Eng2020
ODE TO A NIGHTINGALE Licen se: Pu blic Dom a in
John Keats
My heart aches, and a drowsy numbness pains My sense, as though of hemlock I had drunk,
Or emptied some dull opiate to the drains One minute past, and Lethe-wards had sunk:
'Tis not through envy of thy happy lot, But being too happy in thine happiness,—
That thou, light-winged Dryad of the trees In some melodious plot
Of beechen green, and shadows numberless, Singest of summer in full-throated ease.
O, for a draught of vintage! that hath been Cool'd a long age in the deep-delved earth,
Tasting of Flora and the country green, Dance, and Provençal song, and sunburnt mirth!
O for a beaker full of the warm South, Full of the true, the blushful Hippocrene,
With beaded bubbles winking at the brim, And purple-stained mouth;
That I might drink, and leave the world unseen, And with thee fade away into the forest dim:
Fade far away, dissolve, and quite forget What thou among the leaves hast never known,
The weariness, the fever, and the fret Here, where men sit and hear each other groan;
Where palsy shakes a few, sad, last gray hairs, Where youth grows pale, and spectre-thin, and dies;
Where but to think is to be full of sorrow And leaden-eyed despairs,
Where Beauty cannot keep her lustrous eyes, Or new Love pine at them beyond to-morrow.
Away! away! for I will fly to thee, Not charioted by Bacchus and his pards,
But on the viewless wings of Poesy, Though the dull brain perplexes and retards:
Already with thee! tender is the night, And haply the Queen-Moon is on her throne,
Cluster'd around by all her starry Fays;
But here there is no light, Save what from heaven is with the breezes blown
Through verdurous glooms and winding mossy ways.
I cannot see what flowers are at my feet, Nor what soft incense hangs upon the boughs,
But, in embalmed darkness, guess each sweet Wherewith the seasonable month endows
The grass, the thicket, and the fruit-tree wild; White hawthorn, and the pastoral eglantine;
Fast fading violets cover'd up in leaves; And mid-May's eldest child,
The coming musk-rose, full of dewy wine, The murmurous haunt of flies on summer eves.
Darkling I listen; and, for many a time I have been half in love with easeful Death,
Call'd him soft names in many a mused rhyme, To take into the air my quiet breath;
Now more than ever seems it rich to die, To cease upon the midnight with no pain,
While thou art pouring forth thy soul abroad In such an ecstasy!
Still wouldst thou sing, and I have ears in vain— To thy high requiem become a sod.
Thou wast not born for death, immortal Bird! No hungry generations tread thee down;
The voice I hear this passing night was heard In ancient days by emperor and clown:
Perhaps the self-same song that found a path Through the sad heart of Ruth, when, sick for home,
She stood in tears amid the alien corn; The same that oft-times hath
Charm'd magic casements, opening on the foam Of perilous seas, in faery lands forlorn.
Forlorn! the very word is like a bell To toll me back from thee to my sole self!
Adieu! the fancy cannot cheat so well As she is fam'd to do, deceiving elf.
Adieu! adieu! thy plaintive anthem fades Past the near meadows, over the still stream,
Up the hill-side; and now 'tis buried deep
In the next valley-glades: Was it a vision, or a waking dream?
Fled is that music:—Do I wake or sleep?
Compact Anthology of
WORLD L i t e r a t u r e
PART FIVE The Long Nineteenth Century
Editor-in-Chief: ANIT A TURLINGT ON
Publication and Design Editor: MAT T HEW HORT ON, PHD
Editors: KAREN DODSON, PHD LAURA GET T Y , PHD
KY OUNGHY E KWON, PHD LAURA NG, PHD
Compact Anthology of World Literature: The Long 19th Century is licensed under a Creative Commons Attribution- ShareAlike 4.0 (CC BY -SA 4.0) I nternational License.
This license allows you to remix, tweak, and build upon this work, even commercially, as long as you credit this original source for the creation and license the new creation under identical terms.
I f you reuse this content elsewhere, in order to comply with the attribution requirements of the license, please attribute the original source to the University System of G eorgia.
NOTE: The above copyright license which University System of G eorgia uses for their original content does not extend to or include content which was accessed and incorporated, and which is licensed under various other CC Licenses, such as ND licenses. Nor does it extend to or include any Special Permissions which were granted to us by the rightsholders for our use of their content. To determine copyright status of any content, please refer to the bibliographies and appendices for original source information to further research specific copyright licenses.
I mage Disclaimer: All images and figures in this book are believed to be (after a reasonable investigation) either public domain or carry a compatible Creative Commons license. I f you are the copyright owner of images in this book and you have not authorized the use of your work under these terms, please contact Corey Parson at [email protected] to have the content removed.
