Provide a well thought-out analysis of BOTH texts and include quotes to support your argument. Consider whether the two authors would agree with each others’ writing and main idea, if not, what would they disagree on?

profileKeed1963$
Faludi_TheNakedCitadel_NHR6E.pdf

- •••

SUSAN FALUDI

PULITZER PRIZE-WINNING journalist Susan Faludi first became interested in writ­ ing about feminism in the fifth grade, when she poll�d her cla�smates to deter­. their feelings about the Vietnam War and legalized abortron. In the furo1: ::;efollowed Faludi's release of data showing her peers' liberal attitudes, Faludi came to realize, as she put it in an interview, "the power that you c_ould have as r. �;M;st writer. Not being the loudest person on the block, not bemg one who a 1eu=�

h thr h · · gularly interrupted in class or caused a scene, I discovered t at oug wntmg re h

,, I could make my views heard, and I could actually create c ange. . The daughter of a Hungarian immigrant who survived the Holocaust, Faludi was raised in Queens and attended Harvard, where she studied literature and American history. After graduating in 1981, Faludi worked for a number of

Pers including the New York Times and the Wall Street Journal, before newspa , . . devoting her time to writing Backlash: The Undecl�r�d War Against :4mencan Women (1991), a study of the media's assault on fermnrsm. The follo�g year, Backlash won the National Book Critics Circle Award for general nonfict10n and made Faludi into a household name. She appeared on the cover of Time maga­ zine with Gloria Steinem and, almost overnight, became a national spokesperson on women's rights and the future of feminism.

While doing research for Backlash, Faludi began to wonder why the men who opposed women's progress were so angry. In setting out to unde_rstand this anger, she interviewed men's groups, sex workers in the p_ornography mdus­try, union members, the unemployed, and other disenfranc�sed males. As part of this project "The Naked Citadel" describes an all-male �tary aca�emy aft�r it mistakenly admitted one young woman, an account later mcluded m Faludi s second book, Stiffed: The Betrayal ef the American Man (1999). Although now thirty years old, the story told in "The Naked Citadel" might be_ more relevant than ever. According to the Pentagon's own figures, 26,000 se��ewomen and men were victims of sexual harassment or assault in 2012. Faludi s most recent book The Terror Dream: Fear and Fantasy in Post-9/11 America (2007), returns to the i:sues of gender and aggression. While "The Naked Citadel" explores anti­ feminist attitudes in a time of peace, The Terror Dream charts the difficult_ies facingfeminism in a time of war. Faludi concludes in this book that the terronst attacks

"The Naked Citadel" by Susan Faludi. Copyright © 1989 by Susan Paludi. First appeared in THREEPENNY

REVIEW. Reprinted by pemrission of the author and the Sandra Dijkstra Literary Agency.

Quotations come from Brian Lamb's interview with Susan Faludi on Booknotes, October 25, 1992 <http:/ /www

. booknotes.org/transcripts/10096.httn> and Kate Melloy's interview with Susan Faludi, "Feminist Author Susan Faludi Preaches Male Inclusion" <http://www.kollegeville.com/kampus/faludi.hon> •

69

70 SUSAN FALUDI

on September 11, 2001 have created further challenges for feminism by ushering in an era of hysterical insistence on traditional roles for men and women: the men are summoned to protect, while the women must be passively defended. In spite of this predicament, Faludi holds out hope for a society where men and women can work together cooperatively and on equal footing. But she also believes that "[t]o revive a genuine feminism, we must disconnect feminism from the individual pursuit of happiness and reconnect it with the individual desire for social responsibility: the basic human need and joy to be part of a larger, meaningful struggle, which engages the entire society."

••• The Naked Citadel

Along the edges of the quad, in the gutters, the freshman cadets were squaring their comers. The "knobs," as they are called for their nearly hairless doorknob pates, aren't allowed to step on the lawn of the broad parade ground, which is trimmed dose, as if to match their shorn heads. Keeping off the grass is one of many prohibitions that obtain at The Citadel, a public military college on Charleston's Ashley River. Another is the rule that so many of the cadets say brought them to this Moorish-style, gated campus: Girls keep out.

The campus has a dreamy, flattened quality, with its primary colors, check- erboard courtyards, and storybook-castle barracks. It feels more like an architect's rendering of a campus-almost preternaturally clean, orderly, antiseptic-than the messy real thing. I stood at the fu end of the quad, at the academic hall's front steps, and watched the cadets make their hetky-jerky perpendicular turns as they drew closer for the first day of class. They walked by stiffly, their faces heat-blotched and vulnerable, and as they passed each in tum shifted his eyes downward. I followed one line of boys into a classroom, a W estem Civ class- except, of course, they weren't really boys at all. These were college men, manly recruits to an elite military college whose virile exploits were mythicized in best- selling novels by Calder Willingham and Pat Conroy, both Citadel alumni. So why did I expect their voices to crack when they spoke for the fust time? Partly, it was the grammar--schoolish taking of attendance, compulsory at The Citadel. Multiple absences can lead to "tours," hours of marching back and forth in the courtyard with a pinless rifle over one shoulder; or to "cons," confinement to one's room.

But mostly it was the young men themselves, with their doughy faces and twitching limbs, who gave me the urge to babysit. Despite their enrollment in a college long considered "the big bad macho school" (as a former R.O.T.C. commander, Major General Robert E. Wagner, once put it), the cadets lacked the swagger and knowingness of big men on campus. They perched tentatively

THE NAKED CITADEL 71

on their chairs, their hands arranged in a dutiful clasp on their desktops, as if they were expecting a ruler slap to the knuckles. A few dared to glance over at the female visitor, but whenever they made eye contact they averted their gaze and color stained their cheeks.

"As many of you probably know," their teacher said, "this was almost the day the first woman joined The Citadel." The cadets continued to study their polished shoes. "How do you, in fact, feel about whether women should be allowed to attend?"

Silence reigned, Maybe the cadets felt the question put them in an awkward spot. Not only was their teacher in favor of admitting women to The Citadel's Corps of Cadets, the teacher was a woman. Indeed, Professor Jane Bishop seemed to be in the strange situation of calling in an air strike on her own posi- tion. It was the first day of fall classes in the 1993-94 academic year at The Citadel, and she was broaching the question of the hour. But this incongruity wasn't limited to her classroom. From the moment I stepped onto the school's campus, I had been struck by an unexpected circumstance: though an all-male institution-an institution, moreover, whose singular mission was "making men"-The Citadel was by no means free of women. Female teachers were improving cadets' minds, female administrators were keeping their records, and an all-female (and all-black) staff served the meals in the mess hall. There was also the fact that female students made up seventy-seven percent of the enroll- ment of the evening school, and many other female students attended summer school with the cadets. What about them? Of course, summer school and even- ing school aren't part of the military college proper. Cadets don't attend the evening school; and as Major Rick Mill, The Citadel's public-relations director, notes, those cadets who attend the summer school "aren't wearing their uniforms."

Today they were, and so was their teacher. All permanent instructors, regardless of their sex (about :fifteen percent are women), wear uniforms as part of their required affiliation with a largely ceremonial outfit once known as the South Carolina Unorganized Militia, and still called by the unfortunate acronym SCUM. Bishop wore hers with what seemed like a deliberate air of disarray.

The cadets' uniforms were considerably tidier-testament to the efficacy of the famous cadet shirt tuck, a maneuver akin to hospital-comers bedmaking and so exacting a cadet cannot perform it without assistance. Even so, the gray cadet uniform, with the big black stripe down the side of the pants and the nametag above the left breast, is the sort more often seen on high-school band members than on fighting soldiers.

"Remember," Bishop prodded them, "speech is free in the classroom." At last, a cadet unclasped and raised a hand. "Well, I'd have no problem

with her in the day program, but she can't join the Corps." "She," as everyone there knew, was Shannon Faulkner, the woman who

had challenged the school's hundred-and-fifty-year-old all-male policy by omit- ting reference to her sex from her application and winning acceptance to the Corps of Cadets earlier that year-acceptance that was rescinded once the administrators discovered their error. Faulkner's attempt to gain entrance then

72 SUSAN FALUDI

shifted from the admissions office to the courts. She was allowed under court order to attend day classes during the spring semester of 1994, the first woman to do so. On July 22nd, a United States District Court ruled that The Citadel must admit Faulkner into the Corps of Cadets proper; three weeks later, the Fourth United States Circuit Court of Appeals granted The Citadel a stay pend- ing appeal.

Yet why shouldn't she be permitted into the Corps, Bishop pressed. One of her students recited the fitness requirement-forty-five pushups and fifty-five sit- ups in two-minute sets, and a two-mile run in sixteen minutes. But the admin- istration made passing the fitness test a requirement for graduation only efter Shannon Faulkner filed suit. An alumnus recounted in court that many upper- classmen he knew who had failed the test skipped the punitive morning run and "sat around and ate doughnuts." Another of Bishop's students cited the shaved- head rule. But this, too, seemed a minor point. A woman cadet could conceiv- ably get a buzz cut. Sinead O'Connor had done it, Bishop pointed out, without undue iajury to her career. And, anyway, after freshman year the men no longer get their heads shaved. Other deprivations of freshman year were invoked: hav- ing to "brace" on demand-that is, assume a stance in which a knob stands very erect and tucks in his chin until it puckers up like a rooster's wattle--and having to greet every upperclassman's bellowed command and rebuke with "Sir, yes sir!" or "Sir, no sir!" or "Sir, no excuse sir!" But women, obviously, aren't inca- pable of obeisance; one might even say they have a long history of it.

Weighing heaviest on the cadets' minds, it turned out, was the preservation of the all-male communal bathroom. The sharing of the stall-less showers and stall-less toilets is "at the heart of the Citadel experience," according to more than one cadet. The men bathe as a group; they walk to the shower down the open galleries, in full view of the courtyard below, and do so, one cadet said, in "nothing but our bathrobes" or "even without any clothes." Another cadet said, "I know it sounds trivial, but all of us in one shower, it's like we're all one, we're all the same, and-I don't know-you feel like you're exposed, but you feel safe. You know these guys are going to be your friends for life." His voice trailed off. "I just can't explain it but when they take that away, it's over. This place will be ruined."

"If women come here, they'll have to put up window shades in all the rooms," a cadet said. "Think of all the windows in the barracks. That could be eight thousand, nine thousand dollars. You've got to look at the costs."

At the end of the hour, the cadets filed out and resumed their double-time jog along the gutters-and their place in the "fourth-class system." This "system" is a nine-month regimen of small and large indignities intended to "strip" each young recruit of his original identity and remold him into the "Whole Man," a vaguely defined ideal, half Christian soldier, half Dale Carnegie junior executive. As a knob explained it to me, "We're all suffering together. It's how we bond." Another knob said, "It's a strange analogy, but it's almost like a P.O.W. camp."

