historic perspectives of fashion
Kisame
fmd.edited.docx8
Name:__________________________
FMD 456 Historical Perspectives of Fashion
Study Guide
Dr. Marie Botkin
California State University Long Beach
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CH 2: Mesopotamian and Egyptian Dress |
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CH 3: Crete and Greece |
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CH 4: Etruria and Rome |
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CH 5: Early Middle Ages |
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CH 6: Late Middle Ages |
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Ch 7: Italian Renaissance |
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Ch 8: Northern Renaissance |
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Ch 9: 17th Century 1600-1700 |
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CH 10: 18th Century 1700-1790 |
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CH 11: Directoire/ Empire Period 1790-1820 |
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CH 12: Romantic Period 1820-1850 |
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CH 13: Crinoline Period 1850-1870 |
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CH 14: Bustle Period 1870-1900 |
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CH 15: Edwardian and WWI 1900-1920 |
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CH 16: 1920s and 1930s |
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CH 17:The New Look 1950s |
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CH 18: 60s and 70s 1960-1980 |
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CH 19: 1980s and 1990s
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CH 20: 2000 |
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Final Paper Presentations |
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Final Paper Presentations |
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Final Paper Presentations |
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Final Paper Presentations |
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CH 2: Mesopotamian and Egyptian Dress
1. Chapter Vocabulary. This is for study purposes only. You do not need to write the definitions here.
Kaunas
Chignon
Fillet
Tunic
Loincloth
Schenti
Kalasiris
Nemes headdress
King Tut
Hatshepsut
Nefertiti
2. Slide identification
Identify the garment(s) and period in each of the slides shown. The slides are found at the end of each Powerpoint presentation or in the video lectures.
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PERIOD |
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The Bust: a statue of a woman with hair like a heavy wig and with heavy eye makeup
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Egyptian |
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Sumerian Votive wearing Kaunakes
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Akkadian: The head with textured beard
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Mesopotamian |
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Wall paintings with heavy Egyptian eye makeup and beaded round collar gowns
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Egyptian |
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Colorful gold collar necklace
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Egyptian |
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Scarab Beetle with tiny inlaid jewelries
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Egyptian |
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relief sculpture of the Mesopotamian beard
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Mesopotamian |
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Sculpture of pleats on sheer fabric
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Egyptian |
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Fabric of bead net dress that worn by women in the upper class
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Egyptian |
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Wall painting with Schenti worn by fishermen
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Egyptian |
3. Contemporary Inspirations
Search the internet for current designers who use the past in their contemporary collections. Make sure to note their names and include three sentences or more of what it is that you see reinterpreted here. There should be five examples included for each chapter.
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Example:
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Designer: Christian Dior Spring 2004
Inspiration: Egyptian styles have clearly inspired Dior in this ensemble. The model is wearing a dress that is printed with various symbols of Egyptian culture that would have appeared on wall paintings of the period. She is also wearing a broad Egyptian collar necklace and heavy makeup that emphasizes the eyes. The overall look is modernized with the geometric hairstyle, Native American face paint, and use of turquoise stones. |
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CH 3: Crete and Greece
1. Chapter Vocabulary. This is for study purposes only. You do not need to write the definitions here.
Fresco
Hetairi
Perizoma
Chiton
Chlamys
Himation
Ionic chiton
Doric chiton
4. Slide identification
Identify the garment(s) and period in each of the slides shown.
3. Contemporary Inspirations
Search the internet for current designers who use the past in their contemporary collections. Make sure to note their names and include three sentences or more of what it is that you see reinterpreted here. There should be five examples included for each chapter.
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Designer: casa and company
Inspiration: Gladiator sandals have been inspired by Greek gladiator's sandals, which are worn by both men and women. This woman is wearing sandals that have been replicated from the gladiator’s sandals of the Greek culture, which have been observed in most of the Greek paintings. She is also wearing a dress that has been inspired by Greek fashion ideas. The dress is a replica of Greek drapes. Her overall look has been modernized with the use of current hairstyles, a modern handbag, and the use modern clothing style. |
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CH 4: Etruria and Roman Dress
1. Chapter Vocabulary. This is for study purposes only. You do not need to write the definitions here.
Clavi
Segmental
Pallium
Paludamentum
Turban
Tebenna
Nautilus
Toga
Sinus
Umbo
Paenula
Sublunar
Strophium
Palla
Stola
4. Slide identification
Identify the garment(s) and period in each of the slides shown.
