A four pages research paper due tmr.
Sojuyu
weddingtradition.pdf
Translating Chinese Traditional Wedding Semiotics Signs into English [PP: 119-125]
Weny
University of Sumatera Utara
Medan, Indonesia
Prof. Syahron Lubis
Prof. T. Silvana Sinar
Dr. Muhizar Muchtar Department of English Letters, Faculty of Culture Studies
University of Sumatera Utara
Medan, Indonesia
ABSTRACT Chinese traditional wedding is a marriage ceremony established with a pre-arrangement
between families involving a ritual procession. In this respect, this study deals with the semiotics
translation of Chinese traditional wedding signs in the ritual processions located in Medan.The aims of
this research are: to analyse the types of semiotics displayed in the Hokkien Chinese Traditional
Wedding signs, to translate the semiotics of each sign Chinese traditional wedding in Medan realized in
English, and to discuss the cultural value in the semiotics translation of Hokkien Chinese Traditional
Wedding in Medan. The research focuses on the semiotics meanings of Chinese traditional wedding
signs in Medan, North Sumatra, by the community of Hokkien. The study employed a qualitative
research design. Interview and documentations were used as the data collection methods. The research
results showed that: there are thirty signs of Hokkien Chinese Traditional Weddings discussed in this
research consisting of semiotics meanings which influenced and gave an effect to the bride and groom
in their wedding, the tradition that has been practiced consisted of the cultural category of ecology
culture, material culture, social culture, organization culture, gesture, and habit culture in which the
most dominant one was the social culture. Based on these, it was concluded that all of the signs used in
Chinese traditional wedding for the pre-wedding and wedding ritual were in hereditary from generation
to generation, though some modifications had been made. Keywords: Semiotics, Translation, Semiotics Sign, Cultural Category, Chinese Traditional Wedding
ARTICLE
INFO
The paper received on Reviewed on Accepted after revisions on
06/02/2018 02/03/2018 25/04/2018
Suggested citation:
Weny, Lubis, S, Sinar, T. S. & Muchtar, M. (2018). Translating Chinese Traditional Wedding Semiotics Signs
into English. International Journal of English Language & Translation Studies. 6(1). 119-125.
1. Introduction
Chinese traditional wedding is a
ceremonial ritual within Chinese societies
that involve a marriage established by pre-
arrangement between families. Within the
traditional Chinese culture, romantic love
was allowed. A band of musicians with
gongs and double-reed instruments
accompanies the bridal parade to the
groom’s home. Similar music is also played
at the wedding banquet. Depending on the
region from which the bride hails, Chinese
weddings have different traditions such as
the Tea Ceremony or the use of a wedding
emcee. Also, in modern times, Chinese
couples often go to photo studios to take
glamour shots posing in multiple gowns and
various backgrounds.
The study deals with the semiotics
translation of Hokkien Ethnic of Chinese
Traditional Wedding Signs. The research of
this study is an original scientific research
and has rarely been researched before. The
research focuses on the semiotics meanings
of Chinese traditional wedding signs which
was held in Medan, North Sumatra, by the
community of Hokkien and the theories
used“Semiotics Translation’s Theory” by
Roman Jacobson (1959) and Semiotics
Theory by C.S Peirce (1931). The term sign
that used in this research refer to what Peirce
defined about signs take the form of
words, images, sounds, odours, flavours,
acts or objects, but such things have no
intrinsic meaning and become signs only
when we invest them with meaning.
The reason why this title was chosen is
because it is original and has never been
researched in Indonesia before. The
importance of this study is conducted into
International Journal of English Language & Translation Studies (www.eltsjournal.org) ISSN:2308-5460
Volume: 06 Issue: 01 January-March, 2018
Cite this article as: Weny, Lubis, S, Sinar, T. S. & Muchtar, M. (2018). Translating Chinese Traditional Wedding
Semiotics Signs into English. International Journal of English Language & Translation Studies. 6(1). 119-125
Page | 120
some reasons which are discussed as
following:
First, the history of traditional
Chinese’s wedding was over 2,400 years of
tradition and culture, and this have to be
preserved and conserved, so the researcher
dare to research it interms to find what is
the different between the culture of
traditional wedding in China and Indonesia.
