FILM ESSAY PAPER 2 CRITIQUE AND REVIEW DUE IN 24 HOURS
Running head: Dances with Wolves 1
Paper #2
“Dances With Wolves” (1990)
Daisy Bett
ARTH 334 7387
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Kevin Costner’s film Dances with Wolves (1990) successfully reinstates the popularity of
the western genre at a time when they were not the most sought-after choice. The film is so
victorious in fact that it becomes the first western since 1931 to win the Best Picture Academy
award among seven other awards (Film History of the 1990s, n.d.). Dances with Wolves is one of
the films that captures not only the attention but the heart of the audience as well. Kevin Costner
as director and main character Lieutenant John Dunbar, delivers a fresh different perspective of
Native American communities with plenty of visually enjoyable shots in this entertaining film.
The three-hour feature film may seem to some viewers today too long to watch but I would argue
that it is worth every second with its convincing storytelling, well placed sound, great editing,
realistic special effects and cinematography.
The story of Dances with Wolves is told through the life of Lt. John Dunbar, a soldier
injured during the Civil War who turns suicidal after believing he would have to amputate his
leg. In a twist of events, Lt. John’s suicide attempt results in him being a decorated soldier, he
receives treatment for his injured leg from the Major’s surgeon and is given the freedom to
choose his next post. Lt. John chooses to go as far away from the east as possible and heads
towards the frontier. The audience takes this adventurous journey with the Lieutenant through
the sea of prairie and mountains to the frontier which is still considered Native American
territory. Here we get to witness the beautiful and sometimes comedic coming together of two
different cultures. Lieutenant John isolated from any other people seeks solace in the Lakota
Indian community, he is eventually accepted as one of their own and named the one who Dances
with Wolves.
One can easily see why the film won the Best Cinematography award by just watching
the first few minutes of the film. The gruesome scene at the beginning of the film shows the dire
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and unsanitary conditions of one of the soldiers’ hospitals during the American Civil War. Close
ups are used during the first few scenes to express the anguish and the pain that Lt. John Dunbar
experiences after injuring his leg or foot. Without much dialogue, the camera tells us that Lt.
John decides against amputation of his leg as the camera shifts from his face then to the soldier
whose leg has been amputated, to the doctor’s tools which we see are several sharp instruments
typically used for cutting and then to the boots by his bedside. This is followed by the
excruciatingly painful scene where John puts his boot back onto the injured leg, this scene was
so convincing that I found myself wincing at the thought of how much pain he was in. The
technique where the camera does the storytelling is used in several scenes throughout the film,
especially as the Lieutenant meets the Lakota Indians and communication between them is
limited. I believe the use of this technique made it more believable to the audience since a
struggle in communication is expected in the beginning.
Another close-up seen further along in the film is when Lt. John makes first contact with
Kicking Bird played by Graham Greene. After taking a swim the Lieutenant completely
unguarded walks from the waters bank to see Kicking Bird looking through his belongings, the
close-up shows John’s face completely stunned as he realizes the precarious situation he is in.
Fortunately, Dances with Wolves mostly features cinematography that gives more pleasant
experiences to the audience. Some of this is seen in the long shots of the landscape and scenery
captured throughout the film especially as John takes the journey to his post in the frontier. The
audience can easily get lost in all the splendor of the vast displays of multiple landscapes. The
one that stood out to me the most was the scene where Lt. John Dunbar and the Lakota Indians
lay stalking the massive herd of buffalos in the plains.
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The breathtaking scene with the buffalos was a mystery to me and raised several
questions, where did all the buffalos come from and were any of them actually harmed? After
doing some research I learnt that some of the buffalos were from a ranch in South Dakota while
others, the ones shot down in the film were mechanically built props. The scene where a buffalo
comes charging toward the young Indian boy, Smiles A lot was actually accomplished using a
domesticated buffalo that had a great affinity for Oreos. This genius use of special effects is what
makes this film a cut above the rest. Continuity editing is used in the film during the journey that
Lt. John takes to the frontier to emphasize the distance taken to reach it and the intensity of the
journey. The cuts dissolve into each other as Lt. John and Timmons take the tedious journey
through the prairie, mountains and plains.
Non diegetic sound is used as Lt. John settles into his new post, Fort Sedgwick, while he
sleeps we hear what sounds like footsteps around the mud house. These footsteps are later
revealed to be those of his horse Cisco. The mysterious sound of footsteps makes the viewer pay
attention as well as builds suspense and anxiety. Eerie or suggestive music is also used in
multiple scenes during the film to accomplish the same effect. The music is used in the process
of storytelling, as we hear the same instrumental swell up during Lt. John’s journey to the
frontier. Sound effects are used in the film as well, the clear buzzing sound of flies is heard
whenever showing or describing a dirty environment or unkempt character like Timmons.
Kevin Costner does a brilliant job both behind and in front of the camera. As director he
pays attention to seemingly trivial details like showing some blood on the horse during the
Lieutenant’s suicidal attempt. He takes the time to develop and show the personalities of even
the minor characters like Timmons and Major Fambrough. Kevin Costner as the main character,
Lt. John Dunbar pulls off the perfect expressions and attitudes for a distressed lonely soldier is
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who meets a people he has been taught to fear but realizes they are not who they were described
to be.
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References
Film History of the 1990s. (n.d.). www.filmsite.org. Retrieved April 22, 2021, from
https://www.filmsite.org/90sintro2.html
Henrikson, C. (1991, March 8). Filming the “‘Dances With Wolves’” stampede [Review
of Filming the “‘Dances With Wolves’” stampede]. Explore Entertainment.
https://ew.com/article/1991/03/08/filming-dances-wolves-stampede/