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OMEGA, Vol. 64(1) 83-94, 2011-2012

THE CULTURAL MEANING OF SUICIDE:

WHAT DOES THAT MEAN?

DAVID LESTER

The Richard Stockton College of New Jersey

ABSTRACT

Scholars sometimes stress that it is important to know the individual meaning

of suicide and the cultural meaning of suicide, but the meaning of these terms

remains unclear. The present article discusses this problem and suggests that

the individual meaning of suicide is best based on the motives for suicide,

while the cultural meaning of suicide is best rooted in the lay theories of

suicide in which the members of cultures and subcultures believe.

Colucci (2006) drew attention to the fact that theory and research into suicidal

behavior has neglected the role of culture. Suicide is typically considered to be the

same phenomenon throughout the world, and theories proposed in one region

(such as the West) are assumed to apply to other regions. In addition, Colucci

pointed out that the cultural meaning of suicide has been neglected except for

rare scholars who draw attention to this issue, such as Douglas (1967) and Boldt

(1988). However, there appears to be a great deal of confusion over what exactly

the “meaning” of suicide refers to and, more especially, the “cultural meaning” of

suicide. The purpose of the present article is to examine what these terms mean.

Colucci cited the work of Good and Good (1982) who suggested that the

meaning of an illness involves “the metaphors associated with a disease, the

ethnomedical theories, the basic values and conceptual forms, and the care

patterns that shape the experience of the illness and the social reactions to the

sufferer” (p. 148). This encompasses many separate concepts.

83

� 2011, Baywood Publishing Co., Inc.

doi: 10.2190/OM.64.1.f

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THE PHENOMENON OF SUICIDAL BEHAVIOR

Cultures differ in the frequency of suicidal behavior, the methods chosen for

suicide, the distribution by age, sex, and other sociodemographic variables. Many

articles have appeared documenting the different suicide rates in a sample of

nations and differences in the suicide rates by age and sex from nation to nation

(e.g., Levi, La Vecchia, Lucchini, Negri, Saxena, Maulik, et al., 2003). Lester

(1994) found that the suicide rates of Chinese populations in China, Taiwan, Hong

Kong, and Singapore and the methods used for suicide differed greatly, while

sex ratio of the suicide rates and the variation over age was similar in all four

nations. Lester (2006) documented great variations in suicidal behavior in the

various Muslim nations of the world.

These “facts” about suicide probably have little direct relevance to the meaning

of suicide, either at the individual or the cultural level. However, a very high

rate of suicide in a nation may make the act seem less psychopathological to the

residents of the country and may become a topic of discussion in that nation.

For example, Hungary had one of the highest suicide rates in the world between

the two world wars and for many years afterwards, and it is interesting to note

in this regard that the most famous “suicide song,” Gloomy Sunday, was written

by a Hungarian (although he was living in France at the time (Stack, Krysinska,

& Lester, 2007-2008).

In addition, occasionally the most popular method for suicide may become

a synonym for the act, as in “taking the pipe” in England in the 20th Century when

suicide using domestic gas was the most popular method for suicide.

THE DEFINITION OF SUICIDE

Kleinman (1977) defined the “category fallacy” as the mistake of imposing

Western categories on the behavior in other cultures. Lester (2008) provided

several examples of cultures that define suicide differently from scholars in the

Western world. For example, according to the Mohave, a Native American tribe in

the southwest of the United States, a fetus which presents itself in the transverse

position for birth, leading to its own death and that of its mother, is viewed as

having intended to commit suicide and to murder its mother so that they can be

together in the spirit world (Devereux, 1961). Medical examiners and coroners in

the rest of the United States would not view such a still-born infant as a suicide.

Counts (1980), who has studied the suicidal behavior of women in the Kaliai

district of Papua New Guinea, noted that, in the past, elderly widows sometimes

immolated themselves on their husband’s funeral pyre. The German and

Australian colonial governors considered this behavior to be a form of ritual

murder rather than suicide, and they outlawed it. Counts, however, saw neither

term (suicide or murder) as appropriate for this custom since it differed so much

from what North Americans and Europeans regard as either suicide or murder.

84 / LESTER

Neither term describes the behavior, the interpersonal relationships involved,

or the attitudes toward the widow and those assisting in her death. Nor do they

predict how the community will respond to her death.

