Order 1338676: Literary Analysis for book: Battleborn

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BattlebornLecture1.pptx

Literary Analysis

Theme

An idea that is prominent, frequently recurring, and/or unifying

What the author is trying to convey

Can be the central idea of the story or an important aspect of it.

Examples: love, hate, guilt, etc.

Battleborn Prompt

First, journal on your general impressions of the stories. Did you like them, dislike them? What stood out for you? Then attempt to identify any themes you can derive from them.

To Analyze

The word Analysis is derived from the Greek analuein, meaning to “ to undo.”)

Literary Analysis- Thematic technique

Often focuses on one significant component of a literary work and then explains how this part relates to the whole

A broad idea in a story, or a message or lesson conveyed by a work

Often about life, society or human nature.

Usually implied rather than explicitly stated

Stories inherently project some kind of outlook on life that can be taken as a theme (regardless of the intent of the author)

Analysis of changes in dynamic characters can provide insight into a theme

Battleborn Themes

Violence

Guilt and Blame

Courage

History

The need to revise or interpret history

Confession as technique or theme

Loyalty

Betrayal

Loyalty & betrayal

Story setting and influences on the characters

Searching

Review of Story components

Imagery - the author’s attempt to create a mental picture in the mind of the reader

invoke an emotional, sensational (taste, touch, smell, etc.) or even physical response

Symbolism - when an object is meant to be representative of something

Bald Eagle - America or Patriotism

Senses and signs

Imagery - the author’s attempt to create a mental picture in the mind of the reader

invoke an emotional, sensational (taste, touch, smell, etc.) or even physical response

Symbolism - when an object is meant to be representative of something

Bald Eagle - America or Patriotism

Perspective

Narrator - person telling the story who may or may not be a character in the story

Point of View - pertains to who tells the story and how it is told.

First-person - Narrator is participate with limited knowledge (I, me)

Second person - Narrator addresses the reader directly (You)

Third Person (Objective) - Narrator is detached observer (he, she, it)

Omniscient - All-knowing narrator (multiple views)

Character

How the characters are revealed to readers- their speech and actions, author’s comments, other characters’ comments

Motivations of characters

Interactions with other characters

Striking traits- physical, mental, emotional

Symbolic or stereotyped

Do the characters grow or change?

Plot

the arrangement of ideas and/or incidents that make up a story

Exposition - Background information regarding the setting, characters, plot.

Rising Action - The process the story follows as it builds to its main conflict

Climax - A significant turning point in the story that determines how it must end

Resolution/Denouement - The way the story turns out.

Exposition

Rising Action

Falling action (not always

present)

Resolution – end of

conflict

Climax-point of most intense emotion or action

Plot Diagram

Setting & characters are exposed

Conflict

Time & place

Foreshadowing - clues the reader in to something that will eventually occur in the story

explicit (obvious) or implied (disguised)

Conflict - Struggle between opposing forces

Internal conflict (man vs. man) and external conflicts (man vs. nature, man vs. man, man vs. society)

Setting

When and where the story takes place

Provides the historical and cultural context for characters (Why is the story set here?)

Often symbolizes the emotional state of characters (What is the atmosphere? What is the social environment? How does it affect the characters?)

Example – In Poe’s The Fall of the House of Usher, the crumbling old mansion reflects the decaying state of both the family and the narrator’s mind.

Structure- the way that the writer arranges the plot of a story

Repeated elements in action, gesture, dialogue, description

Shifts in direction, focus, time, place- flashbacks

Tone - the author’s implied attitude towards the subject

Is it hopeful, pessimistic, dreary, worried?

Thesis Statement

The most important part of your paper

The announcement of your analytical argument that you intend to prove

Tells the reader what to expect

Should be specific and later should be supported with specific evidence from text

Usually appears at the end of the first paragraph of a paper

Summary vs analysis examples

Robin Hood

Summary: Robin Hood stole goods and money from the rich residents of his town to give to the town’s poorer residents. 

Analysis: The use of a monarchy or kingdom setting in Robin Hood allowed the author to portray the abuses of power that often occur among the wealthiest members of a community.

Snow White

Summary: Snow White falls into a deep, death-like slumber when she takes a bite of a poisoned apple. 

Analysis: The use of certain plot elements in Snow White, such as the poisoned apple and resulting slumber, help readers understand that being too trusting can lead to dire consequences.  

Thesis Statement

Formulate a thesis statement from the theme list or one of your own invention.

Remember your goal is to analyze the subject not just giving a description or summary.

Your topic may change as you write, so you may need to revise your thesis to reflect exactly what you discuss.

Tips for Writing a Literary Analysis

Choose a symbol, a theme, an image or a character that you think is rich in meaning, important to the overall story, and that you understand and can discuss clearly.

DO NOT SUMMARIZE, repeat, or paraphrase what the passage or the tale is about.

Let the text be your guide, your marker, to which your discussion should return again and again.

You don’t have to come up with the same interpretation as an expert or the teacher, you just have to make sure that you have LOTS of evidence/support for whatever interpretation you offer.

Interpreting the Text

Your discussion should interpret the text. To interpret “you need to jump off the track of chronological sequence—one thing after another—and consider the meaning of particular events” or images. For example if you are discussing a character you should consider:

“How does [a character’s] action affect the development of the story? “To answer [such] questions, you must consider the role [the characters] play in the story” thoroughly.

[From Writing: A College Handbook, 5th ed., by James Heffernan et al, New York: W.W. Norton & Co, 2001, p. 632]

Give evidence from text (actually quote from story you are analyzing).

Literary Criticism Methods

 An Argument

A literary critic feels that the poem or story is predominately about a certain thing, theme, etcetera. You agree or disagree with evidence.

An Evaluation

You liked or didn’t like the work. Construct a list of criteria for an effective (or ineffective) piece of literature and compare the works in question to them.

Methods (cont.)

An Exploration

Find a theme, motif, and image within the work and speculate as to the purpose or importance of them.

Search other criticisms of the work and either agree or disagree with them.

 

Relevance

Consider how this work is from another time and culture. How is it relevant to Humanity today?

Character

Character Analysis

One route for analyzing this work could be a dual approach of character analysis combined with at least one theme that impacts the person.

Compare/Contrast

Compare and/or contrast the literature with other works. This can include films.

Conventions and Cautions

It is acceptable to use first person perspective in the introduction and conclusion. Limit or avoid using it in other parts of the text.

Action is ongoing. For example, “ Grendel knifes Beowulf,” not, “Grendel knifed Beowulf.”

Do not create a ‘cut and paste’ essay. Your words and thoughts must dominate.

Introduce the source and consider the follow up comment.

DO NOT JUST SUMMARIZE TEXT!

Use MLA citation. This means parenthetical (In text) along with a Works Cited Page.

Character Analysis

Most characters contain a complex balance of virtues and vices. Internal and external forces require characters to question themselves, overcome fears, or reconsider dreams. The protagonist may undergo profound change.

A close study of character development maps, in each character, the evolution of motivation, personality, and belief.

Group Work

Group One: You are to discuss the first three stories.

Within the text, identify evidence of at least two themes of either of the following: Loyalty, betrayal or violence in at least one story. You will present at least one sentence or passage for each theme as evidence of your selected themes.

Group Two: You are to discuss stories 4 to 6. Within the text, identify evidence of at least two themes of the following from at least one story: Loyalty, betrayal or violence. You will present at least one sentence or passage for each theme identified.