Research Proposal
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The Effect of Music Therapy and Progressive Neuromuscular Relaxation on Performance of a Simple
Problem-solving Task
Donald F. Kendrick and Danielle Benson
Middle Tennessee State University
2012
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The Effect of Music Therapy and Progressive Neuromuscular Relaxation
on the Performance of a Simple Problem-solving Task
Stress and anxiety are two factors that, when outside of our control, become debilitating on our
performance on a variety of tasks. Often the area of the highest interest is the effect of anxiety on
academic test performance. Morris and Eagle (1981) analyzed the relationship between pre- and post
test anxiety as related to college student's coping mechanisms. Questionnaires about emotional state
were given before and after an examination, and a second questionnaire regarding cognitive coping
skills recorded the occurrence of various trains of thought, such as “if I do poorly, it is because the
questions are unfair,” or “I might not be able to finish the test in time.” The authors found that there
were often strong correlations between maladaptive coping, such as denial and preoccupation-with-self,
and high levels of anxiety. Only some of the anxiety/coping pairs led to reliable differences in
performance, however.
Given the relationship of coping, anxiety, and performance, a multitude of studies approach the
problem from a position of intervention, attempting to mitigate the stressful effects of test performance
through anxiety-reducing techniques. One such study examined third-graders in two separate
elementary schools. The children in both schools were given a modified questionnaire to measure each
participant's level of test-anxiety. Over a period of five weeks, children in one school were taught one
of two relaxation techniques: “elevator breathing,” which is a deep-breathing technique with a
visualization aspect especially for children, and “guided relaxation for children,” which is a form of
progressive neuromuscular relaxation, discussed later. In both cases, relaxation music was played while
relaxation scripts were read to the children. After a period of five weeks (training twice a week), a
second test-anxiety measure found that the experimental groups had significantly lower levels of test-
anxiety, however the authors were unable to prove statistically that the experimental groups had lower
general levels of anxiety than the control group after five weeks (Larson, Ramahi, Conn, Estes, and
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Ghibellini, 2010).
Cohen and Ben-Zur (2008) proposed and found a correlation between test-anxiety, coping
strategies, and a third variable, “sense of coherence.” SOC is the participant's subjective measure of
problem-solving ability, and the authors were able to find strong evidence of a negative correlation of
SOC and test-anxiety, as well as a positive correlation with SOC and self-reported problem-focused
coping strategies. It is unclear if anxiety has a negative effect on SOC, if past success with problem-
focused (or any other) coping has a positive effect on SOC, if SOC affects both other factors, etc.
Regardless, the authors made the important contribution of finding that a feeling of self-efficacy seems
to be present in situations of low-anxiety and strong coping ability.
This idea is also explored by Largo-Wight, Peterson, and Chen (2005). Three separate
questionnaires on stress-related physical symptoms, self-reported problem-solving, and perceived level
of stress revealed again that there was a strong level of correlation between high levels of perceived
problem-solving ability, low levels of anxiety, and, in this case, even physical health.
While it seems apparently logical that anxiety is the overall determinant of physical symptoms
in the Largo-Wight, Peterson, & Chen (2005) study, the above examples also support that effective
coping skills/anxiety reducing techniques can counter the effects of anxiety. Because anxiety has so
many intangible causes, it stands to reason that the best way to combat it as a general ailment is to
practice a proven anxiety-reducing technique.
Music therapy is the practice of listening to certain types of music in an effort to replace anxiety
with relaxation. A session of music therapy is usually conducted in a room with minimal distractions,
and the type of music, both in and out of experimental studies, varies. It has been difficult to determine
if there is a single genre of music more effective than any other, as the personal preferences of
participants seems to have a strong mediating effect (Smith, 2008).
However, in two separate studies published together, Elliot, Polman, and McGregor (2011)
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made an attempt to isolate factors that contribute to a particular piece's relaxation effects. The aim of
the research was to determine whether there were objectively more relaxing pieces of music, attempt to
rule out the need of the participant liking the music in order for it to be relaxing, and to find patterns of
elements common to music regarded as most relaxing. In the first study, participants were exposed to
thirty pieces of music that fit (sometimes only roughly) previously established standards of “relaxing”
music. During each piece of music, participants rated the songs of various factors related to subjective
experience of relaxation. After having heard every piece of music, participants were then asked to
grade various qualities they felt were the most important factors in determining whether they found a
piece to induce relaxation. It was found that liking or being familiar with the piece had little to no effect
for the participants to consider it relaxing. Other elements, such as tempo and melody, tended to be
rated as having a greater importance.
