assignment
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Copyright © 2015 McGraw-Hill Education. All rights reserved. No reproduction or distribution without the prior written consent of McGraw-Hill Education.
Chapter 5 The
Communication Process
5-2
Communication
Passing of information or exchange of ideas
Process of establishing a commonness of thought
between a sender and a receiver
Success depends on the:
Nature of the message
Audience’s interpretation
Environment in which it is received
Major barrier - Language
5-3
A Model of the Communication Process
5-4
Basic Model of Communication
Source
• Person or organization that has information to share with another person or group of people
Encoding
• Putting thoughts, ideas, or information into a symbolic form
Message
• Contains the information or meaning the source hopes to convey
5-5
Graphic
• Pictures
• Drawings
• Charts
Verbal
• Spoken Word
• Written Word
• Song Lyrics
Musical
• Arrange- ment
• Instrum- entation
• Voices
Animation
• Action/ Motion
• Pace/ Speed
• Shape/ Form
Verbal Graphic Musical
There are many forms of message encoding
Encoding
5-6
Basic Model of Communication
Channel: Facilitates communication between sender and receiver
Non-personal channel or mass media
Lacks direct, interpersonal contact between the sender and receiver
Personal channel - Direct communication between two or more persons
Word-of-mouth (WOM): Informal communication among consumers about products and services
Buzz marketing: Generating positive word-of-mouth discussion
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5-7
Personal Channels Personal Channels
Communications Channels
Nonpersonal Channels
Personal Selling
Word of Mouth/Mouse
Print Media
Broadcast Media
5-8
Basic Model of Communication
Viral marketing: Propagating marketing-relevant
messages with the help of individual consumers
Factors affecting success
Message characteristics
Individual sender or receiver characteristics
Social network characteristics
Seeding: Identifying and choosing the initial group
of consumers who will be used to start spreading the
message
5-9
Basic Model of Communication
Receiver: Person with whom the sender shares
thoughts or information
Decoding: Transforming the sender’s message into
thought
Heavily influenced by the receiver’s field of
experience
Field of experience: The experiences, perceptions,
attitudes, and values a person brings to the
communication situation
5-10
Basic Model of Communication
Noise: Unplanned distortion in the communication
process
Occurs because the fields of experience of the
sender and receiver don’t overlap
Response: Receiver’s set of reactions after seeing,
hearing, or reading the message
Feedback: Receiver’s response that is
communicated back to the sender
5-11
Methods of Obtaining Feedback in the
Response Hierarchy
5-12
Implications of the Traditional
Hierarchy Models
Delineate the steps involved in taking potential
purchasers from unawareness of a product to
readiness to purchase it
Identify which stage in the hierarchy a potential
buyer is in
Used as intermediate measures of communication
effectiveness
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5-13
Evaluating Traditional Response
Hierarchy Models
Cognitive stage
Represents what the receiver knows or perceives
about the particular product or brand
Affective stage
Receiver’s feelings or affect level for the particular
brand
Behavioral stage
Refers to the consumer’s action toward the brand
5-14
Implications of the Alternative
Response Models
Provide insight into promotional strategies
marketers might pursue in different situations
Marketers should analyze the following
Involvement levels and product/service
differentiation
Consumers’ use of various information sources
Consumers’ levels of experience with the product or
service
5-15
The Social Consumer Decision Journey
5-16
Cognitive Response Approach
Cognitive responses
• Thoughts that occur to individuals while reading, viewing, and/or hearing a communication
Counterarguments
• Thoughts the recipient has that are opposed to the position taken in the message
• Relate negatively to message acceptance
Support arguments
• Thoughts that affirm the claims made in the message
• Relate positively to message acceptance
5-17
Cognitive Response Approach
Source derogations
• Negative thoughts about the spokesperson or organization making the claims
• Leads to a lower message acceptance
Source bolsters
• Positive thoughts about the spokesperson or organization making the claims
Ad execution-related thoughts
• Affect attitudes toward the advertisement as well as the brand
Attitude toward the ad
• Represents the receivers feelings of favorability or unfavorability toward the ad
5-18
Elaboration Likelihood Model (ELM)
Focuses on the differences in the ways consumers
process and respond to persuasive messages
Attitude formation or change process
Depends on the amount and nature of elaboration
that occurs in response to a persuasive message
