Hello, this is a college level paper for Themes in American History Since 1865. This assignments are extra credit assignments. I am going to provide you a file which has the instructions. The file has bunches of topics, you have the freedom to choose any

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Subject: Themes in American History Since 1865

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Subject: Themes in American History Since 1865

“When the Levees Broke: A Requiem in Four Acts” documentary on Hurricane Katrina and its wake focus on the tragic events around the catastrophe. It considers the continued significance of class and race in the inequitable distribution of environmental hazards in America. Simultaneously, through the narration of the events that happened after, the Movie shows how race and environmental injustice are used to decelerate the Culture of New Orleans. Lee’s documentary provides a voice to those who were impacted by the Katrina disaster. It reminds individuals that for social-political and economical reasons, the Black Americas and the members of the minority group on issues of sustainability vary from the ones postulated by the mainstream environmentalists. Using the powerful presentation of alternatives needs and perspectives, the film raises instrumental awareness that any sustainable concepts that fail to address enormous race-based inequalities and class within the city will be fundamentally flawed due to its unjust nature. In a four–hour plus exploration and assessment on the implications of Hurricane Katrina, the arrogance, the human cost, apparent racism and mismanagement in the way it addressed the situation, and how the city's personality and characteristics are lost. The author makes an articulate and impassionate case showcasing the criminal disservices of individuals living in New Orleans.

Spike Lees’ documentary is an effort to counter media representation of the events that quickly incurred changes. However, much of the Katrina coverage aftermath was criticized later for its distorted explanation of the city conditions. The film provides the audience with an alternative explanation of how the events of Hurricane Katrina unfolded. The four-hour documentary devotes a limited amount of time to the hurricane itself since, according to him, the problem's leading cause was the natural forces. Based on the titles, When the Levees Broke: A Requiem in Four Acts” depicts Spike lee's primary interest revolves around the human dimensions of the disaster coupled with its social, political, and historical roots of the humanitarian catastrophe in its aftermath. Through his video comments on the DVD version of the film, Lee Spikes showcase that one of the primary significant issues that the film directors and hopes discover is that the devastation was not solely down to Katrina. It was the breach in the Leeves. The primary issue here was the breech in the leaves, which is similar to the political decisions and human failure responsible for the delayed response. According to Lee, the truth behind the disaster or Hurricane Catastrophe can only be comprehended in the context of American racial and social politics.

The documentary does an exemplary job foregrounding the coloring and racial discrimination in the Katrina catastrophe confronting the reader with an extensive number of officials, experts, and survivors who speak about their experiences and raise their options on the reasons things occurred the way they happened. Nonetheless, When the Levees Broke: A Requiem in Four Acts” fails to randomly combine these voices since he gets out and shapes it to enable them to appear in a narrative form. However, the story he narrates through these films is an environmental and social injustice. With its directorial options, he tends to drive home the concept of racer and that ethnicity and racism in the United States still matter both in wealth distribution and establishing the unique local cultures. This documentary's strengths lie in the multi-narration of the events that unfolded during this day and its historical, social, and cultural reframing of a natural catastrophe.

Besides the growing achievements’ of the film, the Documentary's depiction of environmental injustice incurs challenges. Lee makes some provocative decisions and threatens to switch the viewer’s attention away from the continuing and historical realities of inequality that were ultimately responsible for the disaster. “When the Levees Broke: A Requiem in Four Acts” reminds the reader that whatever happened during Hurricane Katrina and its aftermath formed a vital part of the more considerable challenge the city was facing. Like other regions and states in the United States, low-income earners in New Orleans were disproportionately exposed to disadvantages and other disasters. In other words, Hurricane Katrina increased the risk while at the same time leveraging the rate of injustice in the regions. As evidenced in the film title, the overconcentration of the levees in the film runs the danger of hiding these political and historical challenges, even though they are primary to the documentary narrative's significant implications.

Nonetheless, Lee does not only focus on the developments that resulted in the Katrina disaster and its wake, but the films also have concerns about the possible future implications of the Catastrophe. When the Levees Broke: A Requiem in Four Acts” criticizes the inequitable and unsustainable efforts of Rebuilding the City of New Orleans. Using the voices of residents of New Orleans, the documentary demands that rebuilding efforts should counter the difficulties and problems posed by any future disasters or hurricanes and the many structural inequalities, Latinos, and injustices prevalent in the region. As an avenue of an environmental message, Spike Leeves reminds the viewer that an ecologically and socially meaningful concept of sustainable development should consider the needs and perspectives of the minority members of the society and the less privileged citizens. When the Levees Broke: A Requiem in Four Acts” argues that although the hurricane disaster or the cause behind it might be having been natural, the New Orleans disaster was natural. “When the Levees Broke: A Requiem in Four Acts” argues that there are no natural disasters since they are closely linked to social processes that many people are willing to acknowledge. In other words, the disasters are caused by an environmental vulnerability that is socially created instead of geographically determined.