Recently, some scholars, especially in Europe, have expressed doubts that

people engaging in nonfatal suicidal behavior have self-destruction as their aim,

and they have begun calling the behavior “self-poisoning” or “self-injury” (e.g.,

Liisanantti, Ala-Kokko, Dunder, & Ebeling, 2010; Novacek, Jotkowitz, Delgado,

Shleyfer, Barski, & Porath, 2005; Ramon, 1980). The semantic implication is

that nonfatal suicidal behavior is not “suicide.” Since in most cultures women

engage in more nonfatal suicidal actions than do men, this renaming of

nonfatal suicidal behavior as self-injury makes “suicidal behavior” less common

in women than it was hitherto.

Other suicidologists, on the other hand, include a wider range of behaviors

under the rubric of “suicidal behavior.” For example, Menninger (1938) classified

behaviors such as alcoholism, drug abuse, and anorexia as chronic suicide since

the individuals were shortening their lives by their behaviors. Menninger also

classified such behaviors such as polysurgery, self-castration, and self-mutilation

as focal suicide, a behavior in which the self-destructive impulse is focused on

one part of the body. These behaviors are often gender-linked. For example,

anorexia is more common in women whereas illicit drug abuse is more common in

men. Canetto (1991) has speculated that adolescents may respond differentially

when under stress, with girls choosing nonfatal suicidal behavior more while boys

choose drug abuse more. The use of Menninger’s categories would change greatly

the relative incidence of nonfatal suicidal behavior in women and men.

Clearly, the definition of suicide in a culture has implications for the meaning

of suicide. In a recent study, Lester and Frank (2008) found that only 59% of

a sample of American undergraduate students viewed a protest suicide (such

as a self-immolation carried out to protest a government decision) as suicide, and

only 70% viewed a suicide bomber as suicidal. Indeed, suicide bombers are

viewed as martyrs rather than as suicides by many people in Muslim nations

(Abdel-Khalek, 2004).

THE MOTIVES FOR SUICIDE

When we refer to the motives for suicide we are asking why do people engage in

the behavior. Menninger (1938) suggested three motives: the desire to escape from

life (“to die”); the desire to punish oneself by committing suicide (“to be killed”);

and the desire to cause pain to others (“to kill”). Farberow and Shneidman’s

(1961) book on attempted suicide was called The Cry for Help, indicating clearly

what they thought was the motive behind many acts of attempted suicide.

Several writers have proposed classifications of suicide. Reynolds and Berman

(1995) examined ten proposals for a classification of suicidal acts, including

those from Durkheim (1897), Menninger (1938), and Baechler (1979). They

CULTURAL MEANING OF SUICIDE / 85

presented 484 cases of suicide from Baltimore (in the United States of America)

to judges and asked the judges to classify each of the suicides into these

10 typologies. Reynolds and Berman found a good deal of overlap between

the typologies, and they identified five subtypes which described 86% of the

suicides: escapist, confused, aggressive, alienated, and depressed/low self-esteem.

It would be most interesting to take any of these typologies, or better still,

that identified by Reynolds and Berman, and classify samples of suicides from

different cultures. This might provide clues as to the meaning of suicide in

those cultures.

Menninger’s typology focuses on what is going on the minds of suicidal

individuals—what their desires are for engaging in the behavior. This approach

may help us understand the meaning of suicide for the individual, but it does

not help us understand the cultural meaning, unless everyone in the culture has

the same desire (or desires) for engaging in the behavior, which is very unlikely.

However, cultures may differ in the relative frequency of individual motives.

In one culture, the desire to escape may be common, whereas in another culture,

the desire for self-punishment may be common. No study has yet investigated

such cultural differences in motives.

THE PRECIPITANTS FOR SUICIDE

A common answer to the question of why an individual committed suicide is to

mention the precipitating event. This person’s marriage just ended; this person

just lost all their investments and was facing poverty. This approach has not

been of much interest for researchers into suicide, and data on precipitants are

rarely collected at a cultural level. Japan does make an effort to categorize every

suicide for the precipitant. Lester and Saito (1998-1999) noted that, in 1990 in

Japan, the precipitating event was: illness, 43.7%; alcoholism and mental illness,

17.1%; economic hardship, 8.6%; family problems, 7.9%; job stress, 7.2%;

relationship problems, 2.7%; and school problems, 1.3%. Joiner (2006) has

proposed that feeling that one is a burden to others is a major causal factor in

suicide, and this may account for the high incidence of illness as a precipitant

for suicide in Japan.1

India also attempts to classify each suicide. Using government documents,

Lester, Agarwal and Natarajan (1999) noted that the precipitating events of

suicides in India in 1990 were categorized as: dreadful disease, 12.8%; quarrels

with parents-in-law, 6.2%; quarrels with spouse, 5.8%; love affairs, 4.7%; and

poverty, 2.5%. However, in India, 16.2% had no known cause, and 39.0%

were classified as “other.”

