Paper2——750 Words
moernn91
stokstad_ch21_assets.pptLeonardo da Vinci THE VIRGIN OF THE ROCKS
c. 1485. Oil on wood panel (now transferred to canvas),
6'6" × 4' (1.9 × 1.2 m). Musée du Louvre, Paris. [Fig. 21-02]
Scale Comparison: Leonardo da Vinci, The Virgin of the Rocks
Leonardo da Vinci THE VIRGIN OF THE ROCKS
c. 1485. Oil on wood panel (now transferred to canvas), 6'6" × 4' (1.9 × 1.2 m).
Musée du Louvre, Paris. [Fig. 21-02]
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Leonardo da Vinci THE LAST SUPPER
Refectory of the monastery of Santa Maria delle Grazie, Milan, Italy. 1495-1498. Tempera and oil on plaster,
15'2" × 28'10" (4.6 × 8.8 m). [Fig. 21-03]
Video: Church and Dominican Convent of Santa Maria delle Grazie with The Last Supper
Scale Comparison: Leonardo da Vinci, The Last Supper
Leonardo da Vinci THE LAST SUPPER
Refectory of the monastery of Santa Maria delle Grazie, Milan, Italy. 1495-1498.
Tempera and oil on plaster, 15'2" × 28'10" (4.6 × 8.8 m). [Fig. 21-03]
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Leonardo da Vinci MONA LISA
c. 1503-1506. Oil on wood panel, 30-1/4" × 21"
(77 × 53 cm). Musée du Louvre, Paris. (INV. 779) [Fig. 21-05]
Scale Comparison: Leonardo da Vinci, Mona Lisa
Web Resource: A Closer Look at Mona Lisa
Closer Look: Leonardo da Vinci, Mona Lisa
Leonardo da Vinci, from his undated manuscripts
Leonardo da Vinci MONA LISA
c. 1503-1506. Oil on wood panel, 30-1/4" × 21" (77 × 53 cm).
Musée du Louvre, Paris. (INV. 779) [Fig. 21-05]
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Raphael THE SMALL COWPER MADONNA
c. 1505. Oil on wood panel, 23-3/8" × 17-3/8"
(59.5 × 44.1 cm). National Gallery of Art, Washington, DC. Widener Collection (1942.9.57) [Fig. 21-07]
Scale Comparison: Raphael, The Small Cowper Madonna
Raphael THE SMALL COWPER MADONNA
c. 1505. Oil on wood panel, 23-3/8" × 17-3/8" (59.5 × 44.1 cm).
National Gallery of Art, Washington, DC. Widener Collection (1942.9.57) [Fig. 21-07]
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A CLOSER LOOK: The School of Athens
by Raphael, fresco in the Stanza della Segnatura, Vatican, Rome. c. 1510-1511. 19' × 27' (5.79 × 8.24 m).
Scale Comparison: Raphael, The School of Athens
Closer Look: Raphael, The School of Athens
A CLOSER LOOK: The School of Athens
by Raphael, fresco in the Stanza della Segnatura, Vatican, Rome.
c. 1510-1511. 19' × 27' (5.79 × 8.24 m).
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Michelangelo PIETÀ
c. 1500. Marble, height 5'8-1/2" (1.74 m).
St. Peter's, Vatican, Rome. [Fig. 21-09]
Michelangelo Interprets the Vatican Pietà
Closer Look: Michelangelo, Pietà
Giorgio Vasari on the Life of Michelangelo
Scale Comparison: Michelangelo, Pietà
Michelangelo PIETÀ
c. 1500. Marble, height 5'8-1/2" (1.74 m).
St. Peter's, Vatican, Rome. [Fig. 21-09]
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Michelangelo DAVID
1501-1504. Marble, height 17' (5.18 m) without pedestal.
Galleria dell'Accademia, Florence. [Fig. 21-10]
Scale Comparison: Michelangelo, David
Michelangelo DAVID
1501-1504. Marble, height 17' (5.18 m) without pedestal.
Galleria dell'Accademia, Florence. [Fig. 21-10]
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Michelangelo SISTINE CHAPEL CEILING WITH DIAGRAM IDENTIFYING SCENES
1508-1512. Fresco. [Fig. 21-12a]
Architectural Panorama: Sistine Chapel Ceiling
Michelangelo SISTINE CHAPEL CEILING WITH DIAGRAM IDENTIFYING SCENES
1508-1512. Fresco. [Fig. 21-12a]
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Michelangelo CREATION OF ADAM, SISTINE CHAPEL CEILING
1511-1512. Fresco, 9'2" × 18'8" (2.8 × 5.7 m). [Fig. 21-13]
Scale Comparison: Michelangelo, Creation of Adam, Sistine Chapel Ceiling
Michelangelo CREATION OF ADAM, SISTINE CHAPEL CEILING
1511-1512. Fresco, 9'2" × 18'8" (2.8 × 5.7 m). [Fig. 21-13]
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Raphael and assistants CARTOON FOR TAPESTRY PORTRAYING
CHRIST'S CHARGE TO PETER
c. 1515-1516. Distemper on paper (now transferred to canvas), 11'1" × 17'4" (3.4 × 5.3 m). Lent by Her Majesty the Queen to the Victoria & Albert Museum, London. [Fig. 21-15]
Scale Comparison: Cartoon for Tapestry Portraying Christ’s Charge to Peter
Raphael and assistants CARTOON FOR TAPESTRY PORTRAYING
CHRIST'S CHARGE TO PETER
c. 1515-1516. Distemper on paper (now transferred to canvas),
11'1" × 17'4" (3.4 × 5.3 m).
