INTRODUCTION TO CRITICAL THEORIES AND CONCEPTS IN THE CREATIVE AND CULTURAL INDUSTRIES (CCI)
Charlene YY
IntrotoCCIHandbook1.docINTRODUCTION TO CRITICAL THEORIES AND CONCEPTS
IN THE CREATIVE AND CULTURAL INDUSTRIES (CCI)
AUTUMN SEMESTER 2021-22
INTRODUCTION TO THE MODULE
This module offers a broad-based introduction to, and definitions of, the Creative and Cultural Industries (CCI). It determines the range of activities and organisations included in this term, and introduces the importance of cultural activities within wider society. Through close examination of different cultural providers (theatres, cinema, museums etc.) and industries (music, television, film, publishing), it explores the social purposes, changes and challenges in the sector. It is designed to help students learn about the variety of theoretical and conceptual approaches that are applied to the study of CCI. It thus seeks to equip students with the necessary introductory knowledge and tools to be able to assess critically the dis/advantages of existing theoretical frameworks and discourses used to understand the complex nature of the creative and cultural industries, and their location within wider constructs such as ‘organisation’, ‘networks’ and ‘fields’. The module will be taught in lectures and seminars, which will critically discuss existing case studies to illustrate concepts and approaches. It is formulated to enable students to think critically about the tools they use and apply to understand and research CCI today.
MODULE AIMS
This module has the following aims:
provide a broad-based introduction to the Creative and Cultural Industries (including the organisation of a range of CCI sectors such as film, visual arts, music, museums and heritage, performing arts, literature/publishing, and fashion, among others) in a local and global context
provide an overview of the theories, concepts and analytical approaches deployed in research on the cultural and creative industries
demonstrate the application of theories and concepts drawing upon examples of case studies on the cultural and creative industries
critically assess the relevance of existing theories and concepts to the study of the cultural and creative industries in contemporary societies
MODULE OUTCOMES
You will be able to demonstrate the ability to:
critically determine and define what is meant by culture and the creative and cultural industries, and the types of industry viewed as having creative and cultural capital, both locally and globally.
understand the range of theories and concepts available to study the cultural and creative industries
apply the theories and concepts learned to research on current aspects of the cultural and creative industries
critically assess the explanatory power of existing theories and concepts in analyses of the cultural and creative industries
Module organisation
It will achieve these outcomes through a programme of lectures and seminars which will take a case study approach to the subject matter. Seminars will be used to study the week’s topic in further depth and you will be expected to participate fully.
Indicative references only
LECTURE 1 Introduction to the Module: What is creativity? What is culture?
Hartley, J. et al. (2013) Key Concepts in Creative Industries. London: Sage.
Arts Council England. 2014. The Value of Arts and Culture to People and Society – An Evidence Review. London: ACE http://www.artscouncil.org.uk/advice-and-guidance/browse-advice-and-guidance/value-arts-and-culture-people-and-society-evidence-review
Banks, M. (2007) The Politics of Cultural Work, Palgrave, Basingstoke.
Banks, M., Gill, R. and Taylor, S. (2014) Theorizing Cultural Work, Routledge, London.
Banks, M. (2015) Valuing Cultural Industries, in O’Connor and Oakley, K. (eds.) The Routledge Companion to Cultural Industries
Bell, D. and Oakley, K. (2014) Cultural Policy, Routledge, London.
Caves, R. (2002) Creative Industries: Contracts between Art and Commerce, Harvard U Press, Cambridge.
Galloway, S and Dunlop, S. (2007) A Critique of Definitions of Cultural and Creative Industries in Public Policy, International Journal of Cultural Policy, 13,1, pp.17-31.
Flew, T (2011) Creative Industries, Sage, London.
Garnham, N. (2005) From Cultural to Creative Industries, International Journal of Cultural Policy, 11, 1, pp.15-29.
Gauntlett, D. (2011) Making is Connecting, Polity Press, Cambridge.
Harney, S. (2010) Creative Industries Debate, Cultural Studies, 24, 3, pp.431-444
Hartley, J. (2005) ‘Creative Identities’ in Hartley, J. (ed.) Creative Industries, Blackwell Oxford, pp.106-117.
Hesmondhalgh, D. (2012) The Cultural Industries, Sage, London (3RD edition)
Hesmondhalgh, D., Oakley, K., Lee, D. & Nisbett, M. (2016) Culture, Economy, Politics: The Case of New Labour, Palgrave London.
Howkins, J. (2001) The Creative Economy: How People Make Money from Ideas, Penguin, London.
O’Connor, J. (2007) The Cultural and Creative Industries: A Review of the Literature, Creative Partnerships, London.
Runco, M. (2007) Creativity, Elsevier Academic Press
Davies, R. and Sigthorsson, G. (2013) Introducing the Creative Industries, Sage, London
Warwick Commission. 2015. Enriching Britain: Culture, Creativity and Growth: The Warwick Commission Report on the Future of Cultural Value. University of Warwick.
LECTURE 2 Consumer Culture and Cultural Industries
Banks, M. (2007) The Politics of Cultural Work, Palgrave, Basingstoke.
Bell, D. and Oakley, K. (2014) Cultural Policy, Routledge, London.