Elaboration likelihood is a function of:
Motivation
Ability
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Counterarguments Support arguments
Source derogation Source bolstering
Thoughts about
the ad itself
Thoughts about
the ad itself
Source bolsteringSource derogation
Support argumentsCounterarguments
Affect attitude toward the ad
Cognitive Response Categories
Product/Message Thoughts
Source-Oriented Thoughts
Ad Execution Thoughts
5-20
Elaboration Likelihood Model (ELM)
Focuses on the way consumers respond to persuasive
messages, based on the amount and nature of elaboration
or processing of information
Peripheral route – ability and motivation to process a message is low; receiver focuses more on peripheral cues than on message content
Central route – ability and motivation to process a message is high and close attention is paid to message content
Routes to Attitude Change
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Elaboration Likelihood Model (ELM)
Basic routes to persuasion
Central route to persuasion: Ability and
motivation to process a message is high and close
attention is paid to message content
Peripheral route to persuasion: Ability and
motivation to process a message is low
Receiver focuses more on peripheral cues than on
message content
Peripheral cues lead to rejection of a message
5-22
Implications of the ELM
Customers level of involvement has important
implications for marketing communications
High involvement - Sales presentation should
contain arguments that are difficult to refute
Low involvement - Peripheral cues are more
important than detailed message arguments
Effectiveness of message depends on customers
route to persuasion
1
Copyright © 2015 McGraw-Hill Education. All rights reserved. No reproduction or distribution without the prior written consent of McGraw-Hill Education.
Chapter 6 Source,
Message, and Channel Factors
6-2
Persuasion Matrix
Helps marketers see how each controllable element interacts with the consumer’s response process
6-3
Decisions Evaluated with the Persuasion Matrix
Receiver/
comprehension
Can the receiver comprehend the
ad?
Channel/
presentation
Which media will increase
presentation?
Message/
yielding
What type of message will
create favorable attitudes or
feelings?
Source/
attention
Who will be effective in
getting consumers’ attention?
6-4
Source
Person involved in communicating a marketing
message
Direct source - Delivers a message and/or endorses
a product or service
Indirect source - Draws attention to and enhances
the appearance of an ad
6-5
Skill
Knowledge
Expertise
Unbiased
Trustworthy
Objective
Unbiased
Trustworthy
Expertise
Skill
Knowledge
Source Credibility
Source
Information
6-6
Source Credibility
Extent to which the recipient:
Sees the source as having relevant knowledge, skill,
or experience
Trusts the source to give unbiased, objective
information
Internalization: Adopting the opinion of a credible
communicator and the belief that information from
this source is accurate
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6-7
Source Credibility
Enhanced by:
Applying expertise and trustworthiness
Using corporate leaders as spokespeople
Limitations
High- and low-credibility sources are equally
effective when arguing for a position opposing their
own best interest
Sleeper effect: Persuasiveness of a message
increases with the passage of time
6-8
Source Attractiveness
Attractiveness: Characteristic that encompasses
similarity, familiarity, and likability
Identification: Receiver is motivated to seek some
type of relationship with the source
Adopts similar beliefs, attitudes, preferences, or
behavior
6-9
Source Attractiveness
Enhanced by:
Applying similarity
Using celebrities as spokespeople
Understanding the meaning of celebrity endorsers
Limitations of celebrities as spokespeople
Overshadow the product
Overexposure
Target audiences’ receptivity
Risk to the advertiser
6-10
Source Attractiveness
Resemblance
between the
source and
recipient of the
message
Similarity
Knowledge of the
source through
repeated or
prolonged
exposure
Familiarity
Affection for the
source resulting
from physical
appearance,
behavior, or other
personal traits
LikeabilitySimilarity Familiarity
6-11
Trust
Risk
Familiarity
Likability
Choosing a Celebrity Endorser
Factors
Match w/audience
Match w/product
Image
Cost/ROI
6-12
Top Celebrity Endorsers
Top male endorsers
Tiger Woods
Phil Mickelson
LeBron James
Peyton Manning
Top female endorsers
Maria Sharapova
Jennifer Lopez
Venus/Serena Williams
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6-13
The celebrity’s behavior may pose a risk to the company
The target audience may not be receptive to celebrity endorsers
The celebrity may be overexposed, reducing his or her credibility
The celebrity may overshadow the product being endorsed
The target audience may not be receptive to celebrity endorsers
The celebrity may be overexposed, reducing his or her credibility
The celebrity may overshadow the product being endorsed
