Final draft (correcting an essay to accommodate professor's comments)

----

Prof. ----

Intellectual Heritage I

Gilgamesh and Enkidu relationship

In different scholarly literary (?) works, the reader sees essential changes in a character get the chance to strike as the account opens outstory progresses. This is determined true in 'Epic of Gilgamesh,' with where the Gilgamesh appeal is as the fundamental main character of in the story. The story gives the reader an incredible good review of Gilgamesh's identity and his inspirations and targetsgoals. Gilgamesh is shown as acting in changed obvious waysto be in control. The record demonstratesstory depicts him as an abusive ruler who is detested by his subjects; a healthy strong (?) and gutsy warrior; a disheartened man [smoothed and toward the completion of everything – I don’t have any idea what this means. He is disheartened by the death of his friend Enkidu, so he gives up on everything?]; and a man who has all of the stores of beingeverything necessary to be content with his life achievements. All through the developmentsstory, the exchanges dialogue (?) show to the reader how Gilgamesh's state of mind towards life changes. [The goals that he has made for himself in like way very basically, and from similar focuses on, – I don’t know what this means.] the reader observes Gilgamesh's change from pitilessness to an inclination of humankind. [This is very unclear. Are you saying that because of the things that happen to him in the story, Gilgamesh changes from a tyrant to a compassionate ruler?] Gilgamesh and Enkidu move toward becoming become companions and it turnsed out to bethat both required somebody that haswith the same qualitiesy that can impact their opportunity to itto achieve their goals (?). It looks like at long last, Gilgamesh discovers some portion of him in another person, and this makes Gilgamesh open up to Enkidu and gets the great himreveals his greatness. After Enkidu being mindful of Gilgamesh's heritage, he comprehends that he expected Gilgamesh to be his wingman, yet before that, he anticipated that would give a beat-down, to show him that he was without a doubt, not the most unrivaled being. Despite Gilgamesh being part god, Enkidu challenges him to a fight to prove that Gilgamesh is not all powerful. This, for the most part, achieves theirmakes them companionship friends which changes Gilgamesh from an oppressive and bossy individual to an agreeable, insightful and capable individual. [This is a good idea. But you need to state it more clearly. In the end, you need a clear and specific thesis statement that tells me exactly what you hope to prove in the paper, what your overall conclusion will be. You need to tell me, very concisely, right here in the introduction, the complete idea of the paper. What does it mean for our understand of the story or the characters in the story that this may be true? Finish the thought. So, Gilgamesh and Enkidu become friends and Gilgamesh becomes a better person. Why? What is the connection between these two things?]

[You also need help with your writing. I haven’t corrected all the little errors of word choice, agreement, etc. throughout the paper. But you need to do this for the whole paper before you turn in the final version. Consider taking the paper to the Writing Center in Tuttleman and have one of the tutors there go over it with you before you turn it in. Or you could ask a native English speaker whom you trust to go over it with you.]

Toward the start of the story, the general population of Uruk depicts Gilgamesh to be a stable, powerful ruler. "The young fellows of Uruk he conveys without warrant, Gilgamesh releases no child allowed to his father; by day and by night his oppression develops harsher; it is he who is the shepherd of Uruk, the sheepfold yet Gilgamesh releases no girl allowed to her mother'"(Page 3, Line 67-72). These individuals have high regard for him, yet they disdain his sexual and his severity, so they petition the Gods to relieve some portion of their issues. The gods make numerous arrangements to create an identity for Gilgamesh in reality to stop this disaster, so they make Enkidu as an answer to this issue. After the God, Anu made Enkidu, he was set in the forested areas and lived among the creatures.

Gilgamesh proposal, Shamhat, a prostitute that turns his human side utilizing sexuality. Enkidu encounters noteworthy learning with Shamhat, and for reasons that are never cleared up. At the point when Enkidu has invested energy beginning to look all starry eyed at Shamhat, he understands that he can't keep up with creatures any longer. He feels that has lost something physically, yet he has gotten something coherently: "Enkidu was incapacitated he couldn't keep running as previously. In any case, now he was with reason, and rational comprehension" (Page 8, Line 201-202). Likewise, he understands that he needs an accomplice and what does that feels like. It's completely something other than what's expected than hanging out in the woods with creatures. This shows an enhancement a long way from his lone presence as he develops the necessity for human cooperation, besides progression toward manliness. Close by his other human attributes, Enkidu has turned out to be mindful of the privilege what's more, wrong as a feature of his tendency that he appears to feel it. He is along these lines hurt by what he gets some answers concerning Gilgamesh's doing, so he chooses to go to Uruk and go up against Gilgamesh, "I will provoke him for my quality is compelling, I will boast myself in Uruk saying: 'I am the mightiest!' there I will change the manner in which things are requested; one conceived in the wilds strength, the quality he possesses"(Page 9, Line 220-223).