Curran, J. (2010) Media and Society, Bloomsbury, London (Chapter by Hesmondhalgh)
Davies, R. and Sigthorsson, G. (2013) Introducing the Creative Industries, Sage, London
Featherstone, M. (1990) Perspectives on Consumer Culture. Sociology 24(1):5-22.
Flew, T (2011) Creative Industries, Sage, London.
Garnham, N. (1990) Capitalism and Communication: Global Culture and the Economics of Information, Sage, London.
Gurevitch, M and Curran, J. (2005) Mass Media and Society, Arnold, London. (esp. chapters by Hesmondhalgh, Golding and Murdock)
Hesmondhalgh, D. (2012) The Cultural Industries, Sage, London
Lury, C. (2011) Consumer Culture. 2nd ed. Cambridge: Polity. Introduction: What is Consumer culture.
Marx, K. (2000) The fetishism of the commodity and its secret. In: Schor, J.B. and Holt, D.B. (Eds.) The Consumer Society Reader. New York, NY: The New Press, pp. 331-342. E-book
Paterson, M. (2006) Consumption and Everyday Life. London and New York: Routledge. Introduction and Chapter 1 E-Book
Scott, A. (2000) The Cultural Economy of Cities, Sage, London.
Slater, D. 1997. Consumer Culture and Modernity. Cambridge: Polity Press.
Tellis, G. J. 2007. The Sage Handbook of Advertising. London: Sage. (Chapters 1.2). E-Book
LECTURE 3 Creative Cities
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Bailey, C., Miles, S., & Stark, P. (2004). Culture-led urban regeneration and the revitalisation of identities in Newcastle, Gateshead and the North East of England. International Journal of Cultural Policy, 10(1), 47–65.
Bassett, K. (1993). Urban cultural strategies and urban regeneration: a case study and critique. Environment and planning. A : environment and planning., 25(12), 1773–1788. http://doi.org/10.1068/a251773
Bell, D., & Jayne, M. (2010). The creative countryside: policy and practice in the UK rural cultural economy. Journal of Rural Studies, 26(3), 209–218. http://doi.org/10.1016/j.jrurstud.2010.01.001
Bianchini, F. (2013). ‘Cultural planning’ and its interpretations. In Young, G. & Stevenson, D. (eds). 2013. The Ashgate Research Companion to Planning and Culture.
Bianchini, F. & Ghilardi, L. (2007). Thinking Cultural About Place. Place Branding and Public Diplomacy. 3(4). 280-286.
Brennan-Horley, C., & Gibson, C. (2009). Where is creativity in the city? Integrating qualitative and GIS methods. Environment and Planning A, 41(11), 2595–2614.
Catungal, J. P., & Leslie, D. (2009). Contesting the creative city: race, nation, multiculturalism. Geoforum., 40(5), 701–704. http://doi.org/10.1016/j.geoforum.2009.05.005
Cheer, J. M., & Reeves, K. J. (2015). Colonial heritage and tourism: Ethnic landscape perspectives. Journal of heritage tourism, 10(2), 151–166. https://doi.org/10.1080/1743873X.2014.985224
Comunian, R., & Mould, O. (2014). The weakest link: creative industries, flagship cultural projects and regeneration. City, Culture and Society, 5(2), 65–74. http://doi.org/10.1016/j.ccs.2014.05.004
Currid, E. (2007). How art and culture happen in New York: implications for urban economic development. Journal of the American Planning Association., 73(4), 454–467. http://www.tandfonline.com/doi/abs/10.1080/01944360708978526
Currid, E., & Williams, S. (2010). The geography of buzz: art, culture and the social milieu in Los Angeles and New York. Journal of economic geography, 10(3), 423–451. http://doi.org/10.1093/jeg/lbp032
Currier, J. (2009). Art and power in the new China: An exploration of Beijing’s 798 district and its implications for contemporary urbanism. The town planning review., 79(2–3), 237–265.
Dean, C., Donnellan, C., & Pratt, A. C. (2010). Tate Modern: pushing the limits of regeneration. City, Culture and Society, 1(2), 79–87.
Evans, G. (2003). Hard-Branding the Cultural City – From Prado to Prada. International Journal of Urban and Regional Research, 27(2), 417–440. http://doi.org/10.1111/1468-2427.00455
Evans, G. (2009). Creative cities, creative spaces and urban policy. Urban studies., 46(5–6), 1003–1040. http://doi.org/10.1177/0042098009103853
Florida, R. (2002) The Rise of the Creative Class, Basic, New York
Florida, R. (2014) The Creative Class and Economic Development, Economic Development Quarterly, 28, 3, pp. 196-205.
García, B. (2005). Deconstructing the city of culture: The long-term cultural legacies of Glasgow 1990. Urban studies., 42(5), 841–868. http://doi.org/10.1080/00420980500107532
Grincheva, N. (2020). Glocal diplomacy of Louvre Abu Dhabi: museum diplomacy on the cross-roads of local, national and global ambitions. Museum Management and Curatorship, 35(1), 89–105. https://doi.org/10.1080/09647775.2019.1683883
Grodach, C. (2008). Museums as Urban Catalysts: The Role of Urban Design in Flagship Cultural Development. Journal of Urban Design, 13(2), 195–212. http://doi.org/10.1080/13574800801965742
Grodach, C. (2010). Art spaces in community and economic development: connections to neighborhoods, artists, and the cultural economy. Journal of Planning Education and Research, 31(1), 74–85. http://doi.org/10.1177/0739456X10391668
Grodach, C. (2010). Beyond Bilbao: Rethinking Flagship Cultural Development and Planning in Three California Cities. Journal of Planning Education and Research, 29(3), 353–366. http://doi.org/10.1177/0739456X09354452
Grodach, C., Foster, N., & Murdoch, J. (2018). Gentrification, displacement and the arts: Untangling the relationship between arts industries and place change. Urban studies., 55(4), 807–825. https://doi.org/10.1177/0042098016680169
Gu, X. (2015). Cultural economy and urban development in Shanghai. In K. Oakley & J. O’Connor (Eds.), The Routledge companion to the cultural industries. Abingdon: Routledge.
