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Apologizing for Socrates: Plato and Xenophon on Socrates' Behavior in Court Author(s): Gabriel Danzig Source: Transactions of the American Philological Association (1974-), Vol. 133, No. 2 (Autumn, 2003), pp. 281-321 Published by: The Johns Hopkins University Press Stable URL: http://www.jstor.org/stable/20054089 Accessed: 01-12-2017 03:35 UTC
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Transactions of the American Philological Association 133 (2003) 281-321
Apologizing for Socrates: Plato and Xenophon on Socrates5 Behavior in Court*
GABRIEL DANZIG
Bar Ilan University
summary: This paper argues that the accounts of Socrates' behavior in court
given by both Plato and Xenophon stem from the need these authors felt to re spond, in different ways, to the post-trial debate about Socrates. Plato's aim in the Apology was primarily to respond to specific charges of incompetence, arro gance, and failure in court. Central literary and philosophical difficulties in the composition can be explained on this basis, as can characteristic Platonic doc trines elaborated here and in other Socratic dialogues. Xenophon's treatment of Socrates in his Apology can be explained by a similar polemical motive. While Plato acknowledges that Socrates failed in conventional terms, and develops an alternative framework for evaluating success and failure, Xenophon makes the more outrageous claim that Socrates was a success in conventional terms.
RECENT YEARS HAVE SEEN A DRAMATIC GROWTH in the Study of the philoso
phy of Socrates. These studies are usually based on the assumption that the
"early" works of Plato provide insight into the thought of the historical Socrates.1 One of the pillars of this theory is Plato's Apology, if it provides an
accurate portrait of Socrates, then it makes some sense to think of other early
dialogues as presenting at least the spirit of what Socrates might have said. Gregory Vlastos put it nicely: " [I] f this is conceded, our problem of sources is
solved in principle. For we may then use the Apology as a touchstone of the
like veracity of the thought and character of Socrates depicted in Plato's other
* An earlier version of this paper was presented at the annual meeting of the Israeli
Society for the Promotion of Classical Studies, held at Haifa University in 2000.1 wish to
thank Michael Stokes, Jeffrey Purinton, and Michael Trapp, as well as an anonymous reader
for TAPA, for their detailed and thoughtful comments on the paper. 1 Recent books devoted to the theme include: Benson 1992 and 2000, Smith and Wood
ruff, Brickhouse and Smith 1994, Vlastos 1991 and 1994.
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282 Gabriel Danzig
early dialogues."2 On the other hand, if it can be shown that even the Apology does not provide an accurate portrait of Socrates, it will be difficult to argue for accuracy in others.
The claim that the Apology provides an accurate portrait of the thought of Socrates is usually made on the grounds that it represents more or less what
Socrates said in court, and that Socrates spoke openly and honestly about himself in this context.3 It could be defended alternatively on the grounds that
Plato used the "courtroom speech" as an opportunity to present his own ac count of Socrates' thought, once again aiming at producing an accurate in tellectual biography of his teacher and succeeding in this aim. Either way, the
argument is riddled with doubtful assumptions. Those who regard the Apology as fiction tend to go to the opposite extreme,
seeing the Apology, together with the other dialogues, as outlining Plato's own
personal vision of the essence of Socrates' thought and way of life or that of the idealized philosopher.4 Some have gone so far as to claim that we can know
almost nothing about the historical Socrates.5 The disagreement between these
two views seems irresolvable, in large part because we do not know enough
2 See Vlastos 1971. In his 1991 book Vlastos held that Plato followed a Thucydidean methodology in composing the speech (49 n. 15) and that, because he was present at the events he describes, he succeeded better than Thucydides in putting this Thucydidean historical methodology into practice (253). But Vlastos offered no arguments to support
this interesting idea. He argued further (esp. chh. 2-3) that other dialogues, while not intended as faithful representations of Socrates' words, are nevertheless true to Socrates'
thought. A more modest version of the thesis is maintained in Kahn 1996, esp. 88-95. For critical reviews of Vlastos' theories see Kahn 1996 and Nails.
3 This view was made prominent by Burnet, Taylor, and Field (154), and it persists in Guthrie and Brickhouse and Smith 1989. The central argument for the first assumption
is that the trial was a public event that could not have been seriously misrepresented.
Hackforth had already pointed out that this would hold only if we could show that the
Athenian public expected accuracy. Brickhouse and Smith argue (1989:2-10) that it did. It is also urged that Plato mentions his own presence in order to attest to its accuracy.
This of course is only one of many plausible reasons for Plato's mentioning his presence; see further Brickhouse and Smith 1989: 3 n. 9.
4 E.g., Momigliano "Socrates ... was not so much the real Socrates as the potential Socrates ... [a] guide to territories as yet unexplored." See also Chroust (1945:42) Plato "in his early dialogues expresses the highest possible view of Socrates' personality and thought?the maximum potentialities of Socrates." Kahn, too, argues (1996:34) that the Socratics wrote fiction, and, in fact, that Aeschines' lost Aspasia was a bolder fiction than
the works we have from Plato and Xenophon. Other scholars who endorse the fiction theory include Rutherford (30) and West.
5 See Joel, Chroust 1945 and 1957, Gigon, Montuori 1981 and 1988. But none of them
said that we can know nothing at all.
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Apologizing for Socrates 283
about the historical circumstances in which the dialogues were produced. But we do know something. As I will try to show, this information, little though
it may be, is of great value in assessing the character of the work, and even enables us to draw some conclusions about the historical Socrates.6
Progress can be made if we can identify accurately the rhetorical goals of
the work. If it aims merely at defending the Socratic way of life or the life of
philosophy, we are no closer to resolving the question of the historical char acter of the work. It is perfectly conceivable that Socrates himself would have
used his courtroom speech to defend his way of life, or even to defend the life
of philosophy in general. Only if the apologetic aims of the Apology are in compatible with a Socratic origin will we have confirmation of the "fiction" theory. I will try to show that the rhetorical aims of the work can be identi
fied with the help of remarks made by Xenophon in his Apology. It turns out
that Plato was primarily addressing the question of how Socrates behaved in
court and defending him against post-trial charges of arrogance, foolishness,
and failure, issues that the historical Socrates never had to grapple with.
Even if, however, the Apology does not provide anything like a window on
Socrates' actual speech, or on his thoughts about the philosophical life, this
does not mean that we can learn from it nothing at all about the historical
Socrates. At the very least, we can learn something about his behavior in court,
not of course by accepting Plato's account as veracious, but rather by using it as further evidence of criticisms of Socrates attested elsewhere. It will become
clear that Socrates' behavior in court was at odds with the portrait Plato aims
to present both here and throughout his writings. Rather than confirming the
historical veracity of the portrait of Socrates in "early" Plato, a close look at the Apology raises serious doubts about it.
We can also learn something from the Apology about the genesis of Plato's thought. It would be futile to deny that there are connections between the
Apology and many of the ideas in Plato's other dialogues, or to deny that a similar origin should be postulated for similar ideas. But once we acknowl edge that the Apology is essentially an apologetic work, addressing specific post-trial issues, we are compelled to see a similar intention in the other dia
logues that present a similar portrait. This suggests that many of Plato's most
characteristic philosophic ideas are intimately connected with the effort to
defend Socrates' behavior, that Plato's thought, especially in its so-called "Socratic" period, was born not in the time he may (or may not7) have spent
6 See de Strycker and Slings 16-21.
7 We have no reliable independent evidence of Plato's contact with Socrates. Xenophon mentions Plato but once (Memorabilia 3.6.1) and this reference may have been derived from a reading of Plato's works rather than personal acquaintance with him. While
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284 Gabriel Danzig
with Socrates, but in the effort to defend his memory after the humiliating
defeat in court. This does not mean that Plato's thought has no philosophic interest; some of the best philosophy was born in personal or political con flict. But it does mean that Plato's philosophy was his own doing.
Finally, the approach that I will develop below offers new solutions or ex
planations for some of the central literary and philosophical tensions and conundrums in the interpretation of the Apology.
I. THE POST-TRIAL CONTROVERSY
I will not review in detail the merits and demerits of the argument that the
Apology is an accurate record of Socrates' speech, since this has been discussed
recently by de Strycker and Slings.8 Their arguments show clearly that there
are no good a priori grounds for the assumption that the Apology represents
more or less what Socrates actually said in court. However there is a differ ence between refuting the assumption of historicity and demonstrating that the work is fiction. De Strycker and Slings conclude their discussion of the historicity issue by saying (8) that,
there is, on the one hand, no single sentence in the Platonic Apology that Socrates
could not have actually pronounced, and on the other,... the published work contains no passage so specifically un-Platonic that it cannot be Plato's work.
We are left in the dark. But this conclusion is overly pessimistic. In fact, the work is a fiction: there are many sentences that Socrates would almost cer tainly not have pronounced. Virtually everything in it is written with at least
one eye on the post-trial controversy, of which Socrates was completely ig norant during his speech in court.
Few would doubt the existence of a public debate concerning Socrates in Athens in the 390s or later. Even those who prefer to see Socratic literature as
purely philosophical and literary in nature would have to admit that Socrates'
Xenophon portrays himself as having had conversations with Socrates (Mem. 1.3.8-13, An. 3.1.4-7), neither he nor Plato portrays Plato as ever having conversed with him. In the dialogues and letters Plato creates the impression that Socrates was a family friend.
8 1-8. These authors adopt Riddell's argument (xx) that the artistic structure of the
Apology is evidence of its Platonic origin. They also follow Riddell (xxvi) in arguing that
the very wide divergence between Plato's and Xenophon's Apologies argues against the assumption of historical accuracy for either one of them. New is the argument that claims
for historicity within the text can be safely dismissed since stronger claims for historicity
are made in the Phaedo, which is nevertheless not generally regarded as historical (de spite Burnet). See further Stokes 1992. Important arguments against the historicity of the
Apology have also been put forth by Morrison and Prior.
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Apologizing for Socrates 285
death played an important role in inspiring it. References to the trial and ex ecution of Socrates abound in the Socratic writings of Plato and Xenophon,
and Xenophon also manages to mention the subject, at least by implication, in his major non-Socratic writings: his Cyropaedia (3.1.38-40), his Anabasis (3.1.4-7), and even his Hellenica (1.7.15). In these instances, we note,
Xenophon is not using the trial to illuminate some universal problem, but is
contributing to the debate about the trial itself. This debate extended beyond the writings of Plato and Xenophon. We
know very little about the speech that Lysias is reported to have published,9 or about the Socrates of Theodectes,10 or about the much later Apology of Demetrius of Phaleron,11 or other similar compositions. But we do know that
in a pamphlet published after the rebuilding of the long walls by Conon about
394/3 Polycrates attacked Socrates, blaming him in part for the behavior of
Alcibiades.12 No one has argued that this pamphlet was an attack on a liter ary rather than an historical Socrates. But if Socrates' enemies were attacking
him after his death, is it reasonable to imagine that his friends did not defend
him? H. D. Rankin accepts Diogenes Laertius' statement that Socrates' friend Antisthenes was involved personally, and not merely through his writings, in the post-trial controversy.13 Many scholars would agree that Plato's Gorgias,
at least, was a reply to Polycrates' accusations.14 And in Xenophon's writings we find explicit references to the post-trial controversy (Ap. 1, Mem. 1.2). If
an atmosphere of controversy did exist, almost anything published about Socrates would unavoidably bear some relation to the debates about him. Certainly this is true of the Apologies of Xenophon and Plato.
The Evidence of Xenophon
Of all the works written about Socrates' trial, only three?Plato's Apology, Xenophon's Apology, and Xenophon's Memorabilia?have survived. Xenophon's writings are particularly important, since he offers comments that
shed light on the nature of the public debate that surrounded this trial. Un
like Plato, Xenophon makes use of a narrator, which enables him to describe
9 Frr. 220-24 (Baiter 204). See D. L. 2.40 and Cic. de Orat. 1.54. 10 SeeArist.itfz. 2.23.13.
11 Frr. 91-98 in Wehrli. See also Fortenbaugh and Schutrumpf frr. 102-9, pp. 188-97.
12 See D. L. 2.39 and Isocrates' reference to Polycrates' attack at Busiris 4-5. Elements
of Polycrates' pamphlet maybe preserved in Libanius' late (4th century a.d.) Apology of Socrates. See Chroust 1957 for a speculative reconstruction of the lost work.
