Art History- Relationship of humans to gods
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GothicPowerPoint.pdf
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Gothic Europe
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Europe around 1200
Europe around 1200.
West facade of the abbey church, Saint-Denis, France, 1135–1140.
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Ambulatory and radiating
chapels, abbey church, Saint-
Denis, France, 1140–1144.
Plan of the east end, abbey church, Saint-Denis, France, 1140-1144 (after Sumner Crosby) 5
West facade, Chartres Cathedral, Chartres, France,
ca. 1145-1155.
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Aerial view of Chartres Cathedral (looking north), Chartres, France, as rebuilt after 1194.
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Plan of Chartres Cathedral, Chartres, France, as rebuilt after
1194 (after Paul Frankl).
9Royal Portal, west facade, Chartres Cathedral, Chartres, France, ca. 1145–1155.
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Old Testament kings and queens, jamb statues,
central doorway of Royal Portal, Chartres
Cathedral, Chartres, France, ca. 1145–1155.
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Interior of Chartres Cathedral (looking east),
Chartres, France, begun 1194.
© 2005 Saskia Cultural Documentation, Ltd.
Stonemasons and sculptors, detail of a stained-glass window in the northernmost radiating chapel in the ambulatory,
Chartres Cathedral, Chartres, France, ca. 1200-1220
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Virgin and Child and angels (Notre Dame de la Belle
Verrière), detail of a window in the choir of Chartres
Cathedral, Chartres, France, ca. 1170. Stained glass, full
height 16’.
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Rose window and lancets, north transept,
Chartres Cathedral, Chartres, France, ca. 1220.
Stained glass, rose window 43’ in diameter.
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Saint Theodore, jamb statue, Porch of the Martyrs (left doorway), south
transept, Chartres Cathedral, Chartres, France, ca. 1230.
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Saints Martin, Jerome, and Gregory, jamb statues, Porch
of the Confessors (right doorway), south transept,
Chartres Cathedral, Chartres, France, ca. 1220–1230.
Diagram (a) and drawings of rib vaults with semicircular (b) and pointed (c) arches (John Burge). 17
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Notre-Dame (looking northwest), Paris, France, begun 1163; nave and flying buttresses, ca. 1180–1200; remodeled after 1225.
Cutaway view of a typical French Gothic cathedral (John Burge). (1) pinnacle, (2) flying buttress, (3) vaulting web, (4) diagonal ribs, (5) transverse rib, (6) springing, (7) clerestory, (8) oculus, (9) lancet, (10) triforium, (11) nave arcade, (12) compound pier with responds.
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Nave elevations of four French Gothic cathedrals at the same scale (John Burge).
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Reims Cathedral, Reims, France, ca. 1225–1290.
Nave (looking west) of Reims Cathedral, Reims, France, begun 1211; west end ca. 1260–1290.
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Annunciation and Visitation, jamb statues of central doorway, west facade, Reims Cathedral, Reims, France, ca. 1230-1255 23
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ROBERT DE LUZARCHES, THOMAS DE
CORMONT, and RENAUD DE
CORMONT, west facade of Amiens
Cathedral, Amiens, France, begun 1220.
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ROBERT DE LUZARCHES, THOMAS DE
CORMONT, and RENAUD DE CORMONT,
interior of Amiens Cathedral (looking east), Amiens,
France, begun 1220.
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ROBERT DE LUZARCHES, THOMAS DE
CORMONT, AND RENAUD DE CORMONT,
vaults, clerestory, and triforium of the choir of Amiens
Cathedral, Amiens, France, begun 1220.
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Christ (Beau Dieu), trumeau statue of central doorway, west
facade, Amiens Cathedral, Amiens, France, ca. 1220–1235.
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Interior of the upper chapel, Sainte-Chapelle,
Paris, France, 1243–1248.
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Virgin and Child (Virgin of Paris), Notre-Dame, Paris, France,
early fourteenth century.
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West facade of Saint-Maclou, Rouen, France, ca.
1500–1514.
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Blanche of Castile, Louis IX, and two monks,
dedication page (folio 8 recto) of a moralized Bible,
from Paris, France, 1226–1234. Ink, tempera, and
gold leaf on vellum, 1’ 3” X 10 1/2”. Pierpont Morgan Library, New York.
God as architect of the world, folio 1 verso of a
moralized Bible, from Paris, France, ca. 1220-
1230. Ink, tempera, and gold leaf on vellum, 1’ 1 ½” X 8 ¼”. Osterreichische Nationalbibliothek, Vienna.
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Abraham and the three angels, folio 7 verso of
the Psalter of Saint Louis, from Paris, France,
1253–1270. Ink, tempera, and gold leaf on
vellum, 5”X 3 1/2”. Bibliothèque Nationale, Paris.
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MASTER HONORÉ, David anointed by Samuel and battle of
David and Goliath, folio 7 verso of the Breviary of Philippe le Bel,
from Paris, France, 1296. Ink and tempera on vellum, 7 7/8”X 4 7/8”. Bibliothèque Nationale, Paris.
JEAN PUCELLE, Betrayal of Christ and Annunciation, folios 15 verso and 16 recto of the Hours of Jeanne d’Evreux, from Paris, France, ca. 1325–1328. Ink and tempera on vellum, each page 3 1/2" X 2 1/2". Metropolitan Museum of Art, New York
(Cloisters Collection).
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Virgin of Jeanne d’Evreux, from the abbey church of Saint-Denis, France, 1339. Silver gilt and enamel, 2’ 3 1/2” high. Louvre, Paris.
Aerial view of Salisbury Cathedral, Salisbury, England, 1220–1258; west facade completed 1265; spire ca.
1320–1330.
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Plan of Salisbury Cathedral, Salisbury, England, 1220–1258.
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Interior of Salisbury Cathedral (looking east),
Salisbury, England, 1220–1258.
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ROBERT and WILLIAM VERTUE, fan vaults of the chapel of Henry VII, Westminster Abbey, London, England, 1503–
1519.
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GERHARD OF COLOGNE, aerial view of Cologne Cathedral (looking northwest), Cologne, Germany, begun 1248;
nave, facade, and towers completed 1880.
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GERHARD OF COLOGNE, interior of Cologne Cathedral (looking east), Cologne, Germany, choir completed 1322.