Lent by Her Majesty the Queen to the Victoria & Albert Museum, London. [Fig. 21-15]
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Michelangelo TOMB OF GIULIANO DE' MEDICI WITH ALLEGORICAL FIGURES OF NIGHT AND DAY
New Sacristy (Medici Chapel), church of San Lorenzo, Florence. 1519-1534. Marble, height of seated figure approx. 5'10" (1.8 m). [Fig. 21-17]
Scale Comparison: Tomb of Giuliano de’ Medici with Allegorical Figures of Night and Day
Michelangelo TOMB OF GIULIANO DE' MEDICI WITH ALLEGORICAL FIGURES OF NIGHT AND DAY
New Sacristy (Medici Chapel), church of San Lorenzo, Florence. 1519-1534.
Marble, height of seated figure approx. 5'10" (1.8 m). [Fig. 21-17]
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Michelangelo VESTIBULE OF THE LAURENTIAN LIBRARY
Church of San Lorenzo, Florence.
Begun 1524; stairway designed 1550s. [Fig. 21-18]
Architectural Panorama: Church of San Lorenzo
Michelangelo VESTIBULE OF THE LAURENTIAN LIBRARY
Church of San Lorenzo, Florence.
Begun 1524; stairway designed 1550s. [Fig. 21-18]
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Donato Bramante IL TEMPIETTO, CHURCH OF SAN PIETRO IN MONTORIO
Rome. 1502-1510; dome and lantern were restored in the 17th century. [Fig. 21-19]
Architectural Panorama: Tempietto, San Pietro in Montorio
Video: Students on Site: The Tempietto
Donato Bramante IL TEMPIETTO, CHURCH OF SAN PIETRO IN MONTORIO
Rome. 1502-1510; dome and lantern were restored in the 17th century. [Fig. 21-19]
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ART AND ITS CONTEXTS: St. Peter's Basilica
Video: Saint Peter’s Basilica
Architectural Simulation: St. Peter’s Basilica
Web Resource: St. Peter’s Basilica
ART AND ITS CONTEXTS: St. Peter's Basilica
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Giulio Romano COURTYARD FAÇADE, PALAZZO DEL TÈ, MANTUA
1527-1534. [Fig. 21-20]
Video: Students on Site: Palazzo Tè
Giulio Romano COURTYARD FAÇADE, PALAZZO DEL TÈ, MANTUA
1527-1534. [Fig. 21-20]
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Correggio ASSUMPTION OF THE VIRGIN
Main dome, interior, Parma Cathedral, Italy. c. 1526-1530.
Fresco, diameter of base of dome approx. 36' (11 m).
[Fig. 21-22]
Closer Look: Correggio, Assumption of the Virgin
Correggio ASSUMPTION OF THE VIRGIN
Main dome, interior, Parma Cathedral, Italy. c. 1526-1530.
Fresco, diameter of base of dome approx. 36' (11 m). [Fig. 21-22]
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Properzia de' Rossi JOSEPH AND POTIPHAR'S WIFE
Cathedral of San Petronio, Bologna. 1525-1526.
Marble, 1'9" × 1'11" (54 × 58 cm).
Museo de San Petronio, Bologna. [Fig. 21-23]
Scale Comparison: Properzia de’ Rossi, Joseph and Potiphar’s Wife
Properzia de' Rossi JOSEPH AND POTIPHAR'S WIFE
Cathedral of San Petronio, Bologna. 1525-1526.
Marble, 1'9" × 1'11" (54 × 58 cm).
Museo de San Petronio, Bologna. [Fig. 21-23]
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Giorgione THE TEMPEST
c. 1506. Oil on canvas, 32" × 28-3/4" (82 × 73 cm).
Galleria dell'Accademia, Venice. [Fig. 20-24]
Closer Look: Giorgione, The Tempest
Giorgio Vasari, Giorgione from Lives of the Artists
Giorgione THE TEMPEST
c. 1506. Oil on canvas, 32" × 28-3/4" (82 × 73 cm).
