregard the rhetoric of love and tradition and to recognize the true price that women pay when love and tradition are not challenged.

References

Chopin, K. (1892). Désirée’s Baby (pp. 1–4). https://www.katechopin.org/pdfs/desirees-baby.pdf

Chopin, K. (1894). The Story of an Hour. Kate Chopin. https://archive.vcu.edu/english/engweb/webtexts/hour/

Choudhury, A. A., Martland, N., & Luzon, O. (2025). Women’s Experiences of Coercive Control in Intimate Partner Relationships: a Qualitative Systematic Review. Journal of Family Violence. https://doi.org/10.1007/s10896-025-00970-6

Hassan, H., & Kamal, C. (2020, July 2). Irony in Kate Jopin’s Selected Short Stories. https://www.researchgate.net/publication/342643989_Irony_in_Kate_Jopin