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ODE ON A GRECIAN URN Licen se: Pu blic Dom a in

John Keats

Thou still unravish'd bride of quietness, Thou foster-child of silence and slow time,

Sylvan historian, who canst thus express A flowery tale more sweetly than our rhyme:

What leaf-fring'd legend haunts about thy shape Of deities or mortals, or of both,

In Tempe or the dales of Arcady? What men or gods are these? What maidens loth?

What mad pursuit? What struggle to escape? What pipes and timbrels? What wild ecstasy?

Heard melodies are sweet, but those unheard Are sweeter; therefore, ye soft pipes, play on;

Not to the sensual ear, but, more endear'd, Pipe to the spirit ditties of no tone:

Fair youth, beneath the trees, thou canst not leave Thy song, nor ever can those trees be bare;

Bold Lover, never, never canst thou kiss, Though winning near the goal yet, do not grieve;

She cannot fade, though thou hast not thy bliss, For ever wilt thou love, and she be fair!

Ah, happy, happy boughs! that cannot shed Your leaves, nor ever bid the Spring adieu;

And, happy melodist, unwearied, For ever piping songs for ever new;

More happy love! more happy, happy love! For ever warm and still to be enjoy'd,

For ever panting, and for ever young; All breathing human passion far above,

That leaves a heart high-sorrowful and cloy'd, A burning forehead, and a parching tongue.

Who are these coming to the sacrifice? To what green altar, O mysterious priest,

Lead'st thou that heifer lowing at the skies, And all her silken flanks with garlands drest?

What little town by river or sea shore, Or mountain-built with peaceful citadel,

Is emptied of this folk, this pious morn?

And, little town, thy streets for evermore Will silent be; and not a soul to tell

Why thou art desolate, can e'er return.

O Attic shape! Fair attitude! with brede Of marble men and maidens overwrought,

With forest branches and the trodden weed; Thou, silent form, dost tease us out of thought

As doth eternity: Cold Pastoral! When old age shall this generation waste,

Thou shalt remain, in midst of other woe Than ours, a friend to man, to whom thou say'st,

"Beauty is truth, truth beauty,—that is all Ye know on earth, and all ye need to know."

Compact Anthology of

WORLD L i t e r a t u r e

PART FIVE The Long Nineteenth Century

Editor-in-Chief: ANIT A TURLINGT ON

Publication and Design Editor: MAT T HEW HORT ON, PHD

Editors: KAREN DODSON, PHD LAURA GET T Y , PHD

KY OUNGHY E KWON, PHD LAURA NG, PHD

Compact Anthology of World Literature: The Long 19th Century is licensed under a Creative Commons Attribution- ShareAlike 4.0 (CC BY -SA 4.0) I nternational License.

This license allows you to remix, tweak, and build upon this work, even commercially, as long as you credit this original source for the creation and license the new creation under identical terms.

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NOTE: The above copyright license which University System of G eorgia uses for their original content does not extend to or include content which was accessed and incorporated, and which is licensed under various other CC Licenses, such as ND licenses. Nor does it extend to or include any Special Permissions which were granted to us by the rightsholders for our use of their content. To determine copyright status of any content, please refer to the bibliographies and appendices for original source information to further research specific copyright licenses.

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Production of this textbook was funded by a grant from Affordable Learning G eorgia.

Acknowledgments

The editors of this text would like to acknowledge the invaluable contributions, professionalism, and unfailing good humor of Corey Parson, Managing Editor of the University of North Georgia Press. Corey patiently provided advice on all copyright concerns, responded promptly to our questions, verified sources for the texts included here, and managed the peer review process.

We would also like to acknowledge the support of Dr. Joyce Stavick, Head, UNG English Department, and Dr. Shannon Gilstrap, Associate Head.

