E-Response
Keywords for American Cultural Studies
Edited by
Bruce Burgett and Glenn Hendler
NEW YORK UNIVERSITY
New York and London
Frontis: Anselm Kiefer, Book with Wings, 1992-94, lead, tin, and
steel, 7 4 % x 208 % x 4 3 % inches. Collection of the Modern Art
Museum of Fort Worth, Texas, Museum Purchase, Sid W.
Richardson Foundation Endowment Fund.
N EW YORK U NIV ERSITY P RE S S
New York and London
www.nyupress.org
© 2007 by New York University
All rights reserved
Library of Congress Cataloging-in-Publication Data
Keywords for American cultural studies I
edited by Bruce Burgett and Glenn Hendler.
p. cm.
Includes bibliographical references.
ISBN-13: 978-0-8147-9947-5 (alk. paper)
ISBN-10: 0-8147-9947-7 (alk. paper)
ISBN-13: 978-0-8147-9948-2 (pbk. : alk. paper)
ISBN-10: 0-8147-9948-5 (pbk. : alk. paper)
1. Vocabulary. 2. United States-Civilization.
3. Social structure-Terminology. 4. Culture-Terminology.
I. Burgett, Bruce, 1963- II. Hendler, Glenn, 1962-
PE1449.K49 2007
428.1-dc22 2007015067
New York University Press books are printed on acid-free paper,
and their binding materials are chosen for strength and durability.
Manufactured in the United States of America
c 10 9 8 7 6 5 4 3 2 1
p 10 9 8 7 6 5 4 3 2 1
49
Queer
Siobhan B. Somerville
"Queer" causes confusion, perhaps because two of its
current meanings seem to be at odds. In both popular
and academic usage in the United States, "queer" is
sometimes used interchangeably with the terms "gay"
and "lesbian" or occasionally "transgender" and "bi
sexual." In this sense, it is understood as an umbrella
term that refers to a range of sexual identities that are
"not straight." But in some political and theoretical
contexts, "queer" is used in a seemingly contradictory
way: as a term that calls into question the stability of
any categories of identity based on sexual orientation.
In this second sense, "queer" is a critique of the ten
dency to organize political or theoretical questions
around sexual orientation per se. To "queer" becomes a
way to denaturalize categories such as "lesbian" and
"gay" (not to mention "straight" and "heterosexual"),
revealing them as socially and historically constructed
identities that have often worked to establish and po
lice the line between the "normal" and the "abnormal."
Fittingly, the word "queer" itself has refused to
leave a clear trace of its own origins; its etymology is
unknown. It may have been derived from the German
word quer or the Middle High German twer, which
meant "cross," "oblique," "squint," "perverse," or
"wrongheaded," but these origins have been con
tested. The Oxford English Dictionary notes that, while
"queer" seems to have entered English in the sixteenth
187
Queer Siobhan B. Somerville
century, there are few examples of the word before
1700. From that time until the mid-twentieth century,
"queer" tended to refer to anything "strange," "odd,"
or "peculiar," with additional negative connotations
that suggested something "bad," "worthless," or even
"counterfeit." In the late eighteenth and early nine
teenth centuries, the word "queer" began to be used
also as a verb, meaning "to quiz or ridicule," "to puz
zle," "to cheat," or "to spoil." During this time, the ad
jectival form also began to refer to a condition that
was "not normal," "out of sorts," "giddy, faint, or ill."
By the first two decades of the twentieth century,
"queer" became linked to sexual practice and identity
in the United States, particularly in urban sexual cul
tures. During the 19 10s and 1920s in New York City,
for example, men who called themselves "queer" used
the term to refer to their sexual interest in other men
(Chauncey 1994). Contemporaneous literary works by
African American writers such as Nella Larsen ( 1929)
and Jean Toomer ( 1923/ 1969) suggest that the term
could also carry racialized meanings, particularly in
the context of mixed-race identities that exposed the
instability of divisions between "black" and "white."
But it was not until the 1940s that "queer" began to be
used in mainstream U.S. culture primarily to refer to
"sexual perverts" or "homosexuals," most often in a
pejorative, stigmatizing way, a usage that reached its
height during the Cold War era and that continues to
some extent today. In the early twenty-first century,
"queer" remains a volatile term; the American Heritage
Dictionary even appends a warning label advising that
the use of "queer" by "heterosexuals is often consid-
188
ered offensive" and therefore "extreme caution must
be taken concerning [its] use when one is not a mem
ber of the group." The term has also carried specific
class connotations in some periods and contexts. On
the one hand, as one participant in a recent online fo
rum put it, "'Queer' is a rebellion against those posh
middle-class business owners who want to define gay
dam as being their right to enjoy all the privileges de
nied them just cos they like cock" (Isambard 2004).