The second study attempted to address issues related to the lack of musical expertise present in
the sample of study one (i.e., participants often reported not knowing how to rate elements such as key
or articulation). A smaller group of well-trained music students participated in a focus group. Elliot,
Polman, and McGregor (2011) reviewed the reports from the previous study, and were then allowed to
listen to the same pieces rated as most and least relaxing. Afterward, the music experts discussed and
came to a consensus on what made each piece more or less relaxing, especially with regard to particular
musical elements that previous participants were unable to rate. It was found that pieces with tempos
between eighty and one hundred beats per minute, with predictable and easily hummed melodies,
subtle but consistent 4/4 beats, low complexity, and smoothly transitioning notes (most often from low
to high) tended to be pervasive throughout relaxing music, and the opposite of each element tended to
be rated as distracting (i.e., strong beats tended to induce an inclination to dance or move around).
Progressive neuromuscular relaxation is the practice of making focused efforts (often guided by
an instructor) to tense the body's various muscle groups, and subsequently relax each group, releasing
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tension in the process. The key to guidance or practice in PNR is that many of the muscle groups are
commonly neglected, which does not exclude them from harboring stress-induced tension. It is
common for the release of a previously neglected muscle group to provide deep relaxation where the
participant was not consciously aware of tension (Naquin, Vest, Hurtt, and Cole, 2011).
Perhaps because music therapy and PNR do not interfere with one another, they are often
studied and practiced simultaneously. For example, Smith (2008) conducted a study on telemarketers in
the workplace in which she intended to explore to effectiveness of a single session of music therapy.
All of the participants completed the session together, having selected as a group live improvised
guitar. There was a significant decrease in state-anxiety from the beginning and end of the workday for
participants who received the treatment, suggesting that music therapy was highly effective, however
Smith included guided PNR in the session, making it unclear which technique produced the result.
Another study examines PNR and music therapy explicitly, and considers the combined
technique such that Smith used. In this study, participants were simply given a state-anxiety survey
before and after one of three experimental conditions (Music only, PNR only, Music & PNR). All three
conditions showed significant within-subjects increases from the pretest to the post-test, but there were
no significant differences between each group (Robb, 2000).
These results may serve as a sort of theoretical “control” group, but it does not address the
effect either of these techniques have performance under conditions of anxiety. Scheufele (1999)
addressed this in a study done with an element of stress-manipulation. Groups in each treatment
condition (PNR, music therapy, and control) were surprised with the task of preparing and delivering
an oral report under time constraints, and were given treatment immediately following the
announcement. After the treatment, participants were instead given a simple, repetitive task to
complete, and finally told that there would be no oral report. The experimenters recorded various
measures of attention, relaxation, and even observable stress responses throughout the experiment. It
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was found that participants in the PNR group reported the greatest reduction in anxiety immediately
following the stress manipulation, as well as the highest level of relaxation at the end of the
experiment. Additionally, participants in the music therapy groups reported/exhibited the highest level
of distraction during the simple task, despite also receiving relaxation benefits from treatment.
Scheufele's (1999) study suggests that PNR could be more effective than music therapy in high-
stress situations, despite being equal with music therapy in Robb's study. However, neither study
addresses whether or not these techniques contribute to greater performance outcomes on difficult
tasks. It is also difficult to assess the effect either technique may have on subjective self-efficacy
measures, such as perceived problem-solving ability or Cohen and Ben-Zur's SOC. For that matter,
none of these studies seem to suggest that any one factor discussed here (anxiety level, SOC, perceived
problem-solving ability, choice of coping/relaxation techniques) has any direct effect on performance
on various tasks.
An extensive, if somewhat outdated, literature review (Zeidner, 1995) concurs that there is little
or no established evidence that any coping intervention has a consistently effect on the outcome of an
academic exam. The exceptions are usually negative, for instance, avoidance as a coping mechanism
has occasionally been shown to correlate with poorer scores on exams than any other mechanism or
control group.