13 See D. L. 6.9-10 and Rankin 6-7.
14 See, e.g., Chroust 1945: 42. Dodds 28-29 has reservations.
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286 Gabriel Danzig
the public atmosphere at the time he was writing. One cannot of course pre
sume that a statement made by Xenophon is necessarily true, and Michael Stokes has argued that even statements made by Xenophon's narrator might be part of a fiction.15 But while Xenophon may sometimes make authorial statements that are false (such as his claim to have been present at the con
versations he records in his Symposium, when by most calculations he would have been only a few years old),16 he seems to avoid doing so in matters of public knowledge. It is presumably for this reason that he does not pretend
to have been present at the trial of Socrates, but offers Hermogenes as the
source for all his information (X. Ap. 2): enough people knew that he was not there that it would have been impossible to pretend otherwise. And the same
may be said about his report of public attitudes at the time of writing: it would
be pointless and self-defeating to make implausible statements about contem porary criticisms of Socrates and absurd to devote his work to responding to such non-existent criticisms.
There is good reason, then, to accept statements made by Xenophon's nar rator on points of public knowledge. But one can be much more confident if
one can find outside confirmation. Plato's Apology provides such confirma tion, since it can be shown that virtually every statement in it bears a direct
relationship to the criticisms that Xenophon's narrator claims were being made after the trial.17 This is not a circular argument: I take the truth of Xenophon's words as an hypothesis, which I test by comparing external evi dence, and especially by attempting to see if Plato's Apology makes sense as a response to the kinds of attacks Xenophon claims were being made on Socrates' reputation.
According to Xenophon, others had written about Socrates' trial, all of them reporting that Socrates spoke proudly or arrogantly, from which, he says, it is
safe to conclude that he really did so. He adds that the arrogance of which they speak seems extremely foolish, because no one makes it clear that Socrates
thought death preferable to life (X. Ap. I).18 Meyoc?Tjyopia, of which Socrates
15 Stokes (1997: 5 n. 10) argues that "it might suit Xenophon s purpose to pretend to
accept as true, whether or not he believed them true, the portraits of Socrates' boastful
ness" (italics original). Stokes does not deny that such portraits existed. 16 There is however no certainty about the date of Xenophon's birth, and so no way of
knowing that this statement is in fact a false one; see Dillery 3-4. 17 Plato's evidence has independent value, since no one would claim that Plato relied
exclusively on Xenophon's Apology in constructing his own. 18 Some scholars are certain that Xenophon did not read Plato's Apology, since he says that
no one he read made it clear that Socrates wanted to die, which, according to them, Plato does
do (see Hansen 32). Cooper, on the other hand, argues that Xenophon's point is that oth ers did not make it clear that even before the trial Socrates had decided to die ( 11 n. 16).
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Apologizing for Socrates 287
was accused, is sometimes translated "lofty-speaking" rather than "arrogant
speech," but in this context arrogance is clearly the issue. There is no reason
why lofty-speaking in itself should seem foolish, or should be the cause of Socrates' death, unless it seemed an expression of arrogance. And in the body of his speech, as Xenophon reports it, Socrates manifestly speaks with outra geous arrogance on several occasions.
Xenophon's short statement deserves close attention. Clearly the question
at issue in his mind while he was writing his Apology was Socrates' poor show
ing in court, which made him look foolish, not his guilt or innocence, which are discussed in the Memorabilia. Socrates' failure was attributed to his in
competent defense speech, and in particular to the gratuitous and offensive
arrogance he displayed on that occasion. Making fatally foolish mistakes like
this would be just as damaging to one's reputation as accusations of injus tice, since failure in the Greek polis of the fourth century, as today, was per
haps the most powerful source of humiliation.19 We might even infer that it was widely thought that Socrates was innocent of the charges, for no one blames a guilty man for losing his case by making a poor presentation. This would help explain the lack of attention that both Plato and Xenophon pay to the question of Socrates' guilt in their Apologies, and the rather incredu lous attitude towards it that Xenophon exhibits when he does address it in his Memorabilia (1.1-2). It would also help explain the fact that both Xenophon and Plato seem to be concerned above all with refuting charges of
failure and demonstrating that Socrates led a supremely happy, even enviable, life, and did not suffer in death.
On at least one point Xenophon's narrator seems believable, the claim that
Socrates spoke arrogantly. As far as I am aware, there is no evidence that con
tradicts this claim, and no good reason for an historian to deny its veracity.20 On the contrary, we find confirmation of it in every report we have in our
hands today. At the very least, Socrates was thoughtto have spoken arrogantly
at his trial, and such perceptions are worth taking seriously. From this very
small beginning we can already derive one valuable principle: we should be willing to grant prima facie plausibility to expressions of arrogance that are
recorded for us in Plato's Apology.
Xenophon responds to the criticisms by acknowledging the facts and dis
puting their interpretation: he acknowledges that Socrates spoke arrogantly and asserts that this, not any skill or justice in the arguments of the prosecu
19 See Adkins 259-61.
20 Although Brickhouse and Smith do deny Socratic arrogance (for example at 1989:
44), they do not make historical arguments, but rather rely on a carefully reconstructed
account of the philosophical principles that in their view must have motivated Socrates.
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288 Gabriel Danzig
tors, led to his conviction.21 He recognizes that Socrates' performance was not
effective, explaining that Socrates did not spend a moment to prepare his defense speech (X. Ap. 2-5); Plato seems to imply something similar (17b-c). But he denies what must be in his mind the most offensive criticism, that
Socrates failed in his objective: in Xenophon's view, death was Socrates' goal, and it was really the best thing for him, so the outcome was actually a success.
For this very reason, the attack on Socrates as being incompetent in court is also
nullified: Socrates wanted to "fail." His success in failing is all the more im
pressive when one reflects that the charges against him were not convincing.22
It is worth noting that once he has explained Socrates' arrogance as aim ing at his own conviction, Xenophon does not feel any further need to apolo gize for this arrogance: in itself arrogance is not a bad thing, and it may even be a good one. It only seems foolish if it leads to one's downfall and destruc
tion. Once Xenophon points out that Socrates had no downfall, he has no motive to tone down the arrogance. As we will see, Plato, too, although ton ing down the arrogance, nevertheless seems to take delight in showing just how high an opinion of himself Socrates expressed throughout the trial.
It is important to bear in mind that the criticisms Xenophon is addressing
here are completely different from any charges Socrates faced or could have
faced in court. Socrates was not charged with mishandling his defense, with speaking arrogantly, or with suffering a miserable fate. He would therefore have been unlikely to address these subjects in his actual defense speech. To the extent that Xenophon's or Plato's Socrates does so he is speaking
21 A variation on this is that it was merely his upright unwillingness to beg in court that led to his conviction (Mem. 4.4.4), an explanation that, as we will see, is also found
in Plato. Xenophon has another explanation as well: Socrates was convicted by parents who were jealous of the fact that their children thought Socrates a better person than they.
His Meletus indicates this in X. Ap. 20, and Xenophon expands on it in Mem. 1.2.51-55. See also the role of envy in the story of Palamedes, Memorabilia 4.2.33. Even more sig
nificantly, the jealousy reappears in the Cyropaedia, in connection with another philoso
pher whose story is clearly modeled on that of Socrates (3.1.38-40). See also Plato's Ap. 28a and Euthphr. 3c-d, where contemporary jealousy is mentioned by Euthyphro and conspicuously not affirmed by Socrates.
22 In his Symposium Xenophon is at pains to point out that Socrates could have suc ceeded had he wanted to. There he makes Socrates a master of the art of self-presentation,
portraying him as claiming expertise in the art of "pimping" (paoTporceioc), which he explains as the art of teaching self-presentation in relation to other individuals, and es
pecially in relation to the city: see 3.10,4.56-64,5.1,8.5,8.42. As far as the actual charges are concerned, we do not know of any law against "corrupting the youth," and charges of
impiety were usually brought only against those who had committed an act of sacrilege, which no one seems to have ascribed to Socrates.
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Apologizing for Socrates 289
anachronistically. These are "charges" that only arose as a reaction to the fact that Socrates lost in court and was executed. There was undoubtedly some thing ridiculous in the spectacle of the great master of persuasion failing on the one occasion when he really needed to persuade. Since the competitive values of fourth century Athens put a great premium on success, we should
not be surprised if Socrates' friends were even more shaken by the charge that
he was a miserable failure than they were by the legal charges of heresy and
corrupting the youth.
The Evidence of Plato
Does Plato address these criticisms in the Apology7. We do not know when either Xenophon or Plato wrote his Apology, so it is impossible to know whether or not the works are contemporaneous.23 We cannot use dates to argue that Plato in his Apology ought or ought not to be addressing the same issues that Xenophon addresses. But if we examine the work itself, it becomes
clear that he does do so,24 and this in turn may, or may not, imply that the works were written at more or less the same time: it is certainly conceivable
that public attitudes did not change quickly, and that Plato and Xenophon addressed the same issues at different times.
As I will try to show, a concern with these criticisms is evident both in the
basic structure of the Apology and in its systematic and well thought out re sponse to them. Socrates himself cannot have known about, much less ad
dressed, the post-trial "charges" while the trial was still in session.25 Being less familiar than contemporary readers with the post-trial controversy, we do not
always notice the anachronism. To the extent that this feature was obvious to the average fourth-century reader, the likelihood that we are dealing with fic
tion is increased. But even obvious anachronism would not have disfigured the speech for the contemporary reader, since it was designed to be received as a work of fiction, openly addressing post-trial concerns.
23 Xenophon's Apology appears to have been written a long time after the trial: it refers
to Anytus, one of the prosecutors, as already dead (31). It is not inconceivable, however,
that Xenophon added the reference to the death of Anytus after the rest of the Apology was written and published.
24 He addresses some other charges as well, such as the charge that if Socrates were a
good citizen he would have participated in public life (31c). See also X. Mem. 1.6.15, where
Xenophon argues that Socrates did participate in politics (in a sense), that he was respon
sible for the bad behavior of some of his associates (33b), and that he said things in pri vate that contradicted his public statements (33b).
25 See also Stokes 1997: 98 on the dramatic irony in Socrates' first speech.
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290 Gabriel Danzig
It is clear from his other writings that Plato was aware of the great embar
rassment that had been caused by the apparently incompetent and unmanly manner in which Socrates defended himself in court. In the Crito, Crito says (45d-e, my italics),
I am ashamed for you and for us, your friends, lest it seem that this whole epi
sode concerning you happened because of some unmanliness on our part: the fact that the issue came to trial when it didn't have to, the very conduct of the
trial itself, as it happened, and finally this, the most humiliating part, that we seem to have run away through some weakness and unmanliness on our part, since we did not save you?neither did you save yourself?which would have been possible if we were useful at all.26
It can be argued that the Crito is less a philosophical work than an attempt to come to terms with the humiliation that Socrates' friends suffered as a result
of the execution, arguing, among other things, that accepting the court's de
cision was the only honorable thing to do, and that it was also in Socrates' best interest.
Plato returns to this issue again and again,27 most directly in the Gorgias (486a-b):
[Callicles:] If anyone should seize you or anyone like you and drag you off to prison, claiming you are guilty when you are not, you realize that you would not know what to do, but would wander open-mouthed without a word to say, and when you came before the court, even with an utterly worthless and wicked accuser, you would be put to death, if he chose to demand the death penalty.
This wildly anachronistic image of the trial and execution of the innocent but helpless Socrates shows Plato's continuing concern with the charge of failure
arising from the trial and execution. It also shows how unconcerned he was
to avoid anachronism. Similar images of impotence recur in the Republic, in
the image of the ship's pilot (488a-89b), and of the philosopher who cannot make out the shadows on the wall (516e-17a). Concern with this issue may help explain Plato's efforts to show that the achievement of conventional political success is irrelevant to true human happiness, efforts that continue
as late as the Laws.28 This line of thought is traceable to the sorry spectacle of
Socrates baffled in court by a few worthless fools.
26 In this paper quotations from the Apology are from Stokes 1997; other translations are my own.
27 See also Phd. 63b, 69e; Euthphr. 15e-16a.
28 See for example 73 lc-32b, or 742e-43c where Plato argues that no rich man can be good.
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Apologizing for Socrates 291
Contemporary Polemic in the Guise of Historical Fiction
The chief evidence for this view of the Apology is found in the detailed inter pretation of the text that I present below. This interpretation aims to be simple
and consistent, and to explain virtually the entire text and some of its most
difficult conundrums in accordance with a single historically plausible hy pothesis. Before setting forth this evidence, however, I need to explain in greater detail what I mean by the claim that the Apology is an essentially po lemical work.
