Pitch Assiginmetn
MBA 6213, Dr. Rob Austin McKee
1
Pitch Script 1 Feedback, Example, Tactics, and Rubric
We have not yet finished our Pitch Assignments! We will submit one more draft and one
more video. As we discussed during the first class, to improve, we must reflect upon our
previous performances, recognize our missteps, acquire and apply new knowledge, skills, and
abilities, engage in meaningful practice, and then perform better. In that spirit, we will be
discussing topics like motivation, charisma, communication, influence, and change, so that we
may learn to craft more effective messages and understand better how the subtleties of our
messaging affect others’ behaviors, hopefully rallying their commitment to our causes rather
than merely their compliance with our orders. In this way, we may become better leaders.
As an addendum to the syllabus, this assignment now comprises six deliverables. The
syllabus provides the relevant due dates (also included below). The percentages below reflect
the proportion of your Pitch Assignment grade determined by each deliverable.
1) Pitch Script 1 15%
2) Pitch Video 1 15%
3) Pitch Script 2 30% due 10/3
4) Pitch Video 2 30% due 10/10
5) Peer Evaluations 10% due 10/14
Below I have provided some feedback regarding your initial Pitch Script Drafts, as well as
a sample pitch script and a formal rubric, to guide your revision process. It should be relatively
easy to self-diagnose and determine why points were deducted from your drafts by judging your
scripts by the comments below and the rubric at the end of this document. Please also review
the original Pitch Assignment document to ensure you are conforming to the requirements
outlined therein before submitting the next draft. I intend for your revision process to be self-
directed through the final draft, though I encourage you to seek feedback from others (e.g.,
friends, family, coworkers) to help you craft a better pitch. Although I do not provide individual
written feedback on your drafts, I am happy to do so over the phone or Zoom. The reasons I
have deducted points on Pitch Script Draft 1 include:
o Several people may not have sufficiently read the Pitch Assignment document I posted. Your
job is not to inform the audience (i.e., your professor and classmates) about you or your
passion, but to convince us to engage in your passion. In other words, your pitch is not about
you. You are merely an advocate for your passion. Your focus should be persuading us to
change our behaviors, attitudes, opinions, beliefs, or values. If your passion is recycling,
convince us to recycle. If your passion is voting, convince us to vote during the next election.
Importantly, don’t offend us in the process by telling us we currently are fools. You should
direct your pitch more toward the skeptics than those who already agree with you.
MBA 6213, Dr. Rob Austin McKee
2
o Many students would benefit from being much more specific in their topics. For instance, if
you are discussing environmental issues and encouraging us to adopt more environmentally
friendly practices, it would be better to select a single issue and practice for us to adopt than
to broadly encourage better environmental stewardship. In this case, you might discuss the
problems of single-use plastic water bottles and how purchasing a reusable water bottle
might ameliorate those problems. As another example, if you are discussing self-
improvement, it would be better to select a limited topic, like reading 30 minutes a day,
rather than something generic and clichéd like, “Follow your dreams and never give up so
you can be the best you and show the world all you have to offer because you are a shining
star that keeps the world from darkness and I know you’ll succeed because I believe in you
just like me!” If you are asking us to volunteer or donate to a charity or cause, tell us which
one. Be as specific as you can.
o Many pitches were unstructured, resembling a stream-of-consciousness rather than
comprising distinct sections. You should not have just one or two run-on paragraphs
comprising your entire pitch. Instead, you should have perhaps four paragraphs (including
the introductory paragraph; see below for comments), each serving a unique function, but
together supporting your primary goal of inspiring your audience to engage in your passion.