Acceptably when Enkidu lands at Uruk, Gilgamesh will force his way into a ladies' wedding chamber. Enkidu meanders into the entryway and impedes his entrance. The two men wrestle brutally for a long time, and Gilgamesh finally wins. "They grabbed each other at the entryway of the wedding house; in the road, they joined the battle, in the square of the land. The door frames shook, the divider did shudder"(Page 16, lines 113-115). As Gilgamesh's relative, Enkidu, in a brief moment rapidly impacts on Gilgamesh and makes him new. Meeting his alike makes Gilgamesh respect the other man. They make an immense intrusion with the fight, yet they wind up without cruelty towards one another. Like this, he challenges Gilgamesh to a duel; Gilgamesh's underlying move towards being human begins here resulting in meeting an identical which is a first to undermine his capacity. Through this individual, he starts to see everything that he could be however isn't at present, and from here on out, the two searching for an opportunity to be mates and begin chasing down an issue to share.

The kinship changes Gilgamesh's character. Gilgamesh needed an "accomplice in crime" sort of relationship, so he recommends it set off to the Cedar Fores and hotshot their capacity by murdering the maker Humbaba as he is the defender of the trees and woods. The two companions hazard it and choose to do it, even though Enkidu wasn't exactly persuaded in doing that, yet he chose to do it as companions should hold up one another. "Gilgamesh opened his mouth to talk, saying to Enkidu, 'Why, my companion do you talk like a weakling? With your gutless word you make me sad" (Page 19, line 230). With help from Shamash, the sun god, they execute him. At that point, they hack down the incomprehensible trees, make the tallest into a large door, make the rest into a watercraft, and buoy on it back to Uruk. Upon their landing, Ishtar, the goddess of warmth, is overwhelmed with a sexual yearning for Gilgamesh. Gilgamesh rejects her. Furious, the goddess asks her dad, Anu, the divine constraints of the sky, to send the Bull of Heaven to condemn him. The ball slips from the sky, passing on with him seven years of starvation.

Gilgamesh and Enkidu overpower the bull and butcher it. The divine animals meet in assembling and concur that one of the two companions must be rebuked for their mistakes, and they reason that Enkidu should fail unbearably. He is taken wiped out, persists hugely, and offers his dreams of the bootleg with Gilgamesh. When he at long last fails unbearably, Gilgamesh is broken up by the loss of his friend. The set out to slaughter Humbaba, a creature, and specialist of the magnificent animals was Gilgamesh's. "...Ferocious Humbaba...let us kill him, so his capacity is no more" (Page 18, line 97-98), he tells Enkidu. Gilgamesh has never fizzled at anything and does not by any degree of the creative vitality know the centrality of fear or passing. In spite of Enkidu's notification and requests for him to alter his decision, Gilgamesh remains guarded of Enkidu through the fight which means that a strong bond.

Gilgamesh laments significantly over his dead companion, and he grieves to himself and to the city's senior natives reviewing how together with Enkidu they have expelled Humbaba and butchered the brilliant bulls among various encounters. He promises himself that he will make all of his supporters to oblige him in lamenting his friend. He wound wherever on his domain articulating grievances, "For his companion Enkidu, Gilgamesh did harshly sob as he meandered nature. I will pass away, and will not then be there as Enkidu distress has entered my heart "(Page 70, line 1-4). From the beginning, he has associated with his wingman's body and kept it until the point when it stinks. He surrenders Enkidu's body to the earth when hatchlings start eating up the body. He needs to maintain a strategic distance from downfall, and the reviews that an antecedent of him was exceptional. He sets out on experience to find from his precursor the best approach to relentlessness. His forerunner tells him not to be so interested in permanent status since men were not planned to live until the finish of time. Gilgamesh is, regardless, bewildered that his begetter looks like a regular man as opposed to his wants of him finding a holy person take after the other alike making arrangements for the battle to come. Utanapishti, who is the forerunner, blames him and gives him a preliminary of staying seven days without rest, yet Gilgamesh does not wrap up the test. He teaches his ferryman to dress Gilgamesh like a ruler and transport him back to the location that is known for Uruk. He is given the plant of endlessness, anyway in his neglectfulness loses it, and misgivings have hunt down his begetter useless.

