music
PAPER INFORMATION
Listen to Angélique Kidjo: Remain in the Light in Spotify: https://open.spotify.com/album/4RWSXCDIk9HDCAjRFTPVcn?si=Iy39wgoRQiOpLVZHe6qQOQ
Angélique Kidjo is a West African pop singer songwriter with roots in West African traditional music and rock and roll. In 1983 she left Benin, where she was born and raised, and came to Paris (via the Netherlands). It was there she first heard the Talking Heads recording Remain in the Light. She was struck by the very African-sounding rhythms of the music. She noted that in her opinion, “…that’s not rock and roll, that’s African music!”
In 2018 Kidjo released her own version of Remain in the Light, with the songs set to more authentic African rhythms. Listen to both recordings and address the following questions in your paper:
· What are the characteristics of the African music that Kidjo’s music is rooted in?
· How does Kidjo’s version compare to the original Talking Heads version?
· What elements do you hear that sound uniquely African, in either or both?
· What do you hear that is typical of Western pop/rock?
· Given that there is a great deal of African influence in American music would you consider this as an ironic reverse syncretism: Western rock being reunited with its African “roots”?
· Compare this project with others that emphasize cross-cultural syncretism, for example, in the work of Paul Simon, Graceland, “Rhythm of the Saints” or Sting,“Desert Rose”.
Three pages maximum including a bibliography. When you write about music, write about how you hear it. Be as specific as you can, but don't try and get all the technical aspects correct. Let your ears and imagination be your guide.
To help you with this, read the chapter and listen to the examples in the "West African Music" file below.
Read this chapter from the book "World Music: Traditions and Transformations" by Michael Bakan, published by McGraw Hill. This will give you some solid background information that will help you with the paper..
https://bb.wpunj.edu/bbcswebdav/pid-1997914-dt-content-rid-14614815_1/courses/201840-MUSI1150-81/bak25192_ch10_199-230_Au_rev1.pdf
The Playlist File list the listening examples by Soptify Playlist (PL) numbers. Just click on the blue hyperlink and it will take you directly to the selection
PAPER INFORMATION
Li
sten
to
Angélique Kidjo:
Remain
in
the
Light
in
Spotify:
https://open.spotify.com/album/4RWSXCDIk9HDCAjRFTPVcn?si=Iy39wgoR
QiOpLVZHe6qQOQ
Angélique Kidjo is a West African pop singer songwriter with roots in West African
traditional music and r
ock and roll. In 1983 she left Benin, where she was born and raised,
and came to Paris (via the Netherlands). It was there she first heard the Talking Heads
recording Remain in the Light. She was struck by the very African
-
sounding rhythms of the
music. Sh
e noted that in her opinion, “…that’s not rock and roll, that’s African music!”
In 2018 Kidjo released her own version of Remain in the Light, with the songs set to
more authentic African rhythms. Listen to both recordings and address the follo
wing
questions in your paper:
·
What are the characteristics of the African music that Kidjo’s music is rooted in?
·
How does Kidjo’s version compare to the original Talking Heads version?
·
What elements do you hear that sound uniquely African, in either or bot
h?
·
What do you hear that is typical of Western pop/rock?
·
Given that there is a great deal of African influence in American music would you consider this
as an ironic reverse syncretism: Western rock being reunited with its African “roots”?
·
Compare this pr
oject with others that emphasize cross
-
cultural syncretism, for example, in the
work of Paul Simon,
Graceland,
“Rhythm of the Saints” or
Sting,
“Desert Rose”.
Three pages maximum including a bibliography.
When you write about music, write
about how you hear it. Be as specific as you can, but don't try and get all the
technical aspects correct. Let your ears and imagination be your guide.
To help you with this, read the chapter and listen to the examples in the "West
African Music" file below.
Read this chapter from the book "World Music:
Traditions and Transformations"
by Michael
Bakan, published
by McGraw Hill.
This will give you some solid background information that will
help you with the paper.
.
https://bb.wpunj.edu/bbcswebdav/pid
-
1997914
-
dt
-
content
-
rid
-
14614815_1/courses/201840
-
MUSI1150
-
81/bak25192_ch10_199
-
230_Au_rev1.pdf
The Playli
st
File list the listening examples by Soptify
Playlist
(PL) numbers. Just click
on the blue
hyperlink
and it will take you directly to the selection
PAPER INFORMATION
Listen to Angélique Kidjo: Remain in the Light in
Spotify: https://open.spotify.com/album/4RWSXCDIk9HDCAjRFTPVcn?si=Iy39wgoR
QiOpLVZHe6qQOQ
Angélique Kidjo is a West African pop singer songwriter with roots in West African
traditional music and rock and roll. In 1983 she left Benin, where she was born and raised,
and came to Paris (via the Netherlands). It was there she first heard the Talking Heads
recording Remain in the Light. She was struck by the very African-sounding rhythms of the
music. She noted that in her opinion, “…that’s not rock and roll, that’s African music!”
In 2018 Kidjo released her own version of Remain in the Light, with the songs set to
more authentic African rhythms. Listen to both recordings and address the following
questions in your paper:
What are the characteristics of the African music that Kidjo’s music is rooted in?
How does Kidjo’s version compare to the original Talking Heads version?
What elements do you hear that sound uniquely African, in either or both?
What do you hear that is typical of Western pop/rock?
Given that there is a great deal of African influence in American music would you consider this
as an ironic reverse syncretism: Western rock being reunited with its African “roots”?
Compare this project with others that emphasize cross-cultural syncretism, for example, in the
work of Paul Simon, Graceland, “Rhythm of the Saints” or Sting,“Desert Rose”.
Three pages maximum including a bibliography. When you write about music, write
about how you hear it. Be as specific as you can, but don't try and get all the
technical aspects correct. Let your ears and imagination be your guide.
To help you with this, read the chapter and listen to the examples in the "West
African Music" file below.
Read this chapter from the book "World Music: Traditions and Transformations" by Michael
Bakan, published by McGraw Hill. This will give you some solid background information that will
help you with the paper..
https://bb.wpunj.edu/bbcswebdav/pid-1997914-dt-content-rid-14614815_1/courses/201840-
MUSI1150-81/bak25192_ch10_199-230_Au_rev1.pdf
The Playlist File list the listening examples by Soptify Playlist (PL) numbers. Just click on the blue
hyperlink and it will take you directly to the selection