For each paragraph of your pitch, ask yourself, “What do I want my audience to be thinking
or feeling by the end of this paragraph?” For instance, one paragraph might tell a personal
story. Another paragraph might pose and answer a rhetorical question using expert opinion
and statistics. Both paragraphs should seek to evoke some emotional or cognitive response
from your audience. Do you want them to feel curious? Amused? Outraged? Or perhaps a
sense of FOMO? Structure your pitch to build tension through a few such cognitive and
emotional phases, and then resolve that tension through a well-crafted call-to-arms (see
below for comments).
o Your introductory paragraph should be just 50-75 words. Importantly, let us (i.e., the
audience) know the purpose of your pitch in the introduction. Directly and specifically (and
briefly) indicate to us what behavior, idea, social cause, attitude, opinion, or value you would
like us to adopt. How do you seek to change us? Also, this paragraph should include a formal
dedication to someone important to you. Many students failed to include such a dedication.
o Many students did not include a call-to-arms. The final section of your pitch should provide
specific, actionable, and feasible steps we can take to engage in your passion. The call-to-
arms should not be a series of questions posed to the audience. Rather, it should answer any
such questions the audience may have about how to engage in your passion. For the final
drafts is should be perhaps one-quarter to one-third of your pitch.
MBA 6213, Dr. Rob Austin McKee
3
o Related to the above point, many students who included some form of call-to-arms could
improve them. The call-to-arms is the most important section of your pitch. As such, it should
be treated as a distinct section and not as an afterthought or summary section. The call-to-
arms is a message directly to us, your classmates and professor(s), and not some fictional or
faceless entity, nor society at large. As noted above, the more specific you are, the better.
Two approaches to the call-to-arms were popular in the first drafts. One approach I will call
the blitzkrieg, wherein the author bombards the audience with so many steps that they
become overwhelmed and are left dazed and confused. The other approach I will call the
dagger, wherein the author thrusts just a single point toward the audience at the end. Our
call-to-arms should be more like a finely crafted trident, with 3-5 prongs that are connected
to each other as well as the preceding paragraphs.
o Many students used redundant or otherwise superfluous language. With a ~600-word limit,
every word counts. You should not be rephrasing ideas multiple times. You should make any
given statement precisely once (unless you are purposefully using techniques like repetition
and anaphora). Below I provide a purposefully exaggerated example of such language:
“Hello to everyone watching my video today. As some of you may know but others may not yet know, my name is Rob and I am a fellow MBA student in your classes here at UHD. Because this assignment we are doing in this class deals with what I am passionate about in my life, today I want to talk about a great passion of mine in this pitch which is called art. I became passionate about this topic of art when I was a child and am still passionate about it today, even though I am no longer a child because I am currently an adult. Art is a source of passion for me in my life and so I will discuss it here and try to get you to like it, too, if you don’t yet do so.”
Such a passage could be stated more clearly, concisely, and compellingly as:
“Hello, I’m Rob! I’ve been passionate about art, especially drawing and painting, since I was a kid. Today I’m going to tell you why you should make art a part of your life and hopefully inspire you to draw or paint something today. I’d like to dedicate this pitch to my great aunt Helen who introduced me to painting.”
The revised paragraph has several advantages beyond eliminating redundancy and
superfluousness. For example, “art” is a broad term, and in the first paragraph, the author
does not indicate whether he is passionate about art creation, appreciation, preservation, or
whatever else. The revised paragraph states the topic explicitly as creating drawings and
paintings. As another advantage, the revised paragraph avoids telling the audience what we
already know (e.g., that we are watching your video, etc.). Moreover, the revised paragraph
contains a message specifically directed at the audience. Finally, the revised paragraph
contains an explicit dedication per the instructions provided in the initial Pitch Assignment
document.
MBA 6213, Dr. Rob Austin McKee
4
o Some students submitted scripts that were either too long or too short. I want 575-625
words.
o Several students were late in submitting the papers.
o This draft is for a speech. Students who included graphics or hyperlinks should remove them,
though I do appreciate the extra effort.
o Some students plagiarized. Even a single unattributed sentence is enough to constitute a
violation of academic honesty, so make sure your work is your work. You may use a short
quote or two (i.e., 10-15 words), but you should attribute the source(s) during your pitch and
cite the source(s) at the end of your Pitch Script. Any quotes you use should be inspirational,
not informational. Do not quote statistics. Rephrase any statistics you use and cite the
source(s).
Now, the good news is that I see a lot of promise in your drafts! You have revealed a
diverse set of passions, and it’s exciting to learn so much from you. Some of you have shared
stories that are beautiful, tragic, comical, and courageous. I look forward to seeing how your
pitches develop over the next couple of weeks. Let me know if you have any questions.