Galleria dell'Accademia, Venice. [Fig. 20-24]
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Giorgione or Titian THE PASTORAL CONCERT OR ALLEGORY ON THE INVENTION OF PASTORAL POETRY
c. 1510. Oil on canvas, 41-1/4" × 54-3/4" (105 × 136.5 cm).
Musée du Louvre, Paris. [Fig. 21-25]
Scale Comparison: Giorgione or Titian, Pastoral Concert
Closer Look: Giorgione or Titian, Pastoral Concert
Giorgione or Titian THE PASTORAL CONCERT OR ALLEGORY ON THE INVENTION OF PASTORAL POETRY
c. 1510. Oil on canvas, 41-1/4" × 54-3/4" (105 × 136.5 cm).
Musée du Louvre, Paris. [Fig. 21-25]
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Titian PESARO MADONNA
1519-1526. Oil on canvas, 16' × 8'10" (4.9 × 2.7 m).
Side-aisle altarpiece, Santa Maria Gloriosa dei Frari, Venice. [Fig. 21-26]
Scale Comparison: Titian, Pesaro Madonna
Giorgio Vasari, Titian from Lives of the Artists
Titian PESARO MADONNA
1519-1526. Oil on canvas, 16' × 8'10" (4.9 × 2.7 m).
Side-aisle altarpiece, Santa Maria Gloriosa dei Frari, Venice. [Fig. 21-26]
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Titian ISABELLA D'ESTE
1534-1536. Oil on canvas, 40-1/8" × 25-3/16"
(102 × 64.1 cm). Kunsthistorisches Museum, Vienna.
[Fig. 21-27]
Scale Comparison: Titian, Isabella d’Este
Titian ISABELLA D'ESTE
1534-1536. Oil on canvas, 40-1/8" × 25-3/16" (102 × 64.1 cm).
Kunsthistorisches Museum, Vienna. [Fig. 21-27]
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Titian "VENUS" OF URBINO
c. 1538. Oil on canvas, 3'11" × 5'5" (1.19 × 1.65 m).
Galleria degli Uffizi, Florence. [Fig. 21-28]
Scale Comparison: Titian, “Venus” of Urbino
Titian "VENUS" OF URBINO
c. 1538. Oil on canvas, 3'11" × 5'5" (1.19 × 1.65 m).
Galleria degli Uffizi, Florence. [Fig. 21-28]
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Pontormo DEPOSITION
Altarpiece in Capponi Chapel, church of Santa Felicità, Florence. 1525-1528. Oil and tempera on wood panel,
10'3" × 6'4" (3.1 × 1.9 m). [Fig. 21-30]
Scale Comparison: Pontormo, Deposition
Pontormo DEPOSITION
Altarpiece in Capponi Chapel, church of Santa Felicità, Florence. 1525-1528.
Oil and tempera on wood panel, 10'3" × 6'4" (3.1 × 1.9 m). [Fig. 21-30]
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Parmigianino MADONNA OF THE LONG NECK
1534-1540. Oil on wood panel, 7'1" × 4'4" (2.16 × 1.32 m).
Galleria degli Uffizi, Florence. [Fig. 21-31]
Scale Comparison: Parmigianino, Madonna of the Long Neck
Parmigianino MADONNA OF THE LONG NECK
1534-1540. Oil on wood panel, 7'1" × 4'4" (2.16 × 1.32 m).
Galleria degli Uffizi, Florence. [Fig. 21-31]
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Bronzino PORTRAIT OF ELEONORA OF TOLEDO AND HER SON GIOVANNI DE' MEDICI
1545. Oil on wood panel, 45-1/4" × 37-3/4" (115 × 96 cm).
Galleria degli Uffizi, Florence. [Fig. 21-32]
Scale Comparison: Bronzino, Portrait of Eleonora of Toledo and her Son Giovanni de’ Medici
Bronzino PORTRAIT OF ELEONORA OF TOLEDO AND HER SON GIOVANNI DE' MEDICI
1545. Oil on wood panel, 45-1/4" × 37-3/4" (115 × 96 cm).
Galleria degli Uffizi, Florence. [Fig. 21-32]
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Bronzino ALLEGORY WITH VENUS AND CUPID
Mid 1540s. Oil on panel, 57-1/2" × 46" (1.46 × 1.16 m).
National Gallery, London. Reproduced by courtesy of the Trustees of the National Gallery, London [Fig. 21-33]
Scale Comparison: Bronzino, Allegory with Venus and Cupid
Closer Look: Bronzino, Allegory with Venus and Cupid
Bronzino ALLEGORY WITH VENUS AND CUPID
Mid 1540s. Oil on panel, 57-1/2" × 46" (1.46 × 1.16 m).