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3. Contemporary Inspirations
Search the internet for current designers who use the past in their contemporary collections. Make sure to note their names and include two sentences or more of what it is that you see reinterpreted here. There should be five examples included for each chapter.
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Designer: Jet-Setter and Boheme
Inspiration: Jet-setter and Boheme have mostly been inspired by historical clothing to design their classic and stylish designs. This model is wearing a dress that is designed to be similar to that of ancient Roman women's clothing. The dress embraces the ancient roman clothing patterns through the way it is long and wrapped up to nicely fit the individuals. The look has been modernized by wearing silver bracelets. |
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CH 5: Early Middle Ages
1. Chapter Vocabulary. This is for study purposes only. You do not need to write the definitions here.
Pelican/pelice
Tippets
Bliaut
Barbette/fillet
Cote
Surcote
4. Slide identification
Identify the garment(s) and period in each of the slides shown.
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3. Contemporary Inspirations
Search the internet for current designers who use the past in their contemporary collections. Make sure to note their names and include three sentences or more of what it is that you see reinterpreted here. There should be five examples included for each chapter.
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Designer: Maria Grazia Chiuri and Pierpaolo Piccioli
Inspiration: The early middle ages styles have truly inspired Valentino in this ensemble. The model is wearing a dress that is designed with different symbols of the early middle age culture that is mostly observed on paintings. Moreover, the styling is also similar to that of the early middle ages in that it is made of an under tunic and an outer tunic, and a snakehead to make them look more stunning. |
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CH 6: Late Middle Ages
1. Chapter Vocabulary. This is for study purposes only. You do not need to write the definitions here.
Herigaut
Houppelande
Garnache
Tabard
Liripipe
Pourpoint
Dagging
Poulaine
Gown
Plastron
Codpiece
Henin
4. Slide identification
Identify the garment(s) and period in each of the slides shown.
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3. Contemporary Inspirations
Search the internet for current designers who use the past in their contemporary collections. Make sure to note their names and include three sentences or more of what it is that you see reinterpreted here. There should be five examples included for each chapter.
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Designer: Jean-Paul Gaultier
Inspiration: The late middle ages style has inspired Paul's design in this outfit. This model is wearing a dress that is designed in a similar manner, such as the late middle age women's clothing. The dress is designed to fit the upper half of the body and be flowing in the lower half of the body, just like the design of the late middle age women's clothing. The dress's overall style is modernized with silver alignments to give the dress a more stunning look and be look more fitting. |
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CH 7 : Italian Renaissance
1. Chapter Vocabulary. This is for study purposes only. You do not need to write the definitions here.
Camicia
Chopines
Codpiece
Ferronière
Bases
guardaroba
4. Slide identification
Identify the garment(s) and period in each of the slides shown.
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3. Contemporary Inspirations
Search the internet for current designers who use the past in their contemporary collections. Make sure to note their names and include three sentences or more of what it is that you see reinterpreted here. There should be five examples included for each chapter.
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Designer: Maria Grazia Chiuri and Pierpaolo Piccioli
Inspiration: Grazia and Piccioli's designs have mostly been inspired by historical clothing to design their modern clothes. This model is wearing a dress designed to be similar to the dresses worn during the Italian renaissance period. Like during the Italian Renaissance, the dress has been designed with slit sleeves and decoration that matches clothing painting from the Italian renaissance period. |
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CH 8: Northern Renaissance
1. Chapter Vocabulary. This is for study purposes only. You do not need to write the definitions here.
Bum rolls
Conch
Doublet
Duckbills
French farthingale
Ruff
Spanish farthingale
Stomacher
Supportasse
Trunk hose
Venetians
Verdugale
4. Slide identification
Identify the garment(s) and period in each of the slides shown.
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3. Contemporary Inspirations
Search the internet for current designers who use the past in their contemporary collections. Make sure to note their names and include three sentences or more of what it is that you see reinterpreted here. There should be five examples included for each chapter.
