Storytelling and power

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FinalEssayQuestionsSpring2020.pdf

LC100W: Final Essay

Choose one of the following questions. These essay questions are fairly general, so you should

find a particular angle or approach that interests you. Your essay must include a focussed thesis

statement, detailed supporting evidence, and a concluding statement. You must discuss two

course texts in your answer. Your essay should be formatted according to MLA style and must

include a works cited page.

1) Many of the texts that we have studied are in some ways concerned with coming of age.

With reference to two works, discuss how stories function as a vehicle for finding or

discovering the self. You might also consider examples of storytelling that question the

limits of the self and portray coming of age as a continual process with no fixed end

point.

2) We have repeatedly encountered characters that have problems communicating with

one another—inarticulate characters that cannot say what they really mean, isolated

characters who have no one to talk to, untrustworthy characters that lie, or confused

characters that are prone to misreading events and other people. With reference to two

works, consider how they question the power of words (and perhaps more broadly

stories themselves) as effective, trustworthy vehicles of communication.

3) Throughout this course, we have seen the connection between storytelling and power.

To take someone’s story away from them can be to exercise power over them. It is

powerful to be able to tell your story, your own way. Being able to manipulate and

move people with words is also a powerful skill. Discuss storytelling and power in at

least two works.

4) Many of the works that we have read depict characters who engage with clothes,

costume, and performance; other works write about bodies and embodied experience.

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2 course texts: 1) Angela Caeter, “ The company of a wolf” 2) Margaret Atwood, “Happy endings”�
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Consider how two works use these tropes to suggest something about the making and

performance of personal identity.

5) Ian McEwan states that “it is the nature of empathy to think oneself into the minds of

others.” Discuss, with reference to one work, how stories allow us, as readers, access to

the minds of others. What do we gain when we can think ourselves into the lives of

others (other cultures, other time periods, or simply other people)? And/or what might

some of the dangers be? In answering this question, you should think about the ethical

value of storytelling as a vehicle for empathy.