One cadet dawdled, glancing nervously around, then sidled up to me. He spoke in a near whisper, and what he had to say had nothing to do with lavatory

THE NAKED CITADEL 73

Freshmen are in the "fourth-class system," a regimen to "strip" each recruit of his identity and remold him into the "Whole Man." Illustration by Mark Zingarelli, originally published in The New Yorker. © Mark Zingarelli/House of Zing

74 SUSAN FALUDI

etiquette or military tradition. "The great majority of the guys here are very misogynistic," he said. "All they talk about is how girls are pigs and sluts."

I asked him to explain at greater length. He agonized. "I have to keep quiet," he said, but he finally agreed to meet me later, in an out-of-the-way spot on the upper floor of the student-activities center. He rejoined his class- mates with that distinctive knob march, "the march of the puppets," as a profes- sor described it to me later. It was a gait caused in some cases, I was told, by the most conscientious cadets' efforts to keep their shirts perfectly straight with the help of garters-one end of the garter clipped to the shirttail, the other end to the socks.

As I waited for my cadet informant, I decided to kill an hour on the vast parade ground, where the Corps of Cadets marches every Friday afternoon in full dress uniforms, and where, according to an old school brochure, "manhood meets mastery." This is a paramilitary display, not a military one. Despite the regalia and officer ranks, and despite its notoriously fierce military discipline ("To discipline is to teach" is the motto emblazoned on one of the school's books of regulations), this is a military academy by self-designation only. Unlike the federal service academies-West Point, Annapolis, the Air Force Academy- The Citadel has no connection with the United States Armed Forces (other than its R.O.T.C. program and its employment of some active and retired officers). Its grounds are adorned with dusty and decommissioned military hardware-a Sherman tank, a submarine's torpedo-loading hatch, a Phantom jet named Annette, two cannons named Betsy and Lizzie. In most cases, the weapons, including the pinless M-14s the cadets carry, are inoperative. The mouths of the various can- nons are stuffed with cement-all except those of Betsy and Lizzie, which are fired during parades, but carefully aimed high enough so that their powder does not dust the crenellated barracks. The overall effect is that of a theme park for post-Cold War kids.

The hokeyness and childlike innocence of the scene--the stage-prop artil- lery, the toy-soldier clip-clop of the cadets as they squared their comers-were endearing, in a Lost Boys sort of way, and I strolled over to the student-activities center for my rendezvous with my cadet informant thinking that The Citadel's version of martial culture was not so menacing after all. The cadet was not in evidence. I spent the next thirty minutes prowling the halls, which were lined with portraits of stem-faced "generals" (I couldn't tell which were United States military and which were SCUM), and examining ads on the student bulletin board for items like "Save the Males" bumper stickers. I tried to reach the cadet's room by phone--women aren't admitted into the barracks-but he was not there. A bit thoughtlessly, I left a message with an upperclassman and headed toward town.

At my hotel, the receptionist handed me a message from my vanished cadet. "Please, don't ever call here again!" it read. The phone clerk peered at me curi- ously. "Sorry about that exclamation mark, but he seemed quite distraught," she said. "His voice was shaking."

What brought a young man to an all-male preserve in the last decade of the twentieth century, anyway? What was going on outside the academy gates that

THE NAKED CITADEL 75

impelled thousands of boys, Southern and Northern alike (about a fifth of its student body of about two thousand are Yankees), to seek refuge behind a pair of corroding cannons?

"The forces arrayed against us," an attorney named Robert Patterson declared in a February, 1994, court hearing, consider his military academy to be "some big-game animal to be hunted down, tracked, caught, badgered, and killed so that some lawyer or some organization can go back up and hang a trophy on a wall in an office." Patterson was defending not The Citadel but the Virginia Military Institute, which is the only other public military academy in the United States that does not admit women, and which was involved in a similar sex-discrimination suit. (Three months later, Patterson, a V.M.I. alumnus, returned to court to defend The Citadel.) "I will say this, Your Honor," he went on. "This quest by .these people constitutes the longest and most expensive publicly financed safari in the annals of big-game hunting."

The Citadel's administration has fought the female hunters with a legal arse- nal of nearly a million dollars and with dour, tight-lipped determination, which has only increased with time. The Citadel's president, Claudius Elmer (Bud) Watts III, who is a retired Air Force lieutenant general and a second-generation Citadel alumnus, views Shannon Faulkner's legal efforts as an enemy invasion, placing his young troops "under attack." "The Citadel is in this to the end," he pronounced at a press conference held in the spring of 1994 on the parade ground, his feet planted between Betsy and Lizzie, his uniform decked with rib- bons, and his chin tucked in, as is his custom, as if in a permanent brace position.

Later, in his living room, surrounded by coffee-table books on football, Watts told me firmly, "You cannot put a male and a female on that same playing field," though he couldn't say exactly why. Of his own Citadel years he con- ceded, "I've not the foggiest notion if it would have been different" had women attended. He was just glad there were no female cadets then; otherwise, he said, the cadets would have faced "a different form of intimidation-not wanting to be embarrassed in front of a girl."

Faulkner has been opposed not only by many Citadel staff and alumni but- at least, publicly-by almost all the current cadets. They say that her presence in the Corps would absolutely destroy a basic quality of their experience as Citadel men. She would be what one Citadel defender called in his court deposition "a toxic kind of virus." Tellingly, even before the United States District Court judge enjoined The Citadel to admit Faulkner to the Corps of Cadets for the fall of 1994, and before the injunction was set aside, the administration announced its selection of her living quarters: the infirmary.

Cadets cite a number of reasons that women would have a deleterious effect on the Corps of Cadets, and the reasons are repeated so often as to be easily pre- dictable, though their expression can be novel. "Studies show-I can't cite them, but studies show that males learn better when females aren't there," one cadet explained to me (a curious sentiment at a school where a knob motto about grades is "2.0 and Go"). "If a girl was here, I'd be concerned not to look foolish. If you're a shy student, you won't be as inhibited." Another cadet said, "See, you don't have to impress them here. You're free." From a third: "Where does it end?

76 SUSAN FALUDI

Will we have unisex bathrooms?" But among the reasons most frequently heard for repelling Faulkner at the gate is this: "She would be destroying a long and proud tradition."

The masculine traditions of West Point and Annapolis were also closely guarded by their male denizens, but the resistance to women joining their ranks was nowhere near as fierce and filled with doomsday rhetoric as The Citadel's efforts to repel feminine interlopers. At Norwich University, a private military college in Northfield, Vermont, that voluntarily opened its barracks to women in 1974, two years before the federal service academies, the administra- tion actually made an effort to recruit and accommodate women. "There was no storm of protest," said a No~ch spokeswoman, Judy Clauson. But then, "it was a time when there were so many rules that were being loosened." The Air Force veteran Linnea Westberg, who was one of the eight women in Norwich's first coed class, recalled, of her integration into its corps, that "ninety-five percent of the male cadets were fine, especially the freshmen, who didn't know any different." Westberg said she was balled by the intensity of The Citadel's oppo- sition to women in its corps. "It's hard for me to believe it's still an issue."

"The Citadel is a living museum to the way things used to be," John Drennan, a Citadel graduate and a public defender in Charleston, told me one day during The Citadel's legal proceedings. But how, exactly, did things use to be? The cadets and the alumni of the school, along with those protesting against its exclusionary policies, envision its military tradition above all. And The Citadel once did have a strong military aspect: it was formed as an arsenal in 1822 in response to a slave revolt purportedly planned by the freed Charleston slave Denmark Vesey, which, though it was foiled, aroused widespread alarm in the region. Yet twenty years later the guns and the gold braid became mere adornment as The Citadel turned into an industrial school of domestic and practical skills. Union troops shut down The Citadel at the end of the Civil War, but it was reinvented and reopened in 1882, after the Union's Reconstruction officials had thoroughly stripped the school of all military muscle. Its new mission was to reinvigorate the masculin- ity of the South by showing its men how to compete with the business and industrial skills of the Yankee carpetbaggers, who were believed to be much better prepared than the sons of Dixie to enter the Darwinian fray of modem commerce. John Peyre Thomas, who ran The Citadel from 1882 to 1885, wrote of the need to teach spoiled plantation boys the rudiments of self- reliance. "It must be admitted that the institution of African slavery, in many respects, affected injuriously the white youth of the South," he wrote. "Reared from infancy to manhood with servants at his command to bring his water, brush his shoes, saddle his horse, and, in fine, to minister to his personal wants, the average Southern boy grew up in some points of character dependent, and lazy, and inefficient. He was found, too, wanting in those habits of order and sys- tem that come from the necessity, in man, to economize time and labor."

What makes the school's Reconstruction-era mission important is that in so many ways it remains current; the masculine and industrial culture of our age and that of the conquered South may have more in common than we care to imag- ine. Again, we are at a psychic and economic crisis point for manhood. And,

THE NAKED CITADEL 77

again, the gun issues hide the butter issues: the bombast masks a deep insecurity about employment and usefulness in a world where gentleman soldiers are an anachronism and a graduate with gentleman's Cs may find himself busing tables at Wendy's.

The uncertain prospects of Citadel graduates are worsened by military downsizing. Only about a third of recent graduates entered the military-a figure that has fallen steeply since the mid-seventies, when half of The Citadel's gradu- ating class routinely took a service commission. News of Shannon Faulkner's court case compete\i in the Charleston Post & Courier with news of the shutting down of the local shipyards and decommissionings from the local military installations.

The night before the closing arguments in Faulkner's suit, I had dinner at the on-campus home of Philippe and Linda Ross, who have both taught at The Citadel. Philippe, the head of the Biology Department, had just completed his first round of moonlighting as a "retraining" instructor at the Charleston Naval Shipyard. He had been prepping laid-off nuclear engineers to enter one of the few growth industries in the area-toxic-waste management. Facing a room filled with desperate men each day had been a dispiriting experience, he said. He recalled the plea of a middle-aged engineer, thrust out of the service after twenty-six years: "All I want to do is work." Linda Ross, who was then teaching psychology at The Citadel, looked across the table with a pained expression. "That whole idea that if a young man went to college he could make a decent living and buy a house, and maybe even a boat, just does not hold anymore," she said softly. "There's a Citadel graduate working as a cashier at the grocery store. And the one thing these young men felt they could count on was that if things got hard they could always go into the military. No more. And they are bitter and angry."