Gu, X., Lim, M. K., & O’Connor, J. (Eds.). (2020). Re-imagining Creative Cities in Twenty-First Century Asia. Cham, Switzerland: Springer
Hall, P., (2000) Creative Cities and Economic Development, Urban studies., Vol.37, No.4, pp.639-649.
Harvey, D. (1989). From managerialism to entrepreneurialism: the transformation in urban governance in late capitalism. Geografiska Annaler , 71(1), 3–17.
Kabanda, P. (2018). The creative wealth of nations: can the arts advance development? Cambridge: CUP
Kong, L. (2007). Cultural icons and urban development in Asia: economic imperative, national identity, and global city status. Political geography., 26(4), 383–404. http://doi.org/10.1016/j.polgeo.2006.11.007
Kong, L. (2009). Making Sustainable Creative/Cultural Space in Shanghai and Singapore. Geographical Review, 91(1), 1–22. https://doi.org/10.3112/erdkunde.1962.02.05
Landry, C. (2000). The Creative City: a toolkit for urban innovators. London: Earthscan.
Lashua, B. D. (2011). An atlas of musical memories: Popular music, leisure and urban change in Liverpool. Leisure/Loisir, 35(2), 133–152.
Lashua, B., Cohen, S., & Schofield, J. (2010). Popular music, mapping, and the characterization of Liverpool. Popular Music History, 4(2), 126–144.
Lee, N. (2014). The creative industries and urban economic growth in the UK. Environment and Planning A, 46(2), 455–470. http://doi.org/10.1068/a4472
Ley, D. (2003). Artists, aestheticisation and the field of gentrification. Urban studies., 40(12), 2527–2544. http://doi.org/10.1080/0042098032000136192
Lloyd, R. (2010). Neo-Bohemia: art and commerce in the postindustrial city (2nd ed.). Abingdon: Routledge. Core
Lloyd, Richard. 2006. Neo-Bohemia: Art and Commerce in the Post-Industrial City. New York: Routledge.
Luckmann, S. (2012) Locating cultural work : the politics and poetics of rural, regional and remote creativity. London, Palgrave-MacMillan
Markusen A, 2006, '’Urban development and the politics of a creative class: evidence from a study of artists’ Environment and Planning A 38 1921–1940
Markusen, A., & Schrock, G. (2006). The artistic dividend: urban artistic specialisation and economic development implications. Urban studies., 43(10), 1661–1686. http://doi.org/10.1080/00420980600888478
Mathews, V. (2010). Aestheticizing space: art, gentrification and the city. Geography compass., 4(6), 660–675. http://doi.org/10.1111/j.1749-8198.2010.00331.x
Mathews, V. (2014). Incoherence and tension in culture-led redevelopment. International Journal of Urban and Regional Research, 38(3), 1019–1036. http://doi.org/10.1111/1468-2427.12108
McGuigan, J. (2009) Doing a Florida Thing – The Creative Class Thesis and Cultural Policy, International Journal of Cultural Policy 15.3, pp 291-300.
Middleton, J. (2011), Walking in the City: The Geographies of Everyday Pedestrian Practices. Geography Compass, 5: 90-105.
Miles, S., & Paddison, R. (2005). Introduction: the rise and rise of culture-led urban regeneration. Urban studies., 42(5), 833–839. http://doi.org/10.1080/00420980500107508
Mommaas, H. (2004). Cultural clusters and the post-industrial city: towards the remapping of urban cultural policy. Urban studies., 41(3), 507–532. http://doi.org/10.1080/0042098042000178663
Oakley, K., & Ward, J. (2018). The art of the good life: culture and sustainable prosperity. Cultural Trends, 27(1), 4–17. https://doi.org/10.1080/09548963.2018.1415408
Parker, B. (2008). Beyond the Class Act: gender and race in the “creative city” discourse. In J. N. DeSena (Ed.), Gender in an Urban World (pp. 201–233). Bingley: Emerald. https://doi.org/10.1016/S1047-0042(07)00009-8
Peck J, 2005, Struggling with the Creative Class, International Journal of Urban and
Peck, Jamie. 2005. “Struggling with the Creative Class.” International Journal of Urban and Regional Research 29 (4): 740–70.
Pierce, J. & M. Lawhon (2015) Walking as Method: Toward Methodological Forthrightness and Comparability in Urban Geographical Research, The Professional Geographer, 67:4, 655-662
Pratt, A. C. (2008). Creative cities: the cultural industries and the creative class. Geografiska Annaler , 90(2), 107–117.
