geography
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Spatializing Citizenship and the Informal Public
Teddy Cruz
Rethinking the Public: From a “Free” to an Urgent Imagination
It is obvious by now that the celebrated metropolitan explosion of the recent economic boom also produced a dramatic project of marginalization. This has resulted in the unprecedented growth of slums surrounding major urban centers, increasing the urban confl icts of an uneven development. This urban asymmetry at the center of today’s socioeconomic crises also brought with it the incremental erosion of a public imagination, as many governments around the world enabled the encroachment of the private into the public.
Our conversation must begin then with the obvious: The public is collapsing as an ideal within a political climate still driven by inequality, institutional un- accountability, and economic austerity. This is true not only for the American context in which I write, but in the countless sites across the world that have ascribed to and reproduced the neoliberal myth of a public–private schism. In other words, as the longevity of the top- down public welfare- state paradigm is in question today, we need urgently to search for alternatives, and seek a more functional manifestation of public thinking and action at “other” scales and within community- based dynamics: a bottom- up public? We must ask diff erent questions if we want diff erent answers. This is why one of most relevant and critical challenges in our time is the problem of how we are to restore the ethical imperative among individuals, collectives, and institutions to coproduce the city, as well as new models of cohabitation and coexistence in the anticipation of socioeconomic inclusion.
Rethinking the public cannot begin without exposing the controversies and confl icts that defi ne the present moment’s unprecedented socioeconomic in- equality. In fact, decoupling the public from the imperative of socioeconomic equity only risks romanticizing our notions of the public, perpetuating the de- politicization of this urgent topic from our artistic fi elds and their practices. As a point of departure, this is a political project that contemporary architectural and
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artistic practices must engage. Today, as urban designers, we cannot begin any conversation about the future of the megacity without critically understanding the conditions that have produced the present crisis.
Since the early 1980s, with the ascendance of neoliberal economic policies based on the deregulation and privatization of public resources, we have wit- nessed how an unchecked culture of individual and corporate greed has yielded unprecedented income inequality and social disparity. This new period of in- stitutional unaccountability and illegality has been framed politically by the erroneous idea that democracy is the “right to be left alone,” a private dream devoid of social responsibility. But the mythology of this version of free- market “trickle down economics,” assuring the public that if we forgive the wealthy their taxes all of us will benefi t and one day become as rich, has been proven wrong by such undeniable evidence as political economists Saez and Piketty (2013: 1) have brought to light. They have noted that during both the Great Depression of 1929 and today’s economic doldrums, we fi nd both the largest socioeconomic inequality and the lowest marginal taxation of the wealthy. These are instances when the shift of resources from the many to the very few has exerted the great- est violence to our public institutions and our social economy. The polarization of wealth and poverty in the last decades has been a direct result of the polar- ization of public and private resources, and this has had dramatic implications in the construction of the contemporary city and the uneven growth that has radically increased territories of poverty.
This hijacking of the public by the private has in fact been mobilized by a powerful elite of individual and corporate wealth, who in the name of free- market economic policies has enjoyed the endorsement of federal and municipal governments to deregulate and privatize public resources and spaces of the city. This has prompted many planning and economic development offi ces to “un- plug” from communities and neighborhoods at the margins of the predictable zones of economic investment, resulting in the uneven urban development that has characterized many cities in the world, from Istanbul to New York City. This retreat of the institutions of governance from public investment has resulted also in the erosion of public participation in the urban political process, as many communities aff ected by this public withdrawal have not been meaningfully involved in the planning processes behind these urban transformations, nor benefi ted from the municipal and private profi ts they engendered.
An argument can be made, however, that broad, structural political and social changes are possible. Such changes have occurred in certain moments in history, when the instruments of urban development were primarily driven by an in- vestment in the public; two examples are the emergence of the New Deal in the United States aft er the 1929 economic crisis and the postwar Social Democratic
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urban politics in Europe, and so forth. But today’s crisis and its conditions are exponentially more complex, as the consolidation of exclusionary power is not only economic but also political, driven by one of the largest corporate lobbying machines in history, which has subordinated collective responsibility to serve individual interests, dramatically changing the terms by polarizing institutions and publics, wealth and power, and misallocating natural, social and fi nancial resources in unprecedented ways.
It is necessary, then, for the political specifi city shaping the institutional mechanisms that have endorsed this uneven urban development to be the cat- alyst for design today. In other words, the critical knowledge of the very con- ditions that produced the global crisis should be the material for architects in our time, making urban confl ict the most important creative tool to reimagine the city today. Without altering the exclusionary policies that have decimated a civic imagination in the fi rst place, architecture will remain a decorative tool to camoufl age the neoconservative politics and economics of urban development that have eroded the primacy of public infrastructure worldwide. It has been disheartening, for example, to witness how the world’s architectural intelligen- tsia—supported by the strong economy of the last years—fl ocked en masse to the United Arab Emirates and China to help build the dream castles that would catapult these enclaves of wealth to positions of global epicenters of urban development. However, other than a few architectural interventions by high- profi le protagonists whose images have been disseminated widely, no major ideas were advanced there to resolve the major problems of urbanization today, which are grounded in the inability of institutions of urban development to more meaningfully engage urban informality, socioeconomic inequity, environmental degradation, lack of aff ordable housing, inclusive public infrastructure, and civic participation.