On the other hand, these class connotations are unsta
ble. "If I have to pick an identity label in the English
language," wrote poet and critic Gloria Anzaldua, " I
pick 'dyke' o r 'queer,' though these working-class
words . .. have been taken over by white middle-class
lesbian th-eorists in the academy" ( 1998, 263-64).
The use of "queer" in academic and political con
texts beginning in the late 1980s represented an at
tempt to reclaim this stigmatizing word and to defy
those who have wielded it as a weapon. This usage is
often traced to the context of AIDS activism that re
sponded to the epidemic's devastating toll on gay men
in U.S. urban areas during the 1980s and 1990s. An
outgrowth of ACT UP (AIDS Coalition To Unleash
Power), a powerful AIDS activist group, Queer Nation
became one of the most visible sites of a new politics
that was "meant to be confrontational-opposed to
gay assimilationists and straight oppressors while in
clusive of people who have been marginalized by any
one in power" (Escoffier and Berube 199 1, 14-16).
Queer political groups have not always achieved this
goal of inclusiveness in practice, but they have sought
to transform the homophobic ideologies of dominant
U.S. culture, as well as strategies used by existing les
bian and gay rights movements, many of which have
tended to construct lesbian and gay people as a viable
"minority" group and to appeal to liberal rights of pri
vacy and formal equality (Duggan 1992).
The more recent movement to gain the legal right
to same-sex marriage demonstrates some of the salient
differences between a lesbian/gay rights approach and
a queer activist strategy. While advocates for same-sex
marriage argue that lesbians and gay men should not
be excluded from the privileges of marriage accorded
to straight couples, many queer activists and theorists
question why marriage and the nuclear family should
be the sites of legal and social privilege in the first
place. Because same-sex marriage would leave intact a
structure that disadvantages those who either cannot
or choose not to marry (regardless of their sexual ori
entation), a more ethical project, queer activists argue,
would seek to detach material and social .privileges
from the institution of marriage altogether (Ettelbrick
1989; Duggan 2004b).
Sometimes in conversation with these activist ef
forts and sometimes not, queer theory emerged as an
academic field during the late 1980s and early 1990s.
Drawing on the work of Michel Foucault, scholars who
are now referred to as queer theorists argued that sex
uality, especially the binary system of "homosexual"
and "heterosexual" orientations, is a relatively modern
production. As Foucault ( 1978) argued, although illicit
acts between two people of the same sex had long
been punishable through legal and religious sanctions,
these practices did not necessarily define individuals as
Queer Siobhan B. Somerville
"homosexual" until the late nineteenth century.
While historians have disagreed about the precise pe
riods and historical contexts in which the notion of
sexual identity emerged, Foucault's insistence that sex
uality "must not be thought of as a kind of natural
given" has been transformative, yielding an under
standing of sexuality not as a psychic or physical drive,
but as a "set of effects produced in bodies, behavior,
and social relations by a certain deployment" of power
( 127). Moving away from the underlying assumptions
of identity politics and its tendency to locate stable
sexual subjects, queer theory has focused on the very
process of sexual subject formation. If much of the
early work in lesbian and gay studies tended to be or
ganized around an opposition of homosexuality and
heterosexuality, the primary axis of queer studies
shifted toward the distinction between normative and
non-normative sexualities as they have been produced
in a range of historical and cultural contexts.
For this reason, a key concept in queer theory is the
notion of "heteronormativity," a term that refers to
"the institutions, structures of understanding, and
practical orientations that make heterosexuality seem
not only coherent-that is, organized as a sexuality
but also privileged" (Berlant and Warner 1998, 548 n.
2). Heteronormativity, it is important to stress, is not
the same thing as heterosexuality (though the two are
not entirely separable); indeed, various forms of het
erosexuality (adultery, polygamy, and interracial mar
riage, among others) have historically been proscribed
rather than privileged (Rubin 1984; C. Cohen 1997;
Burgett 2005). Rather, heteronormativity is a form of
189
Queer Siobhan B. Somerville
power that exerts its effects on both gay and straight
individuals, often through unspoken practices and in
stitutional structures.