MBA 6213, Dr. Rob Austin McKee
5
Supplementary Instructions for Pitch Script 2
Pitch Script 2 should represent a complete rewrite of your pitch. You may keep or
reframe the same topic you used before, as well as any stories or anecdotes you shared, or you
may select a new topic. Either way, I would suggest starting with a fresh Word document for this
draft so that you do not use any of your old material. One of the reasons this assignment is so
short is that I want you to work with the language and structure comprehensively.
As you are working to recompose your Pitch Script, imagine that you are reading a
stranger’s work. Try to overcome the emotional connection you have to your work (remember
the IKEA effect?) and critique it objectively. Ask yourself if you find the pitch truly persuasive. Ask
yourself if you feel inspired by the writing. Ask yourself if you feel compelled to change by the
language. If you encounter a moment of confusion or ambiguity in your writing, your audience
will, too. If you feel bored, your audience will, too. If you feel like you are being preached to,
your audience will, too. Work with the language until you feel it is perfect.
Annotate Tactics
You are required to use and annotate at least 12 distinct verbal persuasive techniques in
your pitch. Properly doing so is worth up to one-half of your grade for the second Pitch Script.
Examples of persuasive techniques include Charismatic Leadership Tactics (CLTs), influence
tactics, principles of persuasion, and any other identifiable techniques you might wish to employ
(e.g., anaphora, alliteration, inspirational quote, etc.). CLTs will be discussed during our class on
Communication. Influence tactics will be covered during our lecture on Power, Influence, and
Change. You may use and annotate nonverbal tactics, but they do not count toward your 12-
tactic minimum. Also, you may use and annotate specific verbal tactics more than once, but you
may only count a specific tactic once toward your 12-tactic quota. For example, you may use
multiple metaphors, similes, and analogies, but you may only count that tactic of “metaphors,
similes, and analogies” once.
You should annotate your use of these tactics using the “Comments” feature in Word
(available under the Review tab). This link and this video provide more instruction for using that
feature. When you save your Word document prior to uploading the file to Blackboard, ensure
that “All Markup” is selected as the “Display for Review” option in the “Tracking” section of the
“Review” tab. Please refer to the example below to see how it should look upon upload.
MBA 6213, Dr. Rob Austin McKee
6
Pitch Script Example
The sample script below is not a blueprint for your scripts, but it should give you some
sense of the intended structure and style, especially with regard to annotating the tactics. I did
not want to provide this example before you submitted Pitch Script 1 because I did not want you
to be constrained structurally or stylistically to how I have written this sample script. In this
example, I have utilized numerous CLTs, influence tactics, and other principles of persuasion. At
the end of this document, you will find a non-exhaustive list of nearly 40 different tactics
available to you. I have labeled all the tactics used in the example script. You should do the same
per the instructions provided in the previous section. You will notice that some of the sentences
below contain more than one tactic. At times, certain tactics are nested within other tactics,
such as using contrasts when telling a story. Also, note that I have used several tactics more than
once. You may also use tactics more than once, but you must use at least 12 different tactics. I
have embedded nearly 20 tactics here to illustrate just how easy it can be to insert these tactics
into your own written and verbal communication.
Again, what I have provided here is merely an example. It should not be treated as an
ideal template for your pitches. However, your pitch should look like the sample below with
tactics annotated to the side.
7
Hello, I’m Rob Austin McKee, a Professor of Leadership and Organizational Behavior. I also
work with non-profits to help aspiring entrepreneurs hone their public speaking skills. Today I’m
going to discuss the art of the pitch with the goal of helping you pitch your ideas better. I dedicate
this speech to all the teachers and professors who believed in me even when I did not.
I am one of those strange souls who enjoy public speaking. A few years ago, I was part of a
medical device startup going through the Texas Medical Center Startup Accelerator. I had the pleasure
of speaking at a showcase event in front of nearly 1,000 attendees, including successful entrepreneurs,
investors, and doctors. Being on stage at such an event is exhilarating. Immediately after my pitch, a
white-haired gentleman suddenly approached me and began enthusiastically complimenting my
performance, passion, and poise on stage. When he wandered off, one of the co-founders of our
company suddenly approached me to ask about the conversation. At that time, this co-founder was
the Chair of Bioengineering at Rice, so most of his daily life was spent being the smartest and most
important person in any given room he happened to occupy. Mr. Chair-of-Bioengineering was
perplexed that I seemed so casual about my conversation with Mr. White-Hair and asked if I knew
who the gentleman was. When I responded that I did not, he shook his head and explained that Mr.