Pratt, A. C. (2009). Urban regeneration: from the arts “feel good” factor to the cultural economy: a case study of Hoxton, London. Urban studies., 46(5–6), 1041–1061. http://doi.org/10.1177/0042098009103854
Pratt, A. C. (2011). The cultural contradictions of the creative city. City, Culture and Society, 2(3), 123–130. http://doi.org/10.1016/j.ccs.2011.08.002
Qian, J., He, S., & Liu, L. (2013). Aestheticisation, rent-seeking, and rural gentrification amidst China’s rapid urbanisation: The case of Xiaozhou village, Guangzhou. Journal of rural studies., 32, 331–345. http://doi.org/10.1016/j.jrurstud.2013.08.002
Regional Research 29 4 pp.740-770
Roche, M. (2000) Mega-events and cultural citizenship: consumerism, inclusion/ exclusion and internationalism, in Mega-events and modernity : Olympics and expos in the growth of global culture, London, Routledge
Scott, A. J. (2000). The Cultural Economy of Cities. London: SAGE.
Scott, A. J. (2006). Creative cities: conceptual issues and policy questions. Journal of urban affairs., 28(1), 1–17.
Scott, Allen J. (2010) Cultural Economy and the Creative Field of the City Geografiska Annaler: Series B, Human Geography, 92(2), pp.115-130
Smith, L. (2006). Uses of heritage. London: Routledge.
Smith, L., & Campbell, G. (2016). The elephant in the room: heritage, affect and emotion. In Logan, W., Nic Craith, M., and Kockel. A companion to heritage studies, Chichester: John Wiley and Sons, pp. 443-460.
Stevenson, D. (2004). “Civic gold” rush. The international journal of cultural policy., 10(1), 119–131. http://doi.org/10.1080/1028663042000212364
Urry, J. (1992). The Tourist Gaze and the ‘Environment’. Theory, Culture & Society, 9(3), 1–26.
Urry, J. and Larsen, J. (2011). The tourist gaze 3.0. London: Sage.
Vannini, P. & A. Vannini (2017) Wild Walking: A Twofold Critique of the Walk-Along Method, London: Routledge.
Vivant, E. (2013). Creatives in the city: urban contradictions of the creative city. City, Culture and Society, 4(2), 57–63. http://doi.org/10.1016/j.ccs.2013.02.003
Ward, J. (2018). Down by the sea: visual arts, artists and coastal regeneration. International Journal of Cultural Policy, 24(1), 121–138. https://doi.org/10.1080/10286632.2016.1153080
Wilson, K., & O’Brien, D. (2012). It’s Not the Winning – Reconsidering the Cultural City. Liverpool: Institute of Cultural Capital. Available online
Zukin, S. (2010). Naked City: the death and life of authentic urban places. Oxford: Oxford University Press.
Creative City Reports
BOP Consulting. (2017). Creative Industries: A Toolkit for Cities and Regions. London: CIC. Available from: https://www.thecreativeindustries.co.uk/resources/strategy/cities-toolkit
BOP Consulting. (2018). World Cities Culture Report 2018. London: World Cities Culture Forum. Available from: http://www.worldcitiescultureforum.com/assets/others/181108_WCCR_2018_Low_Res.pdf
Duxbury, N., Hosagrahar, J., & Pascual, J. (2016). Why must culture be at the heart of sustainable urban development? Barcelona: United Cities and Local Governments. http://www.agenda21culture.net/sites/default/files/files/documents/en/culture_sd_cities_web.pdf
Florida, R., Mellander, C., & King, K. (2015). The Global Creativity Index. Toronto: Martin Prosperity Institute. http://martinprosperity.org/media/Global-Creativity-Index-2015.pdf
Local Government Association. (2009). Investing in Creative Industries: a guide for Local Authorities. London: Local Government Association. http://webarchive.nationalarchives.gov.uk/20090813163339/http://www.lga.gov.uk/lga/publications/publication-display.do?id=2204841
Local Government Association. (2013). Driving Growth through Local Government Investment in the Arts. London: Local Government Association. https://www.local.gov.uk/sites/default/files/documents/driving-growth-through-lo-334.pdf
Local Government Association. (2019). Culture-led regeneration: achieving inclusive and sustainable growth. London: LGA. Available from: https://www.local.gov.uk/culture-led-regeneration-achieving-inclusive-and-sustainable-growth
Mateos-Garcia, J., & Bakhshi, H. (2016). The Geography of Creativity in the UK creative networks. London: NESTA. Retrieved from https://media.nesta.org.uk/documents/the_geography_of_creativity_in_the_uk.pdf
Oakley, K. (2014). Creating space: A re-evaluatuion of the role of culture in regeneration. London: AHRC. http://eprints.whiterose.ac.uk/88559/3/AHRC_Cultural_Value_KO%20Final.pdf
Stern, M. J., & Seifert, S. C. (2017). The Social Wellbeing of New York City’s Neighborhoods: The Contribution of Culture and the Arts (Culture and Social Wellbeing in New York City (2014-16) No. 1). Retrieved from http://repository.upenn.edu/cgi/viewcontent.cgi?article=1001&context=siap_culture_nyc
Vella-Burrows, T., Ewbank, N., Mills, S., Shipton, M., Clift, S., & Gray, F. (2014). Cultural Value and Social Capital: investigating social capital, health and wellbeing impacts in three coastal towns undergoing culture-led regeneration. Folkestone: SDHRC and NEA. Available online
LECTURE 4 Cultural Policies
Banks, M and O’Connor, J. (2009) After the Creative Industries. International Journal of Cultural Policy (Special Issue) ‘After the Creative Industries’ 15, 4, 365-373
Banks, M. (2007) The Politics of Cultural Work, Palgrave, Basingstoke, Chapter 3.
