Music/Society Modern Wrld (W3)
The Sound of Integration: Motown, Fordism, and Forgotten Heroes
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----- Meeting Notes (10/1/14 17:48) -----
Carleton; minstrelsy...
----- Meeting Notes (2/16/15 17:51) -----
exams posted; meet if needed. mention cbs tribute to songs in key of life tonight!!!
Why does Detroit Matter to Motown Records?
- Was Motown political? If so, how so?
- What Detroit social, cultural, political, economic, religious, and musical elements led to the development of Motown Records and the Motown sound?
- What did Motown’s success mean to the African American community, and to the nation?
- What was Motown’s relationship to the Civil Rights Movement? How did it encourage racial integration?
Who was Booker T. Washington, and what was his relationship to Motown?
Founder: National Negro Business League & Tuskegee Institute
Advocated for Black capitalism could lead to political and social empowerment
Inspired Berry Gordy Sr. ->
“Booker T Washington Grocery Store” founded in Detroit by Berry Gordy, Sr. in 1920
Motown Musical Influences
- What (Detroit) musical influences came together to create the Motown sound?
- Detroit Blues: John Lee Hooker; Bobo Jenkins, Joe L. Carter, “Detroit, I Do Mind Dying”
- Race Records: “Mamie” Smith “Crazy Blues”
- Jazz: clubs? Bands? musicians? jazz
- R&B: R&B Little Willie John, “Fever” (1956)
- Soul/gospel,
- doo-wop,
- girl groups, barbershop
- All of these genres influenced the Motown sound
Golden age, 1950s, billy mitchell; milt; jones bros. flanagan; barry harris. Donald byrd; kenny burell; pepper adams; yusef’
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Formative Years
- Berry Gordy, Jr. - b. 1929 Detroit; successful entrepreneurial family; boxer; 3-D Record Mart; worked in factories, and for family; “always wrote songs”
- At Flame Show Bar (Detroit), met Al Greene, who introduced him to Jackie Wilson (bottom pic; singer)
- 1957 – wrote “ Reet Petite ” for Jackie Wilson
- 1958 – wrote “ Lonely Teardrops ” , “ To Be Loved, ” Wilson
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First major black owned label;
Foundations
- 1957 – Meets William Robinson,
part of the Matadors; songbook, school notebook
- Changed name to Miracles
- “Got a Job” 1957; Gordy produced; answer to Silhouettes “ Get a Job ”
- Gordy meets Raymona Mayberry Liles; Rayber Music Writing Co.
- 1958 Marv Johnson’s “Come to Me”; help from $800 loan fro Gordy family co-op; released on Tamla label
- 1959 - Motown founded in Detroit; Hitsville, W. Grand Blvd.
- “Money (That’s What I Want)” Barrett Strong (#2 chart)
- Significance of label founding? Significance of song theme?
- Money – reference to Black capitalism (Booker T. Washington)
Early Success
- William “Smokey” Robinson and the Miracles - “Bad Girl” sept. 1959
- 1960, “ Shop Around ” co-written by Gordy and Robinson, #2 on pop chart
- 1961, “ Please Mr. Postman ” Marvelettes, Motown’s first #1 hit
- 1962, Motown Revue, (Chitlin Circuit)
- 1963, “Heat Wave,” Martha and the Vandellas;
- Overall, Motown NOT overtly political (at this time)
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MLK on Motown, 1963
- March, Dedication of New Bethel Church, Rev. C.L. Franklin (Aretha’s father)
- May “Fingertips, Part 2”
- June, Detroit March & MLK speech
- July, Wonder @ Graystone
- August, release of MLK, “I Have a Dream” Speech, and collection of his speeches in Great March to Freedom; Gordy, and active supporter of civil rights movement
- How was Motown accomplishing MLK, Malcolm X, and others’ objectives?
- Motown’s first explicit political statement
The Image Machine
- Fordism - assembly line process,
specialized tasks, standardization, mass production
- Gordy witnessed this process first hand, worked at Lincoln-Mercury from 1955-57
- Hired a team of workers to fulfill various roles, i.e. work different parts of the line
- Maxine Powell - “polished” artists’ attitudes,
posture, style, grace, manner, character
- Cholly Atkins - choreographer
- Maurice King - musical director, stage presence
What is Fordism and how did Motown exemplify it?