In the context of these shift s, we are paralyzed across sectors, silently witness- ing the consolidation of the most blatant politics of unaccountability, the shrink- age of social and public institutions and not one single proposal or action that can suggest a diff erent approach, diff erent arrangements. So, before economic and environmental, ours is primarily a cultural crisis resulting in the inability of institutions to question their ways of thinking, their exclusionary policies, the rigidity of their own protocols and silos. How are we to reorganize as artists, architects, and communities to perform a more eff ective project that can enable institutional transformation? I emphasize eff ective project because what we need is a more functional set of operations that can reconnect our artistic practices and academic research to the urgency of the everyday embedded in the crisis of urbanization in order to produce new housing paradigms, other modes of socio- economic sustainability, and conceptions of public space and infrastructure, as
Spatializing Citizenship and the Informal Public • 319
well as a new poverty scholarship and practice. At this moment this means that our work needs to complicate itself by infi ltrating existing institutional protocols, negotiating modest alterations, and being persuasive enough to transform top- down urban policy and economy.
In fact, one primary site of artistic intervention today is in the widening gap between institutions of knowledge and the public. How to mobilize a new inter- face between the specialized knowledge of institutions and the community- based knowledge embedded in marginalized neighborhoods? It is through this meet- ing of knowledges that we can we instigate a new civic imagination. But this can- not occur without also intervening in our own practices and research protocols.
On one hand, we must question the role of architecture and urban planning, art and the humanities in engaging the major problems of urban development today, as well as the social and political sciences, and their obsession with quan- tifi ed data as the only way to measure social inequity without giving us any qualitative way out of the problem. In other words, it is not enough only to reveal the socioeconomic histories and injustices that have produced these crises, but it is essential that theory and practice become instruments to construct specifi c strategies for transcending them; it is not enough for architecture and urban planning to camoufl age, with hyper- aesthetics and forms of beautifi cation, the exclusionary politics and economics of urban development; at this moment, it is not buildings but the fundamental reorganization of socioeconomic relations that must ground the expansion of democratization and urbanization. In the same manner, it is not enough for social and political sciences to only “mea- sure” and expose the institutional mechanisms that have produced territories of poverty—important though that element is—but it is essential that they com- municate these measurements to those who can make use of them, and work with communities to develop policy proposals and counter- urban development strategies, helping us to reimagine how the surplus value of urbanization can be redirected to sites of marginalization.
What this suggests is a double project, one that exposes the institutional mechanisms that have systematically and through oft en overtly racist and na- tionalist policies produced the stigmas, and the political and economic forces that perpetuate marginalization; it is also one that simultaneously intervenes in the gap between top- down resources and bottom- up agency, avoiding the trap of static victimization that has prevented the increase of capacity within marginalized communities for political agency.
But the formation of new platforms of engagement in our creative fi elds can only be made possible with a sense of urgency that pushes us to rethink our very procedures. The need for expanded modes of artistic practice, pedagogy, and research, which, connected to new sites of investigation and collaboration, can
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generate new conceptions of cultural and economic production, as well as the reorganization of social relations, seems more urgent than ever.
From Critical Distance to Critical Proximity: Radicalizing the Particular, from the Ambiguity of the Public to the Specifi city of Rights
This double project of research and action must dwell within the specifi city of these urban confl icts, exposing the particularity of hidden institutional histo- ries, revealing the missing information that can enable us to think politically and piece together a more accurate, anticipatory urban research and design intervention. It is in fact at the collision between the top down and the bottom up where a new urban political economy can emerge.
It is at this juncture of abstraction and specifi city where the revision of our own artistic procedures must take place. The same ideological divide that permeates politics is also found in art and architecture’s ongoing debates. On one hand, we fi nd those who continue to defend art and architecture as a self- referential project of apolitical formalism, made of hyper- aesthetics for the sake of aesthetics, which continues to press the notion of the avant- garde as an au- tonomous project, “needing” a critical distance from the institutions to operate critically in the research of experimental form. On the other hand, we fi nd those who need to step out of this isolationism in order to engage the sociopolitical and - economic domains that have remained peripheral to the specializations of art and architecture, questioning our professions’ powerlessness in the context of the world’s most pressing current crises.
These emerging latter practices seek, instead, for a project of radical proximity to the institutions, encroaching into them to transform them from the inside out. Such infi ltration allows us to produce new aesthetic categories that can problematize the relationship of the social, the political, and the formal, ques- tioning our own creative fi elds’ unconditional love aff air, in recent years, with a system of economic excess that was needed to legitimize artistic isolationism and irrelevance. How to reconnect artistic experimentation and social responsibility, a major aspiration of the historic avant- garde, must be the central question in today’s debate.