86 / LESTER

1 I would like to thank an anonymous reviewer for this suggestion. Lester (2010) has

noted that feeling that one is a burden to others seems to be a factor in women becoming

suicide bombers.

If these data were collected for cultures as a whole, and if standardized

categories were adopted, then cultures could be compared for the relative

frequency of the precipitants, and this might give some clues as to the cultural

meaning of suicide. For example, if almost half of the suicides in Japan are

precipitated by illness, then suicide in Japan may typically be an escape from

physical pain and suffering.

THE PSYCHODYNAMICS OF SUICIDE

Another possibility is that the meaning of suicide in a culture is related to

the psychodynamics of the suicide in the culture. Hendin (1964) described the

psychodynamics of suicide based on qualitative data that he obtained by visiting

and interviewing people in Scandinavian countries. In Denmark, Hendin noted

that guilt arousal was the major disciplinary technique employed by Danish

mothers to control aggression, resulting in strong dependency needs in their sons.

This marked dependency was the root of depression and suicidality after adult

experiences of loss or separation. Reunion fantasies with lost loved ones were

common in those committing suicide. In contrast, in Sweden, a strong emphasis

was placed by parents on performance and success, resulting in ambitious children

for whom work was central to their lives. Suicide typically followed failure in

performance and the resulting damage to the individual’s self-esteem.

The psychodynamics of suicide as described by Hendin are obviously related

the motives for suicide and to the precipitants for suicide, but they are more

in-depth and meaningful. However, it might be quite difficult to replicate Hendin’s

methodology for a larger sample of cultures.

ETHNOMEDICAL THEORIES

Good and Good (1982), mentioned above, suggested that the meaning of an

illness may be grounded in part in “the metaphors associated with a disease,

the ethnomedical theories, the basic values and conceptual forms, and the care

patterns that shape the experience of the illness and the social reactions to the

sufferer in a given society” (p. 148). In the Western world, currently, the physio-

logical and genetic basis of psychiatric illness is the major perspective or model.

Government funding for research into this area goes primarily to physiological

research. “Nature” is winning over “nurture,” a major change from the 1960s

when nurture ruled.

Other cultures, however, sometimes have very different theories of mental

illness, such as soul loss, possession by evil spirits, or sins against the cultural code

of conduct. Although anthropologists have documented these theories in some

cultures (see Kiev, 1964), there has been no systematic study of these theories

and no coding system proposed for the theories in a sample of cultures. These

theories would also be related to the differences in care patterns mentioned by

CULTURAL MEANING OF SUICIDE / 87

Good and Good. Does treatment involve medication, counseling, expiation, or

atonement for sins?

LAY THEORIES OF SUICIDE

Strauss and Quinn (1997, p. 6) suggested that the meaning of a behavior is

the interpretation evoked in a person by an event. The cultural meaning is the

interpretation of the event evoked in people as a result of their similar life

experiences. This implies that the meaning of suicide does not reside in the

individual who commits suicide, but rather in those who experience the suicides

of others; that is, in the attitudes of the culture toward suicide and in the lay

theories of suicide present in that culture.

In her account of suicide among females in Papua-New Guinea, Counts (1988)

has illustrated the ways in which a culture can determine the meaning of the

suicidal act. In Papua-New Guinea, female suicide is a culturally-recognized

way of imposing social sanctions. Suicide has political implications for the

surviving kin and for those held responsible for the events leading women to

commit suicide. In one such instance, the suicide of a rejected fiancée led to

sanctions being imposed on the family that had rejected her. Counts described

this woman’s suicide as a political act that symbolically transformed her from

a position of powerlessness to one of power. The problem with this report by

Counts, for the purposes of the present article, is that she did not estimate the

frequency of suicide committed in these circumstances or to what extent the

culture accepted such a socio-political implication of suicide.

Lester and Bean (1992) devised a questionnaire to assess whether respondents

think that suicide is caused by intrapsychic, interpersonal, or societal stress.

Voracek, Loibl, Egle, Schleicher, and Sonneck (2007) devised a questionnaire

to explore the extent to which respondents believe that suicide is genetically

caused. These lay theories of suicide would appear to tap the cultural meaning

of suicide, and it would be interesting to give these questionnaires to samples of

residents in different cultures.2

It is likely, although presently not documented, that members of a society

may have several competing lay theories of suicide and, furthermore, that these

lay theories may differ by sex, age, social class, ethnicity, and subculture within

a society.