Banks, M., Gill, R. and Taylor, S. (2014) Theorizing Cultural Work, Routledge, London (Introduction)
Bennett, T (June 2000) Acting on the social. Art, Culture and Government. American Behavioral Scientist. l43 (9)
British Council (2010) The Creative Economy: An Introductory Guide, British Council, London. http://www.thecreativeindustries.co.uk/media/243587/cic_report_final-hi-res-.pdf
Caves, Robert E. 2000. Creative Industries: Contracts between Art and Commerce. Cambridge: Harvard University Press.
CBI (2014) The Creative Nation: A Growth Strategy for the UK’s Creative Industries, CBI, London.
Chartrand, H & McCaughey, C (1989) The Arm's Length Principle and the Arts. Americans for the Arts
Create UK (2014) UK Creative Industries Strategy http://www.thecreativeindustries.co.uk/media/243587/cic_report_final-hi-res-.pdf
Creative and Cultural Skills (2014) Building a Creative Nation: Evidence Review http://ccskills.org.uk/downloads/Building_a_Creative_Nation_-_Evidence_Review.pdf
Creative Skillset (2012) Creative Skillset Employment Census http://www.skillset.org/research/activity/census/article_9235_1.asp
Cummings, M (2003) Cultural Diplomacy & the US government. Washington DC Centre for Arts and Culture
DCMS (1998) Creative Industries Mapping Document, DCMS, London.
DCMS (2008) Creative Britain: New Talents for the New Economy, DCMS, London.
DCMS (2014) Creative Industries Economic Estimates, DCMS, London.
Flew, T (2011) Creative Industries, Sage, London.
Garnham, N. (2005) From Cultural to Creative Industries, International Journal of Cultural Policy, 11, 1, pp.15-29.
Gummow, Jodie (2014) Culturally Impoverished: US NEA Spends 1/40th of Germany AlterNet
Hall, Roz et al (2005) Capturing cultural value: How culture has become a tool of government policy DEMOS
Hesmondhalgh D., Nisbet M., Oakley K., and Lee, D.J. (2014) Were New Labour’s Cultural Policies Neo-Liberal?” International Journal of Cultural Policy, pp.1-18
Hesmondhalgh, D. (2012) The Cultural Industries, Sage, London (3RD edition)
Higgs, P., Cunningham, S. and Bakhshi, H. 2008 Beyond the Creative Industries: Mapping the Creative Economy in the United Kingdom, Nesta, London.
Holden, J. (2013), How We Value Arts and Culture. Gower Publishing.
Jowell,Tessa (2004) Government and the Value of Culture. https://shiftyparadigms.files.wordpress.com/2015/08/tessa_jowell.pdf
Landry C, 2000, The Creative City: A Toolkit for Urban Innovators, Earthscan, London.
Licht, Amir N. et al,(2006) Culture Rules: The Foundations of the Rule of Law and Other Norms of Governance.
Mesch, C. (2013) Art and Politics: A Small History of Art for Social Change since 1945. I. B. Tauris.
Miller, T. (2009) From Creative to Cultural Industries, Cultural Studies, 23, 1, pp. 88-99.
Nesta (2013) A Manifesto for the Creative Economy, Nesta, London.
NESTA http://www.nesta.org.uk/publications/cultural-policy-time-creative-industries
O’Brien, D. (2014) Cultural Policy: Management, Value and Modernity in the Creative Industries, Routledge Oxford and New York.
Oakley K (2011) In its Own Image: New Labour and the Cultural Workforce, Cultural Trends. 20, 3-4, pp. 281-289.
Pangestu, Mari (9/3/2012) A creative economy as a motor for Indonesia’s economic strength
Potts, J. & Cunningham, S.(2010).Four models of the creative industries. Revue d'économie politique. 120(1), 163-180
Pratt, A. (2005) Cultural Industries and Public Policy: An Oxymoron? International Journal of Cultural Policy, 11, 1, pp.31-44
Schlesinger, P. (2009) Creativity and the Experts: New Labour, Think-Tanks, and the Policy Process. International Journal of Press/Politics, 14, 1, pp. 3-20.
Schlesinger, Philip. 2007. ‘Creativity: From Discourse to Doctrine?’ Screen 48 3: 377-87
Smith, C. (1998) Creative Britain, Faber and Faber, London.
Spotts, F (2002) Hitler and the Power of Aesthetics. Hutchison.
UNESCO (2013) Creative Economy Report: Special Edition, UNDP, Paris. http://www.unesco.org/culture/pdf/creative-economy-report-2013.pdf
Wang, Benhua (2014 ) Creative Industries – a summary of international research and comparisons
YASLIÇİMEN, F., O’Brien, D., Paquette, J., Redaelli, E., Lee, H., & Lim, L. (2018). Arts, Market and the State: Cultural Policies in Introspect. Insight Turkey, 20(2), 273-283
LECTURE 5 Reading Week.
Lecture 6 Festivals and Art Events
Adair, J (2007) Decision Making and Problem Solving Strategies, London ; Philadelphia : Kogan Page, 2007.