In the fall of 1991, Michael Lake, a freshman, decided to leave The Citadel. He had undergone weeks of bruising encounters with upperclassmen- encounters that included being knocked down with a rifle butt and beaten in the dark by a pack of cadets. Incidents of hazing became so violent that, in a school where publicly criticizing the alma mater is virtually an act of treason, several athletes told their stories to Sports fllustrated. Much of the violence was aimed at star freshman athletes: a member of the cycling team was forced to hang by his fingers over a sword poised two inches below his testicles; a place- kicker had his head dunked in water twenty times until he was unconscious; a linebacker was forced to swallow his chewing tobacco arid tormented until, he said later, "I was unable even to speak clearly in my classes." It was a time when the Churchill Society, a literary club reportedly containing a white-supremacist faction, was organized on campus. It was a time when the local chapter of the National Association for the Advancement of Colored People urged a federal investigation into a pair of racial incidents on the school's campus: the appear- ance of a noose over the bed of a black freshman who had earlier refused to sing "Dixie," and the shooting and wounding of a black cadet by a sniper who was never identified. (A few years earlier, upperclassmen wearing Klan-like costumes left a charred paper cross in the room of a black cadet.) And it was a time when a

78 SUSAN FALUDI

leader of the Junior Sword Drill, a unit of cadet sword-bearers, leaped off a five- foot dresser onto the head of a prostrate cadet, then left him in a pool of blood in a barracks hall. According to one cadet, a lacrosse-team member returning from an away game at three in the morning stumbled upon the victim's uncon- scious body, his face split open,jaw and nose broken, mouth ajack-o'-lantem of missing teeth.

One night, at about 2 A.M., high-ranking cadets trapped a raccoon in the barracks and began to stab it with a knife. Beau Turner, a student at the school, was awakened by the young men's yelling. "My roommate and I went out there to try and stop it," Turner recalled, "but we were too late." Accounts of the episode vary. In a widely circulated version (which was referred to in a faculty member's testimony), the cadets chanted, "Kill the bitch! Kill the bitch!" as they tortured the raccoon to death.

In October 1993, two upperclassmen burst into the room of two freshmen and reportedly kneed them in the genitals, pulled out some of their chest hair, and beat them up. They were arrested on charges of assault and battery, and agreed to a program of counseling and community service, which would wipe clean their records. They withdrew from The Citadel, in lieu of expulsion, the spokesman Major Rick Mill said.

One of the offending cadets, Adrian Baer, told me that he and the other accused sophomore, Jeremy Leckie, did indeed come back from drinking, burst into the knobs' room after 10 P.M., and "repeatedly struck them in the chest and stomach" and bruised one of them in the face, but he denied having kicked them in the groin and yanked out chest hair. He said that what he did was com- mon procedure-and no different from the "motivational" treatment he had received as a knob at the hands of a senior who came into his room. They entered the freshmen's room, Baer explained, because they viewed one of the occupants as "a problem" knob who "needed some extra motivation." Baer elaborated: "His pinkie on his right hand wouldn't completely close when he went to salute. He caught a lot of heat for that, of course, because it's a military school; it's important to salute properly." The strict rule that upperclassmen not fraternize with knobs, he said, meant that they couldn't simply counsel the fresh- man kindly. "If we just sat down and said, 'Listen, guy, we have a little problem,' that would be fraternization. And more important, knobs would lose respect for upperclassmen. It's a lot of denial on the part of officials at The Citadel about hazing," Baer said. "They don't want to believe it goes on." Leckie's father, Timothy Rinaldi, said that while he believed his son "was definitely in the wrong," he felt The Citadel's fourth-class system bred such behavior. "They help build this monster," he said of The Citadel. "The monster gets up o·ff the table and starts walking through town-and now Dr. Frankenstein wants to shoot it."

Needless to say, not every cadet embraces the climate of cruelty; the noctur- nal maulings likely frighten as many cadets as they enthrall. But the group men- tality that pervades The Citadel assures that any desire on the part of a cadet to speak out about the mounting violence will usually be squelched by the threat of ostracism and shame. While group rule typifies many institutions, military and

THE NAKED CITADEL 79

civilian, that place a premium on conformity, the power and authoritarianism of the peer group at The Citadel is exceptional because the college gives a handful of older students leave to "govern" the others as they see fit. (A lone officer provided by the military, who sleeps in a wing off one of the dorms, seldo:11 interferes.) This is a situation that, over the years, an occasional school official has challenged, without success. A former assistant commandant for discipline, ArrnY Lieutenant Colonel T. Nugent Courvoisie, recalled that he "begged" the school's president back in the sixties to place more military officers-and ~n~s who were more ma,ture-in the barracks, but his appeals went unheeded. D1sc1- pline and punishment in the dorms is in the hands of the stud~nt-run regimental command, and ascendancy in this hierarchy is not always predicated on compas- sion for one's fellow man. In consequence, the tyranny of the few buys the

silence of the many. This unofficial pact of silence could, of course, be challenged by the Citadel

officialdom. On a number of occasions over the past three decades-most recently when some particularly brutal incidents found their way. ~to ~e media-The Citadel has commissioned "studies." But when the administration does go on the offensive, its animus is primarily directed not at miscreant cadets but at the "unfair" media, which are "victimizing" the institution by publicizing the bad behavior of its boys.

In recent years, enough bad news leaked out locally to become a public- relations nightmare, and the school appointed a committee of Citadel loyalists to assess the situation. Even the loyalists concluded, in a January 1992 report, that the practice of physical abuse of freshmen, along with food and sleep depri- vation, had gotten out of hand. As a result, Major Mill told me, The Citadel ordered upperclassmen to stop using pushups as a "disciplinary tool" on individ- ual cadets. "That was the most important one" of the reforms prompted by the report, Mill said. Other reforms were adopted: for example, freshmen would no longer be compelled to deliver mail to upperclassmen after their evening study hours, thus reducing opportunities for hazing; freshmen would-at least officially-no longer be compelled to "brace" in the mess hall. At the same time, the report declared that it "wholeheartedly endorses the concept of the fourth-class system," which it called "essential to the attainment of college objec- tives and the development of the Citadel man."

Institutions that boast of their insularity, whether convents or military acad- emies, are commonly pictured in the public imagination as static, unchanging abstractions isolated from the ebb and flow of current events. But these edifices are rarely a~ otherworldly as their guardians might wish; indeed, in the case of The Citadel, its bricked-off culture has functioned more as a barometer of national anxieties than as a garrison against them. The militaristic tendencies within the Corps seem to vary inversely with the esteem in which the American soldier is held in the larger society. In times when the nation has been caught up in a socially acceptable conflict, one in which its soldiers return as heroes greeted by tickertape parades, The Citadel has loosened its militaristic harnes~, or eve:1 removed it altogether. Thus, during perhaps the most acceptable war m Amen- can history, the Second World War, the fourth-class system of knob humiliation

80 SUSAN FALUDJ

was all but discontinued. Upperclassmen couldn't even order a knob to brace. The changes began largely in response to the demands of the real military for soldiers they could use in a modern war. "The War Department and the Navy Department were asking R.O.T.C. to do less drilling, more calculus," Jamie Moore, a professor of history at The Citadel and a former member of the United States Anny's Historical Advisory Committee, told me. "The Citadel dismantled its fourth-class system because it was getting in the way of their military training." The changes didn't seem to interfere with the school's production of Whole Men; on the contrary, an extraordinary percentage of The Citadel's most distinguished graduates come from these years, among them United States Sena- tor Ernest (Fritz) Hollings; Alvah Chapman, Jr., the former chief executive of Knight-Ridder; and South Carolina's former governor John C. West.

The kinder, gentler culture of the Second World War-era Citadel survived well into the next decade. Although a new fourth-class system was soon estab- lished, it remained relatively benign. "We didn't have the yelling we have today," Colonel Harvey Dick, class of '53 and now a member of The Citadel's governing body, recalled. "They didn't even shave the freshmen's heads."

The postwar years also brought the admission of women to the summer program, and without the hand-wringing provoked by Shannon Faulkner's application. "WOMEN INVADE CITADEL CLASSES FIR.ST TIME IN SCHOOL'S HISTORY," the Charleston daily noted back on page 16 of its June 21, 1949, edition. "Most male students took the advent of the 'amazons' in 1:heir stride," the paper reported cheerfully. "Only the younger ones seemed at all uneasy. Profes- sors and instructors were downright glad to see women in their classes."

The Vietnam War, needless to say, did not inspire the same mood of relax- ation on campus. "The fourth-class system was very physical," Wallace West, the admissions director who was an undergraduate at The Citadel during the Vietnam War years, said. "When I was there, there was no true emphasis on academics, or on positive leadership. It was who could be worked to physical exhaustion." Alumni from those years recounted being beaten with sticks, coat hangers, and rifle butts. That was, of course, the era that inspired Pat Conroy's novel The Lords ef Disdpline, a tale of horrific hazing, directed with special viru- lence against the school's first African-American cadet. "They just tortured us," Conroy recalled from his home in Beaufort, South Carolina. "It taught me the exact kind of man I didn't want to be," he added.

In 1968, the administration appointed a committee to investigate the vio- lence. The committee issued a report that, like its 1992 successor, concluded "there have been significant and extensive abuses to the [fourth-class] system." And, with its strong reco=endation that hazing result in expulsion, the report seemed to promise a more pacific future on campus.

In the past decade and a half, however, the record of violence and cruelty at The Citadel has attracted increasing notice, even as the armed forces have been racked by downsizing and scandal. The Citadel president during much of this era, Major General James A. Grimsley, Jr., declined to discuss this or any other aspect of campus life during his tenure. "I don't do interviews," he said. "Thank you for calling, young lady." He then hung up. Others have been less reticent.

THE NAKED CITADEL 81

Thirteen years before Vice-Admiral James B. Stockdale consented to be Ross Perot's running mate, he took on what turned out to be an even more thankless task: :fighting brutal forms of hazing at The Citadel. In 1979, Stockdale, who had graduated from Annapolis, was chosen to be The Citadel's president because of his status as a genuine military hero: he had survived eight years as a P.O.W. in Vietnam. This hero failed to see the point of manufactured adversity. In an afterword to the book In Love and War, a collaboration between Stockdale and his wife, Sybil, he wrote that there was "something mean and out of control about the regime I had just inherited."

