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Lecture5.pdf

A male diving beetle, digital image created by laser scanning confocal microscope by Igor Siwanowicz

A refresher on details of lecture/section

***You are expected to read your emails and keep up with Gauchospace.***

Lecture: Mondays at 5-6:50pm

Sections: Marisa : W F 11:00-12:50

Alex : T R 11:00-12:50 Dani : T R 1:00- 2:50

How We See Color Color Theory Basics

(next week: how color is used)

The most technically accurate definition of color is: "Color is the visual effect that is caused by the spectral

composition of the light emitted, transmitted, or reflected by objects.”

BUT

There is no such thing as perfect color or pure color. Color perception, theories and use of color are all somewhat subjective.

Electromagnetic Spectrum

reflected light

refracted light

1. All the" invisible" colors of sunlight shine on the apple.

2. The surface of a red apple absorbs all the colored light rays, except for those corresponding to red, and reflects this color to the human eye.

3. The eye receives the reflected red light and sends a message to the

brain.

Reflected Light

Refracted Light Slowing or speeding up of light as it travels from one medium to the next is the

primary cause of refraction; for example, when you look at the surface of water, the light you see is actually bent (refracted) from a point where it physically isn't

George Seurat, Parade de cirque, 1887/8, oil 100x150 cm, and detail

The 3 Visual Properties of Color

1. Hue 2. Saturation 3. Value

Hue spectral color name

orange =

hue shift

Saturation (also called intensity)

brightness or dullness, a color’s relative freedom from gray

saturation shift

Tint - achieved through adding white Shade - achieved through adding black Tone - achieved through adding grey

Value lightness or darkness;

a color’s relative lightness and darkness

Wide value range

Lucian Freud, Reflection, 1985

Narrow value range

Claude Monet, Impression Sunrise, 1872

there are 2 main color models:

Additive Color (consists of light) &

Subtractive Color (consists of pigment)

primary colors cannot be mixed from or formed by combining any other colors

Color models each have their own Primary Colors

Additive Color Primaries: RGB (Red, Green, Blue)

Subtractive Color Primaries: for paint=

RYB (Red, Yellow, Blue) for print=

CMYK (Cyan Magenta, Yellow, Black)

Additive Color Light

Additive Color - color as the direct product of light

Additive Color Primaries: RGB (Red, Green, Blue)

Color and Light

Olafur Eliasson's 'Room for one colour'

James Turrell, 1980-86, NY PS1 Installation, Meeting (view with daylight & twilight)

Claude Monet, Rouen Cathedral series (30 paintings in all),1892-4

Color in the Digital Environment

is sometimes additive, sometimes subtractive; screens & capture devices are additive,

output/printing devices usually subtractive

Color in Photography Is sometimes additive, sometimes subtractive, sometimes both. Emulsion based film responds to light, but is processed using chemicals and paper with subtractive filters that alter the light.

Capture devices (digital cameras, etc.) respond to light, output/printing devices may display on screen (additive), or be printed (subtractive).

Subtractive Color Pigment

Subtractive color is perceived as a result of pigment. This is the color model for paint pigments and there is also a sub-set of printing ink pigment

within the Subtractive Color Model

Subtractive Color has two sub-sets

Subtractive Color

1. Paint (primaries-ryb) 2. Print (primaries-cmyk)

printing inks are often translucent...

Subtractive Color - Print primaries- CMYK

(Cyan Magenta, Yellow, Black)

...and when traditionally printed as 4-color halftones, such as in magazines and books, the ‘dots’ of color overlap, appearing

as full color

Subtractive Color - Paint primaries- RYB

(Red, Yellow, Blue)

1. Piet Mondrian, Composition, 1921, painting

Roy Lichtenstein, In the Car, 1963, oil on canvas

Subtractive Color Pigment

(paint) Secondaries

Secondary Colors: are the result of mixing 2 primaries together

Paul Cezanne, Montagnes, l’Estaque, 1878-80, oil 53x72cm

Stenberg Bros., The Man From the Forest, 1928, offset film poster 42x28”

Kevin Appel, Untitled Interior #5, 1995, oil 64x58”

Tertiaries: everything else

Complementary Colors

opposites react

Complementary Color: Directly opposite on the color wheel, and are of

extreme contrast. Red absorbs mostly green, etc. Causes visual vibration.

Mark Rothko, oil on canvas, c. 1950

Masami Teraoka, Aids Series: Geisha and Fox, 1988, watercolor, 15x25

Laylah Ali, Comfort with Rage, 2018, 11 x 17 in, Screen Print

Vincent Van Gogh, The Night Cafe, 1888, 39x92cm

Simultaneous Contrast: When 2 colors come into direct contact, the contrast intensifies the difference between

them.