Unlike Xenophon, who adopted a straightforward form of polemic, directly
naming the issues he addresses in the opening chapters of the Memorabilia,29 Plato wrote polemic in the guise of historical fiction. While this means incor porating a degree of historical verisimilitude, that concern is balanced by the
need to address a contemporary debate. To a certain degree the author wants
his audience to know that he is addressing a contemporary debate, and there
fore he may try to make it obvious that what he writes is not what really hap
pened, but a polemical account of it. Plato offers us a model of contemporary polemic disguised as historical
fiction in his Symposium. There, as part of his response to the previous speeches on love, Socrates recounts a conversation between himself and Diotima that took place years earlier. Diotima's ancient conversation con cerned precisely the topic of conversation at the symposium in which Socrates
was currently participating, and Diotima even managed to refer almost ex plicitly to the speech Aristophanes was destined to make years later at that occasion (Smp. 205e; cf. 191d-92a). When Aristophanes tries to take issue with Socrates on this point, however, he does not object to the "anachronism" in the portrait, but, like any normal person, simply assumes that the conversa tion with Diotima was a literary pretense, and that Socrates is the true author
of her words (212c). The speech of Diotima, as used by Socrates, is not really historical fiction at all, but contemporary polemic in the (thin) guise of his
torical fiction. Similarly, the Apology has the air of a deliberately anachronis
tic speech. Socrates seems to know the whole time that he will be convicted
and executed,30 and he seems constantly to be apologizing for and explaining his courtroom behavior.
29 In addition to the polemical aim, there are also of course philosophical and bio graphical aims. See, e.g., Momigliano (59) on the Apologies of Xenophon and Plato, "They
are biographical sketches disguised as autobiographical sketches." 30 Brickhouse and Smith note this (1989: viii), but do not acknowledge that it is evi
dence of anachronism.
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292 Gabriel Danzig
If the polemical motive of the work offers Plato much room to maneuver,
however, the literary form creates serious restrictions on his freedom. Even
Diotima could not, for example, name Aristophanes openly, although the reference to him is patently obvious to anyone who has heard his speech.31
Plato too can only have Socrates say things that Socrates or another defen dant could plausibly have said in court, and this means that he cannot ad dress the post-trial charges or their authors directly.32 He can alter, modify, tone down, explain, and invent with great freedom, even stretching the fic tion almost to the breaking point. But he cannot deny the basic facts of the historical event: that Socrates was on trial, that the trial concerned heresy and
corrupting the youth, that he was convicted, that he spoke arrogantly, and so on. Without a basic acknowledgment of the facts, his work will have no seri ous relationship to the subject of the contemporary debate, and hence little or no effect on that debate.
These restrictions on Plato's license have important implications. As we will see, the Apology contains contradictory elements. Most prominently, Socrates frequently displays a strange combination of arrogance and humil ity. This arises from the predicament Plato finds himself in: Socrates really
did speak arrogantly, and Plato cannot plausibly deny this in toto. All he can do is reproduce the arrogant incidents while modifying, explaining, and justi fying them. Most likely, he did not even want to eliminate the arrogance en tirely. Instead, he acknowledges the arrogance while toning it down, and this leads to some awkward passages and tensions.33 Scenes that demonstrate the
arrogance and incompetence about which people complained, such as the story of the Oracle, the failure to beg or bring his family to court, and the
proposal of an unusual punishment, are probably attributable to the histori cal Socrates, even if Plato has distorted them for his own purposes.
31 With regard to Socrates' speeches in the Apology, we are in the unfortunate position
of not having seen any of the pamphlets published against him. A contemporary reader
may well have perceived contemporary references that we cannot perceive today. 32 As Stokes says (1992: 98 n. 10), "even minimal realism would preclude Pl[ato]'s
writing as if Soc [rates] or anyone in court knew the results of the case (though PI [ato]
nearly destroys the illusion at 28a); but, writing after the event, Pl[ato] writes accordingly
in a way which without explicitly breaking the illusion or descending to the cheaply ob
vious is interpretable both as a trial speech and as an emotionally charged foreshadowing of the result. Pl[ato] and his readers all know the end" (my italics).
33 While, according to Xenophon's testimony, ancient critics were unanimous about
Socratic arrogance, this is not the case for modern critics of Plato's Apology. Most acknowl
edge the arrogance, but Brickhouse and Smith deny it, an interpretation that would be unimaginable were it not for the humility in Plato's portrait of Socrates.
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Apologizing for Socrates 293
It might seem self-defeating or counter-productive to use an historical fic tion as a vehicle for addressing a contemporary debate about an historical event. By admitting that the scenario he presents is a false one, does not the author relinquish any hope of influencing people's attitudes about the his torical event in question? Fiction seems to negate the very purpose that a polemical tract serves, namely, to convince. For this reason, it is understand able that many scholars who view the Apology as fictitious see it as an expres sion of Plato's own ideas rather than as a narrow polemic.
In fact, however, even avowedly fictional portrayals of historical events can
be used in order to influence and shape public attitudes concerning those events. Modern docu-dramas can have a powerful effect on public percep tions, even when they are clearly labeled as fiction. Some of the openly ficti tious works about Socrates were undeniably polemical. WTiile it is perhaps possible (though wrong) to imagine that Plato's Socrates, or even Xenophon's,34 is a purely fictional or literary character, it is more difficult to
imagine what purely literary purpose could have been served by the post mortem attack on Socrates by Polycrates. And yet, as far as we can judge, it did not aim at historical verisimilitude either.35 Plato does not expect the reader
really to believe that this is the speech that Socrates spoke in court. But he does expect to affect the reader's attitude towards Socrates and towards his behavior in court.
A final point about the Socratic controversy: it may seem difficult to imag ine that a wide audience was interested in a debate about a man who, how
ever interesting he may have been at one time, was now dead. One can imag ine finding one work, perhaps, devoted to defending his memory, but one
34 On the other hand, Xenophon's lack of concern with artistic structure or purpose in the Memorabilia seems to me to argue somewhat against its fictitiousness. See how ever Gray for an effort to uncover some artistic structure.
35 Favorinus already showed that Polycrates' pamphlet contained an anachronistic reference to the rebuilding of the walls of Athens in 393 (D. L. 2.39). Most scholars be
lieve that the pamphlet diverged widely from what was said at the trial, and therefore argue
that sections of the Memorabilia are aimed at refuting Polycrates as opposed to the actual
prosecutors. Socrates' connection with Alcibiades, and his use of Homer to denigrate the
demos are both ascribed to Polycrates (D. L. 2.39; lAristides For the Four 133.16, Dindorf
3: 480) and found in Xenophon's Memorabilia (1.2.12, 58) but not in his Apology or in Plato's. This argument also finds support in Isocrates' comment that Polycrates invented the connection between Socrates and Alcibiades (Busiris 4-5). Hansen, however, argues
(11-15) that the two Apologies only contain Socrates' speech, which concentrated on Meletus' accusations and ignored the political accusations brought by Anytus. In his view,
Polycrates and Xenophon based themselves on the actual speech of Anytus.
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294 Gabriel Danzig
would not expect a large number of works devoted to such a theme. And yet,
the theme abounds in the compositions of both Xenophon and Plato. Aside from this, it seems in bad taste, and also somewhat pointless, for Polycrates
to have attacked Socrates when he was already in the grave, although it is clear
that he did so. One suspects that there is something more to the whole con troversy than just the post-mortem reputation of one Socrates.
Socrates' reputation must have had tangible consequence for his survivors.36
In the tightly knit world of fourth-century Athens, a court-ordered execution
was not merely a tragedy, it was a public statement. By killing Socrates, the city
of Athens insulted not only the man himself, but also his family, friends, and
followers. While there was little practical reason to malign the deceased Socrates, the followers he left behind would have constituted a group with some
political influence. Polycrates' pamphlet is inconceivable otherwise. Any group
of devoted friends was a political force in the ancient city (see for example PL
Smp. 182c).37 If Polycrates' attack was aimed in part at Socrates' survivors, then
Plato's response was a defense not only of his teacher, but also of himself and
of the other friends of Socrates who remained loyal to his memory, and of their cohesiveness as a group. But Plato defended these survivors, just as Polycrates attacked them, by referring to their former leader. This response
transformed Socrates into an emblem for all those who continued to identify
with him. One imagines that the success of Plato's writings would have made him
a legitimate heir to what will now have seemed to be a Socratic "movement."
II. FORMAL ARGUMENTS
Evidence for the account I have given above is the analysis of the Apology I present below, which will show how virtually the entire composition addresses
the post-trial controversy implicitly or explicitly.
That this goal informs the basic plan and structure of the work is clear from
the outline of the three speeches given in the Appendix. The basic structure
of a work is of course an important clue to the thoughts and intentions of the
author. The outline also shows how little time Plato spends addressing the original charges against Socrates (24c4-28a2; Socrates apologizes for this at 28a). Even when he does do so, his Socrates claims that he is interested pri marily in discrediting Meletus; his arguments bear this out.38 The fact that
36 That it did is made clear in the Crito passage cited above.
37 As is well known, the term exatpoi could be used equally of members of a school or
of members of a political party. See Burnet ad 21al. 38 Contrast Libanius' Apology of Socrates and Xenophon's account in the Memorabilia,
which really try to show that Socrates was innocent. De Strycker and Slings ( 106-7) follow
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Apologizing for Socrates 295
Socrates does not address the current charges seriously does not in itself prove
that the speech is not an accurate reflection of Socrates' actual speech. For all
we know, Socrates was perfectly capable of behaving in just this way. But it does argue against the idea that the speech represents Plato's fictional attempt
to answer the original charges in his own way.
The outline also shows how almost everything in the Apology contributes
to a systematic effort to combat the post-trial criticisms listed by Xenophon.
Once we have accounted for the apologetic elements there is almost nothing left to explain. The first speech begins and ends with Socrates directly address
ing the twin charges of mishandling the court appearance and displaying excessive arrogance. The body of the speech falls naturally into three parts: the older charges, the present charges, and the post-trial charges. Socrates
explicitly concludes his reply to the charges at 28a-b, and from there he turns
immediately to the post-trial charges, which he addresses in an almost un disguised manner for the remainder. Even the earlier parts of the speech con
tribute importantly to answering the post-trial charges of misbehavior in court: the account of the older charges and the Oracle help explain why Socrates was convicted, without blaming him for his courtroom antics and without attributing any success to his accusers. The interview with Meletus
discredits the courtroom behavior of Socrates' opponents, just as Socrates' post-trial critics had criticized his behavior in court. In many details, the speech aims to accuse Socrates' enemies in court of failing in exactly the ways
that critics accused Socrates himself of failing. To address post-trial charges directly, however, is impossible within the
confines of a defense speech without openly breaking the fiction. For this
reason, Plato takes the extraordinary step of inventing a third speech, one that
Socrates delivers to his judges after the conviction and sentencing, and while the jurors would be trying to collect their fees (Ath. Pol. 69; see Ap. 39e). The third speech is unique in Greek oratory, and many scholars have denied that
Socrates could really have made it.39 But they have not seen why Plato was
Burnet (ad 24c9) in concluding that this section does not seriously address the charges (see, e.g., 106), but they believe that Socrates answers the charges later. They argue that
his discussion of his commitment to his philosophical mission is designed to show his piety, and that his explanation of his non-participation in public life is designed to show that he did not corrupt the young. But Socrates himself claims to have finished with the
charges at 28a.
39 See Wilamowitz (124) and de Strycker and Slings (201-4). Stokes (1997: 179) re mains skeptical. Burnet thinks the third speech possible (161-62). Brickhouse and Smith argue (1989: 162) that Socrates made the speech, and conclude (235), following Burnet,
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296 Gabriel Danzig
compelled to take this step. Unlike Xenophon, Plato makes no use of a narra
tor in reporting Socrates' trial and therefore lacks any simple mechanism by
which to address questions that arose as a result of the conviction.40 The third
speech helps solve this problem, since here, after the sentence has been given,
Socrates is free to address directly the charge that his death was a shameful defeat. This is precisely what he does.
Virtually everything Socrates says has some implication for the post-trial issues that Xenophon mentioned. Plato often gets involved in contradictions that can be attributed to his enthusiastic desire to absolve Socrates from blame
in every conceivable way. In the remainder of this paper, I will try to show the
depth of Plato's concern with the post-trial charges by taking them up one by
one and showing how Plato deals with them. As will be observed, one of the
prominent tactics Plato adopts is to charge Socrates' opponents with behav ior similar to the kind of behavior that they charged Socrates with exhibit
ing. Plato seems to have known that the best defense is a powerful offense.