  • Introduction: How to Use this Textbook
  • Unit 1: Romanticism
  • Jean-Jacques Rousseau (1712-1778)
    • Confessions
  • Johann Wolfgang von Goethe (1749-1832)
    • Faust
  • William Blake (1757-1827)
    • Songs of Innocence: The Lamb
    • Songs of Innocence: The Chimney Sweeper
    • Songs of Innocence: Holy Thursday
    • Songs of Experience: Holy Thursday
    • Songs of Experience: The Chimney Sweeper
    • Songs of Experience: The Tyger
    • London
  • Mary Wollstonecraft (1759-1797)
    • from A Vindication of the Rights of Woman
  • Olympe De Gouges (1748-1793)
    • The Rights of Woman
  • William Wordsworth (1770-1850)
    • Lines Composed a Few Miles above Tintern Abbey
    • from Preface to Lyrical Ballads
    • Michael, a Pastoral Poem
    • I Wandered Lonely as a Cloud
    • Ode: Intimations of Immortality
  • Samuel Taylor Coleridge (1772-1834)
    • The Rime of the Ancient Mariner
    • Kubla Khan
  • Percy Bysshe Shelley (1792-1822)
    • To Wordsworth
    • Hymn to Intellectual Beauty
    • Ozymandias
    • A Song: "Men of England"
    • Ode to the West Wind
    • Mutability
    • from A Defence of Poetry
  • John Keats (1795-1821)
    • When I have Fears That I May Cease to Be
    • Ode to a Nightingale
    • Ode on a Grecian Urn
  • Mary Shelley (1797-1851)
    • Frankenstein, or the Modern Prometheus
    • Mathilda
    • The Last Man
  • Unit 2: Realism
  • Elizabeth Barrett Browning (1806-1861)
    • from Sonnets from the Portuguese
    • The Cry of the Children
    • Lord Walter's Wife
  • Alfred, Lord Tennyson (1809-1892)
    • The Lotos-Eaters
    • Ulysses
  • Robert Browning (1812-1889)
    • Porphyria's Lover
    • My Last Duchess
    • "Childe Roland to the Dark Tower Came"
  • Frederick Douglass (c.1818-1895)
    • The Narrative of the Life of Frederick Douglass
  • Walt Whitman (1819-1892)
    • Song of Myself
    • Out of the Cradle Endlessly Rocking
    • Crossing Brooklyn Ferry
    • O Captain! My Captain!
  • Gustave Flaubert (1821-1880)
    • A Simple Soul
  • Fyodor Dostoyevsky (1821-1881)
    • Notes from Underground
  • Charles Baudelaire (1821-1867)
    • Correspondences
    • The Corpse
    • Spleen
    • Hymn to Beauty
  • Leo Tolstoy (1828-1910)
    • The Death of Ivan Ilych
  • Henrik Ibsen (1828-1906)
    • A Doll's House
    • An Enemy of the People
  • Emily Dickinson (1830-1886)
    • Because I could not stop for Death
    • A bird came down the walk
    • The brain is wider than the sky
    • Hope is the thing with feathers
    • I died for beauty, but was scarce
    • I heard a fly buzz when I died
    • If I can stop one heart from breaking
    • My life closed twice before its close
    • The soul selects her own society
    • Success is counted sweetest
    • There's a certain slant of light
    • Wild nights! Wild nights!
  • Christina Rossetti (1830-1894)
    • After Death
    • Up-Hill
    • Goblin Market
    • "No, Thank You, John"
  • Bankim Chandra Chatterjee (1838-1894)
    • The Poison Tree
  • Guy de Maupassant (1850-1893)
    • Boule de Suif
    • The Diamond Necklace
  • Olive Schreiner (1855-1920)
    • The Story of an African Farm
  • Charlotte Perkins Gilman (1860-1935)
    • The Yellow Wall-Paper
  • Anton Chekhov (1860-1904)
    • The Lady with the Dog
    • The Cherry Orchard
    • A Doctor's Visit
  • W.B. Yeats (1865-1939)
    • The Lake Isle of Innisfree
    • When You Are Old
    • Easter 1916
    • The Second Coming
  • H.G. Wells (1866-1946)
    • The Invisible Man
    • The Island of Doctor Moreau
    • The War of the Worlds