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W H Y R E A DI NG F LU E NC Y SHOU LD BE HO T!
Timothy V. Rasinski
I n 2009, an annual survey of experts (Cassidy
& Cassidy, 2010) in reading determined that
reading fluency was no longer a hot topic
for reading. Moreover, those same experts
determined that fluency should also not be
considered a hot topic. The 2010 survey reports the
same results (Cassidy, Ortlieb, & Shettel, 2011). How
could this be?
The National Reading Panel’s (NRP; 2000) survey
of research in reading determined that reading
fluency was, indeed, one of the pillars of effective
reading instruction. Subsequent summaries of
reading research have also determined that there is a
solid body of research that supports reading fluency
instruction (Chard, Vaughn, & Tyler, 2002; Kuhn &
Stahl, 2003; Rasinski, 2010; Rasinski & Hoffman,
2003; Rasinski, Reutzel, Chard, & Linan-Thompson,
2011). In this article, I explore why fluency has
become such a pariah in the reading field, and I
also discuss why it should be a central element to
any effective fluency curriculum and how this can
happen.
Why Fluency Is Not Hot There are several reasons why fluency has lost its
allure among reading educators and experts. The
first problem lies in the way that fluency is generally
measured. Reading rate (the number of words a reader
can read on grade level text in a minute) has come to
be the quintessential measure of reading fluency. This
comes from studies that have shown high correlations
between reading rate and reading comprehension.
This correlational research has evolved into a
definition of reading fluency as reading fast. As a
result, reading fluency instruction has become in
many classrooms a quest for speed. Students are
provided with instruction that emphasizes increasing
reading rate.
If fluency is nothing more than reading fast, then
fluency instruction should be considered cold. In its
Timothy V. Rasinski is a professor of literacy education at Kent State University, Ohio, USA; e-mail [email protected].
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fullest and most authentic sense, fluency
is reading with and for meaning, and
any instruction that focuses primarily on
speed with minimal regard for meaning
is wrong.
A second reason for fluency’s
demotion is that it is associated
primarily with oral reading (NRP,
2000), and because most of the reading
that is done beyond the primary grades
is silent reading, then oral reading
fluency instruction must have little
value. Why teach oral reading fluency
if students will rarely employ it beyond
grades 2 or 3? Indeed, Chall’s (1996)
model of reading development places
fluency as a competency to be mastered
in the early stages of reading. Why
bother, then, with fluency beyond
grades 2 or 3?
Third, as one of the five pillars of
effective reading instruction (NRP,
2000), fluency is often taught as a
separate area of the reading curriculum,
distinct and apart from authentic
reading students do during guided
reading or reading workshop—a time
when the teacher’s stopwatch comes
out and students read orally for speed.
In many classrooms today, students
are being asked to reread a reading
passage from the core reading series
or a fluency program four, five, even
six times until they can read it at a
speed deemed appropriate for their
grade level. Reading for meaning
and enjoyment is not part of fluency
instruction. Comprehension and reading
for pleasure are considered different
parts of the reading curriculum—apart
from fluency. Fluency is not viewed as
integral to real reading.
Why Fluency Should Be Hot I believe that fluency should be a hot
topic for teachers and scholars and
reading. My conception of fluency puts
it at the center of authentic reading
instruction in which the aim of students’
reading is comprehension (Rasinski,
2006). With the simple model of reading
I propose next, I hope to address the
preceding concerns about fluency
and demonstrate how it is a critical
component for effective instruction.
Pikulski and Chard (2005)
described fluency as a bridge from
word recognition accuracy to text
comprehension (see Figure). I think
they are right on with this metaphor.
Fluency has two essential components:
automaticity and prosody. Automaticity
refers to the ability to recognize words
automatically or effortlessly (LaBerge &
Samuels, 1974). Prosody completes the
bridge by connecting to comprehension.
Automaticity—The Link to Word Recognition It is not enough for readers to read
the words in text accurately—they
need to read the words automatically.
LaBerge and Samuels (1974) posited
that all readers have a limited amount
of attention, or what I have come to
call cognitive energy. If they have to use too much of that cognitive energy
to decode the words in text, they have
little remaining for the more important
task in reading—comprehension. These
students are marked by their slow,
laborious, and staccato reading of texts.
Our goal should be for readers to
read the words in texts accurately and
automatically. When the words in text are identified automatically, readers can
employ most of their limited cognitive
energy to that all-important task in
reading—text comprehension. For
many readers, comprehension while
reading suffers not because the readers
have insufficient cognitive resources to
make meaning out of the text read, but
because they depleted those resources
by having to employ them in word
recognition. These are the same readers
who would easily understand a text if
it were read to them—when someone
else takes on the task of decoding the
words, they can employ their cognitive
resources to making meaning.