In here it is worth to describe about the
Hokkien Chinese’s traditional wedding
systemization of apparently pre-existing
elements of traditional Hokkien Chinese’s
wedding ceremony because Hokkien
Chinese is the most dominant in Medan
City, Indonesia.
Second, the explanation about the
ceremony and the wedding in Chinese’s
tradition that remained constant were
the chief objectives are to joining and
enhancing the two families and ensuring
succession with numerous descendants.
Reverence to parents and ancestors, omens
to encourage fertility and wealth, financial
and social obligations contracted by both
families at the betrothal, extensive gift
giving etiquette, and the bride’s
incorporation into her husband’s family are
recurring elements. The interesting part is
the wedding signs that they used in this
wedding to be representing or be standing
for another to enhance the meaning of this
wedding culture especially in their dowry.
Third, the findings of this research
have gave significant contribution to the
society especially the Chinese in Indonesia
which had mixed the culture and made
change in the global society.
Fourth, the findings of this research
have given contribution to the society in
order that they can maintain the culture
documentation that describes the context
situation which contained of the social
relationship among the tenors such as the
relation between the speaker and the listener
in accordance with the field being involved
to determine the mode which is selected
based on the paradigmatic relation of
semiotics theory features. It also describes
that culture context variables such as
purpose out-goal and out-come, belief, hope
and the context of ideology seen as a set of
instutional frames which govern the social
behavior of the society in their
communicative interaction.
The research was based on signs as
Sources Text (ST) and the Target Text (TT)
to the meaning in English and it is
categorized as an uncovered area in field of
translation studies. A research that
conducted on the translation of a cultural
text based on the meaning-based translation
method had been done by Lubis (2009). It is
different from the translation of the ideology
meaning from the ST into the TT,
meanwhile the writer research is
concentrated on the signs meaning of
wedding in Chinese traditional wedding.
Fifth, the translation of the signs of
the Chinese traditional wedding into English
is interesting and could enrich the
knowledge of the reader in knowing more
about semiotics, culture, meaning and sign.
Therefore, this research was conducted
entitled “Translating of Chinese Semiotics
Traditional Wedding Signs into English”.
This research is about the signs of
Chinese Traditional Wedding in Medan. The
study focused on the semiotics signs used in
the prewedding and wedding day and the
research applied the theory of an Semiotics
Translation by Roman Jacobson (1959) and
the semiotics theory by Charles Sanders
Peirce (1931).
Based on the background of the study
above, the problems are formulated as the
following:
1. What semiotics sign are displayed in Chinese traditional wedding in Medan?
2. How is the semiotics of sign Chinese traditional wedding sign in Medan
realized in English?
3. How is the cultural value of each sign Chinese traditional wedding in Medan?
In accordance with the problems of the
study, the objectives of this research are:
a) to identify the types of semiotics sign displayed in the Chinese Traditional
Wedding,
b) to describe the semiotics of Chinese traditional wedding sign in Medan
realized in English, and
c) to describe the cultural value in the semiotics translation of Chinese
Traditional Wedding in Medan.
The findings of the study are expected
theoretically and practically to give more
contributions in translation research for
students.
1. Theoretically, findings of the study can add up new horizon to theories of
cultural studies. In addition, the findings
can become references for further
researches.
2. Practically, findings of the study become some sort of guidelines for the teachers,
lecturers, readers who are directly in
charge in this area, in order to able to
guide their students and for the society to
know more about the meaning of
Translating Chinese Traditional Wedding Semiotics … Weny, Syahron Lubis, T. Silvana Sinar & Muhizar Muchtar
International Journal of English Language & Translation Studies (www.eltsjournal.org) ISSN:2308-5460
Volume: 06 Issue: 01 January-March, 2018
Page | 121
Chinese Traditional Wedding Semiotics
signs.