On his first day in the president's office, Stockdale opened a desk drawer and discovered "what turned out to be Pandora's box," he wrote. "From the top down, what was written on the papers I took out of the desk drawers-and con- versations with some of their authors-was enough to break anybody's heart." Among them was a letter from an infuriated father who wanted to know what had happened to his son "to change him from a levelheaded, optimistic, aggres- sive individual to a fatigued, irrational, confused and bitter one." He also found copies of memos from The Citadel's staff physician complaining repeatedly of (as Stockdale recalled) "excessive hospitalization"-such as the case of a knob who had suffered intestinal bleeding and was later brought back to the infirmary, hav- ing been exercised to unconsciousness. Stockdale sought to reform the system, but he was stymied at every tum. He clashed with The Citadel's powerful Board of Visitors, an eleven-member committee of alumni that sets school pol- icy. The Board of Visitors overruled his expulsion of a senior cadet who had reportedly been threatening freshmen with a pistol. A year into his presidency, Stockdale submitted his resignation. After he left, the board reinstated an aveng- ing friend of the senior cadet who, according to Stockdale, had attempted to break into his house one evening. (The then chairman of the Board of Visitors maintains that the cadet was drunk and looking for the barracks.)

"They thought they were helping people into manhood," Stockdale recalled, from a more serene post in Palo Alto, California, where he is a scholar at Stanford's Hoover Institution on War, Revolution, and Peace. "But they had no idea what that meant-or who they were."

After Watts became president, in 1989, some faculty members began to observe a creeping militarization imposed by the administration upon the Corps's already drill-heavy regimen. Four special military days were added to the aca- demic year .. At the beginning of one semester, President Watts held a faculty meeting in a room above the mess hall. "Watts had these soldiers standing around the room with their hands behind them," Gardel Feurtado, a political- science professor and one of only two African-American professors, recalled. Watts, he said, lectured the faculty for about three hours. "He didn't talk about academics or educational goals. He just talked about cadets' training, and he showed us a film of it," Feurtado told me. According to Feurtado, Watts told the faculty to line up in groups behind the soldiers for a tour of the barracks.

"I said, 'Enough of this,' and I started to walk out. And this soldier stopped me and said, 'Where do you think you're going, sir?' and I said, 'You do realize that I am not in the military?"' Feurtado had to push by him to leave.

82 SUSAN FALUDI

When Michael Lake looked back on the abuse he suffered during his abbreviated knob year of '91, he could now see before him, like the emergence of invisible ink on what appeared to be a blank piece of paper, the faint outlines of another struggle. What he saw was a submerged gender battle, a bitter but definitely fixed contest between the sexes, concealed from view by the fact that men played both parts. The beaten knobs were the women, "stripped" and humili- ated, and the predatory upperclassmen were the men, who bullied and pillaged. If they couldn't re-create a male-dominant society in the real world, they could restage the drama by casting male knobs in all the subservient feminine roles.

Illustration by Mark Zingarelli, originally published in The New Yorker. © Mark Zingarelli/House of Zing

"They called you a 'pussy' all the time," Lake recalled. "Or a 'fucking little girl."' It started the very first day they had their heads shaved, when the upper- classmen stood around and taunted. "Oh, you going to get your little girlie locks cut off?" When they learned that Lake would be playing soccer that fall, their first response was "What is that, a girl's sport?" Another former cadet said that ~e h~d withstood "continual abuse," until he found himself thinking about Jumpmg out the fourth-story window of the barracks-and quit. He reported an experience similar to Lake's. Virtually every taunt equated him with a woman: whenever he showed fear, they would say, "You look like you're hav- ing an abortion/' or "Are you menstruating?" The knobs even experienced a version of domestic violence. The upperclassmen, this cadet recalled, "would go out and get drunk and they would come home and haze, and you just hoped they didn't come into your room."

"According to the Citadel creed of the cadet," Lake said, "women are objects, they're things that you can do with whatever you want to." In order to maintain this world-view, the campus has to be free of women whose status might challenge it-a policy that, of course, is rarely enunciated. The ackno~l- edged policy is that women are to be kept at a distance so they can be "respected" as ladies. Several months before Faulkner's lawsuit came to trial I was sitting in the les_s than Spartan air-conditioned quarters of the senior regi~ mental commander, Norman Doucet, the highest-ranking cadet, who com- manded the barracks. Doucet, who was to be The Citadel's star witness at the Faulkner trial, was explaining to me how excluding women had enhanced his gentlemanly perception of the opposite sex. "The absence of women makes us understand them better," Doucet said. "In an aesthetic kind of way, we appreci- ate them more--because they are not there."

Women at less of a remove fare less well. In The Citadel's great chain of being, the "waitees"-as many students call that all-black, all-female mess-hall staff-rate as the bottom link. Some upperclassmen have patted them on their rear ends, tried to trip them as they pass the tables, or hurled food at their retreating backs. Cadets have summoned them with "Come here, bitch," or

THE NAKED CITADEL 83

ddressed one who dropped a plate or forgot an order as "you stupid whore." ~h ages of the Brigadier, the school's newspaper, bear witness to the cadets'

et;mpt for these women. Gary Brown, now the editor-in-chief of the Brigadier, con b f"."£d .. "th advised fellow-cadets to eware o waitee oo contammat10n- e once -filled hands, the hair follicles, and other unknown horrors." Not only was

~~ismayed by "wavy little follicles_ in my food" b_ut he foun~ the wo11:1-en insufficiently obedient. "Duty is certainly not the sublimest word m the Waitee

1 nguage," he wrote. In a letter to the editor, Jason S. Pausman, class _of '94,

a d f<ellow-cadets to demand "waitees without chronic diseases that mvolve urge . . . . sneezing, coughing or wiping of body parts ... The reality is snnple, we CANNOT sit by and let the waitees of this school control us." .

Some women faculty members report similarly resentful responses to their presence, despite--or because of-their positions of authority. Angry messages

a professor's door are one tactic. When Jane Bishop recently posted on her on al · ' office door a photocopy of a New York Times editori supportmg v.:o~en s admission to the Corps of Cadets, she found it annotated with heated reJomders in a matter of days. "Dr. Bishop, you are a prime example of why women should not be allowed here," one scribble read. Another comment: "Women

will destroy the world." The Citadel men's approach to women seems to toggle between extrem~s

of gentility and fury. "First, they will be charming to the women to get their way," Linda Ross said. "But if that doesn't work they don'~ know ~y oth~r way. So then they will get angry." It's a pattern that is pamcularly evident m some cadets' reaction to younger faculty women. .

December Green joined The Citadel's Political Science Department m 1988 the first woman that the department had ever hired for a tenure-track position. She was twenty-six and attractive-"someone the cadets might fanta- size about," a colleague recalled. They were less enchanted, however, ~y her left-leaning politics. She soon found herself getting obscene phone calls m the middle of the night. Then obscenities began appearing on her office door.

"Pussy" is the one that sticks in her mind. . . . Though Green's work at The Citadel was highly praised-~he receive~ :in

award for teaching, research, and service-she said that no one m ~e a~- tration tried to stop her when she left in 1992 in despair over her mability to contain the cadets' fury. Nor, apparently, had anyone responded to her appeals to correct the situation. "A lot of terrible things happened to me there," Green, who is now teaching in Ohio, said, reluctant to revisit them. The hostility ran~ed from glowering group stares in the hallway to death threats-some of w~ich appeared on the cadets' teacher-evaluation forms. The male faculty offered little support. Green recalls the department chairman instructing her to "be more maternal toward the students" when a cadet lodged a complaint about her (she had challenged his essay in which he praised apartheid). And a profe~sor who stood by one day while his students harassed her and another woman informed

her, "You get what you provoke." Green said she eventually had to get an unlisted number to stop the obscene

calls, and also moved, in part out of fear of the cadets' vengeance. The last straw,

84 SUSAN FALUDI

The legendary Citadel elder known as the Boo, who oversaw racial integration at The Citadel in the sixties, says, "With women, there's going to be sexual harassment." His wife, Margaret, counters, "Oh, honey, those cadets are harassing each other right now." "That's different," he says. "That's standard operating procedure." Illustration by Mark Zingarelli, originally published in The New Yorker. © Mark Zingarelli/House of Zing

however, came when she submitted the written threats she had received to her chairman, who passed them on to the dean of undergraduate studies, in hopes of remedial action. The dean, she said, did nothing for some months, and then, after she inquired, said he had "misplaced" the offending documents.

The dean, Colonel Isaac (Spike) Metts, Jr., told me he didn't recall saying he misplaced the documents but "I might have said it's not on my desk at that time and I don't know where it is." He added that Green was a "very valuable" profes- sor. "I don't know what else we could've done," Metts said. In any event, soon after submitting the threatening notes to the dean, Green gave up. At her exit inter- view, she recalled, President Watts told her he didn't understand why she had been upset by the cadet harassment. "It's just a bunch of kid stufI;'' another male col- league said. (Lewis Spearman, the assistant to the president, said that, because of federal privacy law, Watts would have no response to Green's version of events.)

The remaining category of women that cadets have to deal with is "the dates," as the young women they socialize with are generally called. (There are no wives; Citadel policy forbids cadets to marry, and violators are expelled.) In

THE NAKED CITADEL 85

some respects, these young women are the greatest challenge to the cadet's sense of gender hierarchy. While the "waitees" can be cast as household servants and the female teachers as surrogate mothers, the dates are more difficult to place. young women their age are often. college students, with the same aspirations as the cadets, or even greater ones. The cadets deal with young women's rising ambitions in a number of ways. One is simply to date high-school girls, an option selected by a number of cadets. Another strategy, facilitated by The Citadel, is to cast the young women who are invited on campus into the horoecorning-queeI,J. mold. The college holds a Miss Citadel contest each year, and Anne Poole, whose husband, Roger, is the vice-president of academic affairs and the dean of the college, has sat on the judging panel. Each cadet company elects a young woman mascot from a photograph competition, and their faces appear in the yearbook.

The school also sends its young men to an in-house etiquette-training semi- nar, in which the Citadel "hostess," a pleasant woman in her forties named Susan Bowers, gives them a lecture on how "to act gentlemanly with the girls." She arros cadets with The Art of Good Taste, a do's-and-don'ts manual with a chapter entitled "Helping the Ladies." The guidebook outlines the "correct way of offering an arm to a lady ... to help her down the steps," and the best method for assisting "a lady in distress." (The example of distress provided involves an elderly woman trying to open a door when her arms are full of shopping bags.) Such pointers are illustrated with pictures of fifties-style coeds sporting Barbie- doll hair flips and clinging to the arms of their cadets, who are escorting them to "the Hop." The manual's preface states emphatically, "At all times Uadies] roust be sheltered and protected not only from the elements and physical harm but also from embarrassment, crudity, or coarseness of any sort."

Susan Bowers explained the duties of her office: "At the beginning of the year, we do 'situation cards' for the freshmen. And we'll bring in cheerleaders and use them as props.. . . We show cadets how to go through the receiving line, how to introduce your date, and what to say to them. In the past, we didn't have the cheerleaders to use, so they dressed up some of the guys as girls." Bowers said she felt bad for the cadets, who often . come to her seeking maternal consolation. "They are very timid-afraid, almost," she said. "They are so lost, and they need a shoulder."