Readers develop their word
recognition automaticity in the same
way that other automatic processes in
life are developed—through wide and
deep practice. Wide reading refers to the common classroom practice of reading
a text once followed by discussion,
response, and instruction aimed at
developing some specific reading
“Studies...have shown high correlations
between reading rate and comprehension.... As a
result, reading fluency instruction has become in
many classrooms a quest for speed.”
Figure A Critical Bridge in Reading
Fluency: Word Recognition Automaticity Comprehension
Prosody
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strategies and skills. The routine then
begins anew with a different text. A
general purpose of wide reading is
to increase the volume of reading by
having students read one new text after
another. This is a type of reading done
by most adults, and it is clearly a key
component of any effective reading
program.
Deep reading is more commonly
referred to as repeated reading
(Samuels, 1979). Deep reading occurs
when a student is asked to read a single
text repeatedly until a level of fluency
is achieved. Think of those struggling
students who have not yet achieved
automaticity in their word recognition.
They read the passage for the first time
(and only time, as in wide reading),
and they don’t read it very well—they
know it and you know it. The slow,
halting reading that characterizes less
than automatic word recognition will
have a detrimental effect on the reader’s
comprehension. I think that rather than
moving on to the next passage after
some discussion and instruction, as is
done in wide reading, the teacher needs
to have the student read the passage
more than once until some degree
of automaticity is achieved with that
passage.
When readers read a text more than
once, it is not unusual that they would
demonstrate improvement with every
successive reading on
that text practiced.
That’s to be
expected: Repeated
practice improves
the performance of
the actual activity
practiced. The real
value of deep or
repeated reading
is shown when
students move on
to a new and not
previously read passage. What students
learn from the repeated reading of one
passage partially transfers to the new
passage. Several reviews of research
on fluency have shown that word
recognition accuracy, automaticity,
comprehension, and attitude toward
reading have been shown to improve
with repeated readings (Dowhower,
1994; Kuhn & Stahl, 2003; Rasinski
et al., 2011). Wide reading and deep
reading are foundational to any effective
fluency program or intervention.
The problem with repeated readings
becomes evident when readers intuit
a purpose for the deep reading that
focuses primarily on reading speed and
away from meaning. Because fluency
(automaticity) has come to be measured
by a reader’s speed of reading, for
many students (and teachers), the goal
of repeated readings has evolved into
increasing one’s reading speed (e.g.,
students are required to read passages
from their reading book multiple times
until they achieve a predetermined
reading rate). When students engage in
this form of repeated reading and their
reading rates are measured weekly and
then charted so that they can see their
gains in speed, speed itself becomes the
default goal of repeated readings and all
of fluency instruction.
It is not difficult to see the
manifestations of fluency instruction
in many classrooms. Students graph
their own reading rates to see gain.
I have witnessed students respond
to requests to read orally with “Do
you want me to read this story as fast
as I can?” I am increasingly hearing
students describe the “best” reader
in their class as one “who reads fast.”
I know of no compelling research
that has demonstrated that a primary
focus on increasing reading speed
results in improved comprehension
and satisfaction in reading. Indeed,
I have seen cases in which students’
comprehension actually declines as they
learn to blow through periods, commas,
and other forms of punctuation in their
quest for speed in reading.
Evidence of this emphasis on
reading speed can be seen in the ever-
increasing norms for reading rate that
have appeared in some commercial
fluency programs (Rasinski &
Hamman, 2010). What was considered
an average reading rate for a particular
grade level 10 years ago is now
considered below average. Although
the reading rates have increased
over the past decade, overall reading
achievement has remained stagnant.
Specific and intentional emphasis on
improving reading rates simply does
not work.
There is no question that we should
want students to increase their reading
rate. But this should happen in the way
“What students learn
from the repeated
reading of one
passage...transfers to
the new passage.”
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that reading rate has improved for all
of you reading this article—through
authentic wide and deep reading
practice.
The Other Side of Fluency—Prosody If automaticity is the fluency link to word
recognition, prosody completes the bridge
by linking fluency to comprehension.
The more common term for prosody in
reading is reading with expression. If we think of someone who is a fluent reader
or speaker, we generally do not think of a
person who speaks or reads fast. Rather,
we are more likely to think of someone
who uses their voice to help convey
meaning to a listener when speaking or
reading orally. Prosody enhances and
adds to the meaning of a text. Take, for
example, the following sentence:
Robert borrowed my new bicycle.