This study is focused on signs of
Hokkien Ethnic of Chinese Traditional
Wedding in Medan. The data is limited to
the 30 signs that used on the wedding in
Chinese traditional wedding.
2. Literature Review
Western culture attracts Chinese
people’s attention unprecedentedly for
China is becoming more open. For the rapid
development of economy, Chinese people
need to cooperate with westerners more
frequently. It becomes particularly important
for Chinese people to learn more about
western countries’ culture in their
communication. In this respect a research
was done by Guo and Wang (2016). It
mainly focused on Chinese traditional
marriage customs and western countries’
marriage customs especially that of the
United States. Though the research, different
marriage customs were demonstrated and
helped people to learn more about them. The
paper attempted to show marriage customs
of China and the US and analyzed the
reasons of their marriage forms through
contrasting their differences through
comparative analysis between Chinese
traditional marriage customs and
American’s marriage customs. From that, it
was concluded that traditional culture played
a leading role in them like in marriage
values and religion.
In another study by Hassanabaidi and
Heidari (2014) titled “The Effect of
Semiotics Translation on Vocabulary
Learning”, it was asserted that culture is
changing towards modality and mixture of
media is invented and used in favour of
daily needs. Visual advertisements
accompanied by words, texts mixed with
visual means of communication in children’s
picture books, motion pictures mixed with
audio or even with written means of
communication in cartoons or movies, are
the least examples of the mixture of media
or multimodality. To study the significance
of the recent convictions in the application
of multimodal tools in teaching
vocabularies, the present study set out to
investigate the extent of vocabulary learning
within two different environments: audio-
visual signs accompanied by semiotics
translation (subtitles) versus audio-visual
signs (no subtitles). Elementary level
Participants watched the two different
versions of The Lorax, a famous cartoon in
Iran. To evaluate the effect of each set of
signs on their vocabulary learning,
participants were required to answer three
levels of questions. The obtained results
were analysed using paired sample t-test.
The results revealed a better performance of
the group who received subtitles.
For the ease of students’ vocabulary
learning, the gateway into language
acquisition, modality is the most common
attended strategy in the rapid changing
culture. The effect of various types of
modality on vocabulary learning has been
investigated by different scholars. Although
all of their gained results agreed with using
subtitles in favour of vocabulary learning,
outcome of the present study did not support
it. The result indicated that the VA
participants performed better in comparison
with the VAS group. As mentioned in the
discussion part, factors such as low reading
speed, level of language proficiency, and the
distracting effects of subtitles might be
effective in the related results of the research.
The study had its own limitations especially
in collecting relevant data from language
institutes which embraced a few number of
students and had their particular managing
rules. Therefore, the result of the study
needed to be generalized with more
participants.
3. Methodology
3.1 The Research Design
This study employed a qualitative
research design. According to Bogdan and
Biklen (1992:52), the design used in the
research refers to the researchers’ plan of
how to proceed. Design decisions are made
throughout the study – at the end as well as
the beginning. Further, a qualitative research
has five features, namely having natural
setting and making the researcher as the key
instrument, using descriptive words,
concerning with process rather than simply
with products, analyzing data inductively
and having meaning as the essential concern.
So, based on this definition, the way in
which this study conducted followed these
signs quoted.
3.2 The Corpus of the Study
In this study, the subject of research is
the signs of Chinese traditional wedding in
Medan. The data of the ST in this research
were 30 signs which are take part in Chinese
traditional wedding. The 30 signs were
described then its meanings were found into
English by interviewing several informants.