White-Hair was the smartest and most important person in that room. He was one of the top heart
surgeons in the world with nearly 60 patents and a Lambo. And Dr. White-Hair somehow remembers
me to this day. That’s the power of good public speaking. You never know who might be watching!
I believe that a single good presentation lasting just a few minutes can elevate a career or cause
faster than months or even years of solid but out-of-sight performance. Have you ever heard the
phrase “out of sight, out of mind”? Well, being in front of the room ensures that you are in sight and
in mind. You set the content. You set the tone. You set the agenda. How many people do we
remember from history just because they were the ones on stage? The civil rights movement involved
millions of people, but we remember Martin Luther King, Jr. because he was on stage. Alone, we are
limited in our capacities to effect change, but if we can rally others to our causes, we become mighty
forces.
So, how do we deliver great pitches? Here are three principles to follow. First, the structure is
crucial, so write it out. Some speakers go so far as to develop storyboards for their pitches to keep
them focused, nonredundant, and moving along, like a series of planned pitstops on a road trip to
some definitive destination. Second, give both micro and macro perspectives on the issue. The micro
perspective is easy; tell a story related to your topic involving some protagonist, who may well be you.
The macro perspective should illuminate the importance of your topic more broadly, providing
information like benefits and consequences that would be relevant to your audience and the greater
world. Third, you should include a call-to-arms that directly addresses the audience and provides
specific and actionable steps they can take. This call-to-arms is the ultimate purpose, or definitive
destination, of your pitch! It should not be a smorgasbord of minor details, but rather a few big-picture
items that distill the essence of your pitch to make it memorable and achievable by your audience. If
you follow these three easy steps, I believe your next pitch will be a good one. And you never know
who might be watching!
Commented [RAM1]: 1) Storytelling
Commented [RAM2]: 2) Authority – I establish myself as a credible source of information on the topic by showing I have been recognized as a skillful speaker by luminaries
Commented [RAM3]: 3) Alliteration, AND 4) List of three
Commented [RAM4]: 5) Humor
Commented [RAM5]: 6) Repetition
Commented [RAM6]: 7) Use of a colloquialism for Lamborghini
Commented [RAM7]: 8) Apprising
Commented [RAM8]: 9) Rhetorical question, AND 10) Use of a common proverb
Commented [RAM9]: 11) Contrast
Commented [RAM10]: 12) Anaphora
Commented [RAM11]: Rhetorical question (I counted this tactic once already, so I labeled it for the reader’s convenience but did not count it again.)
Commented [RAM12]: 13) Invoking history
Commented [RAM13]: 14) Inspirational appeal
Commented [RAM14]: Rhetorical question (I counted this tactic once already, so I labeled it for the reader’s convenience but did not count it again.)
Commented [RAM15]: List of three (I counted this tactic once already, so I labeled it for the reader’s convenience but did not count it again.)
Commented [RAM16]: 15) Simile
Commented [RAM17]: Repetition (I counted this tactic once already, so I labeled it for the reader’s convenience but did not count it again.)
Commented [RAM18]: Repetition (I counted this tactic once already, so I labeled it for the reader’s convenience but did not count it again.)
MBA 6213, Dr. Rob Austin McKee
8
Nonexhaustive List of Persuasive Tactics
o Charismatic Leadership Tactics from Week 5, Learning Charisma, Antonakis et at. (2012), HBR
o Metaphors, similes, and analogies
• Stories and anecdotes
• Contrasts
• Rhetorical Questions
• Three-part lists
• Expressions of moral conviction
• Statements that reflect the sentiments of the group
• Setting high goals
• Convey confidence that the goals can be achieved
• Creating a sense of urgency
• Invoking history
• Using repetition
• Talking about sacrifice
• Using humor
o Principles of Persuasion from Week 5, Science of Persuasion, Cialdini and Martin
• Liking
• Reciprocity
• Social Proof
• Consistency
• Authority
• Scarcity
o Influence Tactics from Week 6, Validation of the Extended Influence Behavior Questionnaire,
Yukl et al. (2008), The Leadership Quarterly
• Rational Persuasion
• Consultation
• Inspirational Appeals
• Collaboration
• Apprising
• Ingratiation
• Personal Appeals
• Exchange
• Legitimating
• Pressure
• Coalition
o Other Tactics: You may use other identifiable tactics, as I did in the sample script above.
