write a paper focus on genre analyse
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Omar Little
Casey Kujahda
ENG 225
20 September 2018
The Fake Newsroom: Making Doomsday Easier to Swallow
In a world full of bad news, many people choose to ignore the sources that provide that
news. We buy into the idea of out of sight, out of mind on issues ranging from immigration to
climate change. However, one type of “news” outlet is working to make these issues more
approachable. Although comedy news shows like The Daily Show, The Colbert Report, and Last
Week Tonight do not fall into the same category as mainstream or cable news, they address many
newsworthy issues in a way that is more accessible to many Americans than the regular news
networks. Because comedy news shows are based in entertainment and not information, they are
able to present the news while also making jokes about the people in power. Comedy news
shows use video clips, theatrics, and humorous remarks to amuse a like-minded audience while
also presenting serious political issues and perspectives in a way that is easier to digest.
The template for the comedy news genre was established when Jon Stewart became the
host of The Daily Show in 1999 (Smith). The genre grew to include shows like The Colbert
Report, in which host Stephen Colbert satirizes right wing media outlets by impersonating a
conservative news host, and Last Week Tonight, which includes longer research pieces. The
genre has also greatly expanded in recent years, most likely in response to the polarizing
conditions of the 2016 election, to include shows like Full Frontal, The Opposition with Jordan
Klepper, and more. Although these shows all have their own individual quirks, they share the
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same basic format and an ideologically left-leaning audience. Most of the shows feature a host
sitting behind a desk delivering jokes and interacting with a variety of correspondents and/or
guests. The host covers a variety of current events and political topics, including serious issues
like racism, sexism, immigration, elections, and armed conflict abroad. The perspective taken on
each of these issues is influenced both by the host and a team of comedy writers, who are almost
all college educated and share left-leaning political views. Because the political views of the
writers are reflected in the show, the audience tends to be composed of people who share those
liberal political views. According to a survey conducted by the Pew Research Center, 34% of
people with consistently liberal values watch The Daily Show, as opposed to 1% of people with
consistently conservative values. Overall, the shows write intentionally with the purpose of
sharing a political perspective or exposing the hypocrisy in the political system. However, these
shows are also owe most of their success to their ability to make people laugh, so they must
prioritize humor when writing pieces.
In 2014 The Daily Show with Jon Stewart, The Colbert Report, and Last Week Tonight all
filmed pieces that address climate change. The clips on The Colbert Report and Last Week
Tonight were created in response to the Obama administration’s release of the National Climate
Assessment, and the clip on The Daily Show was filmed in response to a hearing held by the
House of Representatives Committee on Science, Space and Technology. It is also worth noting
that Stephen Colbert and John Oliver (hosts of The Colbert Report and Last Week Tonight
respectively) were both correspondents on The Daily Show before starting their own shows, and
that Jon Stewart was actually a producer of The Colbert Report. The working relationship
between these hosts is probably one of the reasons why they have similar strategies and themes
in their shows.
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In addressing climate change, the hosts of these three shows have several themes in
common. First, all three clips present climate change as an accepted fact. Stewart calls it an
“accepted scientific phenomenon pretty much everywhere” and Colbert presents Obama’s
National Climate Assessment as the truth, but Oliver sums it up best when he states that “The
only accurate way to report that one out of four Americans are skeptical of global warming is to
say that one out of four Americans are wrong about something” (The Daily Show, Last Week
Tonight). They also all convey the unwillingness of society to change their attitudes and actions
regarding climate change. Oliver notes that ““we’ve all proven that we cannot be trusted with
the future tense. We’ve been repeatedly asked: “Don’t you want to leave a better Earth for your
grandchildren?” And we’ve all collectively responded “Yeah, fuck ‘em” (Last Week
Tonight). Colbert, in response to the White House report, points out that “doing anything about
it is, and I don’t want to get too technical here, hard. I’m afraid I might have to give something
up” (The Colbert Report). Stewart expresses the perceived view of many conservative
politicians, commenting that “what [Representative Larry Buschon] is basically saying is it’s
unfair to talk to us about the scientific or medical consequences of our actions because they’re
scary. And we really don’t feel like doing anything about it anyways” (The Daily Show). In
other words, even though climate change is a proven fact, many politicians and citizens refuse to
acknowledge its existence or simply choose not to act because combating climate change
requires extensive and far reaching actions.
The three hosts also use common strategies to make these points, most notably the use of
video clips (whether from the news or congressional hearings) and the use of theatrics. Video
clips make the pieces more interesting by providing images other than the host to look at, and,
more importantly, they give the host an opportunity to counter their ideological
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opponents. Oliver uses the video clips primarily to illustrate the misleading nature of the one on
one climate debate before creating a more representative version of that debate. He contrasts this
50/50 split to “a survey of thousands of scientific papers that took a position on climate change
[and] found that 97% endorsed the position that humans are causing global warming” (Last Week
Tonight). On The Colbert Report, new clips discussing the inevitability of melting glaciers,
wildfires, and heat waves are used to depict the impending doom that humanity faces because of
climate change. However, video clips are most important in Stewart’s piece, where clips from a
hearing held by the House of Representatives Committee on Science, Space, and Technology are
used by Stewart to reveal the absurdities present in the comments made by members of the
committee. For example, Stewart responds to a clip of Representative Buschon arguing that
public comments deny the existence of climate change by saying “With all due respect,
Representative Buschon, I suggest you get the Journal of Applied Meteorology and Climatology
as opposed to the YouTube comment feed of Obummerlies1776” (The Daily Show). This
exchange reveals the absurdity of relying on the opinion’s a random citizen as opposed to that of
a professional scientist, as well as the general unwillingness of climate change deniers to trust the
scientific community. These clips give voice to the figures in power that perpetuate
misinformation about climate change.