What is being sought then are expanded modes of practice, engaging an equally expanded defi nition of the public, where architects are responsible for imagining counter spatial procedures, where architects are responsible for creat- ing political and economic structures that can produce new modes of sociability and encounter. Without altering the exclusionary policies that have produced the current crises in the fi rst place, our professions will continue to be subordinated
Spatializing Citizenship and the Informal Public • 321
to the visionless and homogeneous environments defi ned by the bottom- line urbanism of the developer’s spreadsheet and the neoconservative politics and economics of a hyper- individualistic ownership society.
It has been said, for example, that the Civil Rights movement in the United States began on a bus. A small act trickling up into the collective’s awareness: When Rosa Parks sat where she did not belong, the bus was public but it was not accessible to all. While public transport at that time was labeled public it was hugely exclusionary, ridden with inequality. This resonates with the collision between our abstract notions of the “public” and the specifi c reality of economic inequality on the ground today. For this reason it is necessary to move from the neutrality of the term public in our political debate at this moment in order to arrive at the specifi city of rights, the rights to the city, to the neighborhood.
What is needed is a more critical role for design to encroach into the frag- mented and discriminatory policies and economics that have that have produced these collisions in the fi rst place. Artists and architects have a role in conceptual- izing of such new protocols. In other words, it is the construction of the political itself that is at stake here: not just political art or architecture. This opens up the idea that architects and artists, besides being researchers and designers of form, buildings and objects, can be designers of political processes, alternative economic models, and collaborations across institutions and jurisdictions to ensure accessibility and socioeconomic justice. This means we need to expand forms of practice, through which design takes a less protagonist role, via small, incremental acts of alteration of existing urban fabrics and regulation to mobilize counter propositions to the privatization of public domain and infrastructure. The most radical intervention in our time can emerge from specifi c, bottom- up urban and regulatory alterations, modest in nature, but with enough resolution and assurance to trickle up to transform top- down institutional structures. And this is the reason, I maintain, that this project of rethinking public space today is not primarily an architectural or artistic project but a political one, a project that architects and artists can mobilize.
This new political project must also mobilize cross- sector institutions to con- front socioeconomic inequality, seeking to elevate marginalized communities not only as sites of stigmatization, alienation and control, but primarily as sites of activism and praxis. In this context, the most relevant new urban practices and projects moving socioeconomic inclusion forward will emerge from sites of confl ict and territories of poverty, where citizens themselves, pressed by socio- economic injustice, are pushed to imagine alternative arrangements. It is on the periphery, where conditions of social emergency are transforming our ways of thinking about urban matters and matters of concern about the city.
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Cross- Border Neighborhoods as Sites of Cultural Production: The Informal as Praxis, the Informal Public
These questions have framed my thinking during the years that I have been re- searching the Tijuana–San Diego border region. It is here where one can directly witness how the incremental hardening of the border wall and the apparatus of surveillance behind it has occurred in tandem with the hardening of urban legislation toward the public, deepening the erosion of social institutions, bar- ricading public space, and dividing communities. In other words, the protec- tionist strategies of the last decades, fueled by paranoia and greed, have defi ned a radically conservative social agenda of exclusion that threatens to dominate public legislation in the years to come. It is at this juncture, in the context of this sociocultural closure and the incremental privatization and erosion of public culture worldwide, where marginalization gets specifi c.
For more than a decade, I have been working and investigating critical issues of housing and urbanism that emerge from the observation of the many commu- nities that fl ank the U.S.–Mexico border. In contrast to the generic “global city,” which in recent years became the focus of an urbanization of consumption, local neighborhoods in the margins of such centers of economic power remained sites of cultural production. These are peripheral communities where new economies are emerging and new social, cultural and environmental confi gurations are taking place as catalysts to produce alternative urban policies aimed at a more inclusive social sustainability, giving the local a more critical role in rethinking global dynamics.
My research- based architecture practice has oscillated from the scale of the global border to the border neighborhood. Aft er 9/11, I devised the Political Equator as a visual diagram: Considering the Tijuana–San Diego border as a point of departure. The Political Equator traces an imaginary line along the U.S.– Mexico border and extends it directly across the world atlas, forming a corridor of global confl ict between the 30 and 36 degrees north. Along this imaginary border encircling the globe lie some of the world’s most contested thresholds including the U.S.–Mexico border at Tijuana/San Diego, the most intensifi ed portal for immigration from Latin America to the United States; the Strait of Gibraltar, where waves of migration fl ow from North Africa into Europe; and the Israeli–Palestinian border that divides the Middle East.
This global border, forming a necklace through some of the most contested checkpoints in the world and emblematic of hemispheric divisions between wealth and poverty, is ultimately not a “fl at line” but a critical threshold that bends, fragments and stretches in order to reveal other sites of confl ict world- wide. Across the world, invisible trans- hemispheric sociopolitical, economic,
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and environmental dynamics are manifested at regional and local scales. The Political Equator, then, has been my point of entry into many of these radical localities, distributed across the continents, arguing that some of the most rele- vant projects advancing socioeconomic inclusion will emerge from confronting the confl icts between geopolitical borders, natural resources, and marginalized communities.