The purpose of this study will be to uncover whether music therapy and/or PNR will reduce
observable stress-response behaviors and facilitate problem-solving. Using a classic “matchstick
arithmetic” puzzle, we will determine if music therapy, PNR, or a combination of the two results in
facilitation in solving the puzzle as opposed to a control group. This study will also examine observable
stress behaviors, determining whether the treatment groups show fewer signs of frustration with the
puzzle than the control group.
Hypothesis One. Music therapy will decrease the time it takes to solve the matchstick puzzle
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relative to the control group.
Hypothesis Two. PNR therapy will decrease the time it takes to solve the matchstick puzzle
relative to the control group.
Hypothesis Three. Combined ttherapy will decrease the time it takes to solve the matchstick
puzzle relative to the control group.
Hypothesis Four. Music therapy will decrease stress-related behavior relative to the control
group.
Hypothesis Five. PNR will decrease stress-related behavior relative to the control group.
Hypothesis Six. Combined therapy will decrease stress-related behavior relative to the control
group.
Method
Participants
Eighty subjects will volunteer from the Department of Psychology subject pool of freshmen
enrolled in General Psychology. Students are required to volunteer for projects and receive credit
towards their grade in the class. The participants will be randomly assigned to one of four groups, a
no-treatment control group, a group given the music therapy treatment, a group given PNR, and a
group given both treatments. A counterbalancing random assignment procedure with equating for
gender to ensure there are equal numbers of males and females in each group will be followed. As the
participants arrive they will be assigned to groups as follows: control, music, PNR, both; both, PNR,
music, control; PNR, music; control, music, PNR, both; etc. This will be done for the males and
females separately. For example, the subjects will arrive at approximately the same time and will be
assigned a number based on their arrival time: First male, second male, third male, first female, second
female, third female, etc. The males will be then be assigned to groups and then the females will be
assigned to groups.
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Materials
All participants must read and sign the University's informed-consent form (see Appendix A). A
simple five-item demographic survey will also be given to participants to collect data on age, gender,
year of education, whether they have ever tried music therapy prior to the study, and whether they have
ever tried PNR prior to the study (see Appendix B).
The experimenter will read instructions to each group (see Appendix C). Daniel Kobialka's
song Going Home Medley, will be played during music therapy and combined therapy (Robb 2000). A
Toshiba Model XC-IV CD player with stereo sound will be used to play the music. A script of guided
exercises used in PNR therapy will also be used to assist students with the therapy (see Appendix D).
The students will also be instructed in the matchstick arithmetic puzzle (see Appendix E). A
box of toothpicks (at least 13 toothpicks) will be used for participants to perform the matchstick
arithmetic puzzle. Also, a video camera (Panasonic digital palmcorder, Model PV-GS59) will be used
to record the behaviors of the participants during the task phase only. The behaviors observed will
include shifting in the seat, playing with hair, and nail-biting. See Appendix F for the behavioral
checklist. Scores on this checklist will be simply the number of exhibited behaviors per minute on
average. Scores will range from 0, indicating no stress-related behavior to some undetermined
maximum number per minute. Higher values indicate more stress. Finally, a stopwatch will be
necessary to record the time it takes participants to complete the matchstick arithmetic puzzle.
Procedures
Students will be assigned a subject number as they enter the meeting room (to be used to assign
them to groups). They will then sign and return the consent form. Those that consent will then be
given the demographic questionnaire to fill out. Once that is completed, they will be assigned to
groups as described above. Four counseling rooms will be used, one for each group. The subjects will
be escorted into the room by the experimenter and the instructions will be read. Students in the control
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group will be allowed to do whatever they wish, study, read, use their phones, etc. Students n the
music therapy group will sit quietly and listen to the music. Students in the PNR group will engage in
the PNR exercises. Students in the Both group will engage in PNR exercises while listening to the
music. Sessions will last 30 minutes.
The students will then be instructed in the matchstick arithmetic puzzle, the video recorder
turned on, and they will then begin to solve the puzzle. They will be given 10 minutes to solve the
puzzle at which time they will be thanked for their participation, released , and the next four
participants will be brought into one of the four counseling rooms.
After all data is collected, the video recordings will be analyzed by two assistants who will be
blind to the experimental treatments given. A simple count of stress-related behavior will be recorded
by the two assistants and a reliability index calculated.