National Gallery, London. Reproduced by courtesy of the Trustees of the National Gallery, London [Fig. 21-33]
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Sofonisba Anguissola SELF-PORTRAIT
c. 1552. Oil on parchment on cardboard, 3-1/4" × 2-1/2"
(8.3 × 6.4 cm). Museum of Fine Arts, Boston. Emma F. Munroe Fund 60.155 [Fig. 21-34]
Scale Comparison: Sofonisba Anguissola, Self-Portrait
Sofonisba Anguissola SELF-PORTRAIT
c. 1552. Oil on parchment on cardboard, 3-1/4" × 2-1/2" (8.3 × 6.4 cm).
Museum of Fine Arts, Boston. Emma F. Munroe Fund 60.155 [Fig. 21-34]
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Lavinia Fontana NOLI ME TANGERE
1581. Oil on canvas, 47-3/8" × 36-5/8" (120.3 × 93 cm).
Galleria degli Uffizi, Florence. [Fig. 21-35]
Scale Comparison: Lavinia Fontana, Noli Me Tangere
Lavinia Fontana NOLI ME TANGERE
1581. Oil on canvas, 47-3/8" × 36-5/8" (120.3 × 93 cm).
Galleria degli Uffizi, Florence. [Fig. 21-35]
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Benvenuto Cellini SALTCELLAR OF KING FRANCIS I OF FRANCE
1540-1543. Gold and enamel, 10-1/2" × 13-1/8" (26.67 × 33.34 cm). Kunsthistorisches Museum, Vienna. [Fig. 21-36]
Scale Comparison: Cellini, Saltcellar of King Francis I of France
Benvenuto Cellini, from The Autobiography – Artists on Art
Benvenuto Cellini SALTCELLAR OF KING FRANCIS I OF FRANCE
1540-1543. Gold and enamel, 10-1/2" × 13-1/8" (26.67 × 33.34 cm).
Kunsthistorisches Museum, Vienna. [Fig. 21-36]
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Giambologna THE CAPTURE OF A SABINE WOMAN
1581-1582. Marble, height 13'6" (4.1 m).
Loggia dei Lanzi, Florence. [Fig. 21-37a]
Scale Comparison: Giambologna, The Capture of a Sabine Woman
Giambologna THE CAPTURE OF A SABINE WOMAN
1581-1582. Marble, height 13'6" (4.1 m).
Loggia dei Lanzi, Florence. [Fig. 21-37a]
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Giambologna THE CAPTURE OF A SABINE WOMAN
1581-1582. Marble, height 13'6" (4.1 m).
Loggia dei Lanzi, Florence. [Fig. 21-37b]
Scale Comparison: Giambologna, The Capture of a Sabine Woman
Closer Look: Giambologna, The Capture of a Sabine Woman
Giambologna THE CAPTURE OF A SABINE WOMAN
1581-1582. Marble, height 13'6" (4.1 m).
Loggia dei Lanzi, Florence. [Fig. 21-37b]
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Michelangelo LAST JUDGMENT, SISTINE CHAPEL
1536-1541. Fresco, 48' × 44' (14.6 × 13.4 m). [Fig. 21-38]
Michelangelo the Poet – Artists on Art
Michelangelo LAST JUDGMENT, SISTINE CHAPEL
1536-1541.
Fresco, 48' × 44' (14.6 × 13.4 m). [Fig. 21-38]
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Veronese FEAST IN THE HOUSE OF LEVI
From the refectory of the monastery of SS. Giovanni e Paolo, Venice. 1573. Oil on canvas, 18'3" × 42' (5.56 × 12.8 m).
Galleria dell'Accademia, Venice. [Fig. 21-41]
From a Session of the Inquisition Tribunal in Venice of Paolo Veronese
Scale Comparison: Veronese, Feast in the House of Levi
Closer Look: Veronese, Feast in the House of Levi
Veronese FEAST IN THE HOUSE OF LEVI
From the refectory of the monastery of SS. Giovanni e Paolo, Venice. 1573.
Oil on canvas, 18'3" × 42' (5.56 × 12.8 m).
Galleria dell'Accademia, Venice. [Fig. 21-41]
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Tintoretto THE LAST SUPPER
Church of San Giorgio Maggiore, Venice. 1592-1594.
Oil on canvas, 12' × 18'8" (3.7 × 5.7 m). [Fig. 21-42]
Scale Comparison: Tintoretto, The Last Supper
Tintoretto THE LAST SUPPER
Church of San Giorgio Maggiore, Venice. 1592-1594.
Oil on canvas, 12' × 18'8" (3.7 × 5.7 m). [Fig. 21-42]
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Palladio EXTERIOR VIEW OF VILLA ROTONDA
Italy. Begun 1560s. [Fig. 21-46]
Andrea Palladio, from The Four Books of Architecture
Palladio EXTERIOR VIEW OF VILLA ROTONDA
Italy. Begun 1560s. [Fig. 21-46]
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