The Art of Good Taste is silent on the subject of proper etiquette toward women who require neither deference nor rescue. And, as Linda Ross observed, when the gentlemanly approach fails them, cadets seem to have only one fallback-aggression. Numerous cadets spoke to me of classmates who claimed to have "knocked around" uncompliant girlfriends. Some of those classmates, no doubt, were embellishing to impress a male audience, but not always. "I know lots of stories where cadets are violent toward women," a 1991 Citadel graduate named Ron V ergnolle said. He had witnessed cadets hitting their girl- friends at a number of Citadel parties-and observed one party incident in which two cadets held down a young woman while a third drunken cadet leaned over and vomited on her. Vergnolle, a magna cum laude graduate of the Citadel class of '91, recounted several such stories to me, and added that bragging about

86 SUSAN FALUDI

humiliating an ex-girlfriend is a common practice--and the more outrageous the humiliation, the better the story, as far as many cadets are concerned. Two such cadet storytellers, for example, proudly spread the word of their exploits on Dog Day, a big outdoor party sponsored by The Citadel's senior class. The two cadets told about the time they became emaged with their dates, followed them to the Portosans, and, after the women had entered, pushed the latrines over so they landed on the doors, trapping the occupants. The cadets left them there. Another cadet told Vergnolle that he had tacked a live hamster to a young woman's door. There was also the cadet who boasted widely that, as vengeance against an uncooperative young woman, he smashed the head of her cat against a window_ as she watched in horror. "The cat story," Vergnolle noted, "that was this guy's calling card."

Something of these attitudes shows up even in the ditties the cadets chant during their daily runs. Many of the chants are the usual military ''.iodies," well known for their misogynistic lyrics. But some are vintage Citadel and include lyrics about gouging out a woman's eyes, lopping off body parts, and eviscera- tion. A cadence remembered by one Citadel cadet, sung to the tune of "The Candy Man," begins, "Who can take two jumper cables/Clip 'em to her tit/ Tum on the battery and watch the bitch twitch." Another ·verse starts with "Who can take an ice pick ... " and so on.

The day after last Thanksgiving, the phone rang at one-thirty in the morn- ing in the home of Sandy and Ed Faulkner in Powdersville, South Carolina, a tiny community on the outskirts of Greenville. The caller was a neighbor. They had better come outside, he said-a car had been circling their block. Sandy and Ed, the parents of Shannon Faulkner, went out on their front lawn and looked around. At first, they saw nothing. Then, as they turned back to the house, they saw that across the white porch columns and along the siding of the house, painted in gigantic and what Sandy later recalled as "blood-red" letters, were the words, "Bitch," "Dyke," "Whore," and "Lesbo." Ed got up again at 6 A.M. and, armed with a bucket of white paint, hurried to conceal the message from his daughter.

A few days after the judge ordered The Citadel to admit Faulkner to the Corps of Cadets, morning rush-hour drivers in Charleston passed by a huge por- table sign that read "Die Shannon." At least this threat wasn't home delivered. In the past year, instances of vandalism and harassment have mounted at the Faulkner home. Someone crawled under the house and opened the emergency exhaust valve on the water heater. The gas tank on Sandy's car was pried open. Someone driving a Ford Bronco mowed down the mailbox. Another motorist "did figure-eights through my flower bed," Sandy said. "This year, I didn't even plant flowers because I knew they would just tear them up." And someone with access to Southern Bell's voice-mail system managed, twice, to tap into their voice mail and change their greeting, both times to a recording featuring rap lyrics about a "bitch" with a "big butt." Callers phoned in the middle of the night with threatening messages. Sandy called the county sheriffs department about the vandalism, but in Anderson County, which has been home to many Citadel graduates, the deputy who arrived was not particularly helpful. He told

THE NAKED CITADEL 87

them, Sandy recalled, "Well, if you're going to mess with The Citadel, you're

just going to have to expect that." . . _ . _ Every trial has its rare moments of clanty, when the bramble of admissibility

· guments and technicalities is cut away and we see the actual issue in dispute. ~ne such moment came toward the end of the Faulkner-Citadel trial, when Alexander Astin, the director of the Higher Education Resea~ch Instit~te a~ the University of California at Los Angeles, took the stand. Ason, who 1s ~1dely viewed as a leading surveyor of college-student performance and attitudes, found no negative effects on male students in nineteen all-male colleges he had studied which had gone coeducational.

"Can you tell me what kind of woman you would think would want to attend a coeducational Citadel?" Robert Patterson, the Citadel attorney who had previously represented V.M.I., asked Astin, his voice full of unflattering insinuation about the kind of woman he imagined her to be.

AsTrN: I suppose the same as the kind of men who want to go there. PATTERSON: Would it be a woman that would not be all that different

from men? AsTrN: Yes. To Patterson, this was a triumphant moment, and he closed on it: he had

forced the government's witness to admit that a woman like Shannon Faulkner would have to be a mannish aberration from her gender. But in fact Astin's tes- timony expressed the precise point that the plaintiff's side had been trying to make all along, and that The Citadel strenuously resisted: that the sexes were,

in the end, not all that different. "I was considered the bitch of the band," Shannon Faulkner said, without

embarrassment, of her four years in her high school's marching band-just stat- ing a fact. She was lounging on the couch in her parents' living room, comfort- able in an old T-shirt and shorts, one leg swung over an arm of the couch. "That's because I was the one who was mean and got it done." The phone rang, for the millionth time--another media call. ''I'm not giving statements to the press right now," she said efficiently into the phone and hung up. She did not apologize for her brusqueness, as I was half expecting her to do, after she put down the receiver. There is nothing of the good girl about her. Not that she is disagreeable; Shannon Faulkner just doesn't see the -point in false deference. "I never let anyone push me around, male or female," Faulkner said, and that fact had been exasperatingly obvious to reporters who covered the trial: they found that all the wheedling and cheap flatteries that usually prompt subjects to say more than they should didn't work with Faulkner.

One could scrounge around in Faulkner's childhood for the key to what made her take on The Citadel. You could say that it was because she was born six weeks premature, and her fierce struggle to live forged a "survivor." You could cite her memory that as a small child she preferred playing outside with the boys to playing with certain girls whom she deemed "too prissy." You could point to her sports career in high school and junior high: she lettered in softball for four years and kept stats for three of the schools' four basketball teams. You could note her ability to juggle tasks: she edited the yearbook, wrote for the school

88 SUSAN FALUDI

paper, and graduated with a 3.48 grade-point average. And you could certainly credit the sturdy backbone and outspokenness ofboth her mother and her mater- nal grandmother; this is a family where the women talk and the men keep a low profile. Her father, Ed, owns a small fence-building business. At thirty, a few years after Shannon's birth, Sandy returned to college to get her degree, a double major in psychology and education, and became a high-school teacher of psychology, sociology, United States history, and minority cultures. When a male professor had complained about certain "older women" in his class who asked "too many questions," Sandy hurled one of her wedge-heeled sandals at him. "I said, 'I'm paying for this class, and don't you ever tell me what I can ask."' Shannon's mater- nal grandmother, sixty-seven-year-old Evelyn Richey, was orphaned at six and worked most of her life in textile factories, where, she noted, "women could do the job and men got the pay." Ofher granddaughter's suit she said, "Women have got to come ahead. I say, let's get on with the show."

But there's little point in a detailed inspection of family history because there's no real mystery here. What is most striking about Shannon herself is that she's not particularly unusual. She reads novels by Tom Clancy and John Grisham, has worked in a local day-care center, is partial to places like Bennigan's. She wants a college education so she can support herself and have a career as a teacher or a journalist-she hasn't yet decided which. She might do a stint in the military, she might not. She is in many ways representative of the average striving lower-middle-class teenage girl, circa 1994, who intends to better herself and does not intend to achieve that betterment through a man-in fact, she has not for a moment entertained such a possibility.

Throughout the trial, cadets and Citadel alumni spoke of a feminist plot: she is "a pawn" of the National Organization for Women, or-a theory repeatedly posited to me by cadets-"Her mother put her up to it." Two Citadel alumni asked me in all seriousness if feminist organizations were paying Shannon Faulkner to take the stand. In truth, Shannon makes an unlikely feminist poster girl. She prefers to call herself "an individualist" and seems almost indifferent to feminist affairs; when I mentioned Gloria Steinem's name once in conversation, Shannon asked me, "Who's that?" After the judge issued his decision to admit her to the Corps, she told the New York Times that she didn't consider the ruling a victory ''.just for women" -only a confirmation of her belief that if you want something, "go for it." Shannon Faulkner's determination to enter The Citadel's Corps of Cadets was fuelled not so much by a desire to trailblaze as by a sense of amazement and indignation that this trail was barricaded in the first place. She had never, she told the court, encountered such a roadblock in all her nineteen years-a remark that perhaps only a young woman of her fortunate generation could make without perjuring herself

Shannon Faulkner got the idea of attending The Citadel back in December of 1992. She was taking a preparatory education course at Wren High School, the local public school. Mike Hazel, the teacher, passed out articles for them to read and discuss, and Faulkner picked the article in Sports fllustrated about hazing at The Citadel. "It was almost as accidental as Rosa Parks," Hazel recalled. "I just held up Sports fllustrated and asked, 'Who wants to do this?"'

THE NAKED CITADEL 89

Faulkner told me she'd selected the article because "I had missed that issue." During the ensuing discussion, the class wandered off the subject of hazing and onto the question of what, exactly, a public state institution was doing barring ·women from its classrooms. After a while, Faulkner got up and went down to the counselor's office and returned with an application form from The Citadel. "I said, 'Hey, it doesn't even say 'Male/Female,"' she recalled. While she was sitting in class, she filled it out. "I didn't really make a big to-do about it."

Two weeks after Faulkner received her acceptance letter, The Citadel got word she was a woman and revoked her admission, and in August of 1993 she went off to spend a semester at the University of South Carolina at Spartanburg while the courts thrashed out the next move. As the lawyers filed papers, The Citadel's defenders delivered their own increasingly agitated personal beliefs to the plaintiff herself Faulkner worked evenings as a waitress in a local bar called Chiefs Wings and Firewater until the nightly tirades from the many drunk Citadel-graduate customers got to be too much. Actually, Faulkner said, she wouldn't have quit if some of her male college friends hadn't felt the need to defend her honor. "I didn't want them getting hurt," she said. Her manner of dealing with the Citadel crowd was more good-humored. One day at the bar, she recalled, "a guy came up to me. 'Are you Shannon Faulkner?' he asked, and I said, 'Why?'-very casual. Then he got real huffy-puffy, madder and madder." Finally, she said, he stuck his ring in her face, then slammed his hand down on the table. "You will never wear that!" he yelled. Shannon saw him a few times in the bar after that, scowling at her from a far table. To lighten the mood, she once had the bartender send him a beer. He wouldn't drink it.