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Designer: Guo Pei
Inspiration: Guo has designed this dress through the inspiration of Northern renaissance clothing. The dress the model is wearing has been designed with a similar style as the historical Northern Renaissance period clothing. The dress has been made to fit the upper half of the body, while the lower half is designed using strengthening materials to give the dress a cone shape just like the northern renaissance period fashion. The overall style is modernized with the use of a modern hairstyle that matches the dress. |
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CH 9 : 17th Century
1. Chapter Vocabulary. This is for study purposes only. You do not need to write the definitions here.
Breeches
Cravat
Justacorps
Modeste
Pantofles
Petticoat breeches
Plumpers
Rhinegraves
Surtout
Tricorne
Vest
4. Slide identification
Identify the garment(s) and period in each of the slides shown.
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3. Contemporary Inspirations
Search the internet for current designers who use the past in their contemporary collections. Make sure to note their names and include three sentences or more of what it is that you see reinterpreted here. There should be five examples included for each chapter.
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Designer: Yves Saint Laurent
Inspiration: Yves designed the dress worn by this model, and it was mostly inspired by the dressing culture and fashion of the 17th century. The dress is characterized by broadening at the hips to form a cone-shaped skirt while the top half is well-fitting, which is similar to the 17th-century women's clothing fashion. The dress is given a modern look through a mixture of different colors and a modern hairstyle. |
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CH 10: 18th Century
1. Chapter Vocabulary. This is for study purposes only. You do not need to write the definitions here.
Bergère
Caleche
Chemise à la Reine
Engagements
Frock coat
Hedgehog hairstyle
Hoops
Innocente
Paniers
Polonaise
Robe à la Française
Robe à l’Anglaise
Robe battante
Robe volante
Shepherdess hat
Spatterdashers, spats
Watteau back
4. Slide identification
Identify the garment(s) and period in each of the slides shown.
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3. Contemporary Inspirations
Search the internet for current designers who use the past in their contemporary collections. Make sure to note their names and include three sentences or more of what it is that you see reinterpreted here. There should be five examples included for each chapter.
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Designer: Vivienne Westwood
Inspiration: This Vivienne designed has mostly been inspired by the 18th-century fashion style. The dress has been designed with a loop over the waist to create a petticoat. The dress has also been designed to form a stomacher, which is the V-shaped triangular panel on the upper half of the body. To give the dress a modern look, the designer has created a neck cover and sleeve lets that match the dress. |
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CH 11: Directoire/Empire Period
1. Chapter Vocabulary. This is for study purposes only. You do not need to write the definitions here.
A la Titus
Bonnet rouge
Dandy
Incroyable
Merveilleuse
Pantalettes
Pelisse
Petticoat
Sans culottes
Trousers
4. Slide identification
Identify the garment(s) and period in each of the slides shown.
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3. Contemporary Inspirations
Search the internet for current designers who use the past in their contemporary collections. Make sure to note their names and include three sentences or more of what it is that you see reinterpreted here. There should be five examples included for each chapter.
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Designer: Guo Pei
Inspiration: This Pei’s Designed has clearly been inspired by the empire period. The dress has a high neckline and long sleeves, which gives the dress a similar look to the empire period fashion dress. Guo has added flower decorations on the dress to give the dress a modern look and added extra decorations on the sleeves, which gives the dress the latest look. |
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CH 12: Romantic Period
1. Chapter Vocabulary. This is for study purposes only. You do not need to write the definitions here.
A la Chinoise
Bertha
Bonnet
Burnous
Chatelaine
Chesterfield
Cravat
Demi-gigot sleeve
En Coeur
Gigot sleeve
Imbecile sleeve
Leg of mutton sleeve
Mackintosh
Marie sleeve
Paletot
Pelerine
Top hat
4. Slide identification
Identify the garment(s) and period in each of the slides shown.
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3. Contemporary Inspirations
Search the internet for current designers who use the past in their contemporary collections. Make sure to note their names and include three sentences or more of what it is that you see reinterpreted here. There should be five examples included for each chapter.
