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It is hard to count names that have impacted theater to the present form without acknowledging the participation of the son of John Shakespeare and Mary Arden. William Shakespeare was an English dramatist, poet, and a literature guru and his impeccable work made him be referred as England’s national poet and the “Bard of Avon.” This paper is going to restrict itself to the contribution of Shakespeare to the dramatic world and the position he holds in the dramatic history. The paper will continue to dig deep to identify Shakespeare’s works in the past contributed to some percentage of the contemporary drama and finally does his work still relevant in the modern times. According to research, Shakespeare was active in his works between 1589 and 1613 where he was introduced to the world of drama and literature (Foulkes, 2006). But he became a force to reckon it does not mean that before him or during that time dramatists were not there but Shakespeare’s skills were unique that the world could not withstand ignoring it. Therefore, his skills made him not only a guru in England but globally people celebrated his work, and the name remained in the minds and hearts of drama die-hards even up to today. Therefore, this paper will go beyond studying about accreditation he got from his works but his impact on the drama world.

According to the research, the contemporary storytelling owes most of the properties that were witnessed in Shakespeare’s works during the ancient centuries as much as some element of change has come in the skeleton of the modern storytelling is attributed to Shakespeare’s influence. Most of the historians argue that his release, First Follo which was the circulation of plays reinstated his position in the world of storytelling and drama. The nature of the works that were displayed in First Follo was unique to catch most people attention, and in the process, Shakespeare solidified his name and took his position in the literature specifically in the world of drama. The same respect that Shakespeare earned centuries ago made his name to be a brand both during his time and the modern era. From the moment Shakespeare made an entrance in theater his impact is felt and was felt then his first play performance triggered many talks from the audience, and the Shakespeare’s influence started sweeping out every soul both the audience and other dramatists. Because these dramatists wanted to mean their positions and relevance to their audiences they had no other option rather than integrating some of the aspects brought out in Shakespeare’s works. And the influence was carried on from one generation to another until it is now here with us and may withstand the change in time so that the future generations can inherit it.

Most of the playwrights during and before Shakespeare attracted the wealthy and educated audience because of the themes that were conveyed in their works but the entrance of Shakespeare was one of a kind because his plays talked about the truth on human existence and other concepts that affect the masses. The Shakespeare’s take changed the perception that the masses had for drama, and the result was the masses found comfort in Shakespeare’s tales since they could easily relate to than any other playwright’s work (Vicers, 2004). The magnitude of Shakespeare’s entrance was felt when the audience was in a position to engage the dramatist while on the stage the situation that made it hard for other people to discern between the audience and the dramatist. The incorporation of the audience to the play was not the case with most of the playwrights. Thus the rate at which Shakespeare was becoming people’s most favorite send a message to other tales writers and the message was staunch and failure to do as stated in the message then the life expectancy of most dramatists was reducing at supersonic speed. Therefore, the playwrights had no other alternative to march up with the bars set by Shakespeare than to dance to the same tune. Similarly, most modern playwrights have shown how the popular turn spearheaded by Shakespeare is still relevant in the contemporary storytelling.

The modern storytelling selection of language and terminologies can trace its roots to Shakespeare. Similarly, the crafting of the tales’ plots is a clear indication of Shakespeare’s influence on the modern drama. For instance, most of Shakespeare’s works used plot move forward which is also observed in most of the current works by various contemporary playwrights. The language and the plots are the most important component in the play and the fact that these two traces roots in Shakespeare’s work indeed makes him an important figure as indicated by most historians who urge that the existence of Shakespeare not only in drama but literature. In general, will be felt for long duration despite the change in time and the fact that most 20th and 21st centuries dramatists still flourish on the same indeed ascertain the remarks. The complex characterization that defined Shakespeare’s works has given birth to a new concept where character’s choices trigger the selection of the plot type (Bishop, 1996). Shakespeare’s invention of plays that fuse tragedy and comedy created an exceptional experience in both story-telling and theater which was not there previously the bend between the two was over the roof that many composers had to think about incorporating the idea into their works. The blend continues to breathe in the plays composed by the current playwrights which proceed to acknowledge the contribution of William Shakespeare to drama.

The fact that most celebrated America playwrights recognize Shakespeare as the great motivation of their work means that Shakespeare had a role in the present situation of performance art in the American theater. According to the research, it was discovered that as much as Shakespeare’s work was still young in the 19th century it was evident that the American theater was using Bard again in the production of the drama. The move apparently indicates that even in infancy stage Shakespeare’s work meant a lot in the American theater.

The Shakespeare’s experience was not conveyed to a particular area, but his influence went international. The international acts were forced to be flexible because of the unique performance that this guru had, and those competent were employed to translate the dialogue so that the audience can understand the information channeled. In the translation, those guys that were assigned the role included humor and satirical statements that made the experience unique and tantalizing to the audience. However, integrity among Shakespeare’s troupe was necessary because of the repercussions that come with failure to adhere to it. Therefore, to protect integrity Shakespeare’s time could carry various tasks that they are not specialized for example, the director might act, or the actor might direct the play, and to him, this worked.

Similarly, Shakespeare contribution changed the perceptions that many playwrights had on the use of music in drama. Most dramatists used music when the plays are on the break so that it can break down fatigue. However, Shakespeare on the hand, use songs to carry the meaning of the plot and it meant that music was part of the drama but background, and it shared the same themes with the characters (Barton & Nunn, 1984). In modern drama, as much as some composers still use music as a break most of them have incorporated songs going along with the drama to capture the themes in the plot and to sail the audience in the imaginary world.

In conclusion, Shakespeare’s influence in drama and the entire literature cannot be given a blind eye because it is tremendous and continues to live and the testimonies can be found in most modern plays. Thus, from the illustrations from the paper William Shakespeare is a force to reckon and as much he is not alive his works make him relevance for centuries to come.

References

Barton, J. & Nunn, T. (1984). Playing Shakespeare.

Bishop, T.G. (1996). Shakespeare and the Theatre of Wonder

Foulkes, R. (2006). Performing Shakespeare in the age of empire

Vicers, B. (2004). Shakespeare, Co-author: A Historical Study of Five Collaborative Plays