There were two ladies aged 53 years old and
76 years old respectively and are known as
the experts in this field. The questions were
International Journal of English Language & Translation Studies (www.eltsjournal.org) ISSN:2308-5460
Volume: 06 Issue: 01 January-March, 2018
Cite this article as: Weny, Lubis, S, Sinar, T. S. & Muchtar, M. (2018). Translating Chinese Traditional Wedding
Semiotics Signs into English. International Journal of English Language & Translation Studies. 6(1). 119-125
Page | 122
written and the interviews were recorded for
the further analysis. The wedding
ceremonies were randomly selected from
2012 to 2017.
3.3 The Data Collection Methods
Ghony and Almanshur (2012:164)
explained that data collection in qualitative
research can be done by using natural
condition technique, primary data source,
and more on participation observation, deep
interview, and documentation technique.
For collecting sufficient data,
interview and documentation study were
used as the data collection method. Type of
the interview method used is semi-structured
interview. Sugiyono (2010) has explained
that there are some types of interviews:
a) Structured interview: structured interview is used as a data collection
technique if a data collector knows well
what information that will be gained.
b) Semi structured interview: this interview type is categorized as in-depth interview,
because it is more flexible than
structured interview.
c) Unstructured interview: it is an interview where the data collector does not use any
systematic interview guides. In
unstructured interview, it is not sure
about what data which will be gained.
The research used structured interview
method. According to Moleong (2010:190),
“structured interview is an interview where
the interviewer determines itself the
problems and the questions that will be
asked.”
Faisal (in Sugiyono, 2010) explained
that samples as data sources or as informants
are better to fulfil the following criteria:
a) Those who master or understand something through the enculturation
process so it does not only about know;
but it is also about carrying out.
b) Those who are still involved in the research activity.
c) Those who have adequate time to be asked information.
d) Those who do not tend to give information from their own “package”.
e) Those who are strange in the first so that the researcher feels more enthusiasm to
take them as informants.
3.4 The Data Collection
In collecting the data, this study used
naturalistic method by observing, recording,
taking notes and interviewing. While data
collection, pictures and wedding related
books were utilised. This is because of the
fact that the subject of this research is the
signs in Chinese with focus on the dowry in
the traditional wedding.
Source: Miles, Huberman, and Saldana (2014)
4. Data Analysis & Findings
4.1 The Analysis of the Data
The data description and analysis is
the process of systematically searching and
arranging the observation transcripts, and
translation of the signs and items. In this
activity, field notes and other materials
accumulated from the interview transcript
were used for own understanding and then
were translated into English. The
information about Chinese traditional
wedding ceremony which involved the
families were described and analyzed to find
the essential meanings of the semiotics, the
inter semiotics, and the culture category.
The analysis consisted of concurrent flows
of activity namely data condensation, data
display and conclusion drawing/verifying.
The data was collected directly from the
field and from the information gained from
the informants.
The 30 signs discussed in this research
are: sangjit (Chinese wedding ceremony),
praying to god and ancestors, tea ceremony
on wedding day, eating egg on wedding day,
cutting the wedding cake, the wedding
basket, dragon and phoenix, the character of
shuāng xǐ (double happiness), wedding
invitation card, angpau (red pocket or red
envelope), style frock (cheongsam), tea set
for tea ceremony, wedding oranges, wedding
eggs, misua (floor noodles) wedding wine,
Chinese wedding lamp, Chinese wedding
comb, Chinese wedding incense, Chinese
wedding pineapples, wedding sandals,
wedding flowers/bouquet of flowers,
wedding dates and longan (dragon) wedding
jewellery, wedding cake, Buddha maitreya
statue, bride and groom prostated infront of
altar, matrimony invocation and wedding
ring exchange.
4.2 Findings
After analyzing the data, the findings
were obtained which are listed below-
1. It was found that the 30 signs of Chinese traditional weddings discussed in this
research consisted of semiotics meanings
Translating Chinese Traditional Wedding Semiotics … Weny, Syahron Lubis, T. Silvana Sinar & Muhizar Muchtar
International Journal of English Language & Translation Studies (www.eltsjournal.org) ISSN:2308-5460
Volume: 06 Issue: 01 January-March, 2018
Page | 123
which influenced and gave an effect to
the bride and groom in their wedding.