III. HOW PLATO ANSWERS THE POST-TRIAL CHARGES
A. Incompetence in Court
Plato addresses the incompetence issue directly only in the third speech, for
only here can his Socrates speak as one who has already failed in court. He explains (38d-e):
You may think, Athenians, that I have been caught through a shortage of argu ments of a kind to have convinced you, if I had thought it right at the cost of
doing and saying just anything to escape with an acquittal.41 Far from it. On the contrary, I have been convicted for a shortage not of arguments but of bra zenness and shamelessness and the willingness to tell you the sort ofthing you
that, "At least this much is true: the idea that Socrates would have the opportunity to
address the jury one last time did not strike contemporary Athenians as absurdly impos
sible." But even this much is not necessarily true: the argument only works if we assume,
unjustifiably, that the Apology was not to be read as fiction. Hansen, too, accepts the his
toricity of the speech (18), without, however, explaining Socrates' unusual step here.
40 Xenophon, too, has a third speech, but it serves no essential function in his hands: he has a narrator who can and does express his own reaction to the trial and sentencing,
and he even allows Socrates to speak of his death before the trial begins (X. Ap. 5-9). Some
of the things his Socrates says in the third speech in the Apology reappear in the Memora
bilia, prior to sentencing (compare X. Ap. 24-26 with Mem. 4.8.9-10). If the third speech was invented, it would seem that Plato is the inventor, and hence that Xenophon relied
on Plato in composing his Apology. On this see Stokes' comments (1997: 7,1992: 78). 41 Here, as elsewhere in the Apology (e.g., 20c), Socrates simply assumes that no one
really thinks that he is guilty. This may reflect the post-trial attitude.
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Apologizing for Socrates 297
would most like to hear: laments from me, and grief, and many other actions and words unworthy of me .... But... I do not now repent of the way I de fended myself.
This is a direct response to the post-trial charge that Socrates brought about
his own destruction through his incompetence in court. Here Plato offers his
broadest explanation: Socrates could have won a victory by behaving differ
ently in court, it is true, but it would not have been better speaking but rather
disgraceful behavior that would have saved him. Judicial success would have
been possible only if he acted improperly.
1. Introductory Apology. Plato's concern with this issue is apparent from
the beginning of the Apology where Socrates apologizes for his manner of speaking. He denies that he is "clever" at speaking as his opponents charged ( 17a-b), thus turning any rhetorical weakness the historical Socrates may have
displayed into a virtue. He says that he has not prepared a fancy speech but
will speak at random using whatever phrases pop into his head (17c). He explains that it would not be appropriate at his age to come to court like a boy, nX?iTOVTi taSyoix; (17c). He points out that speaking ability is not as important as speaking the truth, which is what he will do (17b; see also 18a).
He asks for forgiveness for speaking in his own peculiar style, as he does in
the marketplace, and for indulgence on the grounds that he has never been to court before and hence is like a stranger (17c-18a).
At first sight this is a somewhat conventional attempt to win the sympa
thy of the audience.42 But we cannot dismiss it so easily, because, as we have seen, Socrates did speak in an unusual and offensive manner. We also have evidence that Socrates did not prepare a defense speech: Xenophon reports that he did not spend a minute on it, and was chastised for this by Hermogenes
(X. Ap. 2-5). This fact may underlie the report that he rejected a speech of fered to him by Lysias.43 In this context, Socrates' opening words take on a different complexion: they constitute a response to the charges of arrogance and incompetence that were raised against Socrates, and an apology or at least an explanation for his behavior.
Did the historical Socrates really make an apologetic disavowal of rhetori
cal ability on these lines?44 Xenophon does not mention any, and the entire
section (17a-18a) conflicts with the image of incompetence and arrogance attested to by both Xenophon and Plato. But in the post-trial atmosphere, there
42 On the claim to truth as opposed to fancy speaking see, e.g., Antiphon 5.2-7, Lys. 17.1,19.1-6. See also Riddell xxi and Stokes 1997: 97.
43 D.L. 2.40-41.
44 See Riddell's arguments (xx) against a Socratic origin for this section. Contrast Burnet 67 and Hackforth 55-57.
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298 Gabriel Danzig
was good reason for Plato to introduce this apology. Unable to deny that Socrates spoke poorly, he can apologize for and explain this fact, while giving
him a much more polished speech than he actually made.45 But in fact Socrates' words here are not altogether conventional: no extant
speech that I have seen claims that the speaker did not spend time to prepare
a proper speech, that he will speak at random (eiicp),46 or that he will adopt
his own unique style. So Plato is not simply repeating rhetorical topoi, although
he draws on them. These unique features call attention to the fact that what
Socrates said was genuinely different in manner from what the court was used
to hearing, which is something Plato would have to acknowledge and explain if Socrates' defense speech was really as bad as everyone thought it was.
But Plato does not merely apologize for Socrates' poor performance. By adopting the well-known topos that truth-telling is better than cleverness in speaking, he tries to show that Socrates' very failure in court was a mark of his virtue. Far from speaking out of disrespect, Socrates' plain-speaking was
really a form of respect and right conduct. And he goes one step further than
what we find in other extant speeches when he claims (in a manner typical of the Platonic Socrates) that he who speaks the truth, even in poor style, de serves to be called "clever at speaking" in the truest sense.47 So while defending
Socrates as a plain-speaker rather than a master of rhetoric, Plato also man ages to retain for him the title of master of rhetoric, in its new, purified sense.
Finally, it has often been noted that after claiming to be speaking at ran dom, Plato's Socrates actually offers a well-organized speech with few rough
45 Even if we wish to attribute these words to the historical Socrates, they still serve
this purpose in Plato's hands. No intelligent reader, aware that Socrates was ridiculed for speaking so poorly in court, could fail to interpret Socrates' words here as an apology for
and explanation of that fact. And Plato himself must have been aware of the impression these words would make.
46 There was a serious debate between orators on the merits of written speeches ver
sus spontaneous ones. Compare Isoc. Panegyricus 11-12, Panathenaicus 24. At Antidosis 140 Isocrates affects to revert to spontaneous speaking claiming to be at a loss (?rcopc?)
what to say. See also PL Mx. 234c, where Plato pokes fun at the widespread preference for
well-conceived speeches. His general denigration of the written word is of course well known. As John Glucker has pointed out to me, it is possible that Plato is here trying to
claim that Socrates' speech possesses the superior quality of spontaneity. In the context of Socrates' disastrous performance in court, this would still be an apology of sorts. On
the other hand, Alcidamas, who considered spontaneous speeches superior to written ones,
does not use the term eiiqi to describe spontaneity but rather amooxe?uxcrciKO?. See Isocrates' Against the Sophists 9. e?kt\ usually has negative connotations. On the debate
over the relative advantages of spontaneity and preparation see Liebersohn.
47 This idea of a purified rhetoric also appears in the Gorgias (460a) and the Phaedrus (260d et alia).
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Apologizing for Socrates 299
points in it. There may seem to be some contradiction between the opening words and the rest of the speech. But we should bear in mind that the open
ing words are primarily an apology for the speech of the historical Socrates, which really was unimpressive. The speech Plato records, like the opening apology, aims itself to counteract the impression of Socratic incompetence. So this apparent contradiction can be explained by a single apologetic mo tive. This will not be the only place in which Plato responds to a charge in contradictory ways, explaining and denying the offense at the same time.48
2. Interview with Meletus. This concern with repelling the incompetence
charge sheds interesting light on the interview with Meletus. As we have seen,
the little time Socrates spends addressing the actual charges is devoted to a
personal attack on Meletus (24c4-28a2). Scholars have long been puzzled over this seemingly pointless interview.49 As Brickhouse and Smith put it (1989:112),
the discrediting of Meletus seems to be all that Socrates intends to achieve through the interrogation: before he begins his questioning, he tells the jury only that he will show that Meletus is "joking by lightly involving men in a law suit" (24c4-6); he does not explicitly say that he will actually refute the charges.
Brickhouse and Smith go on to argue that, in fact, Socrates does address the
charges against him in a serious manner. They argue (114) that he must be doing so because if he were not, his words "would constitute an unnecessary incitement to the jury ..." or would be inappropriate in another way. They undertake the difficult task of showing that Socrates' arguments provide a
satisfactory answer to the charges, but it is hard to agree that they succeed.50
If Socrates had been seriously interested in answering the charges, he might
have mentioned some of the facts brought up in this context by Xenophon: for
example, that he always participated in public and private sacrifices. It seems highly coincidental that every argument he uses to "defend" himself happens also
to discredit Meletus, which is his professed intention. Better to take Socrates at
his word and acknowledge that his primary purpose here is to discredit Meletus.
48 See below, iii.C.2 "Denying Defeat" and in.C.4 "Claiming Victory" for additional examples of the contradictions that Plato tolerates in the interest of apologetics.
49 See Hackforth 104-10, Burnet 100-101,106-7. Brickhouse and Smith acknowledge (1989:112) that there is "virtual unanimity" among scholars that Socrates does not seri
ously address the charges. 50 The section in which they attempt to show the power of Socrates' arguments here
( 117-28) is not convincing. They address this issue a second time in 1992. In both places
their arguments rely heavily on the assumption that Socrates conformed to a set of prin
ciples that they derive from the Apology itself. But the claim to be telling the truth, for
example, is the kind ofthing that many speakers say, and it does not guarantee the verac ity of the speech as a whole.
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300 Gabriel Danzig
But why would he do this? If Socrates' words are sincere, then the whole
interview with Meletus seems curiously irrelevant both to Socrates' histori
cal defense against the trial charges and to Plato's alleged defense of the philo
sophical life. But the discrediting of Meletus is not irrelevant at all when we consider that Plato is writing in the context of contemporary debate (in which
Meletus may have played some further role51) and in particular that he is defending Socrates from charges of incompetence in court. Because the con temporary debate would be foremost in the minds of contemporary readers,
Socrates' attack on Meletus would not have seemed out of place, and would certainly not have appeared as an unnecessary incitement to the fictional jury.
Socrates' attack charges that Meletus is not genuinely concerned about the
corruption or education of the youth (24c, 25c, 26a-b), that he has written an incompetent and self-contradictory affidavit (26e-27a, 27c, 27e), that he is joking (24c, 27a, 27e), and?what is implied in all this and also made ex plicit?that he is not treating the jury or the law with proper respect. Socrates
elaborates on the charge of disrespect to the jury, claiming that it is a sign of
disrespect that Meletus does not think the jury is acquainted with the writ
ings of Anaxagoras (26d). He claims that Meletus wrote his indictment in a spirit of hybris, disobedience, and immaturity (26e-27a). And he points out
that Meletus is reluctant and unwilling to comply with the accepted proce dures in a court of law (27c). These charges of incompetence and arrogance in court closely resemble the post-trial charges brought against Socrates.
B. Arrogance
The charge of incompetence is closely connected with the charge of arrogance.
Xenophon accepts the widespread opinion that Socrates acted with great ar rogance in court, and that his arrogance caused him to lose the trial. Plato's
treatment of the issue is more subtle and complex. Plato's Socrates surely sounds
arrogant, and it is possible, even likely, that Plato's Apology is one of the works
to which Xenophon refers when he says that everyone who wrote about the
trial mentioned Socrates' arrogance.52 But how do we account for this arro
gance? Did Plato invent it? Or did Socrates really speak arrogantly at his trial?
It is difficult to imagine that Plato has invented Socrates' arrogance out of
whole cloth, for this would imply that Xenophon made the colossal mistake of believing a Platonic invention without checking any other independent source, despite telling us that he did check more than one. It would also be
51 As Chroust says ( 1957:240 n. 169),"Every time Plato refers to Meletus, he uses some
word of disparagement;" see, e.g., Euthphr. 2b, Grg. 521c, with Hackforth 108-9. 52 See above n. 18.
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Apologizing for Socrates 301
hard to believe that Plato created a fictitiously arrogant Socrates who was subsequently adopted by all the sources Xenophon read. And anyway, why would
Plato invent this trait, which was destined, according to Xenophon, to bring
Socrates into disgrace? And if he did not care about that, why, after inventing the
arrogance, would he devote extensive efforts to explaining, toning down, and
justifying the very arrogance he has invented?53 It is much more likely that
Xenophon's conclusion is correct, that Socrates did speak this way (X. Ap. 1). But there is also evidence of humility in Plato's portrait of Socrates' speech.