Ultimately, the forces of division and control produced by these global zones of confl ict are amplifi ed, physically inscribed and manifested in particular crit- ical geographies such as the San Diego–Tijuana border territory, producing, in turn, local zones of confl ict. It is in the midst of many of these metropolitan and territorial sites of confl ict where new practices of intervention and new forms of “applied research” will engage more meaningfully the spatial, territorial, and en- vironmental conditions across critical thresholds, whether global border zones or the local sectors of confl ict generated by discriminating politics of zoning and economic development in the contemporary city.
At no other international juncture in the world one can fi nd some of the wealthiest real estate, such as that found in the edges of San Diego’s sprawl, barely twenty minutes away from some of the poorest settlements in Latin America, manifested by the many slums that dot the new periphery of Tijuana. These two diff erent types of suburbs are emblematic of the incremental division of the contemporary city and the territory between enclaves of mega wealth and the rings of poverty that surround them.
This has led to a primary focus on the micro scale of the border neighbor- hood; which I propose as the urban laboratory of our time. The diff erent kinds of power at play across the most traffi cked checkpoint in the world have provoked the small border neighborhoods that surround it to construct socioeconomic practices of adaptation and resiliency in order to transgress imposed political and economic forces, pointing at other ways of constructing city, other ways of constructing citizenship. A community is always in dialogue with its immediate social and ecological environment—this is what defi nes its political nature. But when this relationship is disrupted and its productive capacity splintered by the very way in which jurisdictional power is instituted, it is necessary to fi nd a means of recuperating its agency.
This agency and activism can be found in informal urbanization, which I see not only as an image of institutional alienation and poverty exploitation; but as a set of practices, a set of every day procedures that enable communities to nego- tiate time, space, boundaries and resources in conditions of emergency. We can learn from these urban processes in order to reimagine the meaning of public infrastructure in the offi cial city and to mobilize new forms of accountability from the institutions of planning and private industry, as well to engage these
Spatializing Citizenship and the Informal Public • 325
communities as agents capable of challenging their exploitation by emergent models of fi nancialization masqueraded as inclusive and ethical.
In this context, one of the most important issues underlying my research has been to produce new conceptions and interpretations of the informal. Instead of a fi xed image, I see the informal as a functional set of urban operations that allow the transgression of imposed political boundaries and top down economic models. I am interested in a practice of translation of the actual operative proce- dures behind informal settlements into new tactics of urban intervention. I see the informal not as a noun but as a verb that explodes traditional notions of site specifi city and context into a more complex system of hidden socioeconomic exchanges. Primarily, because of my work in marginal neighborhoods in San Diego and Tijuana, I see the informal as the starting point of a new interpretation of community and citizenship, understanding the informal not as an aesthetic category but as praxis. This is the reason I am interested in the emergent urban confi gurations produced out of social emergency, and the performative role of individuals constructing their own spaces.
In recent years, I have been visualizing the many invisible informal trans- border fl ows, which are physically manifested by the informal land use patterns and economies produced by migrant workers fl owing north from Ti- juana into San Diego, and by “infrastructural waste” moving south to construct an insurgent, cross- border urbanism of emergency in Tijuana. This suggests a double urbanism of retrofi t by which the recycling of fragments, resources and situations from these two cities can allow new ways of conceptualizing housing and density:
SCENARIO 1.
NORTH TO SOUTH SUBURBS MADE OF WASTE:
SAN DIEGO’S LEVITTOWNS ARE RECYCLED INTO TIJUANA’S SLUMS
My research in this city has been studying the relationship of informal settle- ments, emergency housing and the politics of cheap labor, as maquiladoras (nafta factories) settle in the midst of these slums. The periphery of Tijuana is dotted with slums, which build themselves with the urban waste of San Diego. This waste fl ows south- bound to construct an urbanism of emergency, as one city recycles the “left over” of the other into a sort of “second hand” urbanization.
I am referring to the postwar bungalows that have been part of the older rings of suburbanization in Southern California and are being recycled into the slums of Tijuana. These small houses are moved physically across the border as developers in the United States have recently begun to give them away to Mex- ican speculators in order to replace them with new and larger McMansions. So, not only people cross the border but entire chunks of one city move to the next.
FIGURE 5. North–south/south–north invisible trans- border fl ows are physically manifested in one direction by an urbanization of adaptation, as informal densities and economies produced by migrant workers fl owing north transform San Diego neighborhoods; and by “infrastructural waste,” in the opposite direction, as Tijuana’s slums recycle the urban “left overs” of San Diego to construct emergency housing.
Spatializing Citizenship and the Informal Public • 327
When these houses are moved into Mexico, they are put on top of steel frames, leaving the fi rst fl oor open to become the second, to be fi lled through time with a small business or an addition to the house, setting into motion an incremental layering of small- scale spaces and economies.