The bride and groom were expected to
follow the signs on the wedding as it has
been tradition for many years.
2. The 30 signs of the Chinese traditional wedding showed the relation in
semiotics translation theory by
discovering the signs’ meanings into
semiotics meanings.
To begin with the engagement, after
an unmarried boy’s parents found a potential
daughter-in-law, they located a matchmaker
whose job was to assuage the conflict of
interests and general embarrassments when
discussing the possibility of marriage on the
part of two families largely unknown to each
other. The groom’s family would then send
an elaborate array of food, cakes, and
religious items to the bride’s family.
Before the wedding ceremony, two
families would arrange a wedding day
according to Chinese tung sing. Selecting an
auspicious day to assure a good future for
the couple is as important as avoiding what
is believed to be an unlucky day. In some
cases there may be no auspicious dates and
the couple will have to review their potential
date range. The final ritual would be the
actual wedding ceremony where bride and
groom become a married couple.
5. Discussion
The visual text is related to the
analysis of narrative structures of an image.
This involved the use of elements in an
image to tell a story or illustrate or explain a
causal process that take place over time. The
first thing we need to do when looking for
narrative values in an image is to identify
the participants and the processes.
Marriage in Hokkien, linked two
people who had been appointed by God as
their soul mate. Their declaration as husband
and wife is done in front of Buddhist priest
traditionally at a religious ritual. This means
a marriage is a worship of God throughout
life that must be kept pure because they
must continue their generation by giving
birth to children. The marriage tradition of
Hokkien society is very semiotic. Icons,
indexes and symbols give a harmonious
meaning between the cultural values that the
Hokkien society has agreed upon with the
moral values derived from human mind.
Icons, indexes and symbols provide an
abstract aesthetic cultural mark through
various ornaments, clothing, motion, and
background. Therefore, the values
mentioned above must remain alive with the
community as it is still used today as a
feature of Chinese mandarin ethnicity. The
moral values in this marriage tradition are
illustrated by the sincerity of the two pairs of
brides who each receive their marital ties
honestly. As its realization in the next life,
they should not hurt each other. They must
improve the quality of their love in order to
survive in the face of obstacles and
challenges.
The cultural values of Hokkien
marriage tradition also need to be
maintained because the rituals and cultural
traditions are the ancestral heritage of the
Chinese people. The reddish ornaments of
the garments, the tradition of drinking tea,
are all made to signify that both brides are
back and forth and the various events in the
world that guide their lives. Aesthetic value
is closely related to cultural values, because
the varieties of cultural ornaments become
the whole set in the cultural context of the
text of marriage.
The marriage tradition of Hokkien
society contains local wisdom that depicts
the sacred ties of male and female couples
who maintain the honor and sacred
relationship between the bride and groom.
Besides local wisdom in unifying two big
families harmoniously between mother,
father, aunt, uncle, grandmother grandfather,
nieces, nephew and cousins from two sides
of the family. Revitalization in the Hokkien
marriage tradition continues to occur every
decade, since the Buddhist tradition is
inherited from the older generation to the
new. This cultural heritage shifts due to
other cultural influences. What happens to
the Hokkien community in Medan is
different from the Chinese mainland. In
Medan, Hokkien marriage traditions already
behave with the nuances of the process of
tradition in the field are no longer exactly
the same with the tradition in mainland
China. This tradition needs to be a
customary preservation that also needs to be
studied academically in universities and
developed by local governments as a
tourism industry.
This tradition remains relevant to the
present and becomes a lifestyle of the
present community of Hokkiens in Medan.
As a cultural heritage, the Hokkien young
people also need to understand their own
culture tradition and the understanding of
Hokkien culture will expand their
knowledge of their traditions.