How shall we explain this? Did Socrates himself try to moderate his own ar
rogance while indulging in it? Or is this humility, absent from Xenophon, to be attributed rather to Plato and his attempts to deal with criticism of Socratic
arrogance? Socrates' efforts to apologize for his arrogance are widespread. In several
places (20d-e, 34d-e, 37a, 38al) he addresses the arrogance issue explicitly, denying that he is speaking out of arrogance or disrespect, and offering alter
native explanations for his behavior. In another, he says explicitly that he is
seriously trying to win the trial ( 19a2-4). This contrasts with the image of an
arrogant Socrates who inflamed the judges. But it is an anachronism: Socrates
was not on trial for arrogance. And it is hard to imagine the historical Socrates
simultaneously inflaming the jury and apologizing for doing so. Plato's efforts to repel these charges are evident most of all in his treatment of
three notorious instances of Socrates' arrogance at his trial: his failure to beg for
pity, his reference to the Oracle of Delphi, and his proposal of an outrageous counter-penalty. A comparison with Xenophon's treatment of these issues shows
how Plato's different rhetorical aim helped shape his treatment of the speech.54
1. Refusal to Beg. In Xenophon, there is no mention of any begging, and a fortiori no attempt to explain why Socrates did not beg. He does not beg, but only a reader familiar with the usual Athenian courtroom antics would no tice this. In Plato, on the other hand, Socrates' refusal to beg is made conspicu
53 See Kennedy's assessment (150): "This arrogance is more clearly marked in the pas
sages which Xenophon puts into Socrates' mouth than in the Apology of Plato, though it is present in the latter work."
54 It may be objected that Xenophon is exaggerating the arrogance in his version, and
that therefore we are not justified in arguing that Plato is toning it down. But Xenophon
does not undertake to show how arrogant Socrates was?as he says, that was widely ac knowledged?but rather to explain that his arrogance stemmed from his desire to die. So
he had no obvious incentive to exaggerate. My argument does not depend on the assump
tion that Xenophon is a faithful reporter, which I doubt, but rather on a comparison of
the two texts: Xenophon is useful because he shows us what Plato could have said, but did not.
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302 Gabriel Danzig
ous. Plato recognizes that this was thought to be one of the major causes of Socrates' conviction (34b-c):
But any of you might possibly be annoyed, thinking back to his own behavior, because he, when on trial on a lesser charge than this, begged and entreated the judges with floods of tears ....
Socrates explains why he is unwilling to beg (34b-35b). He says that he is not
being arrogant or disrespectful (34d o\)K a\)9a?i?opevo?, co av?pe? 'A0r| va?oi, o\)8' -bpa? ?xipa?cov). He is responding to the post-trial charges. He explains that it would not contribute to their ?oc^a or his if he begged, but would be disgraceful. He adds that he has no fear of death anyway, and that it
would be immoral and irreligious to beg. He explains that the duty of the judge
is to seek justice and truth, not to hand out judgments as though they were personal favors. And, as we have seen, he returns to this issue after the death
sentence, explaining that he has been condemned not because of his inability
to speak but because of his unwillingness to engage in lamentation and grief
(38d). Here Plato acknowledges that there was no begging, but he defends Socrates: this was not arrogance on his part, but honorable behavior.
In addition to not begging himself, Socrates refrained from bringing his
family to court to arouse the pity of the jury. This too seems like arrogance, and Plato acknowledges the fact. But here he goes one step further in coun
tering the arrogance charge. His Socrates does not refrain from mentioning his family (34d):
I, my very good fellow, surely also have some relatives. Indeed, I too am not sprung, as Homer has it, "from stick or stone" but from human beings, so that
I have both relatives and, in particular, sons, Athenians, three of them, one by now adolescent and two still children ...
By mentioning his family in this way Socrates, surprisingly enough, does appeal to his judges for pity in this conventional manner, despite his claim that this would be the wrong thing to do.
Since it was, one presumes, notorious that Socrates did not bring his fam
ily to court, Plato could not have had him do so. But by having him mention
his family in this way, he does the most he can, within the limits imposed upon
him by the guise of an historical fiction, to present a Socrates who was will
ing to beg, just a little, in order to win an acquittal. There is surely a contra diction here: on the one hand, Socrates was right not to beg, and on the other he did beg. But it is easy to see how and why this contradiction arose when we note that Plato's intention in both instances is to deny the arrogance charge.
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Apologizing for Socrates 303
2. The Oracle. The story of the Oracle gives us another opportunity to evalu
ate the arrogance of Plato's Socrates. According to Xenophon, the Oracle did not say that no one was wiser than Socrates, it said that no one was more ?^euGepo?, S?kocio?, or oaxppcov than he (X. Ap. 14). His Socrates is not puzzled in the least by this astounding praise. He takes it in his stride and proceeds to explain to the jury why the Oracle was justified in this compli mentary pronouncement. He even goes so far as to explain that he is also wise
(X. Ap. 16 aocpo?), something that the Oracle had not even said.55 The only
humility he displays here, if it can be called that, consists in his pointing out that, after all, the Oracle did not compare him to a god, as it had Lycurgus (X.
Ap. 15). In Plato, the story is quite different. As Plato reports it, Socrates introduces
the story with a lengthy apology (20d-21a), apologizing especially for Chaerephon's presumptuous question, and attributing it to his impetuosity (21a). The Oracle only speaks of Socrates' wisdom, denying that anyone else has more of it than he (21a). This emphasis on wisdom, as opposed to the virtues mentioned by Xenophon, fits well with Plato's efforts to interpret the
Oracle as enjoining on Socrates a mission to philosophize. More importantly, Plato capitalizes on the negative language of the Oracle, using it to turn Socrates' boasting into a display of humility. Socrates claims to be baffled by
the Oracle, since he does not consider that he himself knows anything very
great (21b). If the Oracle is right, then no human being knows anything worth
knowing. Socrates tries to prove the Oracle wrong not because of any reli gious skepticism or antagonism on his part, but because he optimistically hopes to discover that human wisdom exists in others. It is only reluctantly that he comes to the conclusion that the Oracle is right, that human wisdom is worthless. The message of the Oracle points less to Socrates' wisdom than to the insufficiency of human wisdom, itself a humbling lesson (23a-b); Socrates' virtue here consists in his knowing how little he knows. In short, Plato turns the Oracle from a confirmation of Socratic greatness, which is its
natural and obvious meaning even as Plato reports its words (and is the mean
ing Xenophon gives it), into a reminder of human limitations and an impera
tive to seek wisdom. Socrates remains proud of his preeminence even in Plato's
version (see 2Id, 22c, 22e) but it is a preeminence, paradoxically, in humility.
55 There is no need to emend the text to make the Oracle refer to wisdom (as von Arnim
suggests at 87), since this would still leave us with a Socrates who does not directly ex
plain the Oracle's reference to his sophrosune. The simplest explanation is that the word sophron has a wide enough range to refer also to sophia; as Xenophon explains at Mem. 3.9A, Socrates did in fact equate the two. See also PL Prt. 332a-33b.
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304 Gabriel Danzig
If we look more carefully into the difficulties surrounding the story of the Oracle we will find additional confirmation of the role I have attributed to
Plato in modifying Socrates' words. There are many reasons to doubt the his toricity of the Platonic version of the Oracle story. The story is beset with
difficulties that stem, primarily, from the fact that in Plato's version the Oracle
is responsible for the origin of Socrates' philosophizing. First of all, it follows
logically from Plato's story that the Oracle must have been given before Socrates started on his philosophical quest, and this has raised problems of chronology.56 Secondly, and for the same reason, it is hard to understand what
would have led Chaerephon to ask his question if Socrates were not already distinguished at least in his eyes for a special degree of wisdom. Socrates him
self professes to have been utterly incredulous when he got the response since
he was not aware that he knew anything at all. Stokes (1992: 68-69) sees the
reference to Chaerephon's impetuosity as an effort to explain this oddity. But
while impetuosity might explain Chaerephon's willingness to ask a burning question, it would not explain why the question burned in the first place. The
simplest motive for mentioning Chaerephon's impetuosity is to apologize for an impudent question that implicitly claims that Socrates is an especially wise
man. A third difficulty: as Stokes points out (1992: 55), if the Oracle really played such an important role in motivating Socrates' search for wisdom, we should expect to hear about it elsewhere. And yet, aside from the reference to
it in Xenophon, we hear nothing about it in any other surviving writing about
Socrates. Fourth, in both Apologies, Socrates presents the story of the Oracle as a new piece of information, not yet known to his audience. It is hard to imagine that such a significant Oracle would have remained, in Stokes' words (1992: 55), "the best-kept secret of a lifetime." Finally, there is the awkward interpretation of the Oracle as it appears in Plato. Scholars have long been baffled by the implausible way in which Socrates interprets the Oracle.57 The
Oracle never said that Socrates was obliged to investigate others in a search for wisdom; it merely said that there was no one wiser than he. It is hard to
imagine how Socrates could have come to his mission-interpretation on the
basis of the simple negative answer the Oracle gave to Chaerephon's question. It seems to me that these arguments are strong enough to raise serious
doubts about the historicity of the Oracle as it is reported by Plato. But it is
worth noticing that virtually all of them (with the possible exception of the fourth) apply only to the story as Plato reports it. These problems are not caused by the Oracle itself, but by the bizarre interpretation that Plato's
56 See Burnet ad 21a5 and Stokes 1992: 52-54. 57 Brickhouse and Smith 1989: 88-91.
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Apologizing for Socrates 305
Socrates gives it, turning it into the originating impulse for his search for wisdom. It is only because it started him on his philosophical quest that the dating of the Oracle is problematic; it is only because of the early dating that the question itself is an odd one; similarly, the absence of any reference to the
story in other literature and the audience's apparent lack of knowledge of the
story is much more problematic if the Oracle set Socrates on his life's mis
sion than if it was introduced merely in order to offer extravagant praise.
Stokes mentions some contexts in Plato's writings in which a mention of the Oracle would have been appropriate if there really had been one (1992: 55). But it is appropriate in these places only if it is the Oracle as Plato records it.
Finally, it is precisely the linkage between the Oracle and Socrates' sense of philosophic mission that creates the difficulty in Socrates' interpretation of the Oracle. There would be no difficulty if Socrates would interpret the Oracle
as saying what it seems to say: that no one is wiser than him. In short, none of
the arguments against the historicity of the Oracle-story casts serious suspi cion on Xenophon's simpler version of the story, where the Oracle only confirms
Socrates' moral excellence, and where Socrates himself uses it as an opportu
nity for boasting. If Plato invented something, we have no reason to suspect
him of inventing the basic elements of the story as they appear in Xenophon.58
There is some reason to believe that Socrates did speak about an Oracle at
his trial. While we can certainly not rely on Xenophon's testimony alone, partly
because it may have been inspired by Plato, it is worth noting that Plato's version itself shows signs of being a reaction to something like Xenophon's version. His Socrates introduces the Oracle in the first place, as does Xenophon's, as a proof of his wisdom, and not as an explanation of his philo sophical mission, and he seems to be apologizing for mentioning it (20d-21a). This makes sense if, as I have argued, he was thought to have spoken arro gantly at his trial. From the evidence we have, the reference to the Oracle is the most conspicuous example ofthat arrogance. So, if he really spoke arro
gantly in court, he is likely to have spoken arrogantly at this point.
And yet in Plato's version the arrogance, while still present, is offset by
unmistakable efforts to apologize. These contradictory tendencies suggest that
the story is a composite in which two different elements have been stitched
58 Hackforth takes a similar approach, arguing that it is both inherently implausible
that the Oracle should have served as Socrates' primary inspiration, and (92-93) that in
any case Socrates attributes his impulse to philosophize to a variety of sources later at 33c, to which we may add those mentioned at 37e-38a. But Hackforth still assumes that
much of the story is historical: in his view the only thing Plato adds is the idea that the
Oracle constituted an imperative to philosophize (101-3). He accepts that the Oracle did inspire Socrates to begin philosophizing, so most of the problems remain.