Color Temperature

Warm & Cool

warmer

warmer cooler

cooler

Monochrome = one hue

Yan Pei-Ming, Mao au Balcon de Tienanmen, 2000, oil on canvas, 98.5”x98.5”

Connie Samaras, Angelic Sequences - Event Sequences, 1998-2003 Sahara, Las Vegas, 2003

archival inkjet print from film 40 x 50" image size w/4-inch border, edition of 5

Noah Davis, Pueblo del Rio: Conductor (2014), oil on canvas, 69 x 76 in

Anna Atkins, from Ocean Flowers, 1843, cyanotype from seaweed

Analogous Colors

colors with a connection

closely related hues - by position on the spectrum (& color wheel)

Lisa Yuskavage, Little Farm, 2012, oil on linen

Triad A triadic color scheme uses colors that are

evenly spaced around the color wheel.

Gold

Buoninsegna, 1315, egg tempera on poplar

Andy Warhol, Lady on a Rooster, 1957, gold foil, water color, ink 25x19”

Andy Warhol, Oxidation Painting, 1978, mixed media (urine) on copper paint on canvas 72x204”

Jim Hodges, and still this, 2008, real gold leaf with Beva on gessoed linen, 10 parts, 200”x185’x89” ea

Florescent and Day-Glo

Komar and Melamid, America’s Most Wanted Painting, 1994

Komar and Melamid, America’s Most Unwanted Painting, 1994

Why do you think the colors orange and black are used for Halloween?

Color & Culture

Baker-Miller Pink

Project 5: Current Event / Political Protest Painting/Poster (30 points)

Create a painting/poster that reflects on current events or a political issue of any time period. First, decide on your subject. Then, decide on a color scheme for your painting, thinking about how the scheme might set the

mood/tone of the image.

Remember - POLITICS doesn’t have to mean Democrats/Republicans, the election etc. This is about what YOU believe in, your point of view, your

culture, your voice.

It can be digital, painted (gouache or acrylic), printed (printing blocks and ink), in any scale/size you choose, as long as it has a define color scheme.

@dudewithsign

Suffragette movement for white womens’ right to vote, 1913

A demonstrator at the January 1977 protest at the International Hotel in SF

1965

On Aug. 11, 1965, Marquette Frye — a young black man on parole for robbery — was

pulled over in LA for reckless driving. The incident escalated, attracting the attention of the neighborhood, and eventually resulting in

what would be known as the Watts riots.

David Weidman created this poster as a tongue-in-cheek response to the issues at

play.

1967

Tomi Ungerer created numerous posters protesting the war in Vietnam. Here, the white arm of America is shown shoving the Statue of Liberty down the throat of a Vietnamese citizen.

1968

Reads: Borders = Repression

Regarding the events of May 1968 in France (civil unrest, strike, student

occupation protests against capitalism, consumerism, American imperialism and

traditional institutions)

This poster was created by students at the École des Beaux Arts

1968

Another image from the protests of May 1968 in France by an

anonymous protester

“Let’s continue the fight - dark capitalism”

1968

students gathered at the Rhode Island School of Design to create posters in protest of the Vietnam

War, largely inspired by the May ’68 posters done in Paris

1968

Seymour Chwast

In protest of the Vietnam War. Shown is Uncle Sam — the

traditional symbol of American patriotism — with his mouth open to

reveal planes bombing a small village.

circa 1970

Black Panther Party

1971

Reads: Continental Day of Support to Vietnam, Cambodia, and Laos, October 15–21, by the Continental Organization of Latin American

Students.

Called for solidarity between young Cubans and an array of peoples from other countries, created in support of human rights and the fight against

globalization, imperialism, and colonialism.

Nixon is shown with the dead bodies of faceless Southeast Asians on his mind.

1981

In the 1970s and ’80s, Japanese artist Masuteru Aoba created a series of

protest posters focusing on nonviolence and environmentalism, in which his goal was to create a more empathetic society.

He was asked to create the official poster for the 1998 Winter Olympic

Games in Nagano.

1987

Created by a group of six gay men in New York City to draw attention to AIDS crisis

(references pink triangle’s use in Nazi concentration camps to identify homosexual prisoners — a symbol

that was reclaimed by the LGBT community beginning in the 1970s as a symbol of pride)

The poster was adopted by the AIDS Coalition to Unleash Power, or ACT UP, after its formation, when several of the original creators joined the group, and

remains an iconic emblem of the movement.

2016–

Pro-democracy protesters sleep next to a sign reading "we'll be back" on a blocked road in the Admiralty district of Hong Kong on December 11, 2014 (CNN)

Guerilla Girls

A demonstrator outside the Australian embassy in Buenos Aires, Argentina. Photo: Reuters