Some commentators see studies of lay theories of suicide as really studies of

attitudes toward suicide and, indeed, there is an overlap in these two issues.

However, a typical attitude toward suicide scale, suicide as the Suicide Opinion

Questionnaire (Domino & Perrone, 1993) has items (such as myths about suicide)

in addition to items exploring the respondent’s views about the causation

of suicide.

88 / LESTER

2 Martin Voracek (personal communication) is presently engaged in such a study.

THE ROLE OF VALUES

Good and Good (1982) mentioned values as relevant to the cultural meaning of

suicide. Kelleher, Chambers, Corcoran, Williamson, and Keeley (1998) classified

49 countries as to whether they had religious sanctions against suicide or not.

They found that countries with religious sanctions against suicide were less

likely to report suicide rates to the World Health Organization and, for those

that did report, their suicide rates were lower than suicide rates in countries with

no religious sanctions.

Stack and Kposowa (2008) used a measure of the acceptability of suicide in

31 nations, obtained through surveys of the population (Inglehart, 2000), to

show that the suicide rates of those nations were positively associated with the

level of acceptability of suicide in those nations. It is, therefore, possible to obtain

cross-cultural measures of the acceptability of suicide.

METHODOLOGICAL ISSUES

Reference has been made above to research that could be conducted in one or in

samples of cultures in order to explore the meaning of suicide. There are of course

many methodological issues that make such research difficult to conduct and

make the results difficult to interpret. These problems include construct bias in

which it is assumed (incorrectly) that a term has the same meaning in all cultures

(Ratner & Hui, 2003), measurement problems such as translation issues and

item bias (assuming that the items are equivalent in reliability analyses), different

response styles in different cultures such as acquiescence response sets (Duh

& Chen, 2007), and the problem of obtaining samples from different cultures

that are equivalent. There are many discussions of these methodological issues

such as that by Ratner and Hui (2003) cited above.

AN ILLUSTRATIVE CASE

Meng (2002) presented the case of the suicide of a woman in rural China

which she saw as throwing light on “the meaning of suicide.” It also illustrates

the confusion over the definition of “meaning.”

Meng reported the case of Fang, who killed herself by drowning at the age of

32. Her marriage was a love marriage, which is the basis of about 13% of

marriages in rural China, and her parents-in-law never accepted her. Although

Fang was the wife of a first-born son, her parents-in-law gave preference to the

wife of a younger son. Fang tried but failed to please her parents-in-law. After the

birth of two sons, the couple moved to their own house in the family compound,

and Fang became more hostile and confronted her parents-in-law more often.

Fang’s husband supported his parents and hit and punished Fang for insulting

his parents. Fang was socially isolated in the village, having come from a distant

village, and she remained an outsider. Fang coped by seeking spiritual assistance,

CULTURAL MEANING OF SUICIDE / 89

making friends outside of the family, converting to Christianity, and running

away. After one last fight with her parents-in-law and punishment from her

husband, Fang slipped away and killed herself.

The precipitating events for this suicide are quarrels with her in-laws and

domestic violence. The community viewed the suicide in different ways. The

in-laws viewed Fang’s suicide as “a foolish act,” for it caused the family a

financial cost and a loss of reputation. Fang’s parents saw Fang’s suicide as a

“forced decision.” They blamed Fang’s in-laws, destroyed furniture in the in-laws’

house, and demanded a very expensive funeral and headstone for Fang in

her in-laws burial plot. The villagers gave Fang’s suicide a mystical interpre-

tation, believing that she was taken by a ghost, a belief which served to avoid

blaming Fang or her in-laws and to avoid a sense of responsibility themselves

for Fang’s suicide.

Meng, however, viewed Fang’s suicide as changing Fang’s social status in the

community. After her suicide, Fang’s parents-in-law had to bow to her memory

and mourn for her; that is, to accept her and treat her as they never had during

her life. Thus, her suicide could be viewed as a form of symbolic revenge on her

in-laws for their mistreatment of her.

Only Fang’s husband truly mourned his wife.

What then is the meaning of Fang’s suicide? The personal meaning is

unknown. The precipitating event was “family problems.” Meng hypothesized

that Fang’s suicide was an act of symbolic revenge, but we do not know whether

this was in Fang’s mind at the time of her decision. Perhaps we should define

the concept of “the meaning of suicide for the suicidologist”? From the details

presented, including the fact that Fang ran away several times but returned

because she missed her children, her suicide seems to fit Menninger’s escape

motive. Fang tried running away as a means of escape, but this failed. Death

achieved escape for her. To understand the personal meaning of a suicide for the

deceased individual, we need a substantial suicide note or a diary that provides

insight into this meaning.