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306 Gabriel Danzig
together.59 We have in the first place a complimentary Oracle, which offers
high praise for Socrates. The most natural role for such an Oracle is to serve as an occasion for boasting, which is what Socrates uses it for in Xenophon's
version of the speech, and what he conspicuously denies he is doing in Plato's (20e). If Socrates did mention the Oracle, it seems likely that he did so in order
to boast, even if he did not say what either Plato or Xenophon reports him as
saying. Plato took this somewhat embarrassing incident and, with great skill, transformed it into a story that both explains Socrates' devotion to philoso
phy and, conveniently for our argument here, drastically reduces the arro gance, replacing it with the (for Plato) characteristically Socratic humility.60 Stuck with an embarrassingly boastful incident, Plato reworked the story,
turning Socrates from a rank boaster into a humble servant of the god, su
premely conscious of his own ignorance. And yet, Plato turns this very humility into a source for a milder form of
pride: Socrates was in fact the wisest mortal, as he arrogantly claimed in court,
if only because he knew how little he really knew. Socrates has a right to be
proud precisely because he is free of the delusion of knowledge that charac terized his condemners. It was they who were arrogant, not he.
3. The Counter-Penalty. Similar observations can be made about Socrates' outrageous behavior when asked to name his counter-penalty. Here the ar rogance seems undeniable. As Stokes puts it (1992: 168),
most of us would, I think, be incensed if a convicted man began a speech on his sentence by saying, almost unintelligibly at first, that he had escaped the legal prosecutor, and continued by saying that he deserved special honor, like a sporting hero, only more so, as the hero's services were only apparent, his own being real and his needs greater. Soc[rates] is provocative also in that among
59 Riddell (xxiv) comes to the same conclusion, although without much argumentation.
601 do not accept Vlastos' argument (1991:105-6) that the one place where Xenophon
mentions Socratic ignorance (Mem. 4.4.9) can be used to confirm as historically accu rate the frequent reports of Socratic ignorance in Plato's writings. Aside from other con
siderations, it is likely that Xenophon read Plato's works (see Stokes 1992: 78, 1997: 7), and his one reference to Socratic ignorance occurs in a context that patently suggests its
dependence on Republic 1. And even in this place Xenophon's Socrates denies that he is
ignorant and explains his own doctrine of justice quite openly. Beyond the works of Plato
and Xenophon, there are two fragments of Aeschines that refers to Socrates' lack of pos session of a techne or a mathema through which he can improve others (frr. 3 and 4 Krauss),
which might confirm the historicity of Socratic claims to ignorance (so Kahn 1996: 21 citing D?ring). This of course is not quite the same as the Socratic ignorance we find in Plato, and we do not know whether or not Aeschines was influenced by Plato or not. A. A.
Long points out (esp. 156-60) that the theme of Socratic ignorance is not especially promi
nent even in Plato, and was not generally noticed until the time of Arcesilaos.
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Apologizing for Socrates 307
the possibilities he explicitly declines to offer are some at least which, in one case on his own admission (37c), a reasonable jury, many of whom thought him not guilty, could easily have accepted. Tempers were not likely to be soothed
by the suggestion that he would rather die or that he would if spared continue the activity for which he had been convicted. It would not help matters to add that the jury will not believe the grounds for his so continuing. It would add fuel to the flames to suggest that having done no harm he is willing to pay a fine?since loss of money would do him no harm. There is no reason to doubt that Pl[ato] meant Soc[rates] to appear intentionally provocative .... Only a na?ve Soc [rates] could fail to realize the likely hostile response... Soc[rates] is not na?ve.
In this section, after the conviction, Plato's Socrates displays considerable arrogance, and undoubtedly the historical Socrates did as well. But even here the contrast with Xenophon is illuminating. In Xenophon's version, Socrates proposed no penalty at all, and did not permit his friends to do so either.
Without a counter-penalty, there could have been no vote, and the death sen
tence would have been approved by default. In effect, Socrates would have forced his accusers, perhaps against their own intentions, to become respon sible for his execution.61
Plato's Socrates does not go this far. At first he explains why he deserves to
receive something good (36b-d). He argues that the most appropriate thing would be a reward, such as free meals in the prytaneum, the reward offered to
Olympic victors. This is an outrageous suggestion given that he has just been
found guilty of the crimes for which he was charged. But Socrates does beg a bit, pointing out that he actually needs the food (36e). And then, after offer
ing this reward as his hypothetical punishment (37a), he reverses himself and proposes a monetary penalty after all.62 What is going on?
Once again, we are confronted with contradictory tendencies, one arro gant and offensive, the other reasonable and apologetic. An explanation is ready at hand: the historical Socrates behaved outrageously when asked to propose a penalty, either by suggesting a reward such as that mentioned by
Plato, or by refusing to propose anything, as Xenophon reports, or in some
other way. Plato reproduces the outrage, but he also moderates it by having him offer a monetary fine.63
61 Plato on the other hand is happy to charge Anytus with insisting on the death pen
alty (29c). Perhaps this is because he does not attribute any death wish to Socrates.
62 This seems so odd that even Chroust, who has little respect for Xenophon, judges his version to be more accurate on this point (1957: 40).
63 Note that he could not do this with Xenophon's version of the outrage, for there
Socrates simply refuses to propose anything at all.
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308 Gabriel Danzig
Plato could not have Socrates propose the more reasonable penalty of ex ile for one obvious reason: the jury would have most likely accepted such a proposal, and everyone knows that Socrates was executed. But he does insist
that Socrates explain in detail why he could not make such a proposal (37c 38a). In this way he shows that there was nothing left to propose except a fine.64
Socrates proposes a fine of a mna, which amounts to a fifth of his property, if
we can trust Xenophon (Oec. 2.3). It is a well known Socratic concept that such things should be measured in accordance with one's ability to pay (X.
Mem. 1.3.3-4; PL R. 364b-65a). In short, the fine is the best Plato can do in the circumstances.
And Socrates' friends offer a substantial addition to it, so that, as Brickhouse
and Smith argue (1989: 225-30), the total sum is a respectable one. It might seem disrespectful for Socrates to mention that the majority of the fine will
be paid by others. But what other way was there for Plato to indicate that a substantial sum was offered? And how else to combat the rumor that Socrates'
friends had not helped out?65 Socrates could not possibly have offered such a
sum personally, so it was up to his friends. But it would be inappropriate for
another speaker to interrupt Socrates' speech in order to offer additional funds. So Socrates has to make the announcement himself.
There is, of course, some apparently gratuitous arrogance when Socrates points out that paying a fine would not really hurt him at all (38b). This makes
an otherwise serious proposal look insulting. But even here, the purpose of this passage may not be simply to show how Socrates antagonized his judges, but to show that Socrates would not perform an act of injustice even against himself, as Socrates says several times in Plato's Apology (25c-26a; 29b; 37b)
and in Xenophon's Apology (23).66 But in any case, I would not want to claim that Plato is interested in elimi
nating Socratic arrogance altogether. All other things being equal, a certain degree of arrogance itself is not a source of embarrassment, but is something to boast about.67 Socrates' arrogance became an object of criticism only be
64 Brickhouse and Smith 1989: 221-25.
65 It appears from the Crito (44b-c, 44e-45c) that there was a widespread feeling that
Socrates' friends had not done enough for him. This would have reflected badly not only on these friends, but also on Socrates himself, for it would have shown that he was inca
pable of arousing loyalty in his friends. By having them propose paying for the penalty,
Plato mitigates this sentiment. 66 Weiss 32-35. Even more frequent are his assertions that one should not harm any
one. See for example Grit. 49a-c, Grg. 479c-e, R. 335b-e. 67 See Cicero's comment, obviously based on his reading of Plato's Apology. Tuse. 1.71
Socrates necpatronum quaesivitad iudicium capitis nee iudicibus supplexfuit adhibuitque
liberam contumaciam a magnitudine animi ductam non a superbia.
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Apologizing for Socrates 309
cause it seemed foolish once it led to his conviction in court. While Xenophon
takes issue with the charge of failure and implicitly overturns the charge of incompetence, he does not feel obliged to deny Socratic arrogance, and even
makes a point of saying that Socrates was in no way humbled by the actions of the court (X. Ap. 24). The very fact that his spirit was not broken contrib
utes to the effort to show that he was not a loser. Plato too leaves in a good deal of arrogance, particularly (but not exclusively) after the conviction, when
it can no longer contribute to the result it was blamed for causing.
C. The Shame of Defeat
1. Explaining Defeat. The most serious charge, and the only one that Xenophon
feels compelled to deny explicitly, is the charge that Socrates failed miserably. Before we can turn to that charge, however, we have to address a new issue
that Xenophon was not obliged to address: if the charges were negligible, and
Socrates a competent and not outrageously arrogant defendant, then why did he lose the case? Since Plato rejects Xenophon's answer, that Socrates deliber
ately provoked the jury into condemning him, he needs a new explanation for how the most righteous man of his generation, and one of its most per
suasive, was convicted and executed by an ordinary Athenian court on negli gible charges. The fact that he feels compelled to address this issue offers fur
ther evidence that the Apology addresses the post-trial controversy. Plato offers a variety of explanations for Socrates' conviction, all of which
serve to deflect any blame or shame from Socrates himself. His first approach
is to introduce the "earlier charges." He explains that deep Athenian preju dices were responsible for Socrates' conviction. These prejudices were simply mistaken: the Athenians confused Socrates with ordinary intellectuals, teach ers of rhetoric and natural scientists, who were widely suspected of holding heretical beliefs about the gods ( 18a-20c). In fact, he did not teach these things, nor did he charge a fee for whatever he did do.
Why does Socrates mention these points? Is he seriously attempting to persuade the Athenians to overcome their prejudices and acquit him? He says ( 19a) "Well, it's right, then, to offer a defense, Athenians, and to try to remove
from your mind in this short time the slander you took in over a long time." But even here Socrates sounds pessimistic about his chances. Later he says
that he would be surprised if he should be able to do so (24a). And finally, when he sums up the argument, Socrates refers to this prejudice not as some
thing that the jury is encouraged to lay aside, but as the cause of his own ex
ecution, and as Stokes points out (1992: 98), he nearly breaks the fiction in doing so (28a): "This is what will catch me?if indeed it is going to catch me? not Meletus nor Anytus, but the widespread slander and grudging feelings
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310 Gabriel Danzig
against me."68 These points seem aimed not at the audience in court, but at a
post-trial audience Socrates never met, an audience that wants to know why Socrates was convicted.
Plato offers another excuse as well, and a petty one at that: Socrates simply did not have enough time to make an adequate defense (19a2, 24a 1-3). In other cities more time is devoted to capital trials (37a-b).
So far, Plato has blamed the others: the Athenians and their inadequate legal
system. But these explanations are not sufficient. They remove the blame,
perhaps, from Socrates and his courtroom antics, but they do not remove the
humiliation. They surely do not transform Socrates into an object of envy, which
is in the end an important goal of Plato's writings. To reach this goal, Plato transforms Socrates into a hero and martyr, introducing two more explanations
for his death, one rooted in his personal divine mission, the other in an essen
tial conflict between Socrates' excellence and the nature of human political life.
Socrates explains that he will be killed because of the hatred of his fellow
citizens, and he explains how this hatred arose. It is for this reason that he
brings in the story of the Oracle. He explains that he interpreted the Oracle
as commanding him to question others and show them that they are not truly wise (23b). By arousing their hatred in this way he made it virtually certain that he would be convicted (24a), as indeed he was. He knew he was angering people through his service to god, but he felt that his duty came first (2le). This account of Socrates' death goes beyond mere explanation, and contrib utes to transforming that death from a source of shame to a source of pride, and religious pride at that: Socrates was a martyr for the god of Delphi.
But Plato is not content to blame the god. What brought Socrates into conflict with the city of Athens was not merely the peculiar mission assigned him
by the Oracle, but also the inner compulsion of philosophy. There were hints of
this already in the earlier treatment of Socrates' incompetence in court and his
arrogance: being a virtuous man, Socrates refused to speak in an unworthy man
ner in order to gain an acquittal. But Plato does not leave things at implica tions. Like other Athenian defendants, Socrates lists his merits: the occasions on
which he endangered his life by obeying the law rather than the ruling body,
whether the demos (32a-32c) or the oligarchs (32c-32e). And he demonstrates
this strength of character throughout the Apology by his abrasive and stubborn
unwillingness to compromise his moral principles even in the face of death. The conflict is not simply between Socrates or Socrates' unique mission
and the city of Athens. Although it is true that Socrates attributes his refrain
68 This passage also aims to lessen the impression that it is Meletus and Anytus who have
won. Socrates deprecates Meletus further in the second speech, where he explains that Meletus could not have succeeded without the assistance of the other two prosecutors (36a).