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Designer: Alexander McQueen
Inspiration: The romantic era fashion has inspired this dress designed by McQueen. The dress is designed to have enlarged shoulders, which was a popular culture during the romantic era fashion. Moreover, the dress is designed to make the waist look smaller than it looks, which was mostly adapted during the romantic period. To give the dress a modern look, McQueen has made the broadened shoulders to be transparent. |
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CH 13: Crinoline Period
1. Chapter Vocabulary. This is for study purposes only. You do not need to write the definitions here.
Bloomer costume
Braces
Cage crinoline
Garibaldi blouse
Inverness cape
Knickerbockers, knickers
Levi’s
Pea jacket
Princess dress
Reefer
Sack jacket
Snood
Zouave jacket
4. Slide identification
Identify the garment(s) and period in each of the slides shown.
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3. Contemporary Inspirations
Search the internet for current designers who use the past in their contemporary collections. Make sure to note their names and include three sentences or more of what it is that you see reinterpreted here. There should be five examples included for each chapter.
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Designer: Alexander McQueen
Inspiration: This wide full skirt designed by McQueen has been inspired by the crinoline period fashion style and developed in lines that bring out the crinoline skirt in a unique and modern look. The dress is designed to have a stiff and structured hoop skirt that holds out the woman's skirt, which was most popular during the crinoline period. The is combined with a headdress and neck cover, which modernize the dress and give it a stunning look. |
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CH 14: Bustle Period
1. Chapter Vocabulary. This is for study purposes only. You do not need to write the definitions here.
Aesthetic dress
Art Nouveau
Bust bodice
Bust improvers
Bustle
Combination
Deerstalker cap
Fedora
Homburg
Leg of mutton sleeve
Mourning crape
Tea gown
Tuxedo
Union suit
4. Slide identification
Identify the garment(s) and period in each of the slides shown.
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3. Contemporary Inspirations
Search the internet for current designers who use the past in their contemporary collections. Make sure to note their names and include three sentences or more of what it is that you see reinterpreted here. There should be five examples included for each chapter.
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Designer: Rei Kawakubo
Inspiration: The Bustle period style has truly inspired rei in designing this costume. The model is wearing a dress that is designed with various styles from the Bustle period fashion, from the way it is trimmed to the way the skirts match with bodice. She is also wearing a headdress, which is designed in a way similar to a false hairpiece. |
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CH 15: Edwardian and World War I Period
1. Chapter Vocabulary. This is for study purposes only. You do not need to write the definitions here.
Basque shirt
Delphos gown
Duster
Gibson Girl
Haute couture
Hobble skirt
Macintosh
Pompadour
Stetson
Surrealism
Tea gown
4. Slide identification
Identify the garment(s) and period in each of the slides shown.
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3. Contemporary Inspirations
Search the internet for current designers who use the past in their contemporary collections. Make sure to note their names and include three sentences or more of what it is that you see reinterpreted here. There should be five examples included for each chapter.
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Designer: Max Mara
Inspiration: This Max design has been inspired by the Edwardian and world war 1-period clothing style. The model is wearing a simple short shirt and a long coat, which have military colors to represent the world war period. The outfit is also short, and the color is sober and muted, which was a fashion culture during the world war 1 period. |
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CH 16: The Roaring Twenties, Thirties, and WWII
1. Chapter Vocabulary. This is for study purposes only. You do not need to write the definitions here.
Bias cut
Bob
Cami-knickers
Handkerchief skirt
Robe de style
Clutch coat
Marcel wave
Barrymore collar
Jabot
Cloche
Polo coats
Cummerbund
Art Deco
Rayon
Acetate
Batwing sleeves
Eisenhower jackets
Sloppy joes
Dirndl skirts
Surrealism
4. Slide identification
Identify the garment(s) and period in each of the slides shown.
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3. Contemporary Inspirations
Search the internet for current designers who use the past in their contemporary collections. Make sure to note their names and include three sentences or more of what it is that you see reinterpreted here. There should be five examples included for each chapter.