This recycling process does not only include houses, but a variety of small urban debris come into play—that is, standard framing, joists, connectors, ply- wood, aluminum windows, garage doors. Once in Tijuana’s informal neigh- borhoods these parts are reassembled by people into fresh scenarios, creating a housing urbanism made of fragments. Recycled rubber tires, for example, are used to construct retaining walls; but in the context of social emergency and housing shortage, people in these informal settlements have fi gured out how to strip the tires, how to thread them and interlock them to produce a more functional retaining wall. Also, the garage doors from the older subdivisions of Southern California are imported en masse into the slums of Tijuana, becoming the new structural walls for emergency housing in these informal settlements.
It is undeniable that these slums have erupted as the underbelly of exclu- sionary global neoliberal economic policies that have turned cities like Tijuana into tax- free manufacturing heavens. In other words, Tijuana is one of those global zones of exception where multinationals set up shop to take advantage of cheap labor, and where they can avoid any sort of regulation against human exploitation and environmental degradation. Yet, these slums are also intensive urbanizations of juxtaposition, emblematic of how Tijuana’s informal commu- nities are growing faster than the urban cores they surround, creating a diff erent set of rules for development, and blurring the distinctions between the urban, suburban and the rural. How to intervene in these environments and with their communities? Beyond the static logics of the institutions of charity that generally muddle the distinctions between resistance and complicity, the applied academic research that only treats—at a distance—these communities as subjects to be “randomized” and “assessed,” and the indiff erence of governments and private industries that have allied themselves in the further marginalization of these neighborhoods.
Tijuana Project: Manufactured Sites While for architects it is compelling to witness the creative intelligence and entrepreneurship embedded in these communities, we must ensure that by ele- vating this creativity, we do not simultaneously send a message to governments and other sources of economic support that because these communities are so “entrepreneurial” they are capable of sustaining themselves without public support and that institutions, across sectors, can ethically unplug from these precarious environments. Or, in more specifi c terms, that it is not enough to
328 • Teddy Cruz
simply give property titles to slum dwellers to incorporate them into the offi cial economy—as Peruvian economist Hernando de Soto (2000) pointed out years ago—without the social protection mechanisms that can guarantee environmen- tal and social justice (2). Otherwise, we risk perpetuating these environments as laboratories of neoliberal economic tinkering, based on individuals improving and selling their own parcels as commodities, without any social protection mechanisms that can avoid exploitation by the generic fi nancialization machine that does not take into account local communities and their social and economic wellbeing. In essence, I am also aware that this creative intelligence needs so- cioeconomic support systems, political representation, and a new approach to spatial and infrastructural design that can be inclusive of the temporal socio- economic dynamics embedded in this stealth urbanization.
This is how on the Tijuana side, I have been researching the alternative ur- banisms of resilience and adaptation inscribed in informal urbanization in or- der to redefi ne urban density. Learning from these bottom- up forms of local socioeconomic production is essential to the rethinking of urban sustainability, focusing on neighborhoods as sites of environmental, cultural, and economic productivity. (I realize that when these two topics—neighborhood marginal- ization and economic productivity—are brought together, some academics get nervous, since this might suggest a complicity with the logics of top down privat- ization and disinvestment, or that the language of entrepreneurship, resilience, and sustainability, resonates with neoliberal urban rhetoric. I want to retake
FIGURE 6. A housing innovation made of waste: A maquiladora- made prefabricated frame performs as a hinge mechanism to connect a variety of recycled materials and systems brought from San Diego and reassembled in Tijuana’s slums.
Spatializing Citizenship and the Informal Public • 329
those terms and give them meaning through a more robust community- based engagement. What I mean here is that one of the most fundamental questions today is how to mobilize other economic pro formas of development that are neighborhood- led and whose profi ts benefi t the community and not private developers only.)
This is how my urban research in Tijuana inserts itself in the midst of the con- fl ict between factories and slums, opening alternative cross- sector processes for the production of social housing within informal settlements. We have observed that as nafta maquiladoras position themselves strategically adjacent to Tijua- na’s slums in order to have access to cheap labor; they do not give anything in return to these fragile communities. Our site of intervention is then the factory itself, by utilizing its own systems and material production and prefabrication in order to produce surplus micro- infrastructure for housing.
The Manufactured Sites project involves the production of a prefabricated frame (assembled with materials from the factories surrounding the slums) that can act as a hinge mechanism to connect a variety of recycled materials and systems brought from San Diego and reassembled in Tijuana. This small piece is also the fi rst step in the construction of a larger, interwoven, and open- ended scaff old that helps shore- up an otherwise precarious terrain without compromising the improvisational dynamics of these self- made environments. Conditions of social emergency ask for the reorganization of resources and the cross- institutional accountability and collaboration. The frame is produced by
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the Spanish company Maquiladora Mecalux and supported by Tijuana munic- ipal subsidies, and it takes into account the hidden value of the sweat equity of people living in the informal settlement, a process that is coordinated and facilitated by community activists and agencies. The prefabricated parts emerge from the recombination of existing material systems inside the assembly line, and they become available for small cooperatives to collaboratively develop extra housing units with other residents. The design “intervention” here is a result of a process of negotiation with boundaries, resources, and people in a cross- sector curatorial project that critically approximates prefabrication industry, govern- ment subsidies, and communities organization.
