Order 1074225: Analyze
209.20191.ENG11238A Assignments * Essay 1 Final!
* Essay 1 Final
* Essay 1 Final !
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This assignment will also be used for a!endance.
This assignment will also be used for a!endance.
ENG 1123 Online Summer Thompson
Essay #1: UNIT 1 –
Stories:The Disappearance, The Story of an Hour, The Yellow
Wallpaper, and Suicide Note
Instruc!onsInstruc!ons:
Compose a cri!cal analysis essay on one of the topics below.
Your essay should be well developed, unified, coherent, and
gramma"cally correct. Refer to the Grading Criteria for MCC
English Classes in the First Day Handout for this course.
Required length: 1 ½ -2 typed pages
You will have a chance to earn 5 bonus points on this essay
by following the direc"ons for checking your graded essay
in Turn It In and looking over the correc"ons and comments
(a#er I have graded it). Turn It In will show me if you viewed
your document or not. The direc"ons (with pictures) are in
this week's module "tled "Instruc"ons for Seeing
Correc"ons in Turn It In."
Create a thesis statement, and back up your claim with
support/evidence from the text. Support should contain clear,
specific examples from the story or stories you are analyzing, as
well as documenta"on for all text references. Include at least
one quota!on from the story in each body paragraph of your
essay, for a total of 4 quota"ons from the story/poem. *See
handouts about how ci"ng poetry is different than stories. It
would be a good idea to do an outline before wri"ng the essay.
Follow MLA format: Use size 12, Times New Roman font and 1-
inch margins; double space.
Include a Work Cited page. It is not included in the two-page
length requirement; it should appear on a separate page at the
end of your paper. You will automa"cally lose 20 points for not
including a Works Cited page.
Topics:
1. Analyze a character in one of the short stoires and show
how he or she is a dynamic, round, flat, or sta!c character
by examining his or her development over the course of the
story.
2. Choose one work from Units 1 and discuss how in
the story/poem society plays a part in imprisoning/s"fling
the main character.
3. Discuss the importance of se%ng in 1 work from Units 1.
Analyze how the se%ng ("me and place) adds meaning,
conflict, and/or relevance to the characters. Do NOT just
describe the se%ng and tell me “in this story the se%ng is
this. In that story the se%ng is that.” That is not analysis,
nor is it interes"ng. I want to know how and why the
se%ng is significant, what thisreveals about the characters,
the "me period, and the conflict within the story
StepsSteps:
Before beginning your paper, read the wri"ng handouts; use
them as a guide while working on your essay as well.
Use the outline form on the next page to plan your paper.
You may write/type directly on the form or on a separate
page. Submi%ng an adequate outline with your final dra#
will earn you 5 bonus points on the paper.
A#er comple"ng a rough dra# of your essay, use the
handouts in Canvas to make sure you have done everything
correctly before submi%ng your essay to me.
Message me in Canvas with any specific ques"ons you have
during any stage of the wri"ng process
No “thing,” “a lot,” “you,” or contrac"ons.
Remember that when you write about literature, you should
write in present tense, not past tense. You should write as if
the piece of literature and the characters are as alive today as
they were when the novel was wri!en.
Example: Say : In The Great Gatsby, Fitzgerald uses Daisy’s
shallowness to show that she is spoiled and incapable of love.
Daisy shows this when she calls Nick a “rose.”
When wri"ng a cri"cal literary paper, do not summarize the
plot at any point in your paper. Assume that your reader (which
is me) has read the novel and is familiar with the plot (which I
am!).
Parenthe!cal Cita!on from the Text:
You are to use at least 4 direct quotes from the text within your
paper to prove your point. A direct quote is wri"ng word for
word what the source says. Do not use over 2 lines. You are to
put these words in quota"on marks and cite the page number
from which you got the informa"on. You can also paraphrase
quotes from the book, but this too must have a cita"on.
Example: Nick says, “I was within and without, simultaneously
enchanted and repelled by the inexhaus"ble variety of life”
(46).
You may lead into the quote with a colon if you have a
complete sentence that prepares the reader for the following
quota"on. The sentence before the quota"on must support it.
Example: Nick feels isolated from the outside world while he is
at Tom and Myrtle’s party: “I was within and without,
simultaneously enchanted and repelled by the inexhaus"ble
variety of life” (46).
Do not use a drop quote, which is a quote that begins a
sentence with no lead-in or introduc"on.