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Apologizing for Socrates 311
ing from entering political life to the mysterious personal warning he received
from his divine sign (31c-e), the sign is not as unintelligible as it might seem.
Its message is of universal import, and its truth is perceptible by reason. Socrates usually understands the reasoning behind the advice given by this sign quite well (see X. Ap. 5-9 with Weiss 8-15), and this bit of advice is no
exception. No righteous person who opposes the masses can be saved (3le, 32e).69 The truly virtuous will always suffer in politics (28b, 31d-32a; X. Ap. 4,26). Therefore, the good man must have a private station (31c-33a).
Faced with the impossibility of blaming Socrates for his own failure, and
with the triviality of blaming a particular Athenian jury (although he does that as well), Plato took the only option left: he blamed the nature of human political life.70 There is an eternal conflict between the ideal and the real. It
was not foolishness or misplaced arrogance that brought about Socrates' de feat. It was surely not the successful efforts of his victorious opponents ei
ther?they have nothing to boast of?but rather it was Socrates' own supe rior nature and superior behavior that led, inevitably, to his death. Thus the
cause lies with him, but the blame falls only on the others.
It is easy to see here that Plato is wrestling with an issue that Socrates would not have confronted in his trial.
2. Denying Defeat. Plato's concern about the humiliating result of the trial is so strong that he resorts to some unimpressive measures to counter the im
pression of defeat. He has his Socrates claim a degree of victory after the vote
to convict, on the grounds that he lost by a small margin (36a). And he points out that Meletus cannot boast of any accomplishment, since the vote to con vict is due primarily to the popularity of the other prosecutor, Anytus (36a-b;
see also 28a-b).71 But despite this brief moment of post-conviction jubilation, Socrates cannot claim that he has won. How, then, does Plato address the
charge that Socrates lost, and by his own fault?
69 Socrates mentions in this context his resistance to the masses when they insisted on
illegally trying the generals as a group, and he points out that they later regretted their action. After the trial this passage may remind its audience of the regret that was felt in Athens after the execution of Socrates, as Plato seems to indicate later (38c, 39c-d).
70 Socrates uses this conflict to explain another circumstance that may well have been
the subject of post-trial accusations: why did Socrates not participate actively in political
life? Xenophon also addresses this issue, in his Memorabilia, arguing that by training politically active persons Socrates did in effect participate in political life (1.6.15). Oddly
enough, he offers Charmides, later a member of the tyrannical government of the Thirty, as an example of someone whom Socrates personally persuaded to enter politics (3.7.1-8).
71 Pace Hackforth 81, by attributing his execution earlier to the old prejudices against him, Plato's Socrates effectively denies any real victory to his prosecutors.
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312 Gabriel Danzig
It is obviously grossly anachronistic to have Socrates address this question
directly in his defense speech, but this is what Plato has him do. Socrates asks
himself a theoretical question (28b), "Someone may perhaps say: 'Are you really not ashamed, Socrates, of having practiced the kind of activity that puts
your life now in danger?'" The question is not an impossible one for a defen
dant to ask himself hypothetically?Plato does not destroy the fiction?but it is a peculiar one.72 And it is precisely the sort of question that Xenophon says was raised after the trial. Obviously Plato could not have Socrates ask himself even hypothetically whether he is not ashamed of the fact that he was
killed in the end. But since Plato does not employ a narrator, he has no other way to raise the issue than to have Socrates himself do so.
To answer the question, Socrates brings in heroes of Greek mythology. He
explains that a person should not calculate dangers, but only do what is right.
One must risk one's life in order to perform what is commanded by a supe rior (28b-c):
Your suggestion is dishonorable, Sir, if you think a man who is the slightest use ought to take into account the risk of life or death, rather than to consider one thing alone in every action, whether the action is just or unjust, and the behav
ior that of a good man or bad. For the demigods who fell at Troy would be of little worth, on your principle, including even Thetis' son ...
This is the first substantial rejection of shame for Socrates' death: the god commanded him to undertake an unpopular religious mission, and he hero ically obeyed the command of the god, even at the cost of his own life (28b 30c). This obviously has nothing to do with a real defense speech.
The Oracle of Delphi, and Socrates' interpretation of it, plays a vital role in all of this, since all the risks were taken in obedience to this Oracle. But this
service of the god is only one way of explaining Socrates' pursuit of philoso
phy. He describes it differently when he says (28d) "wherever a man posts him
self, thinking that best, or is posted by a commander, there he ought... to stand
his ground" (my italics). It is not the god, but he himself who has ordered this mission. He makes this clearer later when he says, speaking of the hypo
thetical punishment of quietude (37e-38a),
If, first, I tell you that that is disobedience to the god, and for that reason I can
not lead a quiet life, you will not be convinced, but will think I am putting it on. If, secondly, I say that this is the greatest good for a human being, every day
to discuss goodness and the other topics on which you've heard me conversing and examining myself and others, and that life without examination is not worth a man's living, that you will believe even less from me.
721 have not found a good parallel to it in existing Greek forensic speeches.
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Apologizing for Socrates 313
Here Socrates offers two ways of saying the same thing. In a sense it was the
god, but in another sense it was Socrates' own conviction that philosophy was
the best way of life for a human being that led to his mission and to his mar
tyrdom. Socrates is both a servant of the god and a heroic man of principle. But Plato is not satisfied with this impressive heroism. Heroic losers are not
always the objects of real envy. And so he presents two new arguments to the
effect that Socrates did not really lose. Again, these are wildly anachronistic
arguments. First is the theoretical point, elaborated later in the Gorgias, that a
good man can never be harmed by a bad one ( 30c-d). The point is valid whether
Socrates is condemned or not: whatever the results of the trial may be, they can
not be bad ones, since it is impossible for bad men to harm good ones. For this
reason, this argument is appropriate (though barely) even before the sentencing.
Plato's main argument, however, is an elaborate version of the point made
by Xenophon, that death was really better than life for him. Prior to the sen
tencing Socrates points out that it would be arrogance to think we know that death is bad (29a-b).73 This is the most he can say in confronting the possi bility of his own execution. To argue at length that death is certainly better
than life would be absurdly inappropriate at this stage.
Plato can develop this theme further only by creating a third speech, after the
sentencing, in which Socrates can openly speak of his own impending execu tion. Without in anyway excusing the culpable behavior of the judges in con demning him (41d-e), Socrates argues that he is better off dead, not for the
reason that Xenophon gives, that he is an old man with nothing good to look forward to, but rather because death itself may well be a better thing than life.
Socrates' initial claim is that death must be a good thing, since the daimonion did not stop him from speaking as he did (40a-c). Scholars have wondered whether the daimonion was so active in Socrates' life that he could
safely draw this conclusion merely from its non-interference.74 But it is hard
to imagine that Plato intended his readers to pursue this fruitless line of specu
lation. His point is that Socrates was really better off dead, and the daimonion
proves this?even if this comes at the expense of a slightly illogical argument.
But in any case, there is logic to the daimonion s opinion, and Socrates is fully
capable of explaining that logic: death is either a great rest, or a chance to phi
losophize with better companions (40b-41c). The realm of Hades is one in which true justice reigns. Socrates believed that he was better off in Hades,
73 His point here is both a defense of Socrates and an attack on those who charged Socrates with failing through arrogance: they are the truly arrogant ones if they think they know that death was bad for him.
74 Brickhouse and Smith 1989: 237-57.
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314 Gabriel Danzig
and this means not only that he did not lose his spirit in the face of his sen
tence, but also that he was really better off dead.75 With these arguments Plato
not only repels any insult or pity, but actually contrives to arouse jealousy for
Socrates on the grounds that he died. 3. Some Complications. In the final analysis, then, Plato's Socrates, just like
Xenophon's, did not suffer anything shameful or bad at the hands of the court. But for Plato this conclusion is somewhat awkward, since Plato's Socrates is
not, like Xenophon's, an arrogant man gloating at the prospect of an easy death. He is a hero, willing to risk the ultimate sacrifice in the service of the
god. This glorious image is somewhat diminished by the fact that death is actually advantageous for him. Plato wants to have his cake and eat it too: to claim both heroism and what we may call self-interested success for his hero. This,
it seems to me, is a deep and well hidden weakness in Plato's Apology.76 In order
to alleviate this problem somewhat, Plato downplays the death wish and brings
it into prominence only after the sentencing. But the problem still remains.
A second problem: despite his heroic willingness to sacrifice himself, and
despite his actual indifference to death, Plato's Socrates, unlike Xenophon's, makes a serious effort to win an acquittal ( 19a). This announcement, uncalled
for in an actual defense speech, may be designed to respond to those who believed, like Xenophon's Hermogenes, that Socrates never really tried to defend himself effectively. It may even be a response to Xenophon, whose Apology portrayed Socrates as wanting to die (see also Crito 45c-d, which mentions this as a charge against him). As we have seen, Plato has made ef forts to reduce Socrates' arrogance and disrespect for the court, explaining,
justifying, and toning down. He takes the opposite course from Xenophon: with Xenophon, Socrates' desire to be rid of his earthly troubles contributes to the effort to show that he did not lose. But if Plato's Socrates genuinely
wanted to win, and was even willing to act with some degree of humility and
75 In the Phaedo Plato offers more elaborate arguments in favor of death, and his pur
pose there too is to show that Socrates was not a loser. When his friends arrive full of
humiliating pity for his unfortunate fate, Socrates turns the tables on them. He first ex
presses the shocking wish that his rival Evenus join him in death (61b-c). His friends naturally suspect that he bears some ill-will to Evenus, but Socrates explains that this is
not a curse but a blessing, since any philosopher would be happy to die (61c). Unfortu nately for Evenus, and for everyone else who remains behind, suicide is forbidden (61c d). Only Socrates has had the good luck to be condemned to death by a court of law; the others are condemned to live. Socrates thus offers only pity for those who would have
pitied him. The Phaedo makes it even more clear than the Apology does that Socrates is
fortunate to have received the death penalty by the court.
76 However, Xenophon at least finds the alliance of self-interest and the winning of
glory unproblematic; see Lac. 9.2.
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Apologizing for Socrates 315
respect in order to secure an acquittal, even mentioning his poor family, does
this not make his loss all the more humiliating for him and his followers? Plato
seems to be working against his own interest, if his goal is to dissolve all shame
and suffering, and to arouse envy on Socrates' behalf. But Plato devised a solution to this self-made problem as well. He argues
that Socrates' solicitousness in court stemmed only from his desire to benefit
his judges, and not from any concern for his own welfare (19a, 30c, 30d-3 la, 35d). He himself did not care whether or not he would win the case (30b-c).
His defense efforts aimed only to preserve the life of Athens' great benefactor, himself (30d-31c).
By this device, Plato offsets two possible criticisms of Socrates. On the one
hand, any charges of arrogance or mishandling of the defense lose their punch
since Socrates had no interest in living anyway. But at the same time, any embarrassment that might be associated with his humility and his willing ness to mention his family is eliminated as well: if Socrates begged, he did it on behalf of the city of Athens.
4. Claiming Victory. Plato goes one step further, arguing not only that Socrates did not lose, but also that his condemners were the real losers. Ob
viously they made a mistake in condemning an innocent man. Plato makes this point not primarily by providing evidence of Socrates' innocence, but
rather by denying that this jury or any other is competent to pass judgment.
By arguing that few people if any know what is a good or a bad man (19e 20c, 23a-b, 24e-25c, 29e-30b), he undermines any claim that the court could
make to possessing the competence necessary to make decisions concerning human beings. And for this reason, as Socrates says, he does not address his judges as judges, but merely as Athenians (compare 17a with 40a). Similarly, by arguing that his hypothetical crime was necessarily unintentional (25d 26a), an argument that he expands elsewhere into the claim that no one does wrong intentionally (e.g., Prt. 345d-e; Eg. 731c, 860d), Plato delegitimizes the application of punishment on the part of the court.
But Plato charges not only that the court was incompetent, but also that
its members suffered actual damage. They are pathetic failures, not Socrates.
They have lost their reputations and have little gain to show for it. They have
only saved themselves a few years of annoying Socratic chatter, and they will
be blamed hereafter as the killers of Socrates (38c). They attempted to escape
Socrates' beneficial interrogation, but now many more people will interro gate them (39c-d). Clearly this too is part of Plato's post-trial polemic.