Risks of Using Celebrities
6-14
Meaning Movement and
the Endorsement Process
6-15
Source Power
Source is capable of administering rewards and
punishments to the receiver
Depends on a source’s perceived control, concern,
and scrutiny
Compliance: Receiver accepts a source’s
persuasive influence and acquiesces to his or her
position
To obtain a favorable reaction or to avoid
punishment
6-16
Perceived control
Perceived concern
Perceived scrutiny
Perceived control
Perceived concern
Source Power
Source Power
6-17
Message Factors
• Order of presentation
• Conclusion drawing
• Message sidedness
• Refutation
• Verbal versus visual messages
Message structure
• Comparative advertising
• Fear appeals
• Humor appeals
Message appeals
6-18
Message Structure
Order of presentation - Strongest arguments should
be presented early or late in the message but never
in the middle
Primacy effect: Information presented first is most
effective
Recency effect: Last arguments presented are most
persuasive
Depends on:
Target audience’s receptivity to the message
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Message Structure
Length of the message
Medium used to communicate the message
Conclusion drawing - Messages with explicit
conclusions are more easily understood and
effective in influencing attitudes
Depends on:
Target audience
Type of issue or topic
Nature of the situation
6-20
Message Structure
One-sided message: Mentions only positive
attributes or benefits, effective if target audience:
Already holds a favorable opinion about the topic
Is less educated
Two-sided message: Presents both good and bad
points, effective when the target audience:
Holds an opposing opinion
Is highly educated
6-21
Message Structure
Refutational appeal: Communicator presents both
sides of an issue and then refutes the opposing
viewpoint
Verbal versus visual messages - When verbal
information is:
Low in imagery value, use of pictures increase
immediate and delayed recall
High in imagery value, addition of pictures do not
increase recall
6-22
Recall and Presentation Order
R e c a ll
Beginning Middle End
6-23
Fear Appeals
Comparative Ads
Fear Appeals
Comparative Ads
Message Appeal Options
Humor Appeals
• May stress physical danger or
threats to health
• May identify social threats:
disapproval or
rejection
• May backfire if the level of threat is
too high
• May be especially useful for new
brands
• Often used for brands with small
market share
• Frequently use in political
advertising
• They can attract and hold attention
• They are often the best remembered
• They put the consumer in a
positive mood
6-24
Message Appeals
Comparative advertising: Directly or indirectly
naming competitors in an ad and comparing one or
more attributes
Fear appeals: Evoke an emotional response to a
threat and arouse individuals to take steps to
remove the threat
Effective when the recipient is:
Self-confident and prefers to cope with dangers
A nonuser of the product
5
6-25
Message Appeals
Protection motivation model - States that ads using
fear appeals should give the target audience
information on the:
Severity of the threat
Probability of its occurrence
Effectiveness of a coping response
Ease with which the response can be implemented
6-26
Figure 6.5 - Relationship between Fear
Levels and Message Acceptance
6-27
Message Appeals
Humor appeals - Humorous ads:
Attract and hold consumers’ attention
Put consumers in a positive mood
Increase consumers' liking of the ad and their feeling toward the product
Distract the consumer from counter arguing against the message
May wear out faster than serious appeals
Wearout: Tendency of a commercial to lose effectiveness when seen or heard repeatedly
6-28
Humor Appeals Advantages and
Disadvantages
Advantages
• Aid with awareness and attention
• Aid name and simple copy registration
• Aid retention
• Aid persuasion to switch brands
• Create a positive mood that enhances persuasion
Disadvantages
• Harm recall and comprehension
• Harm complex copy registration
• Do not aid persuasion in general
• Do not aid source credibility
• Not very effective in bringing about sales
6-29
Channel Factors
Personal versus nonpersonal channels - Information
received from personal channels is more persuasive
than that received from the mass media
Effects of alternative mass media
Differences in information processing
Self-paced - Readers process the ad at their own rate and
study it as long as they desire
Externally paced - Transmission rate is controlled by the
medium
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Self-Paced Media
Self-Paced Media
Self versus External Paced Media
• Newspapers
• Magazines
• Direct Mail
• Internet
• Radio
• Television
Externally Paced Media
vs.
6
6-31
Channel Factors
Effects of context and environment
Qualitative media effect: Influence the medium has
on a message
Image of the media vehicle affect reactions to the
message
Clutter: Amount of advertising in a medium
All the nonprogram material that appears in the
broadcast environment