Because queer critique has the potential to destabi
lize the ground upon which any particular claim to
identity can be made (though, importantly, not de
stroying or abandoning identity categories altogether),
a significant body of queer scholarship has warned
against anchoring the field primarily or exclusively to
questions of sexuality. Instead, these scholars have ar
gued, we should dislodge "the status of sexual orienta
tion itself as the authentic and centrally governing
category of queer practice, thus freeing up queer the
ory as a way of reconceiving not just the sexual, but
the social in general" (Harper et al. 1997). In local, na
tional, and transnational contexts, such a formulation
allows us to contest constructions of certain issues as
"sexual" and others as "non-sexual," a distinction that
has often been deployed by U.S. neoconservatives and
neoliberals alike to separate "lesbian and gay" move
ments from a whole range of interconnected struggles
for social justice.
The field of queer studies has increasingly chal
lenged this tendency by using "intersectional" ap
proaches that begin from the assumption that
sexuality cannot be separated from other categories of
identity and social status. Whereas some early queer
theorists found it necessary to insist upon understand
ing sexuality as a distinct category of analysis, one that
could not be fully accounted for by feminist theories
of gender, it is now clear that sexuality and gender can
never be completely isolated from one another (Rubin
190
1984; Sedgwick 1990). Indeed, Judith Butler ( 1990, 5)
has shown that our very notions of sexual difference
(male/female) are an effect of a "heterosexual matrix."
A significant body of scholarship, largely generated
out of questions raised by transgender identity and
politics, has insisted on the pressing need to revisit
and scrutinize the relationships among sex, gender,
and sexuality, with an emphasis on recalibrating theo
ries of performativity in light of materialist accounts
of gender (Stone 1991; Prosser 1998).
If queer theory's project is characterized, in part, as
an attempt to challenge identity categories that are
presented as stable, transhistorical, or authentic, then
critiques of naturalized racial categories are also crucial
to its antihormative project. As a number of critics
have shown, heteronormativity derives much of its
power from the ways in which it (often silently) shores
up as well as depends on naturalized categories of
racial difference in contexts ranging from sexology
and psychoanalysis to fiction and cinema (Somerville
2000; Eng 200 1). Heteronormativity itself must be un
derstood, then, as a racialized concept since "[racially]
marginal group members, lacking power and privilege
although engaged in heterosexual behavior, have of
ten found themselves defined as outside the norms
and values of dominant society" (C. Cohen 1997,
454). This insistence on putting questions of race at
the center of queer approaches has been vigorously ar
gued most recently in a body of scholarship identified
as "queer of color critique" (Ferguson 2004).
At the same time that intersectional approaches
have become more central to queer studies, the field
has also increasingly turned to the specificities of na
tion-based models and the dynamics of globalization
and imperialism. Scholars have begun to interrogate
both the possibilities and the limitations of queer the
ory for understanding the movement of desires and
identities within a transnational frame, as well as the
necessity of attending to the relationship between the
methods of queer theory and colonial structures of
knowledge and power (Povinelli and Chauncey 1999;
Manalansan 2003; Gopinath 2005). The resulting in
terest in the "nation" and its constitutive role in
processes of racialization and sexualization has raised
new questions about the ways that queer theory might
usefully interrogate the nation's less charismatic com
panion-the state. Jacqueline Stevens (2004, 225), for
instance, has envisioned queer theory and activism as
a site for articulating "a revolution against all forms of
state boundaries . . . the unhindered movement and
full-fledged development of capacities regqrdless of
one's birthplace or parentage. "
If the origins of the term "queer" are elusive, its fu
ture horizons might be even more so. While the term
itself has a contested and perhaps confusing history,
one of the points of consensus among queer theorists
has been that its parameters should not be prema
turely (or ever) delimited (Sedgwick 1993; Berlant and
Warner 1995). The field of queer studies is relatively
young, but as it has made inroads in a number of dif
ferent academic fields and debates, some critics have
asserted that the term is no longer useful, that it has
become passe, that it has lost its ability to create pro
ductive friction. Pointing to its seeming ubiquity in
popular-cultural venues such as the recent television
shows Queer Eye for the Straight Guy or Queer as Folk,
others criticize the ways that the greater circulation of
"queer" and its appropriation by the mainstream en
tertainment industries have emptied out its opposi
tional political potential. Whether we should be
optimistic or pessimistic about the increasingly visibil
ity of "queer" culture remains an open question.
Meanwhile, scholars continue to carefully interrogate
the shortcomings and the untapped possibilities of
"queer" approaches to a range of diverse issues, such
as migration (Luibheid and Cantu 2005) or temporal
ity (Edelman 2004; Halberstam 2005). Whatever the
future uses and contradictions of "queer," it seems
likely that the word will productively refuse to settle
down, demanding critical reflection in order to be un
derstood in its varied and specific cultural, political,
and historical contexts.
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