SCENARIO 2.
SOUTH TO NORTH SUBURBS MADE OF NONCONFORMITY:
TIJUANA’S ENCROACHMENT INTO SAN DIEGO’S SPRAWL
As waste fl ows south, people go north in search of dollars. The shift ing of cul- tural demographics in American Suburbs has transformed many poor immi- grant neighborhoods into the site of investigation for my practice. My research in San Diego has focused on the impact of immigration in the transformation of the American neighborhood, projecting that the future of Southern California’s ur- banization will depend on the alteration of the large scale of exclusionary urban development by a small urbanization of adaptation: The micro- socioeconomic contingencies of informal urbanization will transform, through time, the homo- geneous largeness of offi cial urbanization of San Diego into more sustainable, plural, and complex environments.
Increasing waves of immigrants from Latin America have had a major impact on the urbanism of American cities. Already, Los Angeles, for example, is home to the second largest concentration of Latin Americans outside the capitals of Mexico, Guatemala, and El Salvador, among other countries. Current demo- graphic studies have predicted that Latin Americans will compose the majority of California’s population in the next decade. As populations travel north in search for new opportunities, they inevitably alter and transform the fabric of neighborhoods where they settle, including in San Diego and Los Angeles. In these older neighborhoods, multigenerational households of extended families shape their own programs of use, taking charge of their own informal economies in order to maintain a standard for the household.
It is not a coincidence, then, that these older mid- city neighborhoods com- pose the territory that continued to be marginalized in the process of urban redevelopment of the last decades of growth. Not able to aff ord the high- priced real estate of downtown or the McMansions of the new sprawl, waves of immi- grant communities from Latin America, Asia, and Africa have settled into these fi rst rings of suburbanization in many American cities in recent years, making
Spatializing Citizenship and the Informal Public • 331
these neighborhoods the service communities for the newly gentrifi ed center and the expensive suburbs. The temporal, informal economies and patterns of density promoted by immigrants and their socioeconomic and economic dynamics have fundamentally altered what was the fi rst ring of Levittown- type suburbanization of the 1950s, transforming it into a more complex network of socioeconomic relationships.
If we were to construct a binational land use map between San Diego and Tijuana, for example, showing the diff erent attitudes of these two border cities toward land use and density, we would notice the large blocks of color of an exclusionary zoning—a maximum space with minimum complexity—to the north, and to the south the high pixilation of more compacted uses in Tijuana, a minimum space with maximum complexity.
This confetti of alternative uses in Tijuana has been slipping into the large- ness of Southern California land uses, and when it hits the ground it alters the mono- use monoculture of many parcels in San Diego’s homogeneous suburbs. An informal economy is plugged into a garage; an illegal granny fl at is built in the backyard to support an extended family. This is an urbanization of retrofi t trans- forming the large with the small, with more sustainable and inclusive land uses.
Many stories of alteration and nonconformity can be found in these San Di- ego environments. The Informal Buddha is the story, for example, of a tiny post- war bungalow that transformed into a Buddhist temple in the last two decades, incrementally altering the small parcel it occupies into a micro socioeconomic infrastructure. These community- based agencies are able to organize and bundle the invisible socioeconomic entrepreneurship embedded in this community and translate it into new policies and economies.
San Diego Project: Casa Familiar Micro- Policy My work on the San Diego has focused on the translation of the sociocultural and economic intelligence embedded in many marginal immigrant neighbor- hoods in order to propose more inclusive land use and economic categories that can support new forms of socioeconomic sustainability. The hidden value (cultural, social and economic) of these communities’ informal transactions across bottom- up cultural activism, economies, and densities continues to be off the radar of conventional top- down planning institutions.
These bottom- up urban transformations ultimately show the need to expand existing categories of zoning, producing alternative densities and transitional uses that can directly respond to the emergent political and economic infor- malities at play in the contemporary city. It is, in fact, the political and cultural dimension of housing and density as a tools for social integration in the city what has been the conceptual armature of my work as an architect. How to enable this urbanization beyond the property line—this micro- urbanism—to alter the
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rigidity of the discriminatory public policies of the American city? How can the human capacity and creative intelligence embedded in migrant communities be amplifi ed as the main armature for rethinking sustainability?
The story of the nonconforming Buddha suggests the need for mediating neighborhood- based agencies that can curate the interface between institu- tions and communities, top- down resources and bottom intelligence. I have articulated this research not only as a form of discourse that has enabled new critical conversation and debate across diff erent constituencies, from academ- ics to activists and politicians, but as a tangible process of collaboration with community- based nonprofi t organizations such as Casa Familiar, in the border neighborhood of San Ysidro, to codesign and manage physical interventions in neighborhoods on both sides of the border.
