principles of creative problem solving
Principles of Creativity
Dr. Michael J. McNamara
What is creativity?
What is “Creative Problem Solving”?
Structure of the Course ◦ Topical Outline
◦ Review of Assignments
◦ Course Philosophy
“Creativity is the process of bringing something new into being. Creativity requires passion and commitment… The experience is one of heightened consciousness: ecstasy.” – Rollo May, The Courage to Create
Act of developing new and imaginative ideas, then turning them into reality
Dean K. Simonton, Professor of Psychology, University of California ◦ Ability to generate novel ideas that have value
An individual generates a wealth of ideas and then subjects these ideas to judgment.
1. Original- the idea must be novel/new 2. Adaptive- the idea must be received/adopted by
others (most often, as having solved some problem)
Simonton’s Creative Genius Creative works thus NEED to be appreciated (although not
always in that person’s lifetime)
No such thing as “unrecognized creative genius” (Ex., Vincent van Gogh)
Teresa Amabile, Professor, Harvard Business School ◦ Consensual definition of creativity: a product is creative
when experts in the domain agree it’s creative (Amabile 1982). Thus, creativity is inherently SOCIAL!
Appropriateness is defined by social groups, and it’s culturally and historically determined. Can never be purely objective.
Ex., the Telegraph (1884)
Critique: ◦ Who gets to decide?
Value judgements made by others situated in and constrained by established contexts and conventions
“The ability to modify self-
imposed constraints” Ackoff & Vergara (1988)
Creativity
Person
Product
Press
Process
Enhancements= an attempt to encourage things (traits and capacities) that are conducive to creative potential and creative performance. ◦ Traits, mindsets, approaches and
capacities that are indicative of ‘creative potential’ Ex., flexibility, fluency, autonomy,
openness to experience
◦ Traits and tendencies that are contraindicative Ex., conformity, rigidity, narrowness
Guidelines, steps, tools and/or procedures that can be used individually or as a larger program in an effort to enhance creative potential. ◦ Requires a Procedural Knowledge
that is Intentionally deployed (when required by user)
CPS: A ‘cognitive model’ that deliberately segments problem-solving into discrete divergent & convergent stages ◦ Ex., ◦ Osborn’s CPS ◦ The Thinking Skills
model
Chess: Most people can learn to play better chess. While there is no guaranteed formula for success, there are specific steps you can follow to help improve your game.
Pinball: No instructions or steps to help you. At a conscious level there’s not much to do. You just engage fully, with all your senses, in the randomness of the bounce, the spontaneity of machine; maximizing every chance opportunity in a reflex state called ‘the zone’.
Torrance (1972): moderate improvements in Torrance Test for Creative Thinking (TTCT) upon receiving training
Rose and Lin (1984): CPS has consistent impact on TTCT scores
Scott, Leritz and Mumford (2004): CPS training has a significant effect on demonstrated capacity for creative/innovative idea generation
Prof. of Creativity and Creativity Thinking
Doctorate in Political Science, SFU
Past: ◦ Dean, Research
◦ Director, Applied Research
◦ Prof., CBU and Brock
Michael.mcnamara@sheridancolleg e.ca
Class PO1- 43227: Friday 12-3 pm; ONLINE Class PO3- 43244: Tuesday 12-3pm; ONLINE
Asynchronous ◦ Posted Video Lecture ◦ Readings ◦ Task Sheets ◦ Sometimes a video ◦ Sometimes an exercise ◦ Sometimes a Bonus
Synchronous ◦ Weekly Debrief Meetings
Creativity Unbound: An Introduction to the creative process, Miller, Vehar, Firestien, Thurber and Nielson, FourSight
1. Creativity Assignment: 20% (Friday, June 4)
2. Test 1: 25% (Returned by Mon. June 21)
3. Final Project: 30%
4. Test 2: 25%
Week 2 | May 24-May 28 Creative Confidence ◦ Topics:
Creativity as Personality Trait
Creative Confidence
Grit
Hypothesis Testing Mindsets
Required Readings: ◦ -David Kelley “How to Build Your Creative
Confidence”. TED Talk ◦ Sweet et al. “Developing Creative Confidence”, The
National Teaching & Learning Forum (SLATE)