In conclusion, considering that the members of the minority group or the less privileged members of the society in the United States are likely to be victims of disaster relative to others privileged ones is what makes the implications of Hurricane Katrina a catastrophe of environmental injustice. In the United States, in most areas in the Southern part, race correlates closely with poverty. In other words, “When the Levees Broke: A Requiem in Four Acts” attempts to showcase how racial facets helped to shape the racial geography witnessed in New Orleans before and its aftermath. Since New Orleans is situated below the sea level and makes it one of the areas vulnerable to floods in the United States, it is unsurprising to find the whites occupying the highest and exemplary lands curbed by natural levees. The terrible devastation and implications of this unfortunate constellation are the pinnacle of the story that Lee narrates in the film.

Roger and Me

Roger & Me remains the definitive film study that propelled the study of post-industrial America. The film is a heartwarming and chi8lling portrait of what is presumed when society's economic order is changed, and the conditions and terms that individuals live are changed completely. The most depressing issue about rewatching this film in the contemporary era is how normal and typical the documentary's issues are. During the late 1980s, people were shocked and surprised by seeing factory workers transferred to low-income locations and employees denied jobs. During this period, many people assumed that it was a bad thing for executives to fire many people and increase their salary. At this moment, the destruction of the Middle Class in the United States was still a new phenomenon, and the destruction of the municipal cities they created was something new. In other words, approximately two decades ago, many people assumed that the American Dream was not only a fluke for the fortunate by fantasy but a vision of prosperity and freedom that will ensure that every American citizen can become who they want. In contemporary security, not only is this belief vanished; it has vanished entirely. Even the outrage linked to it has already evaporated.

The economic process and work dynamics are established quickly at the commencement of the Movie. For instance, the chairman of General Motors, Roger Smith, was one of the United States' globalization pioneers. He was responsible for the closure of many films in Michigan and relocated them to Mexico due to cheap and affordable labor. He capitalized on the threat of moving other plants away to ensure that the union of weaker was weak and less functional. In doing so, it increased its profit levels for the corporation. It also increased the gap of economic inequality and eroded the economic bases of Michigan. However, this movie's primary brilliance is that although economic issues ate the documentary's subject, it is not its primary area of focus. He focuses heavily on the people, whose eccentricities portray the underlying truth of the situation they are experiencing relative to what any argument or opinion may reveal. Although Roger Smith provides a speech on Christmas's totality, Moore showcases a proof family being evicted due to failure to clear their rent arrears. In doing so, the Movie exposes the fraudulent sentimentality of the privileged members of society. In essence, although the elite members of the society were talking about brotherly love during an important holiday, they are simultaneously mishandling and increasing pain on the less fortunate in the society

Moore also pinpoints the humor of the economic situation in a segment of the film through the eyes of women who make income by raising rabbits for meat and fur. Many people assumed that he was making fun of desperate and needy people in the community. However, Moore was attempting to showcase that a collapsing economy makes individuals engage in doing funny things. The entire issue adds up to an interesting issue of a cultural transition. For instance, to restructure or save itself, Flint establishes an indoor theme park to examine what the city used to be. No one attends the theme park. Although the mall that cost the City millions of dollars opens and closes within no time, many of the film's representations raise concerns. In other words, through the eyes of Pt Boone, Moore questions whether America is still the land of opportunities. On the other hand, Regan requests the workers to relocate to Texas when they are unsure what to do about the challenges of the new economic order, which makes them collapse on bromides and platitudes. Besides, de-industrialization has impacted the livelihood of many people o an extent that many people are now engaging in ridiculous activities such as selling plasma to earn a little income. The irony is that the wealthy members of the society throw parties and celebrate while hiring the less privileged workers to poses in their parties as living statues.

Roger and Me was a movie meant to depict an extraordinary situation facing Flint as a city in Michigan, which was unusual in 1989. However, Flint experienced other Plants in the United States, such as Detroit and then to other places where manufacturing was a primary element of the local economy. In other words, de-industrialization has changed the world in such a way that what many people explained as a bizarre extreme is now classified as the new normal. De-industrialization in the film was indeed the dawn and welcoming of the new era in America.

The humanism element in the documentary is what makes the Movie interesting. Roger & Me put confrontation with the real human beings in their toughness, and all their follow roughly at the pinnacle and epicenter of an economic debate. Although Roger& Me is political, it is hugely confronting it its view and ideologies. While Moore fails to ponder on the simplistic ideologies and slogans, he reveals the implications of economic indifferences in people’s lives due to de-industrialization.

In conclusion, Roger's de-industrialization effect was one of the major drivers behind the many layoffs experienced during this period. Many jobs were lost since most of the production process was relocated and outsourced to countries where the source of labor was cheap. The loss in jobs was caused by increased competition from foreign and international companies. The de-industrialization effect opened up the concept of globalization since many companies could connect and outsource cheap labor from other countries. In the film, it is less surprising that Moore takes an exemplary deal license in showcasing these facts. Although it is not heavily indicated that occupational opportunities in Flint were lost. One of the biggest concerns is the Moors scrambling the sequence of the film's events to support his ideology instead of documenting reality. Regardless of the movie plot, the film's primary theme is that de-industrialization or relocating of the manufacturing plants had devastating economic implications on the local population.

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