The main achievement through this process was the tactical design and orga- nization of a series of community dialogues and workshops with Casa Familiar that in turn generated the idea of a micro- zoning policy for San Ysidro, pro- viding fertile political ground from which alternative hybrid projects and their sources of funding could emerge. This process opened an alternative channel of relationship with the City of San Diego to demand a more robust partnership and interface with neighborhood- based local nonprofi t organizations, to enable them to co- own the resources of development and become the long- term cho- reographers of social and cultural programming for housing.
In essence, the Casa Familiar Micro- Policy was the proposition to seek a new role for many ngos in neighborhoods to develop housing. This included the mediation and translation of otherwise invisible neighborhood dynamics: These ngos can connect tangible housing needs to specifi c community partic- ipants, and they can support and generate new economies that emerge from the community itself and enhance social service capabilities to be plugged into housing. Agencies like Casa Familiar can mobilize the internal entrepreneurial energies and social organization that characterizes these neighborhoods toward a more localized political economy latent in these migrant communities. These socioeconomic agendas can be framed by particular spatial organization.
The Casa Familiar Micro- Policy includes the documentation of all stealth illegal additions and small informal economies sprinkled through the neigh- borhood in order to legitimize their existence, enabling the approval of a new aff ordable housing overlay zone for the neighborhood. The second part of the policy included the partnership of Casa Familiar with property owners who cannot aff ord to maintain their own properties—the production of social con- tracts within the community to produce a new form of shared ownership and social protection mechanism is essential here. Then, Casa Familiar will be en- abled by the city to offi cially prepackage and facilitate construction permits to
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FIGURE 8. Housing micro- policy for San Ysidro, or the neighborhood as a political unit: expanded models of architecture practice can mediate between top- down politics and economics of urban development and the bottom- up social agency at the scale of marginalized neighborhoods
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replace the precarious existing illegal dwelling units as well as tax credit sub- sidy–based pro formas to support their designation as aff ordable housing. Since developer- driven tax credit subsidies do not support small development, Casa Familiar would also be enabled to prebundle tax credit subsidies pertaining a large housing building, but breaking it apart into small loans and facilitating them through the neighborhood, for which Casa Familiar would take liability. The facilitation of entitlement and lending amplifi ed the notion that marginal communities need political and economic representation by agencies like Casa Familiar. This micro- policy opened up a small- lot ordinance process in San Diego, one seeking to infi ll transitional and suburban areas of the city while enforcing an incremental densifi cation and supporting community- led small development. Most importantly, it presented a challenge: can communities be- come developers of their own housing stock and public infrastructure?
Toward an Urban Pedagogy: The Visualization of a New Civic Imagination
During the last two years, I have been collaborating with political theorist Fonna Forman to further question the relationship between social justice, citizenship culture and the construction of the city: Can these marginalized communities across the world and particularly those fl anking the San Diego–Tijuana border enable us to reimagine not only the meaning of public space, housing and infra- structure, but also the construction of new interpretations of citizenship? The largest bi- national metropolitan region in the world has provoked the question: Can a cross- border citizen exist, whose idea of citizenship is organized around the shared interests between these two divided cities?
We need to seek other conceptions of citizenship, beyond its inscrip- tion within the offi cial protocols of the nation- state. As evidenced by these under- represented border neighborhoods, citizenship is primarily a creative act, enabling the transformation of institutional protocols and the spaces of the city. It is within these marginalized communities of practice where a new conception of civic culture can emerge, whose dna is found in informal urban- ization, and from which we can incrementally construct new interpretations of community and praxis.
But as we return to these informal settlements for clues, their invisible urban praxis also needs artistic interpretation and new tools and methodologies for research. This should be the space of intervention for new forms of pedagogy and scholarship. In this context, we must expand meanings of spatial and social justice, understanding them not only through the redistribution of physical and economic resources but as dependent also on the redistribution of knowledges. An investment in an urban pedagogy—the transfer of knowledge across govern- ments and communities—is the fundamental pursuit to construct a civic culture
Spatializing Citizenship and the Informal Public • 337
as the basis for an inclusive urbanization and new conceptions of public space. Because of this, seeking new forms of urban pedagogy is one of the most critical areas for artistic investigation and practice today. The conventional structures and protocols of academic institutions and urban planning agencies may be seen to be at odds with activist practices, which are by their very nature organic and extra- academic and trans- institutional. Should activist practices challenge the nature/structure of pedagogy within the institution? Are new modes of teaching and learning called for?
These questions have inspired the construction of the Bi- national Citizen- ship Culture Survey, conducted by former Bogota mayor Antanas Mockus and his nonprofi t Corpovisionarios, in collaboration with political theorist Fonna Forman and me at the University of California, San Diego, and the munici- palities of Tijuana and San Diego. The Bi- national Citizenship Culture Survey is an instrument that will measure and help visualize the shared values and norms, the common interests and sense of mutual responsibility around which a new bi- national conception of citizenship can be formed—beyond the arbi- trary jurisdictional boundaries that too rigidly defi ne cityhood, and beyond the identitarian politics of the nation- state. The results of the survey in the spring of 2015 will be stewarded by a cross- sector bi- national council that will develop a set of priorities and proposals in collaboration with the municipalities of San Diego and Tijuana and will usher in a new era of cooperation between them. By recognizing both Tijuana’s and San Diego’s urban policies and taking account of the assets, resources, and ideas that can be shared, the survey will facilitate the coproduction of bi- national vision and a process that derives its strength from cross- border synergies, inclusive of the most vulnerable communities on both sides of the border.