Gilgamesh is bothered and retreats to Uruk, a changed man even in his organization methods. His run is as of late starting from inspiration from the association he had with Enkidu until the point that he meets his passing. Enkidu twists up discernibly limited with comparable eccentricities of Gilgamesh. He is furious when he thinks about Gilgamesh's doing and calls for the fight to come. In spite of the recently sworn aversion for each other which at the end developed into an extraordinary kinship between the two equivalents after their extraordinary battle, the issues with heavenly creatures and difficulties against the monsters were reliably explained together remembering the real objective to hear each other out and get the best decision.

[You use the text as evidence quite well in the paper. But you need to pare down the plot summary. You don’t need to tell the story in should detail. You only need to tell enough of the story that is necessary to set up each quote.]

Enkidu, being differentiated and a shield and protector for Gilgamesh, and to an ax as an assistant, was the person who satisfied the life of Gilgamesh. To be sure, even as the enormous master, he genuinely encountered Enkidu's end which displays that these two could be genuinely called come full circle, associates. Gilgamesh says "What happened to my companion Enkidu was excessively to bear" (Page 78, Line 65), similarly as he lost a profitable individual in his life. Despite the way that Gilgamesh drives forward through and feels furious, he sees destiny and his helplessness. He feels an immense void inside; he lost an equivalent to himself, an adornment, associated. Nothing can fill this put in his heart. Gilgamesh is left to consider through the straggling remainders of his life being hopeless and miserable.

Works Cited

George, A. T. The Epic of Gilgamesh.

[This is really good. Your thoughts are well-organized. You also make good use of the text itself as evidence that the underlying supposition in each point is correct. Just look at your thesis (and your conclusion) and see if it truly expresses everything the paper proves about the book.]

Your Grade (see attached rubric):

Main idea: 15 / 25

Evidence: 25 / 25

Organization: 20 / 25 [Too much plot summary.]

Mechanics: 15 / 25

Total: 75 / 100

The final version of the paper is due by 11:59pm on Friday, December 3.

--- 1

Intellectual Heritage — ---

Assessment Standards for Writing Papers

Criteria	Excellent	Good	Fair	Poor
Main idea (25 possible points)	Paper has a focus and a clear thesis statement that answers the assignment. (25 points)	Paper has a focus but the thesis may lack specificity. (20 points)	Paper’s focus is unclear or not clearly related to the assignment. (15 points)	Paper lacks a focus and/or fails to address the assignment. (10 points)
Evidence (25 possible points)	Use of text(s) shows good understanding of and response to key ideas. Quotations or paraphrases are integrated into prose. References/citations of text(s) are clear. (25 points)	Use of text(s) shows adequate understanding of and response to key ideas. Quotations or paraphrases are clearly identified. (20 points)	Use of text(s) shows basic understanding of key ideas. Paper shows some problems introducing and citing quotations or paraphrases. (15 points)	Use of text(s) shows lack of understanding. Textual support may be missing or references may fail to adequately identify source material. (10 points)
Organization (25 possible points)	Introduction engages the reader and states thesis. Body paragraphs connect to and develop main idea logically. Transitions are clear. Conclusion points to the paper’s purpose (i.e. answers “so what” question). (25 points)	Introduction sets up the focus of the paper. Body paragraphs connect to the main idea but may need further development or clearer transitions. Conclusion summarizes the argument. (20 points)	Introduction missing or not clearly directed to the paper’s focus. Body paragraphs too short (not developed) or too long (lack logical divisions into topics) or not clearly connected to main idea. Lacks transitions. Conclusion missing or off the topic. (15 points)	Introduction missing or not directed to the paper’s focus. Body paragraphs not developed and/or lack connection to main idea. Lacks transitions. Conclusion missing or off the topic. (10 points)
Grammar, mechanics, and diction (25 possible points)	Paper is essentially error-free and employs the conventions and diction of academic discourse. (25 points)	Paper has occasional errors, but is comprehensible and attempts the conventions and diction of academic discourse. (20 points)	Paper has numerous or distracting errors but is comprehensible and commensurate with college level writing. (15 points)	Paper lacks mastery of basic skills and makes numerous grammatical and mechanical errors, as well as errors in syntax, paragraphing, and diction. (10 points)