Research Essay: Portrayal of China in Western Media
Portrayal of China in Western Media
1. Media formats: many to cover
2. East vs. West; China and West
3. Portrayals, representations, depictions
Media and Communication Studies
• Explore the ways that the various media of communication have an impact on individuals and societies. • One of the key aspects to explore
is media representation.
There are several approaches to the study of media in this way
• For instance, given that the media foster the creation of communities (by enabling belonging through a shared cultural background) we may as well ask how the media sustain these communities.
Ways in which the Media foster Community (Silverstone)
The Media Allow As in
Expression Community building & reflecting, as in cinema, offering a cultural framework for collective identification
Refraction The media also allow a definition of social limits, by showing some transgression of these. Examples: Some rituals, talk shows. These depend on local associations for their meaning.
Compensation The way diasporas use the media to continue living their cultures abroad
And yet…
• We might as well also ask: do the media have an impact on the kind of community that is created in the first place?
• And if so, how? • Deterministic: • Technological improvement determines social
change • Mutually Constitutive:
• The technical apparatus of the mass media are considered to be constitutive rather than merely incidental to the shaping of contemporary social relations
Social Formations & Media In the West:
Past Capitalist Post-industrial
Political Power Theocratic state Secular state Supranational state
Economic power Feudal economy Capitalist economy Service sector, exchange of info.
Main media of communication
Church, ecclesiastical law, clerical education
Institutions and the rule of law; public schools and newspapers
Satellite TV, international agencies, computarised learning; electronic media
Ideology Religion Nationalism Globalisation
Coercion Holy wars Patriotic Wars Ideological wars?
However, media representation is not always about reality…
• Media produces texts which contain certain meaning and are open for interpretation. • Power • Hegemony (conflict theory) • Colonialism, post-colonialism and Orientalism • See some video clips
Videos – China in the News
Is western-centric media theory applicable in China?
• How China is portrayed in Western media? • Does this tell us something about the power
relationship between the East and the West? • Which China is ‘real’ – again, is it an ontological
question? • Are portrayal of China true or fair? • What are their purposes? • How to respond to such portrayal and
representation?
Is western-centric media theory applicable in China?
• How China is portrayed in Western media? • Does this tell us something about the power
relationship between the East and the West? • Which China is ‘real’ – again, is it an ontological
question? • Are portrayal of China true or fair? • What are their purposes? • How to respond to such portrayal and
representation?
Video: Stuart Hall on Media Representation
Is western-centric media theory applicable in China?
• How China is portrayed in Western media? • Does this tell us something about the power
relationship between the East and the West? • Which China is ‘real’ – again, is it an ontological
question? • Are portrayal of China true or fair? • What are their purposes? • How to respond to such portrayal and
representation?
theory features strongly as…
• Theory is necessary to • understand (identifying concepts or variables) • and explain phenomena (identifying causes and
effects)
• It guides our actions • As a sort of ‘map’
Example: Some theories about the Audience
• The audience is a mass of a-critical dupes (the Frankfurt School) • ‘Effects’ study
• The audience consists of empowered, extremely intelligent and discerning individuals, who use the media for their own creative purposes (neo-liberal theories) • Creative consumer, prosumer, participatory culture • How to respond comes under this – subjectivity and
agency How we’ll approach an audience will depend on which
theory we believe is right (or closer)
Example: Some theories about Representation
• Encoding and decoding (Stuart Hall) • Accept, negotiate and reject • https://www.bilibili.com/video/av10646135?from=searc
h&seid=16648466427499077831 • A short video on Stuart Hall’s key thoughts
• (Social) Semiotics
• Critical Discourse Analysis (CDA)
Media can be studied Media to Write on
Audio-Visual Media Digital and Interactive Media
Throughout the Media: Advertising
Media To Write On • From stone and clay tablets…
…to manuscripts, newspapers and magazines
Audio-visual Media • From Film to Television
Fu Manchu; New Amsterdam EP8
Throughout the Media: Advertising
Digital and Interactive Media • The Internet, new (social) media
And the kinds of societies?
From empires And nations
From global To local networks
Date Topic Focus
27 Feb 0. Orientation & testing systems Test Big blue button (BBB), ICE, Platform
5 Mar 1. Introduction Course structure, learning outcomes, etc
12 Mar 2. History: Eight Centuries: A Timeline of Western Contact with China
Scholarship on China; paradigm(s) in China Studies/Sinology
19 Mar 3. Orientalism in Trans Film, M. Butterfly
Cinema; gender and queer theory Sino-philia and Sino-phobia
26 Mar 4. Eastern Approaches to Media and Communication
Theory, media and communication, cultural difference, Cherishing people from afar
2 April 5. Analysing representation through Journalism and Framing
Beijing Olympics in British mass media theory and methodology
9 April 6. Western reception of Chinese cinema
Cinema; reception study; theory and methodology
16 April 7. Reading week Essay writing
First assignment –Essay due 5 pm, 16th April, 2020
Date Topic Focus
23 April 8. The Age of Sinophilia History continues
30 April 9. European Imperialism and the Rise of Sinophobia
Academia and European expansion US and China Trade War
7 May 10. Guest lecture By Dr Hui Miao on Detective Chinatown 唐人街探案 (to be confirmed)
Film studies, formal analysis, etc
14 May 11. Orientalism in Fiction and Non- fiction (to be confirmed)
Novel and academia; Film: The Painted Veil
21 May 12. Chinoiserie and European appropriation of Chinese visual style
Aesthetics, fashion (clothing) and design Ceramics documentary
28 May 13. Orientalism through Cinema – other Asian images
Film: The Last Samurai
4 June 14. Conclusion Media project due in Week 15
Second assignment – Media Project due
5pm, 4 June, 2020