Results
Descriptive Statistics
The mean ages, year of education, and gender breakdown of the participants will be presented
for each group and in total in the text as well as in a table (see Table 1). Also, Table 2 will show the
proportion of participants in each group who solved the puzzle, the mean solution time and standard
deviations for those in each group who solved the puzzle, and the mean number of stress-related
behaviors. Median solution times may be shown also, if there are sufficient numbers of participants
who do not solve the puzzle in one or more of the groups.
Inferential Statistics
A 2x4 factorial analysis of variance will be used to determine whether the genders and groups
(no therapy, PNR, music therapy, or a combination) differed significantly from one another in terms of
time to solve the puzzle. The main effect of gender, main effect of group, and the interaction effect will
be reported in the form, F(X,XX) = X.XX, p<.05 for each effect. Given a significant interaction effect,
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Table 1
Age and Gender Make-Up of the Groups
N Mean Age Males Females
Control XX XX XX XX
PNR XX XX XX XX
Music XX XX XX XX
PNR+Music XX XX XX XX
Total XX XX XX XX
Note: XX indicates a number will be provided once data is available.
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Table 2
Number of Participants Who Solved the Puzzle, Time to Solution, and
Number of Stress-Related Behaviors
Number of
Solved
Mean Solution
Time (seconds)
SD
Stress Behaviors
Per Minute
Control XX XX XX XX
PNR XX XX XX XX
Music XX XX XX XX
PNR+Music XX XX XX XX
Note: XX indicates a number will be provided once data is available.
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simple effects analysis will then be reported. Hypothetical results are shown in Figure 1, which shows
a significant interaction effect in which the males solve the puzzle sooner than the females in the no
therapy control group and the music therapy group, but the females solve the puzzle sooner than the
males in the PNR and combined therapies groups.
A 2x4 factorial analysis of variance will be used to determine whether the gender and groups
differed significantly on the number of stress-related behaviors. Main effects and the interaction effect
will be reported with the F-ratios, degrees of freedom, and the p-values. Simple effects analysis will be
conducted if the interaction effect is found significant, otherwise the main effect of the groups will be
further analyzed using Tukey's post hoc test. Hypothetical results are shown in Figure 2, which is
similar to the hypothetical results presented in Figure 1.
The Pearson product-moment correlation coefficient will be used to determine the correlation of
stress-related behaviors to the number of minutes it took the participants to solve the puzzle. It is
expected that no matter which group they were in, the correlation will be positive, indicating that more
stress-related behavior is associated with longer times to complete the puzzle. This is shown in Figure
3.
These fake findings show that music therapy improved the males' problem-solving speed and
reduced stress-related behaviors during the problem-solving task. However, PNR and combined
therapy did not differ from the no therapy control group. For the females however, music therapy,
PNR, and combined therapy showed marked improvement in problem-solving speed and reduced
number of stress-related behaviors.
Discussion
Basing this discussion on the hypothetical findings, the major result was the sex difference in
the effectiveness of the three therapies. Also interesting was the finding that speed of problem-solving
was negatively related to the number of stress-related behaviors during the problem-solving task.
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15
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In general the purpose of the study was to determine if a short one-session therapy could improve
cognitive ability. Music therapy is the one that works for males and females alike, while both PNR and
the combination of PNR and music therapy work for females too. The hypotheses were largely
supported with all three therapies reducing problem-solving time and number of stress-related behavior
for the females (only music therapy did so for the males).
One issue raised in the introduction was the relationship between stress and performance. In
this study a correlation was found between the two such that fewer stress-related behaviors during
problem-solving indicated faster times at solving the problem. Admittedly this is only correlational,
but nonetheless the findings show that those who do the relaxation protocols show reduced stress-
related behavior and enhanced problem solving ability.
These therapies are relative easy and inexpensive; they can readily be used in a dorm, an
apartment, or home. Students, and others engaged in problem-solving tasks in which enhance
cognitive ability would be of benefit, are encouraged to pursue these home therapies. Future research
might want to consider whether the results obtained here in the campus laboratory setting apply to the
real-world life of the dorm, the apartment, and the home. Groups of students could be shown how to
self-administer the therapies and then do so for one or more semesters to see if there grades improve. A
pretest-posttest design could be used (AB), or perhaps the ABA, return to baseline design, would be
more likely to establish a cause-effect relationship between the therapies and improved grades.