I have argued here that the cultural meaning should focus on the reactions

of others to the suicide. But, in Fang’s case, we have three cultural meanings—for

her family, for her in-laws, and for the villagers. (The commentator on the case

may also perceive a different cultural meaning.) Thus, the cultural meaning for

suicide is unclear. Furthermore, there has been no survey in this rural community

of their theories of and attitudes toward suicide, the results of which can be

compared with surveys in other communities in China and around the world.

DISCUSSION

Of all of the possibilities discussed above, the motives for suicide seem to me to

provide the best basis for the individual meaning of suicide. Although Menninger

(1938) proposed a set of motives, the number of motives in such a classification

90 / LESTER

needs to be increased, and cross-cultural studies of the frequency of these motives

in different cultures would be welcome. The typology proposed by Reynold and

Berman (1995), based on 10 typologies proposed by expert suicidologists, may

be the best for this purpose.

Boldt (1988) stressed the importance for the understanding of suicidal behavior

of conceptualizing suicidal behavior in terns of cultural normative values.

The meaning of suicide varies from culture to culture—whether it is seen as a

psychotic act, a ritual obligation, or a human right, for example. The problem

with this lies with the adjective “normative.”

All too often sociologists and anthropologists decide ex cathedra what lies

behind a behavior in a society or a culture. For example, Durkheim (1897) decided

that slaves commit fatalistic suicide. He produced no evidence, no data, to

back up this assertion. Because he was an expert on the sociology of suicide,

he expected us to accept his assertion. Similarly, Counts, whose analysis of

female suicide in Papua-New Guinea was discussed above, asserted that it was

a political act to increase the status of a low status woman. Again, since Counts

is an expert, we are expected to accept this meaning of suicide without there

being any data to support it. It is provocative and useful for such assertions

to be made. However, it is important that such assertions be empirically tested

by future researchers.

I would argue that the cultural meaning of suicide can be ascertained only

by interviewing a representative sample of individuals in the various cultures in

order to assess their attitudes toward suicide. In modern research, this has often

been labeled as the study of lay theories of suicide. Furnham has studied lay

theories of many behaviors (Furnham, 1988), including schizophrenia (Furnham

& Bower, 1992), heroin addiction (Furnham & Thomson, 1996), and suicide

(Knight, Furnham, & Lester, 2000), but so far only in Western nations. This

type of research needs to be extended to other cultures.

It must be recognized that there may not be simply one cultural meaning of

suicide in any given culture. Many cultural meanings may be present in the

culture, and different cultural meanings may exist for different subgroups of

the culture, such as women and men, the young and the elderly, those of different

social class, and, in multicultural societies, those of different ethnicity. The

cultural meaning of suicide may change over time, and there may be different

cultural meanings for different types of suicidal acts, such as protest suicide,

suicide bombers, and assisted suicide in the terminally ill.

Some individuals behave deviantly in their culture, departing from cultural

norms. Thus, the individual meaning of a suicide may differ greatly from

the cultural meaning if the suicidal individual is a deviant in the culture.

After all, Durkheim’s (1897) notion of anomic suicide is that those committing

such suicides are less bound by the cultural values and norms of their

society. On the other hand, those who adhere to the values and norms of

their culture often try to frame their suicide to fit into those values and norms.

CULTURAL MEANING OF SUICIDE / 91

Since suicides are breaking the sacred trust of life, individuals who are

going to kill themselves have to reconcile their image of a to-be-trusted

person with the fact that they are about to break that trust through their act

of suicide (Jacobs, 1967). Jacobs noted that often their suicide notes attempt

this justification by noting their long history of distressing crises and their

belief that death is the only solution, constructing a rationalization that they

are to-be-trusted people, and making some provision that their problems will

not recur after death (for example, by stating that God will understand their

choice of suicide).

Finally, as Boldt (1988) recognized, the cultural meaning of suicide may

change over time, and so longitudinal studies of lay theories of suicide must be

carried out in cultures.

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Direct reprint requests to:

David Lester, Ph.D.

Distinguished Professor of Psychology

The Richard Stockton College of New Jersey

101 Vera King Farris Drive

Galloway, NJ 08205-9441

e-mail: [email protected]

94 / LESTER

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