Example: Nick is a very foolish narrator who is never
quite honest with the reader. “I was …”
***Follow a three-step procedure: make your point, use a
quota"on or plot detail to illustrate it, and then explain clearly
and fully how this excerpt illustrates your point:
Despite how hard he tries to fit in and how much he admires
these interes"ng yet grotesque people, Nick feels isolated from
the outside world while he is at Tom and Myrtle’s party: “I was
within and without, simultaneously enchanted and repelled by
the inexhaus"ble variety of life” (46). In a sense, Nick is an
oxymoron in that he both loves and hates …
How to Set Up of Your Paper
Introduc!on: The first sentence of your introduc"ons should
give the !tle and author of the book. You must have a well-
developed thesis statement as the last sentence in your
introductory paragraph and topic sentences in each body
paragraph. Your thesis should make a claim and should be your
own thoughts/opinions about the topic, a claim that you are
making throughout the paper. The thesis should have a “so
what” to it, meaning it should give me a reason to want to read
your paper. You then use your body paragraphs to “prove” your
point.
Example: Do not just say: Daisy is shown to be shallow,
incapable of love, and uncaring.
A good thesis: Through Daisy’s ac!ons, statements, and values,
Fitzgerald shows that Daisy is shallow and uncaring, thus
mirroring the shallowness of many wealthy people of the Jazz
Age.
Body: The body should contain paragraphs that provide
support for your thesis. Each paragraph should contain one
idea. Topic sentences should support the thesis and should
have a limi"ng idea, or focus. The final sentence of each
paragraph should sum up the ideas.
Example: Bradbury cri"cizes the quality of school through the
character of Clarisse. When Clarisse tells Montag about school,
she says, “we never ask ques"ons . . . they just run the answers
at you” (29). School has become a place for training kids not to
think instead of crea"ng thinkers and creators.
Then you would provide a quote or paraphrase of a passage
that deals with social cri"cism. Give page numbers. There
should always be a lead in to a quote and an explana"on
a#erward.
* Make sure to introduce a quote or paraphrase. Tell your
reader who is saying the quote or which characters are involved
in the passage:
Example: A#er Montag has been seeing Clarisse for a while, he
asks her why she is not in school. She responds that she does
not go and that she is not missed. She tells Montag that she is
“an"-social” and that she dislikes the school because..
Conclusion: The conclusion can be a restatement of what you
said in your paper. Tie all your points together and stress why
they are important. It also can be a comment which focuses
your overall reac"on. Finally, it can be a predic"on of the
effects of what you're reac"ng to. You should have a clincher: a
short sentence that reinforces your point in the paper.
Your conclusion should include no new informa"on.
Never use first or second person or informal language in a
formal cri"cal paper. This especially includes statements such
as “I think,” “I believe,” “In my opinion,” “We can see,” “In this
paper I will show,” “You can see,” … You get the idea.
Note: You have many alterna"ves to the standard says and
states to indicate that a character is speaking. Here are some
examples: note, point out, declare, exclaim, shriek, observe,
assert, contend, argue, retort, remark, respond, complain, deny,
ect. There are many, many more. Be crea"ve.
Essay Outline
(No "tle is needed un"l you complete an actual dra# of your
essay.)
NOTE: With the excep"on of the thesis, you do not have to
write complete sentences in your outline.
1. Introduc"on (Fill in the boxes)
A. Story "tle, author, brief overview and/or background
informa"on
B. Transi"on/general statements leading to thesis
C. Thesis statement
1. Body Paragraph 1 –
A. First point of discussion
B. Specific support 1
1. Quote(s) and/or text reference(s) to support point one
2. Follow-up/explana"on of support
C. Specific support 2
1. Quote(s) and/or text reference(s) to support point one
2. Follow-up/explana"on of support
Body Paragraph 2 –
A. Second point of discussion
B. Specific support 1
1. Evidence – quote(s) and/or text reference(s)
2. Follow-up/explana"on of evidence
C. Specific support 2
1. Evidence – quote(s) and/or text reference(s)
2. Follow-up/explana"on of evidence
1. Body Paragraph 3 (op"onal) –
A. Third point of discussion
B. Specific support 1
1. Quote(s) and/or text reference(s) to support point one
2. Follow-up/explana"on of evidence
C. Specific support 2
1. Evidence – quote(s) and/or text reference(s)
2. Follow-up/explana"on of evidence
1. Conclusion
A. Reworded thesis
B. Concluding statements
C. Clincher (Give readers something to think about.)
It is okay if you cannot fit your points into this form exactly.
This is just a general guide for organizing your paper.
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