However the actual results turn out, they will confirm the hypothesis if either PNR or Music
therapy (or both) increases the proportion of participants that are able to solve the matchstick arithmetic
puzzle. Furthermore, the mechanics behind the facilitation of problem solving ability (i.e., the reduction
of interference from anxiety) can be supported with the result that observable stress behaviors are
reduced for the groups that received a relaxation treatment and also performed more quickly and more
successfully as a group on the puzzle. A result that would counter the hypothesis is one any in which
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the treatment groups do not perform better (i.e., higher proportion of solved puzzles and/or faster solve
times) than the control group. It is also vital to the hypothesis that higher performance be accompanied
with fewer displays of anxiety, as this would undermine our proposed mechanism of facilitation of
problem solving ability.
Whatever the results, this study stands to contribute knowledge to the scientific community
about the effects of relaxation approaches on critical thinking and problem solving skills. Should the
results confirm the hypothesis that either PNR or Music therapy can facilitate problem solving ability
by reducing anxiety, many functions of society could benefit, such as executives and legislators making
clearer decisions under pressure, and students could use the therapies to achieve higher grades in
school. Confirmation of the hypothesis will also help to direct future research into exploring the links
between problem solving ability and anxiety, potentially spurring a search for the highest return of
problem solving facilitation for the effort and time of relaxation techniques. It may even become an
objective in the scientific community to find an easily streamlined relaxation therapy for use in various
fields where complex problems arise unexpectedly. If the results indicate that neither PNR nor Music
therapy contribute to problem solving ability, this study can serve to narrow the potential scope of
anxiety-reducing therapies, and in this way prevent further dead-end research.
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References
Cohen, M., Ben-Zur, H., & Rosenfeld, M. J. (2008). Sense of coherence, coping strategies, and test
anxiety as predictors of test performance among college students. International Journal Of
Stress Management, 15(3), 289-303. doi:10.1037/1072-5245.15.3.289
Elliott, D., Polman, R., & McGregor, R. (2011). Relaxing Music for Anxiety Control. Journal Of Music
Therapy, 48(3), 264-288.
Knoblich, G., Ohlsson, S., Haider, H., & Rhenius, D. (1999). Constraint relaxation and chunk
decomposition in insight problem solving. Journal Of Experimental Psychology: Learning,
Memory, And Cognition, 25(6), 1534-1555. doi:10.1037/0278-7393.25.6.1534
Largo-Wight, E., Peterson, P., & Chen, W. (2005). Perceived problem solving, stress, and health among
college students. American Journal Of Health Behavior, 29(4), 360-370.
Larson, H. A., El Ramahi, M. K., Conn, S. R., Estes, L. A., & Ghibellini, A. B. (2010). Reducing Test
Anxiety among Third Grade Students through the Implementation of Relaxation Techniques.
Journal Of School Counseling, 8(19),
Morris, L. W., & Engle, W. (1981). Assessing various coping strategies and their effects on test
performance and anxiety. Journal Of Clinical Psychology, 37165-171.
Ricks, J., Naquin, M., Vest, A., Hurtt, D., & Cole, D. (2011). Examining the Results of Podcast
Relaxation Techniques in Higher Education. ICHPER-SD Journal Of Research, 6(1), 68-72.
Robb, S. (2000). Music Assisted Progressive Muscle Relaxation, Progressive Muscle Relaxation,
Music Listening, and Silence: A Comparison of Relaxation Techniques. Journal Of Music
Therapy, 37(1), 2-21.
Scheufele, P. M. (2000). Effects of Progressive Relaxation and Classical Music on Measurements of
Attention, Relaxation, and Stress Responses. Journal Of Behavioral Medicine, 23(2), 207.
Smith, M. (2008). The effects of a single music relaxation session on state anxiety levels of adults in a
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workplace environment. Australian Journal Of Music Therapy, 1945-66.
Zeidner, M. (1995). Adaptive coping with test situations: A review of the literature. Educational
Psychologist, 30(3), 123.
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Appendix A: Consent Form
Principal Investigator: __________________ Study Title: ____________________________________________________________ Institution: Middle Tennessee State University Name of participant: _________________________________________________________ Age: ___________ The following information is provided to inform you about the research project and your participation in it. Please read this form carefully and feel free to ask any questions you may have about this study and the information given below. You will be given an opportunity to ask questions, and your questions will be answered. Also, you will be given a copy of this consent form. Your participation in this research study is voluntary. You are also free to withdraw from this study at any time. In the event new information becomes available that may affect the risks or benefits associated with this research study or your willingness to participate in it, you will be notified so that you can make an informed decision whether or not to continue your participation in this study.