Ali-Knight, J et al International perspectives of festivals and events : paradigms of analysis Oxford : Elsevier Science, c2009.
Berridge, G. (2006) Events design and experience Oxford: Butterworth-Heinemann.
Bodenstein, CP & Waldburger, D. (2021) ‘There Is a Fault Here!’: A Report on a More Inclusive Research Method in a Creative Project in Lubumbashi (DR Congo), Field, 17. Available here: http://field-journal.com/editorial/there-is-a-fault-here-a-report-on-a-more-inclusive-research-method-in-a-creative-project-in-lubumbashi-dr-congo Core
Bowdin.G, et al (2010) Events Management, 3rd Edition, Oxford, Butterworth-Heinemann. (Core text ... use as a starting point)
Carnwath, J. & Brown, A. (2014) Understanding the Values and Impacts of Cultural Experiences. A literature review. London: Arts Council England. [Online] Core
Catherwood, D W & Van Kirk, R L (1992) The complete guide to special event management : business insights, financial advice, and successful strategies from Ernst & Young, advisors to the Olympics, the Emmy Awards, and the PGA Tour New York: Wiley.
Clark, G & Johnston, R (2005) Service operations management : improving service delivery London: FT Prentice Hall.
Coons.P & Baron.L (1999) Gala! : the special event planner for professionals and volunteers, Sterling, VA, Capital Books, 1999.
Davis, J. (2018) Selling whiteness? – A critical review of the literature on marketing and racism, Journal of Marketing Management, 34:1-2, 134-177. Core
De Bono, E (1990) Lateral thinking : a textbook of creativity, Harmondsworth : Penguin.
Eriksson, B. (2020) Art and local communities: Inclusion, interests and ownership in participatory arts projects with embroiderers and billiard players. In B.Eriksson, C. Stage and B. Valtysson, Cultures of Participation: Arts, Digital Media and Cultural Institutions, London: Routledge, pp. 71-90. Core
Getz, D. (2007) Event studies : theory, research and policy for planned events. Oxford: Butterworth-Heinemann.
Giorgi,L et al (2011) Festivals and the cultural public sphere Abingdon ; New York : Routledge
Glow, H., Kershaw, A. & Reason, M. (2020) ‘Leading or avoiding change: the problem of audience diversification for arts organisations’, International Journal of Cultural Policy, DOI: 10.1080/10286632.2019.1709060 Core
Goldblatt, J. (2010) Special events : a new generation and the next frontier. New York: Wiley.
Hannan, C (1998) An Introduction to Health and Safety for the Live Music Industry Morden: Production Services Association.
Health and Safety Executive (1999) The event safety guide : a guide to health, safety and welfare at music and similar events. London: LSE.
Hoyle, L (2002) Event marketing : how to successfully promote events, festivals, conventions, and expositions New York: Wiley.
Jancovich, L & Stevenson, D. (2021) Failure seems to be the hardest word to say, International Journal of Cultural Policy, DOI: 10.1080/10286632.2021.1879798
Kolb, B. (2013) Consumer segmentation. In Marketing for cultural organizations: new strategies for attracting and engaging audiences, London: Routledge, pp.87-103.
Marxen, E. (2020). Opposing Epistemological Imperialism, Field, 15. Available: http://field-journal.com/editorial/opposing-epistemological-imperialism Core
Masterman, G & Wood, E (2005) Innovative marketing communications : strategies for the events industry Oxford: Butterworth Heinemann.
Monroe, J. and Kates, R. (2005) Art of the event : complete guide to designing and decorating special events. New York: Wiley.
O'Toole, W & Mikolaitis, P (2002) Corporate event project management New York: Wiley.
Raj, R., Walters, P., Rashid, T. (2008) Events management. London: Sage.
Robinson, P., Wale, D., Dickson, G. (2010) Events management. CABI: Wallingford
Shone.A & Parry. B (2004) Successful event management : a practical handbook, London, Thomson Learning
Van der Wagen, L. (2002) Event management for tourism, cultural, business and sporting events. Melbourne: Hospitality Press.
Walmsley, B. (2019) ‘The death of arts marketing: A paradigm shift from consumption to enrichment’, Arts and the Market, 9(1): 32-49.
Yeoman, I., Robertson, M., Ali-Knight, J., Drummond, S., McMahon-Beattie, U. (eds.) (2003) Festival and events management : an international arts and culture perspective. Oxford: Butterworth-Heinemann.
Lecture 7 No Lecture/ No tutorials due to trip to Chatsworth in week 12.
Please not that in this week there is no lecture and not tutorials, because we will be going to Chatsworth for a day-long trip in week 12.
Lecture 8 Working in the Cultural and Creative Industries I
Arvidsson, A. et al (2010) Passionate Work? Labour Conditions in the Milan Fashion Industry, Journal for Cultural Research, 14,3, pp.295-309, 10,1, pp.35-59.
Ashton, D. (2014) Making Media Workers Contesting Film and Television Industry Career Pathways, Television and New Media, May
Barnard, M. (2007) Fashion Theory: A Reader, Routledge, London.
Bennett, James, Niki Strange and Andrea Medrado. 2015. ‘A Moral Economy of Independent Work? Creative Freedom and Public Service in UK Digital Agencies.’ In Media Independence: Working with Freedom or Working for Free, edited by James Bennett and Niki Strange, 139-58. New York: Routledge.