Production of this textbook was funded by a grant from Affordable Learning G eorgia.
Acknowledgments
The editors of this text would like to acknowledge the invaluable contributions, professionalism, and unfailing good humor of Corey Parson, Managing Editor of the University of North Georgia Press. Corey patiently provided advice on all copyright concerns, responded promptly to our questions, verified sources for the texts included here, and managed the peer review process.
We would also like to acknowledge the support of Dr. Joyce Stavick, Head, UNG English Department, and Dr. Shannon Gilstrap, Associate Head.
- Introduction: How to Use this Textbook
- Unit 1: Romanticism
- Jean-Jacques Rousseau (1712-1778)
- Confessions
- Johann Wolfgang von Goethe (1749-1832)
- Faust
- William Blake (1757-1827)
- Songs of Innocence: The Lamb
- Songs of Innocence: The Chimney Sweeper
- Songs of Innocence: Holy Thursday
- Songs of Experience: Holy Thursday
- Songs of Experience: The Chimney Sweeper
- Songs of Experience: The Tyger
- London
- Mary Wollstonecraft (1759-1797)
- from A Vindication of the Rights of Woman
- Olympe De Gouges (1748-1793)
- The Rights of Woman
- William Wordsworth (1770-1850)
- Lines Composed a Few Miles above Tintern Abbey
- from Preface to Lyrical Ballads
- Michael, a Pastoral Poem
- I Wandered Lonely as a Cloud
- Ode: Intimations of Immortality
- Samuel Taylor Coleridge (1772-1834)
- The Rime of the Ancient Mariner
- Kubla Khan
- Percy Bysshe Shelley (1792-1822)
- To Wordsworth
- Hymn to Intellectual Beauty
- Ozymandias
- A Song: "Men of England"
- Ode to the West Wind
- Mutability
- from A Defence of Poetry
- John Keats (1795-1821)
- When I have Fears That I May Cease to Be
- Ode to a Nightingale
- Ode on a Grecian Urn
- Mary Shelley (1797-1851)
- Frankenstein, or the Modern Prometheus
- Mathilda
- The Last Man
- Unit 2: Realism
- Elizabeth Barrett Browning (1806-1861)
- from Sonnets from the Portuguese
- The Cry of the Children
- Lord Walter's Wife
- Alfred, Lord Tennyson (1809-1892)
- The Lotos-Eaters
- Ulysses
- Robert Browning (1812-1889)
- Porphyria's Lover
- My Last Duchess
- "Childe Roland to the Dark Tower Came"
- Frederick Douglass (c.1818-1895)
- The Narrative of the Life of Frederick Douglass
- Walt Whitman (1819-1892)
- Song of Myself
- Out of the Cradle Endlessly Rocking
- Crossing Brooklyn Ferry
- O Captain! My Captain!
- Gustave Flaubert (1821-1880)
- A Simple Soul
- Fyodor Dostoyevsky (1821-1881)
- Notes from Underground
- Charles Baudelaire (1821-1867)
- Correspondences
- The Corpse
- Spleen
- Hymn to Beauty
- Leo Tolstoy (1828-1910)
- The Death of Ivan Ilych
- Henrik Ibsen (1828-1906)
- A Doll's House
- An Enemy of the People
- Emily Dickinson (1830-1886)
- Because I could not stop for Death
- A bird came down the walk
- The brain is wider than the sky
- Hope is the thing with feathers
- I died for beauty, but was scarce
- I heard a fly buzz when I died
- If I can stop one heart from breaking
- My life closed twice before its close
- The soul selects her own society
- Success is counted sweetest
- There's a certain slant of light
- Wild nights! Wild nights!
- Christina Rossetti (1830-1894)
- After Death
- Up-Hill
- Goblin Market
- "No, Thank You, John"
- Bankim Chandra Chatterjee (1838-1894)
- The Poison Tree
- Guy de Maupassant (1850-1893)
- Boule de Suif
- The Diamond Necklace
- Olive Schreiner (1855-1920)
- The Story of an African Farm
- Charlotte Perkins Gilman (1860-1935)
- The Yellow Wall-Paper
- Anton Chekhov (1860-1904)
- The Lady with the Dog
- The Cherry Orchard
- A Doctor's Visit
- W.B. Yeats (1865-1939)
- The Lake Isle of Innisfree
- When You Are Old
- Easter 1916
- The Second Coming
- H.G. Wells (1866-1946)
- The Invisible Man
- The Island of Doctor Moreau
- The War of the Worlds