Examples of such tactics include anaphora, alliteration, colloquialisms, proverbs,
inspirational quotes (limited to 10-15 words with a citation provided), cultural references
(e.g., celebrities, popular characters from TV or movies), etc.
Pitch Assignment Rubric - MBA 6213, Dr. Rob Austin McKee
9
Expert Proficient Apprentice Novice
Verbal Communication
Grammar and language are excellent
Grammar and language are good
Grammar and language are acceptable
Grammar and language are poor
Very persuasive, correctly using at least 12 different
tactics
Fairly persuasive, correctly using at least 9 tactics
Mildly persuasive, correctly using at least 6 tactics
Not persuasive, correctly using fewer than 6 tactics
Nonverbal Communication
Facial expressions, body language, and vocal tone are excellent and strongly
reinforce the topic
Facial expressions, body language, and vocal tone
are good and reinforce the topic
Facial expressions, body language, and vocal tone are acceptable and mildly
reinforce the topic
Facial expressions, body language, and vocal tone
are poor and fail to reinforce the topic
Does not seem to be reading script
Rarely seems to be reading script
Occasionally seems to be reading script
Constantly seems to be reading script
Structure and Flow
Topic is specific and focused
Topic is generally focused Topic is apparent but lacks
focus Topic is unspecified or
vague Includes a clear
introduction of speaker and topic of 50-75 words
Includes an introduction of speaker and topic of <50 or
>75 words
Includes some form of introduction of <25 or >100
words
No distinct introductory paragraph, or paragraph
>125words Introduction includes a
formal dedication Introduction does not include a formal dedication
Clearly seeks to change audience's behavior,
attitudes, opinions, beliefs, or values
Generally seeks to change audience's behavior,
attitudes, opinions, beliefs, or values
Somewhat seeks to change audience's behavior,
attitudes, opinions, beliefs, or values
Does not seek to change audience's behavior,
attitudes, opinions, beliefs, or values
Sequence of ideas presented in the pitch is
logical
Sequence of ideas makes sense
Sequence of ideas meanders but is acceptable
Sequence of ideas wanders aimlessly
Topic sentences readily distinguish different
sections
Topic sentences distinguish different sections
Different sections are moderately identifiable
Different sections are not identifiable
Well-defined call-to-arms with 3-5 specific and
actionable steps Good call-to-arms Acceptable call-to-arms No call-to-arms
No redundancy present Little redundancy present Some redundancy present Much redundancy present
No plagiarism present Inclusion of any plagiarized content will result in a failing grade and a Academic Honesty
report being filed with the University
Length 575-625 words <550 or >650 words <525 or >700 words <500 or >750 words Timing ~4m ~15s more or less than 4m ~30s more or less than 4m ~1m more or less than 4m
Video Quality
Video contains no edits, special effects, props, or
added sounds Video contains edits, special effects, props, or added sounds
Video shows upper and lower torso to mid-thigh
Video shows only a limited portion of the student’s face and torso such that the full range of expressions and body language is not visible
Video and audio quality are good with a well-lit and
quiet location Video or audio quality is poor such that the student cannot be seen or heard clearly
File Upload
File is uploaded by the deadline to the correct folder and named using student’s first and last name only, no changes made to folder settings
File is not uploaded correctly
Note: “Verbal Communication” and “Structure and Flow” apply to the Pitch Script. All categories apply to the Pitch Video.
- MBA 6213 Pitch Script Draft 1 Feedback, Example, and Tactics List - Rob Austin McKee v9 section 1 20210920
- Art of Pitching pitch script - Rob Austin McKee, v3
- MBA 6213 Pitch Script Draft 1 Feedback, Example, and Tactics List - Rob Austin McKee v7 section 3
- MBA 6213 Pitch Presentation Rubric, Rob Austin McKee v5 no eye contact, enunciation, or summary