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The Sound Machine
- The Funk Brothers -
underrated in-house rhythm section, produced standardized sound
- Quality control, weekly meetings w/Gordy
- Writers/composers - Robinson, Brian & Eddie Holland, Lamont Dozier; standard formula for hit songs
- “ Where Did Our Love Go ” – Diana Ross and the Supremes 1964
- Other hits, “Baby Love,” “Stop! In the Name of Love,” “Back in My Arms Again,” “You Can’t Hurry Love”
- Influenced by previous girl groups, (Ronettes, etc.); Phil Spector’s “Wall of Sound”
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The Integration of Early Motown
How did Motown exemplify racial integration, in terms of sound, and other practices?
Music - Blending gospel, doo-wop, jazz, pop and orchestral musical sensibilities (wall of sound)
Funk Bros. were mix of Af-Am and White (although mostly AF-Am)
Image, finishing school look with AF-Am aesthetics of dance, style, coolness, etc.
Business practices, Fordism, adopted from White entrepreneur,
Sound and Image was widely appealing, as such became one of the most successful Af-Am owned and operated businesses of its time
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----- Meeting Notes (2/15/15 12:58) -----
Motown was also often criticized for catering to white audiences, not being black enough, selling out, uncle tom...
Other Products of the Motown Machine
- The Temptations - little success until went thru the motown machine; after, projected a cool polished, slick, clean-cut, smooth, sophisticated image w/ choreography, stylish clothes, etc.
- Hits, “The Way You Do the Thing You Do” 1st hit (#11, 1964), “ My Girl ” “1965 (written by Robinson) #1 hit; “Get Ready,” Robinson
- The Four Tops - “Baby I Need Your Loving,” (#11), “ Reach Out I ’ ll Be There ” (#1), “Same Old Song,” “Standing in the Shadows of Love”
- Smokey Robinson & The Miracles, “Ooo Baby Baby,” “Tracks of My Tears,” (1965) “I Second that Emotion,” (1967)
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Change has Come? 1964
- 1964 “ Dancing in the Street ” ,
- Martha and the Vandellas; Mary Wells, girl craze, “Bye, Bye Baby,” after few minor hits, 1964 “My Guy” signature tune
- Civil Rights Act - outlawed discrimination
and segregation in public places, and federal programs; created an Equal Employment Opportunity Commission, and Community Relations Service
- 24th Amendment, Outlawed poll tax
- 1965, Voting Rights Act, banned unfair literacy tests; LA Watts riots; song above a call to action?
- Great Society - LBJ, set of domestic social programs; goals - fight poverty and racial injustice; est. Job corps., VISTA, Head Start, Upward Bound, Medicare, Medicade, Food Stamp Act, Housing Act…
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Volunteers in service to America;
Historical Factors Leading to the 1967 Rebellion (and change in Motown sound)
Racial Segregation
1940 - 90%
white population
Red Lining – housing discrimination
Discrimination is mortgage lending
(98% of FHA loans from 1930-1960s
went to white families!); video 2
Housing Covenants – racist language in
leases that prohibited Blacks from
buying homes in certain areas
White flight – white people move to
suburbs for employment, security;
education, etc. (see graph below)
began in 1940s after WWII
Recommended book about race and housing discrimination – The Color of Law by Richard Rothstein
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Detroit
Racial Division
The impact of decades of racist policy & attitudes can be seen today;
the city is predominantly Black while the suburbs are mostly white
Motown responds to Crisis
- 1967 Detroit Rebellion – July, uprising, (not spontaneous)
- Result of decades of racist oppression in housing (redlining), healthcare, policing, education, employment, finance (FHA loans, GI Bill), white flight (to suburbs), de-industrialization (loss of manufacturing jobs, change to service industries), etc.
- After 1967 Motown becomes more overtly political
- “The Happening” Supremes (released March 1967; by May #1)
- Supremes spokespersons for United Foundations Torch Drive, raise money for social causes, health care…
- Acquired new meaning, significance, after 1967 riots in July
- “Detroit is Happening”; “I Care about Detroit” Smokey Robinson and the Miracles, 1968; supported social campaign, jobs program
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The Motown Message
- Late 1960s, Motown songs become more overtly political, addressing social and political realities
- “Love Child” Supremes, child out of wedlock
- Down to Earth, Stevie Wonder, note background of cover (right)
- “War,” Edwin Starr (response to Vietnam)
Later Motown Artists & Politics
- Marvin Gaye, songwriter; “Heard it Through the Grape Vine”, “What’s Going On”
(Vietnam war); “Inner City Blues” (1971)
- Stevie Wonder, “ Living for the City ” (1973)
- 1972 Berry Gordy decides to move Motown to L.A. to focus on movie production; The Wiz, Lady Sings the Blues (Billie Holiday), Mahogany, The Last Dragon