Aside from these relatively comprehensible losses, the judges will lose much
more by their very involvement in an act of injustice: it is much worse to do
wrong than to suffer it (30d), and those who convicted Socrates are guilty of
great injustice. Socrates was caught at an old age by death, which is slow, while
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316 Gabriel Danzig
his accusers were caught at a much younger age by wickedness, which runs more quickly (39a-b).
But the worst loss of all is the loss of Socrates himself, god's greatest gift to
Athens, and one nearly impossible to replace (30d-3 la). By losing him, Plato
claims, the Athenians became the world's greatest losers, and they had only themselves to blame.
This attack on the jurors, and on Athens itself, is the most powerful attack
of all since it charges Athens not merely with injustice, but rather with fail
ure, a more serious charge, and precisely the one that was brought against Socrates in the post-trial dispute.77 This reversal of positions enables Socrates
not only to avoid the stigma of defeat but also to achieve the kind of victory that can only be obtained through the defeat and humiliation of one's en emies. This is the revenge that Plato took on his master's (and his own) ad
versaries. However much he renounces the ethics of helping friends and harm ing enemies, Plato is not above acting in accordance with it.
IV. conclusion: TWO IMAGES OF SOCRATES
In the Apology Plato never completely breaks the dramatic illusion. But while
the work has the appearance of a defense speech, Plato nevertheless uses it for a variety of his own goals, philosophical and biographical as well as social and polemical. The central goal is the defense of the reputation of Socrates, and through it of all who still associated themselves with Socrates' name. This is made clear above all by the comprehensiveness of Plato's treatment of the specific post-trial issues. It is not only the formal structure of the work, but also the systematic way in which Plato treats the post-trial issues and their
implications, sometimes even bringing forward petty or contradictory argu ments, that makes it clear that he is addressing this controversy.
There is virtually nothing in Plato's Apology that does not relate to the post
trial debate; we need no other hypothesis in order to explain the work as we
have it. Insofar as this would have been obvious to a fourth-century reader,
personally familiar with that controversy, to that degree we can be confident that the work was written as a work of fictional pseudo-historical polemics. We can also discern a close connection between the different attitudes of
Xenophon and Plato to the trial and execution of Socrates and their different
portraits of Socrates and his conversations. We have mentioned specifically the charge of arrogance that Xenophon endorses wholeheartedly, and that Plato modifies with some signs of humility both here and elsewhere. For
77 The Athenians lost the god's gift through their own foolish and arrogant misbehav
ior in court, and they lost for the very reasons for which Socrates was later blamed for his defeat in court.
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Apologizing for Socrates 317
Plato's Socrates one might also point to the argument that those who com mit wrong are harmed more than those who suffer it ( Gorgias) as an example of how Plato's view of the trial influenced the formulation of his doctrines.
One of the frustrating problems with this doctrine is that it focuses only on
the relative positions of the sufferer and the inflictor of injustice. This may result from the fact that Plato was interested in contrasting Socrates with those
who did him wrong. Similarly, arguments about the immortality of the soul,
about the nature of virtue, and about true justice, fit nicely with the effort to
justify and defend the life of an apolitical philosopher who seemed to have led a miserable existence and met an unfortunate doom. In his Republic, Plato
tries to conceive of the rare and almost impossible circumstances in which this
fundamental wrong could be righted. And at the same time, there and in other
works, he tries to show that the philosopher is really better off despite everything.
Xenophon took a very different approach. Although he tried to defend and praise Socrates, he did not allow the failure in court to form the basis of an entire outlook. He does not argue for an essential conflict between the man
of virtue and the corrupt political and social community, but on the contrary,
constantly says the opposite. In his view, virtue tends to be rewarded in po
litical life as in any other aspect of life. Socrates, being virtuous, could not have been unsuccessful and therefore he was not. Because of his virtues, Socrates
was popular and well-loved by his many friends. While there are instances of hostile confrontation between Socrates and others in Xenophon's writings,
they are few and far between, and they are generally initiated by others (see for example Mem. 1.6). His Socrates primarily gave helpful advice to his friends
and acquaintances. Among other lessons, he told them that the only way to win friends and influence people is by convincing them that one is a good person, and that the only way to do that is by really being one (Mem. 2.2-6, 3.1, 3.3-6; compare Cyr. 1.6.22). Far from being "too good" to succeed in ordinary civic life, Xenophon's Socrates was exactly good enough to do so. He was an expert precisely in the practical art of self-presentation (which Plato
ridicules in the Gorgias and elsewhere), and was able to teach others how to
present themselves as well. This is the meaning of his strange claim in Xenophon's Symposium that he is an expert in the art of pimping (Smp. 4.56 60, cf. Mem. 2.6.29), a claim that is illustrated in the bulk of the conversations
recorded in the Memorabilia, especially in Books 2 and 3. This view of Socrates
conflicts drastically with the facts of his life and in particular with his apparently
disastrous performance in court. If Socrates was a great expert in winning friends and influencing people, how could he have wound up being executed by
his own neighbors? It is for this reason that Xenophon's explanation of the trial
and execution is so fundamental to his whole view of Socrates. In Xenophon's
view, Socrates wanted to die. Any other explanation would be inconceivable.
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318 Gabriel Danzig
For both Plato and Xenophon, then, the portrait of Socrates' behavior in
court stems from the need to respond, in different ways, to the post-trial de
bate. Moreover, their broader portraits of Socrates appear to be extensions of
the images they created for their Apologies. These portraits stemmed not so much from the recollection of time spent with the great master as from the
need to say something in response to the criticisms that were voiced after the
trial. The inspiration for this great literature is to be found not merely in the
unique personality of the historical Socrates, but more in the responses of his
friends to the scurrilous attacks on him and his memory, perpetrated by the likes of Anytus, Meletus, Lykon, and Polycrates. While we may not be able to
learn very much about the ideas of Socrates from the writings of Plato or Xenophon, we do learn a lot about both Plato and Xenophon by considering how their ideas evolved in reaction not to Socrates himself, but to the debate on Socrates that followed his death.
APPENDIX! OUTLINE OF PLATO'S APOLOGY
This outline shows how virtually the entire composition addresses the post-trial controversy
implicitly or explicitly, but does not provide a complete account of all the issues raised in it.
I. First Speech:78 A. Preface:
1. Apology for Socrates' failure to prepare or present a reasonable defense speech (17a-18a6)
2. Statement of the older, more serious charges, which provide the true explana tion for Socrates' conviction (18a7-e3)
3. Assertion that the defense effort was a serious one, made for the sake of the au
dience and for the sake of the law, despite the inevitable futility of the effort (18e4;19a6;30c)
B. Body of the speech: 1. The older charges ( 19a7-24b) a. Explanation of why Socrates was condemned: deeply ingrained but mistaken
prejudices ( 19a7-24b), which cannot be expelled in a short time ( 19a 1-2; 24a)
b. Denial to Meletus of the satisfaction of victory ( 19b-c; 28a-b) c. The story of the Oracle (20c-24b)
i. Further explanation of why Socrates was condemned: personal hatred that
arose from his heroic service to the god (20c-24b) ii. Denial of the charge of arrogance in court: Socrates interpreted the Oracle
with all possible humility [Summary of older charges and statement of the actual charges (24b-c)]
78 Note that the speech is divided into three parts: the old charges, the current charges, and
the post-trial charges, although all parts address the post-trial charges implicitly. C. D. C. Reeve,
too, notes the three-part division of the speech, although he explains it differently (3-4).
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Apologizing for Socrates 319
2. The current charges: the interview with Meletus (24c-28a). Socrates launches a
personal attack arguing that the accusation was a frivolous and self-contra dictory joke exhibiting arrogance, vice, and youth. As such, the interview im plicitly defends Socrates against the charge of incompetence and arrogance in court.
[Summary: The older charges caused his conviction, not the newer ones (28a-b)] 3. The post-trial charges: a. Socrates did not lose (28a-31c)
i. Denying Meletus the satisfaction of victory (28a-b) ii. Facing death bravely is a source of pride not shame (28b-29a) iii. Death may not be a bad thing at all (29a-29c) iv. Socrates deliberately chose death rather than abandon his mission (29c-30c)
v. A good man cannot be harmed by a bad (30c-d) vi. The Athenians lose god's gift (30c-31a) vii.lt would be to Athens' advantage to spare him (31a-31c)
b. Profoundest explanation for Socrates' execution (or: why Socrates did not par
ticipate in the public life of the city; 31c-34b) i. The just and good man cannot succeed in public life, but must adopt a
private station ii. Examples of Socrates' devotion to law in his public activities (31c-33a) iii. Examples of Socrates' virtue in private:79
He never taught for money but was available to all (33a-b)
He never said things in private other than what he said in public (33b)
His conversations were amusing (33c) All of his students and their relatives were pleased with his results (33c-34b)
C. Final Summary: Direct response to the charge of arrogance in court: Socrates did not beg because that would not be honorable, just, or pious. (34b-35d)
II. Second Speech: Socrates' Reaction to the Conviction A. Socrates' conviction did not harm him (35e-36b)
1. Not in the least disturbed by the conviction (35e-36a) 2. Claims a degree of victory (36a) 3. Denies Meletus any important role in the conviction (36a-b)
B. Proposal of a penalty: modified arrogance (36c-38c) 1. Reviews his own merits (36b-36d)
2. Deserves honorary meals (36d-37a) 3. Denies that this request constitutes arrogance (37a)
4. Cannot in good conscience propose any harm to himself (37a-38b) 5. Blames the laws of Athens for not providing enough time to convince the
jury of his innocence (37a-b)
79 The section summarized in italics is the only section that does not directly address
the charges mentioned by Xenophon and their implications. It may be intended as a de
fense of Socrates' private way of life against the charge that a good citizen ought to par
ticipate in public life (see Mem. 1.6.15) or as a defense against the charge that he taught disreputable doctrines in secret. At the same time, it seems to be almost an advertisement for a Socratic or Platonic school.
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320 Gabriel Danzig
6. Could not propose prison, a fine, or exile (37b-38b) 7. Proposes a fine as large as he can afford, and adds to it the money of his friends
(38b-c)
III. Third Speech:80 Results of the conviction and execution of Socrates
A. The Athenians gained only a bad reputation (38c) B. Socrates lost the trial not because of the inadequacy of his defense, but because he
did not act disgracefully (38d-39b) C. He did not repent of how he handled the defense (38e) D. Those who voted against him deserve the disgrace (39b) E. The Athenians will suffer a harsher penalty than Socrates did: they will be pun
ished by lessons from his students (39c-d) F. Both supernatural indications and rational considerations show that death is good
(39e-41d) G. Despite the good results of the trial, those who voted to condemn deserve blame
(41d-e) H. Encouragement to others to follow the path of Socrates (41c-42a) I. Aporetic ending (42a)
80 Note that only here can the character Socrates openly address the post-trial charges
that concern Plato throughout, since only here does he have full knowledge of the results
of the trial. Hence there is little dramatic irony in the third speech.
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- Contents
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- Issue Table of Contents
- Transactions of the American Philological Association, Vol. 133, No. 2 (Autumn, 2003), pp. i-vi, 197-392
- Volume Information
- Front Matter
- Presidential Address 2003, New Orleans, Louisiana
- Telling Stories in Athenian Law [pp. 197-207]
- Alternative Odysseys: The Case of Thoas and Odysseus [pp. 209-226]
- Of Gods, Philosophers, and Charioteers: Content and Form in Parmenides' Proem and Plato's "Phaedrus" [pp. 227-253]
- þÿ�þ�ÿ���þ���ÿ������� �������[�������U�������n�������r�������e�������p�������r�������e�������s�������e�������n�������t�������a�������b�������l�������e������� �������S�������y�������m�������b�������o�������l�������]�������Û������� �������´�������y�������¼�������¿�������Û������� ���������������Á�������Á�������¿�������¹�������:������� �������M�������y�������t�������h������� �������a�������n�������d������� �������P�������l�������o�������t������� �������i�������n������� �������E�������u�������r�������i�������p�������i�������d�������e�������s�������'������� �������"�������M�������e�������d�������e�������a�������"������� �������[�������p�������p�������.������� �������2�������5�������5�������-�������2�������7�������9�������]
- Apologizing for Socrates: Plato and Xenophon on Socrates' Behavior in Court [pp. 281-321]
- Poetry and the Backward Glance in Virgil's "Georgics" and "Aeneid" [pp. 323-352]
- Ancestors, Status, and Self-Presentation in Statius' "Thebaid" [pp. 353-379]
- Paragraphoi
- Violets in Crucibles: Translating, Traducing, Transmuting [pp. 381-390]
- Back Matter