Bill, A. (2012) Blood, Sweat and Shears: Happiness, Creativity and Fashion Education, Fashion Theory, 16, 1, pp.49-66
Bruzzi, S. and Church-Gibson, P. (eds.) (2013) Fashion Cultures Revisited, Routledge London.
Caldwell, John Taylor (2008) Production Culture. Durham, NC: Duke University Press.
Entwistle, J. (2000) The Fashioned Body, Polity Press, Cambridge.
Entwistle, Joanne and Elizabeth Wissinger, Keeping Up Appearances: Aesthetic Labor in the Fashion Modeling Industry, The Sociological Review. 54, 4, 774- 794
Grindstaff, Laura (2002) The Money Shot : trash, class, and the making of TV talk shows. Chicago: University of Chicago Press. Chapter 3.
Hesmondhalgh & Baker (2008) Creative Work and Emotional Labour in the Television Industry. Theory, Culture & Society 25(7-8) pp 97-118
Hesmondhalgh, D. and Baker, S. (2011) Creative Labour: Media Work in Three Cultural Industries, Routledge, London.
Larner, W. and Molloy, M. (2009) Globalization, the new economy and working women: Theorizing from the New Zealand Designer Fashion Industry, Feminist Theory,
Lee, D. (2011). Networks, cultural capital and creative labour in the British independent television industry. Media, Culture & Society, 33(4), 549-565
Mayer, Vicki, (2011) Below the Line: Producers and Production Studies in the New Television Economy, Duke University Press, Durham.
McRobbie, A. (1998) British Fashion Design: Rag Trade or Image Industry? Routledge, London.
McRobbie, A. (2002) Clubs to Companies: Notes on the Decline of Political Culture in Speeded-Up Creative Worlds, Cultural Studies 16, 4, pp.516-531.
McRobbie, Angela. 2016. Be Creative: Making a Living in the New Culture Industries. Cambridge: Polity Press
Percival, N. and Hesmondhalgh, D. (2014) Unpaid work in the UK television and film industries: Resistance and changing attitudes, European Journal of Communication, 29, 2, 188-203
Randle, K. et al (2014) Towards a Bourdieusian analysis of the social composition of the UK film and television workforce, Work, Employment and Society, 20
Randle, Keith. 2015. ‘Class and Exclusion at Work: The Case of UK Film and Television.’ In The Routledge Companion to the Cultural Industries, edited by Kate Oakley and Justin O’Connor, 330-44. London: Routledge.
Rantisi, N. (2004) The Ascendance of New York Fashion, International Journal of
Saundry, R., Stuart, M. and Antcliff, V. (2007) Broadcasting Discontent: Freelancers, Trade Unions and the Internet, New Technology, Work and Employment, 22, 2, pp. 178-191.
Tunstall, Jeremy. 1993. Television Producers. London: Routledge.
Urban and Regional Research 28, 1, pp.86–106.
Ursell, G. (2000) Television Production: Issues of Exploitation, Commodification and Subjectivity in UK Television Labour Markets, Media Culture and Society 22, pp. 805-825.
White, N. and Griffiths, I. (2000) The Fashion Business, Berg, London.
Willis, J and Dex, S. (2003) Mothers Returning to Television Production Work in a Changing Environment, in Beck, A. (ed.) Cultural Work: Understanding the Cultural Industries, Routledge, London.
Wissinger, E. (2009) Modeling Consumption: Fashion modelling work in contemporary society, Journal of Consumer Culture, 9, 2, 275-298.
Lecture 9 Working in the Cultural and Creative Industries II
Abbing, Hans. 2002. Why are Artists Poor: The Exceptional Economy of the Arts. Amsterdam: Amsterdam University Press
Ashton, D. and Noonan, C. (eds.) (2013) Cultural Work and Higher Education, Palgrave Macmillan, Basingstoke.
Banks, M (2010) Autonomy Guaranteed? Cultural Work and the ‘Art-Commerce’ Relation, Journal for Cultural Research 14, 3, 251-269.
Banks, M. (2007) The Politics of Cultural Work, Palgrave, Basingstoke.
Banks, M. (2012) MacIntyre, Bourdieu and the Practice of Jazz, Popular Music, 31, 1, pp. 69-86
Banks, M. and Hesmondhalgh, D. (2009) Looking for Work in Creative Industries Policy, International Journal of Cultural Policy, 15, 1, 415-430.
Banks, M., Gill, R. and Taylor, S. (2014) Theorizing Cultural Work, Routledge, London.
Beck, A. (2003) Cultural Work: Understanding the Cultural Industries, Routledge, London
Beck, A. (2003) Cultural Work: Understanding the Cultural Industries, Routledge, London.
Bennett, A. et al (2006) The Popular Music Studies Reader, Routledge New York (especially Sections by Toynbee, Hesmondhalgh, Frith and Power)
Bentley, David. 2011. ‘Advice for Young Musicians on Pay-to-Play Gigs.’ BBC News, 1st March. Accessed June 2016. http://www.bbc.co.uk/news/uk-england-lancashire-12607737
Brophy, Enda, Nicole S. Cohen and Greig de Peuter (2016) ‘Labor Messaging: Practices of Autonomous Communication.’ In The Routledge Companion to Labor and Media, edited by Richard Maxwell, 315-326. New York: Routledge.