These are essential questions at a time when the hidden urban operations of the most compelling cases of informal urbanization across territories of poverty need to be translated into a new political language with particular spatial con- sequences from which to produce new interpretations of public infrastructure, property, and citizenship.
An Informal Public Manifesto: • To challenge the autonomy of buildings, oft en conceived as self-
referential systems, benefi ting the one- dimensionality of the object and indiff erent to socioeconomic temporalities embedded in the city. How to engage instead the complex temporalization of space found in informal urbanization’s management of time, people, spaces, and resources?
• To question exclusionary recipes for zoning, understanding it not as a punitive tool that prevents socialization but instead as a generative
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tool that organizes and anticipates local social and economic activity at the scale of neighborhoods.
• To politicize density, no longer measured as an abstract amount of ob- jects per acre but as an amount of socioeconomic exchanges per acre.
• To retrofi t the large with the small. The micro- socioeconomic con- tingencies of the informal will transform the homogeneous largeness of offi cial urbanization into more sustainable, plural, and complex environments.
• To reimagine exclusionary logics that shape jurisdiction. Conven- tional government protocols give primacy to the abstraction of administrative boundaries over the social and environmental bound- aries that informality negotiates as devices to construct community.
• To produce new forms of local governance, along with the social pro- tection systems that can provide guarantees for marginalized commu- nities to be in control of their own modes of production and share the profi ts of urbanization to prevent gentrifi cation.
• To enable more inclusive and meaningful systems of political rep- resentation and civic engagement at the scale of neighborhoods, tactically recalibrating individual and collective interests.
• To rethink existing models of property by redefi ning aff ordability and the value of social participation, enhancing the role of commu- nities in coproducing housing, and enabling a more inclusive idea of ownership.
• To elevate the incremental low- cost layering of urban development found in informal urbanization in order to generate new paradigms of public infrastructure beyond the dominance of private develop- ment alone and its exorbitant budgets.
• To mobilize social networks into new spatial and economic infra- structures that benefi t local communities in the long term, beyond the short- term problem solving of private developers or charitable institutions.
• To sponsor mediating agencies that can curate the interface between top- down, government- led infrastructural support and the creative bottom- up intelligence and sweat equity of communities and activists.
• To close the gap between the abstraction of large- scale planning logics and the specifi city of actual everyday practices.
• To challenge the idea of public space as an ambiguous and neutral place of beautifi cation. We must move the discussion from the neu- trality of the institutional public to the specifi city of urban rights.
• To layer public space with protocols, designing not only physical sys-
Spatializing Citizenship and the Informal Public • 339
tems but also the collaborative socioeconomic and cultural program- ming and management that ensure accessibility and sustainability over the long term.
• To enable communities to manage their own resources and modes of production while creating multiple points of access to share the profi ts of urbanization.
The informal public is the starting point from which to generate other ways of constructing the city, and its role today is to mediate between top- down and bottom- up dynamics: in one direction, how specifi c, bottom- up urban alter- ations by creative acts of citizenship can have enough resolution and political agency to trickle upward to transform top- down institutional structures; and, in the other direction, how top- down resources can reach sites of marginalization, transforming normative ideas of infrastructure by absorbing the creative intelli- gence embedded in informal dynamics. This critical interface between top- down and bottom- up resources and knowledges is essential at a time when the extreme left and the extreme right, bottom- up activism and top- down pro- development smart growth, as well as neoliberal urban agendas, all align in their mistrust of government. A fundamental role the informal public can take in shaping the agenda for the future of the city is pressing for new forms of governance, seeking a new role for progressive policy, a more effi cient, transparent, inclusive, and collaborative form of government. For these reasons, one of the most important sites of intervention in our time is the opaque, exclusionary, and dysfunctional bureaucracy, and the restoration of the linkages between government, social networks, and cultural institutions to reorient the surplus value of urbanization to not only benefi t the private but primarily a public imagination.
Note
I am grateful to the editors for inviting me to participate in this project; their com- ments and interventions have been very helpful to me. My thanks as well to Fonna For- man for her insightful comments on various draft s and for the many concepts which have emerged through our collaborations.
References
De Soto, Hernando. 2000. The Mystery of Capital: Why Capitalism Triumphs in the West and Fails Everywhere Else. New York: Basic Books.
Saez, Emmanuel, and Thomas Piketty. 2013. “Top Incomes and the Great Recession: Recent Evolutions and Policy Implications.” International Monetary Fund Economic Review 61:3, 456–78.