"I never show my true emotions in public," Shannon said. "I consider that weak." She can laugh at the cadets' threats, even when they tum ugly, because she doesn't see the reason for all the fuss. Whenever she is asked to sign the latest T-shirt inspired by the controversy, which depicts a group of male bulldogs (The Citadel's mascot) in cadet uniforms and one female bulldog in a red dress, above the caption "1,952 Bulldogs and 1 Bitch," Faulkner told me, "I always sign under the 'Bitch' part."

The first day that Shannon Faulkner attended classes, in January 1994, the cadets who had lined up by the academic building told the media the same thing over and over. "We were trained to be gentlemen, and that's what we'll be." But in Shannon's first class, biology, all three cadets assigned to sit in her row changed their seats. The teacher, Philippe Ross, had to threaten to mark them absent to get them to return to their places. (More than twenty unexcused absences a semester is grounds for failure.) Shortly thereafter, a rumor began to circulate that Faulkner was using a fake I.D. in the local bars. This summer, talk of a plot against Faulkner surfaced-to frame her, perhaps by planting drugs in her belongings. The threat seemed real enough for Faulkner to quit her summer job, in the Charleston area, and return home,.

The Brigadier's column "Scarlet Pimpernel" took up the anti-Shannon cause with a vengeance. The columnist dubbed her "the divine bovine," likening her to a plastic revolving cow at a nearby mall (the mounting of which is a cadet tradition). The "Pimpernel" comments on an incident that occurred on

90 SUSAN FALUDI

Faulkner's first day were particularly memorable. An African-American cadet named Von Mickle dared to shake her hand in front of the media and say, "It's time for women," and compared the exclusion of women to that of blacks. For this lone act, he was not only physically threatened by classmates but derided in the "Pimpernel." "The PIMP doth long to tame the PLASTIC cow on this most wondrous of nights," the anonymous author wrote, with the column's usual antique-English flourishes and coded references. "But it seems that we will have a live specimen, a home grown DAIRY QUEEN from the stables of Powders- ville. Perhaps NON DICKLE will be the first to saddle up. He is DfV!NE BOVINE's best friend after all."

More disturbing were cadet writings on Faulkner that were not for public consumption. Tom Lucas, a graduate student in The Citadel's evening program, told me about some "very harsh" graffiti that he'd found all over one of the men's rooms in The Citadel's academic building. The inscription that most stuck in his mind: "Let her in-then fuck her to death."

On the whole, The Citadel administrators to whom I spoke were defensive, evasive, or dismissive of the cadets' hostile words and deeds toward Faulkner. When I asked Citadel officials to respond to reports of barracks violence, harass- ment of women on staff, or verbal abuse of Faulkner, the responses were dismay- ing. Cases of violence and abuse were "aberrations"; cadets who spoke up were either "troublemakers" or "mama's boys"; and each complaint by a female faculty member was deemed a "private personnel matter" that could not be dis- cussed further.

Certainly the administrators and trustees themselves are less than enthusiastic about Faulkner's arrival. William F. Prioleau, Jr., until recently a member of the Board of Visitors, implied on a radio talk show that abortions would go up as a result of the female invasion, as he claimed had happened at West Point. Mean- while, in The Citadel's Math Department, all that was going up as a result of Shannon Faulkner's presence was the grade-point average. Faulkner's highest mark at the semester's end was in calculus, where she earned an A (prompting a surprised Dean Poole to comment to her that she was "certainly not ·the stereotypical woman"). The Math Department has in recent years invited A students 'to an annual party. But rather than include Faulkner, the department limited the guest list to math majors. Math professor David Trautman, who was in charge of invitations to the party, explained in an e-mail message to col- leagues, "Her presence would put a damper on the evening."

Linda Ross, then a professor at The Citadel, was speaking one day with a seventy-six-year-old alumnus, and the talk turned to Faulkner's lawsuit. He asked her if she thought it possible that this young woman might prevail. "Well, it's probably an inevitable turning of the tide," Ross said, shrugging. To her amazement, the alumnus began to cry.

"I have the worst chance in society of getting a job, because I'm a white male," William H. Barnes, the senior platoon leader, shouted at me over the din in The Citadel's mess hall, a din created by the upperclassmen's tradition of berating knobs at mealtime. "And that's the major difference between me and my father." In a society where, at least since the Second World War, surpassing

THE NAKED CITADEL 91

one's father has been an expected benchmark of American manhood, Barnes's point is a plangent one. But it's hard to say which Citadel generation is more undone by the loss of white male privilege-the young men who will never ·partake of a dreamed world of masculine advantage or the older men who are seeing that lived world split apart, shattered.

"I was in Vietnam in '63, and I'll defy you or Shannon or anyone else to hike through the rice paddies," the usually genial Colonel Harvey Dick, sixty- seven, a Board of Visitors member, an ex-marine, and an Army lieutenant colo- neL was practically.shouting from his recliner armchair in his Charleston home. He popped a Tums in his mouth. "There's just no way you can do that .... You can't pick up a ninety-five-pound projectile. There are certain things out there that are differences." On the wall above his head were seven bayonets. He was wearing his blue Citadel T-shirt, which matched the Citadel mementos that overwhelmed his den-Citadel mugs, hats, footballs, ceramic bulldogs. It was a room known in the Dick household as "Harvey's 'I Love Me' Room." Dick treated it as his command post-whenever the phone rang, he whipped it off the cradle and barked "Colonel Dick!"-but what he was commanding was unclear; he retired in 1993 from a sixteen-year stint as The Citadel's assistant commandant. Still, he at least knew that he was once in charge, that he once enjoyed lifetime job security as a career military man. This was something his son couldn't say: Harvey Dick II, a nuclear pipe fitter, had recently been laid off at the Charleston Naval Shipyard.

Colonel Dick wanted it known that he wasn't "one of those male- chauvinist pigs"; in fact, he believes that women are smarter than men. "Women used to let the men dominate," he said. "Maybe we need a male movement, since evidently we're corning out second on everything." He slipped another Tums from an almost empty roll. The sun was dropping as we spoke, and shadows fell across the Citadel hats and figurines in his room. "Go back and look at your Greek and Roman empires and why they fell," he said.

His wife cleared her throat. "This doesn't have anything to do with male- female," she said.

"I see a decline in this great nation of ours," Dick said. He crossed his arms and stared into the gathering darkness of the late summer afternoon. After a while, he said, "I guess I sound like a buffoon."

Unlilce the cadets, the older male Citadel officials often have to face dissent from wives or daughters whose views and professional aspirations or accom- plishments challenge their stand on women's proper place. Lewis Spearman, the assistant to the president, recently remarried, and his wife is a feminist para- legal who is now getting her master's degree in psychology. She says she engaged for more than a year in "shriekfests" with him over the Shannon Faulkner question before she halfheartedly came around to The Citadel party line on barring women. And, while the wife of Dean Poole may have sat on the Miss Citadel judging panel, their daughter, Mindy, had loftier ambitions. Despite the fact that she suffered from cystic fibrosis, she was an ardent skier, horseback rider, and college athlete, rising at 5 A.M. daily with her crew-team

92 SUSAN FALUDI

members at the University of Virginia. And, despite a double lung transplant during her junior year, she graduated in 1991 with honors and won a graduate fellowship. "She was an outstanding young lady," Poole said. "I was very proud of her." His eyes clouding over at the memory, he recalled that she had made hirn promise to take her to the big Corps Day parade on The Citadel's sesquicentennial. The day the father and daughter were to attend the parade was the day she died. "Sort of an interesting footnote," he said, wiping at his moist eyes. What if she had wanted to go to The Citadel? Well, actually, Poole said, she had talked about it. If she had persisted he would have tried to change her mind, he said, but he added, "I would never have stopped her from doing something she wanted to do."

One of the biggest spousal battles over Shannon Faulkner is waged nightly at the home of a man who might seem the least likely figure at The Citadel to wind up with a feminist wife. Probably The Citadel's most legendary elder, thanks to Pat Conroy's thinly veiled and admiring portrait of hirn in The Lords ef Disdpline, is Lieutenant Colonel T. Nugent Courvoisie, who, as an assistant commandant in the sixties, oversaw the admission of the first African- Arnerican cadet to The Citadel. A gravelly voiced and cigar-chomping tender tyrant, Courvoisie--or the Boo, as he is known, for obscure reasons-was a fixture at the school for more than two decades. There are two Citadel scholar- ships in his family name, and his visage peers down from two portraits on campus.

A courtly man, and still dapper at seventy-seven, the Boo, who has since given up cigars, insisted on picking me up at my hotel and driving me to his home, though I had a rental car sitting in the parking lot. On the drive over, he ticked off the differences between the sexes that he believed made it impossible for The Citadel to admit women-differences such as that "the average female is not as proficient athletically as the average male." When we were settled in the living room, the Boo on his recliner and his second wife, Margaret, who is also seventy-seven, in a straight-back chair, the subject of Shannon Faulkner was revisited. The first words out of Margaret's mouth were "The Citadel wants to chop the head off women." A low growl ema- nated from the Boo's comer. He lowered the recliner a notch. "We don't talk about it here," Margaret said-an obvious untruth. "We haven't come to blows yet, but-"

The Boo interrupted, "I have the correct view." She retorted, "No one has the correct view." She turned and addressed me.

"You have to understand hirn," she said of her husband of nine years. "This is a man who went to military prep schools and a church that was male-dominated, naturally."

The Boo interrupted. ''.J.C. picked twelve men as his disciples," he said. Margaret rolled her eyes. "See? He even takes it into the church-and he's

on such familiar ground with Christ he calls hirn J.C." The Boo said, ''.J.C. never picked a woman, except his mother." Margaret said, "Oh God, see, this is why we don't go into it."

THE NAKED CITADEL 93

But, as usual, go into it they did. As the words got batted back and forth, with Margaret doing most of the batting, the Boo levered his recliner progres- sively lower, until all I could see of hirn were the soles of his shoes.

MARGARET: You had plenty of good women soldiers in Saudi Arabia. Boo: Plenty of pregnant ones .... MARGARET: What, do you think [the cadets) didn't get girls pregnant before?

There've been plenty of abortions. And I know of a number of cases that, by the time [a cadet] graduated, there were four or five kids.

Boo: That's an.exaggeration. Maybe two or three ... With women, there's going to be sexual harassment.