For additional information about giving consent or your rights as a participant in this study, please feel free to contact the MTSU Office of Compliance at (615) 494-8918.
1. Purpose of the study: Your participation in this study will help student researchers practice the elements of study design and execution, as well as data collection and analysis. The results of this study and your participation will never be published or used for any other reason.
2. Description of procedures to be followed and approximate duration of the study:
Participants will be asked to complete a short demographic questionnaire related to the specifics of the study. No personal or discomforting questions will be asked, and any question may be left unanswered.
3. Expected costs:
There are no costs to the participants other than their time.
4. Description of the discomforts, inconveniences, and/or risks that can be reasonably expected as a result of participation in this study: There are no expected discomforts, inconveniences, or risks expected as a result of participation in the study. Participants may feel some frustration with a puzzle task during the experiment, but the participants are not required to solve the puzzle to end the experiment.
5. Compensation in case of study-related injury: There is no compensation. No injury is expected as a result of any phase of this experiment.
6. Anticipated benefits from this study: The relaxation treatments in the study have been proven effective in other research, so you may feel less tense for a period as a result of participation. Participation should also result in good feelings, since you will be helping a fellow student with an assignment.
7. What happens if you choose to withdraw from study participation: Nothing. You may withdraw at any time for any reason with no recrimination.
8. Contact Information. If you should have any questions about this research study or possibly injury,
please feel free to contact Donald F. Kendrick, Professor of Psychology (615 898 2706).
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9. Confidentiality. All efforts, within reason, will be made to keep the personal information in your research record private but total privacy cannot be promised. Your information may be shared with MTSU or the government, such as the Middle Tennessee State University Institutional Review Board, Federal Government Office for Human Research Protections, but only if you or someone else is in danger or if we are required to do so by law.
10. STATEMENT BY PERSON AGREEING TO PARTICIPATE IN THIS STUDY
I have read this informed consent document and the material contained in it has been explained
to me verbally. I understand each part of the document, all my questions have been answered, and I freely and voluntarily choose to participate in this study.
Date Signature of patient/volunteer
Consent obtained by: Date Signature Printed Name and Title
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Appendix B: Demographic Survey
Name of participant: _________________________________________________________
1) What is your approximate age? Circle one:
a. younger than 18
b. 18 – 24
c. 25 – 30
d. older than 30
2) What is your gender? Circle one:
Male Female
3) What year of post-secondary education are you currently in? Circle one:
a. 1 st year
b. 2 nd
year
c. 3 rd
year
d. 4 th year
e. 5 th year or later
4) Have you had any previous experience with Music Therapy? If so, please explain:
No
Yes – ___________________________________________________________________
___________________________________________________________________
___________________________________________________________________
5) Have you had any previous experience with Progressive Neuromuscular Relaxation? If so, please
explain:
No
Yes – ___________________________________________________________________
___________________________________________________________________
___________________________________________________________________
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Appendix C: Instructions
There are no instructions available at this time. But if there were and there should be, then they would
go here. I've deleted them to save pages. You should have the idea by now. For all student projects
complete copies of all materials must be attached - this sample guide violates that rule (do as I say, not
as I do?).
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Appendix D: The PNR Guide
I've deleted the Guide to save pages. You should have the idea by now. For all student projects
complete copies of all materials must be attached - this sample guide violates that rule (do as I say, not
as I do?).
25
Appendix E: The Matchstick Arithmetic Puzzle
Problem: VI – XII = IV
Solution:
VII = XI – IV Notes Each line in the equations above correspond to one toothpick
(i.e., V consists of two toothpicks). There are 13 total toothpicks in the puzzle. X's should be taken to represent the Roman numeral, not the multiplication sign.
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Appendix F: Behavioral Checklist
Nail-biting
Sighing/huffing
Shifting in place
Tapping
Vocalizing frustration or difficulty
Grunting/growling
Putting face/forehead in hands
Running hands through hair/hair twisting
Disengaging from the problem (i.e., looking away for 5 or more seconds)