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Designer: Marchesa
Inspiration: The roaring twenties, thirties have clearly inspired Marchesa and world war II period fashion in this costume. The model is wearing a dress that has a modest top, wide sleeves, and high waist, which is one of the fashion styles during the world war II period fashion. She is also wearing shoes that have thick hills and ample straps, which was also a common style during the world war II period fashion. |
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CH 17: The New Look and the Fifties
1. Chapter Vocabulary. This is for study purposes only. You do not need to write the definitions here.
The New Look
Zoot suits
Hawaiian shirts
Teddy boys
Guepiere/waist cincher
The Bold Look
Crew cuts
Crinoline
Merry widow
Ivy League look
beatniks
Princess seams
Ballerina length
Bermuda shorts
Pedal pushers
Peter pan collar
White bucks
Grey flannel suit
4. Slide identification
Identify the garment(s) and period in each of the slides shown.
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3. Contemporary Inspirations
Search the internet for current designers who use the past in their contemporary collections. Make sure to note their names and include three sentences or more of what it is that you see reinterpreted here. There should be five examples included for each chapter.
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Designer: Ralph & Russo
Inspiration: This dress designed has mostly been inspired by the new look and the fifties fashion. The model is wearing a full skirt that drops below the knee, and it is nipped on a high waist to bring out the woman's waist, which was a major culture during the 1950s. The dress is modernized with the addition of a woolen section at the lower section. |
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CH 18: Sixties and Seventies
1. Chapter Vocabulary. This is for study purposes only. You do not need to write the definitions here.
Trapeze
A-line
Mods
Dashiki
Caftan
Kente cloth
Mud cloth
Nehru jacket
Mini
Monokini
Permanent press
Chemise/sack dress
Ethnic influences
Punk
Granny dress
Wrap dress
Wearable art
Disco
sports bra
Midi
Maxi
Hot pants
4. Slide identification
Identify the garment(s) and period in each of the slides shown.
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3. Contemporary Inspirations
Search the internet for current designers who use the past in their contemporary collections. Make sure to note their names and include three sentences or more of what it is that you see reinterpreted here. There should be five examples included for each chapter.
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Designer: Jeremy Scott
Inspiration: Scott has truly been inspired by the sixties and seventies fashion in this costume. The model is wearing a full-body skirt above the knees, which shows that it is a mini skirt invented during the sixties and seventies fashion. She is also wearing a hat that matches the dress, which is also a common fashion during the sixties and seventies fashion. |
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CH 19: The Eighties and Nineties
1. Chapter Vocabulary. This is for study purposes only. You do not need to write the definitions here.
Conspicuous consumption
Le pouf
Shorts suit
Legwarmers
Minimalism
anti-fashion
Preppies
Casual dress
Grunge
Heroin chic
Power suit
Yuppies
Logo
Devore velvet
Lyocell
Recycled polyester
Gothic
petticoat dress
baby doll dress
spandex
mohair sweaters
4. Slide identification
Identify the garment(s) and period in each of the slides shown.
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3. Contemporary Inspirations
Search the internet for current designers who use the past in their contemporary collections. Make sure to note their names and include three sentences or more of what it is that you see reinterpreted here. There should be five examples included for each chapter.
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Designer: Calvin Klein
Inspiration: Calvin has truly been inspired by the eighties and nineties fashion in this costume. The model is wearing a dress that has mini skirt features, and it is simply hanging from the shoulders, which was a common fashion culture during the eighties and the nineties fashion. |
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CH 20: 2000 The New Millennium
1. Chapter Vocabulary. This is for study purposes only. You do not need to write the definitions here.
avatar
boho
burqini
Capri
cargo pants
Crocs
hijab
hoodie
Tencel
trucker’s cap
4. Slide identification
Identify the garment(s) and period in each of the slides shown.
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3. Contemporary Inspirations
Search the internet for current designers who use the past in their contemporary collections. Make sure to note their names and include three sentences or more of what it is that you see reinterpreted here. There should be five examples included for each chapter.
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Designer: Roberto Menichetti
Inspiration: The 2000 new millennium fashion has truly inspired this dress. The model is wearing a dress that has been decorated with bright, colorful flowers, which is a culture mostly observed with the 2000 new millennium fashion. The model is also wearing shoes that match the dress new millennium colors. |
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