Survey of Western Art
The discovery of the power of the human story
Part 2
For Friday, October 5 assignment – Groups 17, 18, 19, and 20
First Essay examination opens Friday, October 5 at 1 pm and closes on Friday, October 12 at noon.
Finished forms of the masculine human body – a body encoded with meaning
Metopes – Lapiths and Centaurs
Frieze-Cavalcade of Athenian citizen riders
Source for the human form, exploration of the male body, the creation of the ideal man possessing arête earned through successful competition - agon
New York Kouros, 600 BCE Anavysos Kouros, 530 BCE
Cleobis and Biton, 550 BCE
Discovery of the power of the temporal – contrapposto and the momentary, the human side of the ideal
Athens, Kritios Boy, 480 BCE
Riace Warrior, 450 BCE
Stories – stories of mortals. The discovery of the visual power of the narrative – black figure artists.
Athens, Dipylon Vase, 750 BCE
Athens, Exekias, Achilles and Ajax playing dice, Black Figure Vase, 540 BCE
Red figure transformation and the setting of the symposium – making the story immediate.
Euphronios, Death of Sarpedon, Red Figure Vase, 515 BCE, obverse
Euphronios, Arming the Youth, Red Figure Vase, 515 BCE, reverse
Parthenon, the convergence of the parts – Iktinos, Kallikrates, Phidias, and Perikles – mid- 5th C. BCE Athens
Athens, Iktinos and Kallikrates, Parthenon, 447 BCE
Parthenon restored and colored
Metope – Lapith and Centaur
Metope – Lapith and centaurs
Sophocles, Antigone, Choral ode – Numerous are the world’s wonders but none more wondrous than man. The human struggle
Phidias and Perikles - Pediments – gods and Athenians
East and West pediments. East (top) – birth of Athena, West – Contest between Athena and Poseidon
East pediment colored – the focus of the temple, Birth of Athena.
Parthenon – frieze. When humans become like gods. The value of the citizen, male and female, to the survival of the democratic polis.
Cavalcade
Presentation of the peplos