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explanationessay.docx

WRITE AN ESSAY EXPLANING THE POEM BELOW.

In brief, "in an explication essay, you examine a work in much detail. Line by line, stanza by stanza...you explain each part as fully as you can and show how the author's techniques produce your response. An explication is essentially a demonstration of your thorough understanding of a work".

For this essay, you must focus on the poetic techniques of sound effects, form, rhythm, diction, tone, image, and/or figurative language.

You don't need to discuss these poetic techniques, but choose at least three techniques on which to focus.

The essay must be between 500 and 750 words and adhere to MLA formatting. It needs to quote directly from your chosen text for support, but it should not use any secondary research.

Remember that the explication essay should not just summarize the poem.

Marco Island, Florida

There should be nothing here I don’t remember . . .

The Gulf Motel with mermaid lampposts and ship’s wheel in the lobby should still be rising out of the sand like a cake decoration. My brother and I should still be pretending we don’t know our parents, embarrassing us as they roll the luggage cart past the front desk loaded with our scruffy suitcases, two-dozen loaves of Cuban bread, brown bags bulging with enough mangos to last the entire week, our espresso pot, the pressure cooker–and a pork roast reeking garlic through the lobby. All because we can’t afford to eat out, not even on vacation, only two hours from our home in Miami, but far enough away to be thrilled by whiter sands on the west coast of Florida, where I should still be for the first time watching the sun set instead of rise over the ocean.

There should be nothing here I don’t remember . . .

My mother should still be in the kitchenette of The Gulf Motel, her daisy sandals from Kmart squeaking across the linoleum, still gorgeous in her teal swimsuit and amber earrings stirring a pot of arroz-con-pollo, adding sprinkles of onion powder and dollops of tomato sauce. My father should still be in a terrycloth jacket smoking, clinking a glass of amber whiskey in the sunset at the Gulf Motel, watching us dive into the pool, two boys he’ll never see grow into men who will be proud of him.

There should be nothing here I don’t remember . . .

My brother and I should still be playing Parcheesi, my father should still be alive, slow dancing with my mother on the sliding-glass balcony of The Gulf Motel. No music, only the waves keeping time, a song only their minds hear ten-thousand nights back to their life in Cuba. My mother’s face should still be resting against his bare chest like the moon resting on the sea, the stars should still be turning around them.

There should be nothing here I don’t remember . . .

My brother should still be thirteen, sneaking rum in the bathroom, sculpting naked women from sand. I should still be eight years old dazzled by seashells and how many seconds I hold my breath underwater–but I’m not. I am thirty-eight, driving up Collier Boulevard, looking for The Gulf Motel, for everything that should still be, but isn’t. I want to blame the condos, their shadows for ruining the beach and my past, I want to chase the snowbirds away with their tacky mansions and yachts, I want to turn the golf courses back into mangroves, I want to find The Gulf Motel exactly as it was and pretend for a moment, nothing lost is lost.