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Today, we will focus on music by looking at the feminist critique of rock music and the way that other genres of music, especially disco, pop, and country, opened up new spaces where women could critique their relationships with men and develop new forms of identity outside the bounds of motherhood.  To help us understand both the late 60s/early 70s critique of rock and the connection to contemporary music, I would like you to skim an academic article about black feminism and hip hop and read the article from a radical white feminist about rock music.