MARGARET: Oh, honey, those cadets are harassing each other right now, all

the time. Boo: That's different. That's standard operating procedure. In the nineteen-sixties, Margaret worked in the library at The Citadel,

where she would often see Charles Foster, the first African-American cadet (who died a few years ago), alone at one of the library desks. "He would just come to the library and sit there a lot. It's hard to be the only one, to be the groundbreaker. That's why I admire this girl."

Boo's voice boomed from the depths of his recliner: "But there's no need for her. She's ruining a good thing."

Margaret gave a mock groan. "This is the last vestige of male bastionship," she said, "and it's going to kill 'em when it crumbles." Boo raised his chair half- way back up and considered Margaret. "She has a good mind," he told me after

a while. Margaret smiled. 'Tm a new experience for hirn. He's always been military.

People didn't disagree with hirn." The Boo showed the way upstairs, to the attic, where he has his own

"Citadel room"-a collection of Citadel memorabilia vaster than but almost identical to Dick's. Around the house, there were sketches of Boo at various points in his Citadel career. He told me that, before he retired, the cadets commissioned a portrait of hirn that hangs in Jenkins Hall. "Man, I looked good in that," he said. "Like a man. A leader."

Margaret didn't think so. "No, it was horrible," she said. "It didn't look

like you." "If Shannon were in my class, I'd be fired by March for sexual harassment,"

Colonel James Rembert, an English professor, was saying as we headed toward his classroom. He had a ramrod bearing and a certain resemblance to Ted Turner (who, it happens, sent all three of his sons to The Citadel-Beau Turner among them-and donated twenty-five million dollars to the school earlier this year). The Colonel identifies himself as one of "the last white Remberts" in South Carolina, the Remberts being a Huguenot family of sufficiently ancient lineage to gain hirn admission to the St. John's Hunting Club of South Carolina-an all- male society chaired by a Citadel alumnus. Rembert, who has a Cambridge University doctorate and wrote a book on Jonathan Swift, said he preferred the company of men, in leisure and in learning. "I've dealt with young men all my

94 SUSAN FALUDI

life," he went on. "I know how to play with them. I have the freedom here to imply things I couldn't with women. I don't want to have to watch what I say."

The literary work under discussion that day was Beowulf, and the cadets agreed that it was all about "brotherhood loyalty" and, in the words of one stu- dent, "the most important characteristics of a man-glory and eternal fame." Then they turned to their papers on the topic.

"Mr. Rice," Rembert said in mock horror. "You turned in a single-spaced paper." This was a no-no. Rembert instructed him to take a pencil and "pen-e-trate"-Rembert drew the syllables out-the paper with the point. He shook his head. "What a pansy!" Rembert said. "Can't catch, can't throw, can't write." Another student was chastised for the use of the passive voice. "Never use the passive voice--it leads to effeminacy and homosexuality," Rembert told the class. "So next time you use the passive voice I'm going to make you lift up your limp wrist." Literary pointers concluded, Rembert floated the subject of Shannon Faulkner. The usual objections were raised. But then the class wan- dered into more interesting territory, provoked by a cadet's comment that "she would change the relationship between the men here." Just what is the nature of that relationship?

"When we are in the showers, it's very intimate," a senior cadet said. "We're one mass, naked together, and it makes us closer .... You're shaved, you're naked, you're afraid together. You can cry." Robert Butcher, another senior, said that the men take care of each classmate. "They'll help dress him, tuck in his shirt, shine his shoes." "You mean like a mother-child relationship?" I asked.

"That is what it is," another cadet said. "It's a fumily, even the way we eat- fumily style." A fourth cadet said, "Maybe it's a Freudian thing, but males feel more affection with each other when women are not around. Maybe we're all homosexuals."

The class groaned. "Speak for yourself, buddy," a number of cadets said, almost in a chorus.

Rembert said, "With no women, we can hug each other. There's nothing so nurturing as an infantry platoon."

The hooted-down cadet weighed in again: "When I used to wrestle in high school, we had this great tradition. Right before the game, the coach, he'd slap us really hard on the butt."

Rembert, a onetime paratrooper, said he and his skydiving buddies did that, too, right before they jumped. "First man out gets a pat right there."

Over lunch, Rembert returned to the theme of manly nurturance among Citadel men. "We hug each other," he said. One of his colleagues "always kisses me on the cheek," he went on. "It's like a true marriage. There's an affectionate intimacy that you will find between cadets. With this security they can, without being defensive, project tenderness to each other."

Months later, I was sitting in court watching Norman Doucet, the cadet regimental commander, testify. He was showing the judge a video of the Citadel experience and explaining the various scenes. First we were shown "one of the

1 "IN ORDER TO 6ET A PROPER

SHIRT TUCK. ..

THE NAKED CITADEL

ZIP-UP AND BELT AREc DONEc

SOLO.

95

2

Dependency is a main theme in cadet relationships. Colonel James Rembert says that the cadets' intimate bond is "like a true marriage." illustration by Mark Zingarelli, originally published in The New Yorker. © Mark Zingarelli/House of Zing

great parts" of a knob's first day-the mothers looking weepy at the gate as their sons were led away. Doucet lingered over the head-shaving scene. "This is what does it, right here," he said. "Mothers can't even tell their sons apart after this." Thus shielded from the prying maternal eye, the cadets began their new life, and

96 SUSAN FALUDI

the video action shifted to a typical day in the life of the Corps. But the editing made it a day as heavy on early-morning domestic chores as it was on martial activity. Much of the film was devoted to housekeeping: scenes of cadets making beds, dressing each other, sweeping, taking out the trash, all of which Doucet described as "like some kind of a ballet or a dance that's going on." This is a dance where the most important moves took place before the show, in the dress- ing room. "What they are doing here is the Citadel shirt tuck," Doucet said. · The tuck requires that a cadet unzip his pants halfway and fold down his waist- band, then stand still while his helper approaches hirn from the back, puts his arms around the cadet's waist, pulls the loose shirt material firmly to the back, jams it as far down in the pants as he can, and then pulls the cadet's pants up. "If you watch closely right here, this is what the fourth-class system is all about," Doucet continued. "In order to get a proper shirt tuck, you can't do it yourself-you need your classmates to do it for you. There's really a lot of dependence upon your classmates." But, as Doucet's account suggested, cadets can experience that dependence only in concealment, away from mothers, away from all women.

When a Citadel attorney asked Doucet why female cadets would pose a problem on the campus, the only issue he raised was the humiliation that cadets feel if women observe the cadets' on-campus interactions. He spoke of the shame that knobs feel when, on occasion, a woman happened to be on the parade ground while upperclassmen were disciplining them. The cadets observ- ing in the courtroom nodded in agreement.

It may seem almost paradoxical that the fourth-class system should be so solicitous of the emotional vulnerability of its wards-the same wards it subjects to such rigors. And yet the making of Whole Men evidently req~es an initial stage of infmtilization. Indeed, the objective of recapitulating childhood devel- opment is plainly spelled out in The Citadel's yearbook, known as "the Sphinx." The 1990 "Sphinx" explained, "As a freshman enters, he begins to release his childhood and takes the first steps to becoming a 'Citadel Man.' ... As a 'knob,' every aspect oflife is taught, a new way to walk .... Knobs are told how, where, and when to walk." Reentrance into manhood for the toddling knobs occurs on Recognition Day, when the upperclassmen force the knobs to do calisthenics until they drop, then gently lift up their charges and nurse them with cups of water. At that moment, for the first time in nine months, the older cadets call the knobs by their first names and embrace them.

The relationship between knobs and upperclassmen following Recognition Day, as they are integrated into the Corps, shifts from maternal to matrimonial. The yearbooks of the last several years picture Citadel men spending a lot of time embracing and kissing. Of course, this impulse, when it is captured on film, is always carefully disarmed with a jokey caption.

One afternoon, a group of cadets recounted for me the campus's many "nudity rituals," as they jokingly called them. There's "Senior Rip-Off Day," a spring rite in which three hundred seniors literally rip each other's clothes off, bum them in a bonfire, and hug and wrestle on the ground. There's "Nude Platoon," in which a group of juniors, unclad except for their cross-webbing,

THE NAKED CITADEL 97

run around the quad yelling, "We love the Nude Platoon!" And there's the birthday ritual, in which the birthday boy is stripped, tied to a chair, and covered with shaving cream, while his groin is coated in liquid shoe polish.

During the fall semester before graduation, the seniors receive their "band of gold" (as it is c~ed) in t~e Ring Ceremony. Th~ chap~~~ bles~es each clas~ ring. (Receiving the nng, which I was constantly rermnded 1s the biggest class nng of any college," is a near-sacrament, and the yearbooks are filled with pictures of young men holding up their rings in fervor, as if clutching a crucifix before a vampire.) Then each senior walks through a ten-foot replica of the class ring with his mother on one arm and his "date" on the other. In a sort of reverse marriage ceremony, the mother gives the cadet away. Mother and date accom- pany him through the towering ring; then he kisses Mother farewell and marches under the arched swords of the Junior Sword Drill, a new bride of the Corps. Several cadets and alumni told me that when a Citadel graduate marries, it is a tradition to slide the class ring over the wedding band. Indeed, I saw such an ordering of priorities on the fingers of a number of Citadel men in the

courtroom. In the late-twentieth-century setting of The Citadel, in a time when

extreme insecurity and confusion about masculinity's standing run rampant, the Corps of Cadets once again seeks to obscure a domestic male paradise with an intensifying of virile showmanship and violence. The result is a ruthless intimacy, in which physical abuse stands in for physical affection, and every display of affection must be counterbalanced by a display of sadism. Knobs told me that they were forced to run through the showers while the upperclassmen "guards" knocked the soap out of their hands and, when the knobs leaned over to retrieve it the upperclassmen would unzip their pants and yell, "Don't pick it up, don't pick it up! We'll use you like we used those girls!" A former Citadel Halloween tradition of upperclassmen dressing up-mostly in diapers and women's clothes-and collecting candy treats from knobs, has given way to "tricks" of considerable violence. (One upperclassman told me of cadets who knocked dres- sers over on candy-dispensing cadets and then walked on top of them.) The administration tried, unsuccessfully, to put a stop to the whole affair; too many freshmen were getting injured. And the playful pat on the butt that served to usher cadets into the brotherhood has degenerated into more invasive acts. According to a recent graduate, one company of cadets recently devised a regi- men in which the older cadets tested sophomores nightly with increasingly pain- ful treatments-beatings and stompings and so forth. The process, which they dubbed "Bananarama," culminated on a night in which an unpeeled banana was produced-and shoved into a cadet's anus.