However, theatrical displays are the defining feature in each of these pieces because they
provide a focal point and make the pieces memorable. In Last Week Tonight, Oliver stages a
“statistically representative climate change debate” by taking a typical one on one climate
change debate and then bringing two supporters onstage for the climate change denier, as well as
96 scientists to support Bill Nye and argue that humans are causing climate change. The
shouting of the scientists drowns out the climate change deniers, representing how evidence for
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climate change should override the voice of skeptics. Colbert places recycling bins on his desk
to represent himself taking action to protect the climate. However, when he sees the news clips
suggesting the situation is futile, he shoves the bins off his desk and yells “Fuck it!”, showing
how individual action can seem pointless in the face of an overwhelming issue like climate
change. Stewart’s theatrical display takes the form of a science demonstration. When
Representative Steve Stockman attempts to claim that sea levels won’t rise because “if your ice
cube melts in your glass, it doesn’t overflow,” Stewart takes a full glass of ice water and adds
additional ice cubes to the glass, causing it to overflow. He narrates this display with simple
language, asking Stockman to imagine “there’s a whole bunch of other ice that’s not in the water,
it’s on the land. You know, the part where the water isn’t” (The Daily Show). This
demonstration and oversimplified narration exemplify the ignorance displayed by members of a
congressional committee meant to address these issues. Theatrics give the viewers a way to
remember an issue by creating an absurd situation that exemplifies the issue of climate change
denial and the unwillingness of society to make changes.
The patterns discussed above show the ability of comedy news shows to prioritize humor
while still taking a position on a political issue (in this case climate change) and exposing the
contradictions and hypocrisy present in the arguments of many people in power. When
addressing climate change the hosts do not argue against the audience directly, but instead argue
against those in the media (such as in Oliver’s handling of the 50/50 debate), those in politics (as
in Stewart’s responses to the ignorant congressman), or a general conservative other (as in
Colbert’s addressment of the “Nation”). Although these shows do attack liberal politicians on
occasion, their tendency to target conservatives demonstrate the liberal values of the hosts. In
addition, because the hosts’ arguments take the form of monologues that treat their opponents’
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opinions as something to be mocked, it can also be said that the hosts assume that their viewers
share their liberal values. This relationship between the host and the audience and explains why
the genre is generally limited to more liberal viewers.
Comedy news shows present their serious political content as theatrical attacks on the
government and the media because dramatic displays, snide remarks, and over the top arguments
make the underlying commentary about our broken planet and political system easier to
swallow. Although this genre does have the potential to change minds about political issues
(including climate change), it is limited by its audience and the necessity of prioritizing humor.
In an interview following his retirement, Jon Stewart told Stephen Colbert that “There are nights
when I find myself impotently shouting into the abyss, which if you think about it, wasn’t that
different from what I did on a nightly basis,” and Colbert agreed by saying that “Ultimately these
shows are shouting into an Altoid tin and throwing it off an overpass” (The Late Show). In other
words, although the hosts of these shows write with the intention of changing minds and
imparting new perspectives on an issue, they recognize that their impact is limited. Because
comedy shows are meant to entertain, they can only go so far in addressing hypocrisy before
righteous anger overtakes the punchline. In addition, because the audience is largely made up of
people who already share the hosts’ political views, it is probably a rare occasion that shows like
these actually change someone’s mind about an issue. Despite these limitations, the shows are
ultimately effective because they are able to simultaneously share political perspectives and
generate laughs.
Comedy news shows provide a space for like-minded individuals to see their views
reflected on television. In a time when many people are frustrated with America’s political
system, comedy news shows allow certain people to feel that their political views, such as the
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necessity of addressing the impending danger of climate change, are valid. However, it is also
important for these shows to exercise caution and avoid the temptation to push their perspective
even farther to the left. Comedy news shows are now faced with a paradox. If their opinions are
too strong, they will drive away more moderate viewers and contribute to the increasing
polarization of our political system; if they remove the political perspective from their shows,
they lose the driving force that gives the show meaning and allows it to resonate with others.
Faced with this challenge, it is up to the writers to decide whether to unapologetically express
their values even in the face of increasing polarization, or to hold back polarizing viewpoints in
order to avoid further division in a country already torn apart.
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Works Cited
Comedy Central. “The Daily Show - Burn Noticed.” YouTube, YouTube, 23 Sept. 2014,
www.youtube.com/watch?v=lPgZfhnCAdI.
Comedy Central. “The Word - F**k It - The Colbert Report.” Comedy Central,
www.cc.com/videoclips/k6jlhl/the-colbert-report-the-word---f--k-it.
Gottfried, Jeffrey, et al. “As Jon Stewart Steps down, 5 Facts about The Daily Show.” Pew
Research Center, Pew Research Center, 6 Aug. 2015,
www.pewresearch.org/fact
tank/2015/08/06/5-facts-daily-show/.
“Jon Stewart Ribs Stephen For His Recent Language.” YouTube, YouTube, 10 May 2017,
www.youtube.com/watch?v=iYZbtTGVmhE&t=17s.
LastWeekTonight. “Climate Change Debate: Last Week Tonight with John Oliver
(HBO).” YouTube, YouTube, 11 May 2014,
www.youtube.com/watch?v=cjuGCJJUGsg&t=1s.
Smith, Chris. The Daily Show (The Book): An Oral History as Told by Jon Stewart, the
Correspondents, Staff, and Guests. Grand Central Pub, 2016.