To sum up, it is hoped that this
research will lead to the compilation of a
International Journal of English Language & Translation Studies (www.eltsjournal.org) ISSN:2308-5460
Volume: 06 Issue: 01 January-March, 2018
Cite this article as: Weny, Lubis, S, Sinar, T. S. & Muchtar, M. (2018). Translating Chinese Traditional Wedding
Semiotics Signs into English. International Journal of English Language & Translation Studies. 6(1). 119-125
Page | 124
book of marriage tradition that combines
ritual, social, values, norms, aesthetics and
local wisdom of Hokkien society in Medan
related to the semiotic visual analysis of text
and the descriptions of the ceremony as well
as the revitalization of the sign of items and
the change of its values.
6. Conclusions
After analyzing the data of signs in
Chinese Traditional Wedding, the
conclusions of this research are:
Semiosis signs that are displayed in
Chinese Traditional Wedding in Medan
symbolized asa ritual that represents the
couple’s transition into adulthood which
showed respect to the God and Ancestors. It
is also a sign of respect, for a family
gathering, to apologize, to express thanks to
your elders on one’s wedding day in order to
connect large families on the wedding days
and the rest of their lives as a blissful union.
It also shows a respect and gratitude, wealth,
and the Cheongsam reflecting an upper class
traditional wedding dress for woman in
China. The signs are also symbolized as
good luck, fertility, longevity in Chinese
culture, and cleanliness. The Chinese’s
wedding lamp is symbolized as the burning
love of the wedding couple and addition of
sons to the family. Then, the wedding cake
is symbolized as the beginning of life as
husband and wife.
The semiotics of Chinese traditional
wedding signs in Medan are realized in
English in various ways. For example,
Sangjit has meaning of engagement,
wedding basket symbolizes a home to fill
furniture and goods, dragon and phoenix
symbolizes a blissful union, the Character of
Shuāng Xǐ: double happiness for bride and
groom, wedding invitation card symbolizes
a respect, angpao symbolizes wealth,
oranges symbolizes good luck, wedding
eggs symbolizes fertility, misua symbolizes
longevity in Chinese culture, incense
symbolizes respect to God and ancestors,
pineapples as the symbol to accumulate the
wealth in business and homes, etc.
The cultural category in the semiotics
translation of Chinese Traditional Wedding
in Medan consists of: ecology culture,
material culture, social culture, organization
culture, gesture and habit culture. Ecology
culture can be seen in Sangjit, Chinese
wedding combing ceremony, praying to God
and ancestors, tea ceremony, eating egg on
wedding day, wedding basket, wedding
invitation card, red pocket, cheongsam,
wedding oranges, wedding eggs, Chinese
wedding comb, Chinese wedding incense,
Chinese wedding pineapples, wedding
sandals, wedding flowers, wedding dates
and longan.Material culture can be seen
inSangjit, Chinese wedding combing
ceremony, praying to God and ancestors, tea
ceremony, eating egg on wedding day,
cutting wedding cake,cheongsam, wedding
oranges, wedding eggs, misua, wedding
wine, Chinese wedding pineapples, wedding
sandals, wedding dates and longan, wedding
cake.Social culture can be seen inSangjit,
Chinese wedding combing ceremony,
praying to God and ancestors,tea ceremony
on wedding day, eating egg on wedding day,
cutting the wedding cake, the wedding
basket, dragon and phoenix, the character of
Shuāng Xǐ, wedding invitation card, angpau,
cheongsam, tea set for tea ceremony,
wedding oranges, wedding eggs, misua,
wedding wine, Chinese wedding lamp,
Chinese wedding comb, Chinese wedding
incense, Chinese wedding pineapples,
wedding sandals, wedding flowers/bouquet
of flowers, wedding dates and longan, and
wedding jewelry, and wedding cake.
Organization culture can be seen in praying
to God and ancestors, dragon and phoenix.
Gesture and habit culture can be seen in tea
ceremony on wedding day, wedding
invitation card, and wedding jewelry.
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