Given this precarious dynamic, it is not surprising that in the past few years at The Citadel social rage has been directed toward any men who were per- ceived to be gay. Several young men who were suspected of homosexual incli- nations were hounded out of the school. One cadet, Herbert Parker, who said that he was falsely accused of having a sexual encounter with a male janitor, recalled a year of total isolation-cadets refused to sit near hirn in the mess hall or in classes-and terror: incessant threatening phone calls and death threats. The

98 SUSAN FALUDI

cadets and the administration-which had responded to the report of his encounter by sending out a campus-security police car with lights flashing to question him-acted "like I had murdered someone."

The scapegoating reached such brutal proportions that the counseling center recently set up a sort of group-therapy session for the targeted young men, who are known as It, as in the game of tag.

One evening after the trial, I went over to the Treehouse, a "mixed" bar in · Charleston, with an upstairs gay bar and nightly drag shows on the weekends. My intention was to ask about cadet violence against gay men. I presumed that on a campus where every second epithet was "faggot" such hate crimes were all but inevitable. There were indeed a few such cases, I learned, but the circum- stances were different from what I had imagined. Nor were those cases the essence of my findings that evening.

"The proper terminology for The Citadel," a customer at the bar named Chris said, "is The Closet." Up and down the bar, heads bobbed in agreement. "They love faggots like me." What he meant by "like me," however, was not that he was gay. That night, he looked like a male model--sleek black hair and a handsome chiseled face. But on the nights he was dressed for a performance he could pass for~ woman. Arching an eyebrow, Chris said, "The cadets go for the drag queens."

Chris's observation was echoed in ensuing conversations in the bar. There are thousands of cadets, presumably, who have not dated drag queens, but in two visits to the Treehouse I could find only two drag queens, out of maybe a dozen, who did not tell me of dating a cadet-and that was only because these two found Citadel men "too emotional." Cadets can also occasionally be dan- gerous, Chris told me. "You can get the ones who are violent. They think they want it, then afterwards they tum on you, like you made them do it." Nonethe- less, a drag queen who called himself Holly had been happily involved with a cadet for three years now. Marissa, another drag queen, the reigning "Miss Treehouse 1993-94," had gone out with one cadet, broken up, and was now in the throes of a budding romance with another. A third drag queen, who asked to be identified as Tiffany, was known to be a favorite of cadets.

As Chris and I were talking that first night, a drag queen called Lownie wan- dered in and settled on a bar stool. Lownie delighted in the Corps of Cadets pageantry-especially the Friday dress parades. "The parades are a big thing with the queers in Charleston," he said. "We'll have a cocktail party and go over and watch the boys. It's a very Southem-'lady' thing to do." Years ago, Lownie had been a student at the College of Charleston when he met his Citadel lover, and they had begun covert assignations-communicating through notes slipped in little-used books in the Citadel library. The only drawback, Lownie said, was dealing with his lover's constant emotional anxiety over making the grade at The Citadel. He was, in fact, a model macho cadet: a Junior Sword Drill member, a regimental officer, and a "hang king," who could dangle inter- minably from a closet rack by his fingertips. Lownie, who found such records more amusing than impressive, grinned, and said, "I used to make him wear his shako"-The Citadel's military cap-"when we were having sex. It's manhood at its most."

THE NAKED CITADEL 99

Lownie said he could begin to fathom his cadet's intense attachment to The . del-an emotion that he likened to a love affair-because he himself had spent

Cita d fb . . mili. . f, ears in the Air Force. "The day-to- ay aspect o emg m a tary envrron- our [is that you run around in a little bit of clothing and you are beingjudged as to rnen . , k • · 1 how good a man you are by domg women s wor -pressmg pants, sewmg, po - . bin shoes. You are a better man if you have mastery of womanly arts .... The lS g b k ..

aderie doesn't get any stronger than when you are in the arrac s, s1ttmg carnar , · h f d t the end of the day in your briefs and T s and dogtags-like a bunc o aroun a d

h fr us talking and gossiping." The military stage set offers a false front an a

aus a , f di · al elcome trapdoor-an escape hatch from the social burdens o tra tlon mascu- wlini_ Behind the martial backdrop, Lownie said, "you don't have to be a bread- ~ ' lif winner. You don't have to be a leader. You can play back seat. It s a great re e .

You can act like a human being and not have to act like a man." . . "You know what the [cadet] I'm seeing now said to me?" Tiffany said. We

were sitting in the dressing room a couple of hours before the night's p_erfor- rnance, and as Tiffany spoke he peered into an elaborate mirror set illummated witli miniature movie-star lights, applying layer after layer of mascara and eye- liner with expert precision. "He said, 'You're more of a woman than a woman is.' And mat's an exact quote." Tiffany stood up and struck a Southern belle pose by way of illustration. "I overexemplify everything a female is-my breasts, my hair, the way I hold myself." And who could better complete the hoopskirts

picture than a fantasy gentleman in uniform? . . . Marissa, Miss Treehouse, looked up :from his labors, paintmg row after row

of fake nails with pink polish. "I love how they wear their caps slung low so you can't quite see their eyes," he said. "It's like all of us are female illusionists and they are male illusionists. A man in a uniform is a kind of dream." .

Tiffany said, "For Halloween, you know what my cadet boyfriend wanted

to dress as? A cadet." The dressing-room scene before me, of a group of men tenderly helping

each other get ready for the evening-an elaborate process of pinnin~ and bind- ing and stuffing-was not very different, in its way, from the footage m Norman Doucet's video of the cadets tucking in each other's shirts. As the drag queens conversed, they tossed stockings and Ace bandages and cosmetic bags back and forth. "Has anyone seen my mascara wand?" "O.K., who has the blush?" There was a homey comfort that reminded me of slumber parties when I was a girl, where we would put big pink spongy rollers in each other's hair and screech with laughter at the results. And suddenly it became obvious to m~ what :'as generating that void, that yearning, in the cadets' lives-and ma,:be m the lives of many American men. What was going on here was play-a kind of freedom and spontaneity that, in this culture, only women are permitted.

No wonder men found their Citadels, their Treehouses, where the rules of gender could be bent or escaped. For the drag queens of the T~eehouse, ~e distinctions between the sexes are a goof, to be endlessly marupulated with fun-house-mirror glee. For cadets, despite the play set of The. Citadel and. the dress-up braids and ribbons, the guarding of their Treehouse 1s a dead-senous business. Still, undercover at The Citadel, the cadets have managed to create

100 SUSAN FALUDJ

for themselves a world in which they get half the equation that Lownie described: they can "act like human beings" in the safety of the daily domestic life of the bar- racks. But, in return, the institution demands that they never cease to "act like a man"-a man of cold and rigid bearing, a man no more male than Ti:ffu.ny's South- ern belle is female, a man that no one, humanly, can be. That they must defend their inner humanity with outer brutality may say as much about the world outside The Citadel walls as about the world within them. The cadets feel called to defend those walls. Never mind that their true ideal may not be the vaunted one of martial masculinity, just as their true enemy is not Shannon Faulkner. The cadets at The Citadel feel that something about their life and routine is worthy on its merits and is endangered from without. And in that they may be right.

QUESTIONS FOR MAKING CONNECTIONS

WITHIN THE READING

1. In "The Naked Citadel," Susan Faludi provides a series of vignettes that describe life at the military school. Why does she present the vignettes in the order she does? Why does she start her article in Jane Bishop's classroom? Why does she then move to the courtroom? Make a chart that tracks the organization ofFaludi's essay. What is the argument that Faludi is making by telling these vignettes in this order?

2. The sociologist Erving Goffinan coined the term total institutions to describe places that become almost entirely self-enclosed and self-referential in their values and behaviors. Goffinan's principal example was the mental asylum. Can we describe The Citadel accurately as a total institution? Are its values the product of its isolation, or does Faludi's account furnish evidence that the attitudes holding sway in The Citadel persist outside the institution as well? Is The Citadel just an aberration, or does it tell us certain truths about our own society?

3. Faludi offers this overview of The Citadel:

In the late-twentieth-century setting of The Citadel, in a time when extreme insecurity and confusion about masculinity's standing run rampant, the Corps of Cadets once again seeks to obscure a domestic male paradise with an intensifying of virile showmanship and violence. The result is a ruthless intimacy, in which physical abuse stands in for physical affection, and every display of affection must be counterbalanced by a display of sadism.

On the basis of the evidence Faludi provides, is this a fur assessment of the culture of The Citadel? What evidence confirms this assessment? What evi- dence might be said to complicate or even contradict it? What other expla- nations might we offer for events at The Citadel? Does masculinity have to occupy the central place in our analysis, or might other factors be more important?

THE NAKED CITADEL 101

QUESTIONS FOR WRITING

1. In what sense is Susan Faludi a feminist? If we define a feminist as someone who is specifically concerned with defending the rights of women, does she qualify? Does she regard the rights of women as practically or theoretically distinct from the rights of men? How about the needs and aspirations of women? Are these fundamentally different from the needs and aspirations of men? Does Faludi see men as "oppressors of women"? Does she imply that our society systematically empowers men while systematically disempower- ing women, or does disempowerment cross gender lines?

2. "The Naked Citadel" might be described as a case study of the relations between sexuality and social structures. In what ways do social structures shape sexuality at The Citadel? Does Faludi's account call into question the belief in a single, natural form of male sexual expression? Is the problem with The Citadel that natural sexuality has been perverted by linking it to relations of power? Can sexuality and power ever be separated?

QUESTIONS FOR MAKING CONNECTIONS

BETWEEN READINGS

1. In "Immune to Reality," Daniel Gilbert sets out to create a theory of hap- piness, one that explains why humans, in general, are so unprepared to pre- dict what things and accomplishments will lead to happiness. Does Gilbert's theory shed new light on the choices and the actions of the cadets at The Citadel? How would Gilbert's explanation for the cadets' behavior reinforce, extend, or contradict Faludi's understanding? Write an essay about the degree to which happiness, as Gilbert defines it, plays a role in education inside and outside The Citadel.

2. In "When I Woke Up Tuesday Morning, It Was Friday," from The Myth cf Sanity, Martha Stout explores the psychological dynamics of dissociation. According to Stout, the experience of trauma "changes the brain itself" Under conditions of extreme pain or distress, the brain becomes unable to organize experience "usefully" or to integrate new experience with other, prior memories. Does it seem possible that dissociation plays a role in the training of cadets at The Citadel? What circumstantial evidence can you find to support this claim, or to dispute it? Does Stout's account of dissociation help to explain why so few cadets rebel against the treatment they receive? Is it possible that certain institutions use dissociation intentionally to weaken bonds sustained by affection and shared values? How might our society protect itself against the use of dissociation as a political instrument?