Brouillette, S (2013) Academic Labor, the Aesthetics of Management, and the Promise of Autonomous Work, Non-Site.org, http://nonsite.org/article/academic-labor-the-aesthetics-of-management-and-the-promise-of-autonomous-work
Burnett, R. (1996) The Global Jukebox: The International Music Industry, Routledge, London
Frenette, A. (2013) Making the Intern Economy: Role and Career Challenges of the Music Industry Intern, Work and Occupations 40, 4, pp.1-34.
Gardner, Lyn. 2010. ‘Arts Internships: Chance of a Lifetime or Cut-Price Labour’? The Guardian, 23 February. Accessed June 2016. https://www.theguardian.com/stage/theatreblog/2010/feb/23/arts-unpaid-interns-exploitation
Jones, M (2003) The Music Industry as Workplace: an approach to analysis in Beck, A. (ed) Cultural Work: Understanding the Cultural Industries, Routledge, London.
Jones, M. (2012) The Music Industries: From Conception to Consumption, Palgrave, Basingstoke.
Morris, J. (2014) Artists as Entrepreneurs, Fans as Workers, Popular Music and Society, 37, 3, pp.273-290
Scherzinger, M. (2005) Music, Corporate Power and Unending War, Cultural Critique 60 pp.23–66.
Toynbee, J. (2003) Fingers to the bone or spaced out on creativity? Labor process and ideology in the production of pop, in Beck, A. (2003) Cultural Work: Understanding the Cultural Industries, Routledge, London.
Umney, Charles. 2015. ‘The Labour Market for Jazz Musicians in Paris and London: Formal Regulation and Informal Norms.’ Human Relations 69 3: 711-29.
Lecture 10 Research Methodologies
Bail, C. A. (2014). "The cultural environment: Measuring culture with big data." Theory and Society 43(3): 465-524.
Barabási, A.-L. Network Science. Cambridge, Cambridge University Press.
Baron, N. S. (2015). Words onscreen: the fate of reading in a digital world. New York, Oxford University Press.
Barthes, R. 1999. Rhetoric of the image and Myth Today. In Evans, J. & Hall, S. (Eds.) Visual Culture: The Reader. London: Sage. (also in Barthes, R. Image, Music, Text and Mythologies, respectively)
Benardou, A., et al. (2017). Cultural Heritage Infrastructures in Digital Humanities, Routledge.
Bignell, J. 2002. Media Semiotics: an Introduction. Manchester: Manchester University Press. (Chapter 1 and 2)
Cameron, F., et al. (2007). Theorizing digital cultural heritage: a critical discourse. Cambridge, Mass London, MIT.
Drucker, J. (2014). Graphesis: visual forms of knowledge production. Cambridge, Harvard University Press.
Elberse, A. (2013). Blockbusters: why big hits - and big risks - are the future of the entertainment business. New York, New York, Faber & Faber.
Freeman, L. C. (2004). The Development of Social Network Analysis: A study in the sociology of science. Vancouver, BC North Charleston, S.C., Empirical Press BookSurge.
Gong, Q. and Jackson, P. 2013. Mediating science and nature: representing and consuming infant formula advertising in China, European Journal of Cultural Studies, 16(3), pp.285-309.
Hall S (1980) ‘Encoding/decoding’ in Hall S (ed.) Culture, media, language. London: Hutchinson, 128-138.
Harvey, K. (2013) Medicalisation, pharmaceutical promotion and the Internet: a critical multimodal discourse analysis of hair loss websites, Social Semiotics, 23:5, 691-714, DOI: 10.1080/10350330.2013.777596
Hughes, L. M. (2012). Evaluating and measuring the value, use and impact of digital collections. London, Facet Publishing.
Jockers, M. L. (2013). Macroanalysis: Digital Methods and Literary History. Urbana, Illinois, University of Illinois Press.
Langmead, Alison and Otis, Jessica M and Warren (2016). "Towards Interoperable Network Ontologies for the Digital Humanities." International Journal of Humanities and Arts Computing 10(1): 22-35.
Levine, C. (2015). Forms, Princeton University Press.
MacDonald, Lindsay (2006). Digital Heritage: applying digital imaging to cultural heritage. Oxford, Elsevier Butterworth-Heinemann.
Padmini, R. M. and C. Hand "Making Culture: Locating the Digital Humanities in India." Visible Language 49.3: 140, 155.
Rose, G. (2016). "Rethinking the geographies of cultural ‘objects’ through digital technologies." Progress in Human Geography 40(3): 334-351.
Simon, F. and R. Schroeder (2019). Big Data Goes to Hollywood. Second International Handbook of Internet Research. J. Hunsinger, M. M. Allen and L. Klastrup, Springer.
Soar, M. 2000. Encoding advertisements: Ideology and meaning in advertising production. Mass Communication & Society, 3(4): 415-37.
Warren, C. N., et al. (2016). "Six Degrees of Francis Bacon: A Statistical Method for Reconstructing Large Historical Social Networks." Digital Humanities Quarterly 10(3).
Wernick A. 1991. Promotional Culture: Advertising, Ideology and Symbolic Expression. London: Sage. (Chapter 8)
Additional Resources
"Six Degrees of Francis Bacon."
http://www.sixdegreesoffrancisbacon.com
"Virtual Pauls Cross Website | Virtual Paul's Cross Website."
"ORBIS: The Stanford Geospatial Network Model of the Roman World."
“Fluxus – Network”
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