This declarative sentence describes an
act done by Robert. However, the simply
oral emphasis on a single word can add
implied meaning to the sentence.
Robert borrowed my new bicycle. (Robert, not Raymond, borrowed my bike.)
Robert borrowed my new bicycle. (Robert did not steal my bike.)
Robert borrowed my new bicycle. (Robert didn’t borrow your bike, he borrowed mine.)
Robert borrowed my new bicycle. (Robert didn’t borrow my old bike, he borrowed the new one.)
Robert borrowed my new bicycle. (Robert didn’t borrow my new book, he borrowed my bike.)
Emphasizing a different word
adds implied or inferred meaning—
meaning that is not explicitly stated.
Moreover, it is commonly accepted that
inferential comprehension is a higher
level of comprehension than literal
comprehension. So prosody allows the
reader to comprehend a text at a more
sophisticated level than only the text
itself offers.
Other scholars have argued that
prosody in reading also assists the
reader in identifying critical phrase
boundaries that are not marked by
punctuation (Schreiber, 1980, 1987, 1991;
Schreiber & Read, 1980). Again, prosody
allows the reader to infer information
that is not explicitly stated in the
passage.
A growing body of research is
demonstrating that prosody in oral
reading is related to overall proficiency
in reading (Benjamin & Schwanenflugel,
2010; Miller & Schwanenflugel, 2006,
2008). Moreover, prosody is not an
issue solely for oral reading. Most adults
I have surveyed indicate that they
also hear themselves when they read
silently. Indeed, several studies have
found that readers at the third, fourth,
fifth, and eighth grade levels who read
orally with good prosody also tend to
be good comprehenders when reading
silently (Daane et al., 2005; Pinnell et
al., 1995; Rasinski, Rikli, & Johnston,
2009). Conversely, these same studies
have found that readers who read with
poor prosody (in a monotone and
word-by-word manner) also have poor
comprehension when reading silently.
Prosody is related to good reading—
oral and silent. So how do readers
develop their prosody in reading?
Interestingly, prosody is developed in
the very same way that automaticity,
the other component of reading fluency,
is developed—through wide and deep
reading practice. As readers read widely,
they encounter different texts that
require different prosodic elements
to read with appropriate expression
and meaning. As readers read deeply
(reading one text several times), they
gradually recognize and embed into
their reading the prosodic elements that
allow for a meaningful and expressive
rendition of the text.
In the same way that actors
rehearse a script to make a meaningful
and authentic performance, readers
read deeply to make a meaningful
performance for themselves (or
an audience, if reading to others).
Moreover, through repeated reading,
readers become more adept and efficient
at employing prosodic features into
new passages not previously read. Thus
improved prosodic reading is another
positive outcome of repeated reading.
Prosody and automaticity should
go hand in hand. Both are developed
through wide and deep reading.
However, when the goal of deep
reading is to intentionally improve
reading speed, then prosody will almost
always suffer. To read fast often means
sacrificing prosody (as well as meaning).
Fast reading very often is devoid of
meaningful expression. Indeed, I feel
that excessively fast reading can be
just as disfluent as excessively slow
reading—prosody and meaning are
compromised in both excessively fast
and slow reading.
Prosody is developed through wide
and deep practice, as with automaticity.
However, the goal of the deep practice
has little to do with improved reading
speed. When prosody is emphasized,
“Prosody allows the reader to infer
information that is not explicity
stated in the passage.”
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the goal of the wide and repeated
reading is to achieve an expressive oral
reading of the passage that reflects
and enhances the meaning of the
passage. This, to me, is an authentic
form of repeated readings. And when
the goal of wide and repeated readings
is to improve fluency to enhance
comprehension, then fluency becomes
hot again.
Teaching Fluency Authentically and Artfully The science of teaching reading has
shown us that reading fluency is a
key component to proficient reading
and that teacher-guided wide and
deep reading are two ways to improve
reading. The art of teaching reading
challenges all teachers to embed the
science of reading instruction into their
classrooms in ways that are authentic,
engaging, and meaningful for students
and that are integrated into the school
reading curriculum.
Wide reading is already a staple
in classroom reading instruction. All
reading curricula worth their salt have
students read authentic materials widely,
whether stories from basal reading
series or trade books, and follow that
reading with discussions for deepening
comprehension and instructional
activities aimed at building specific
reading skills and strategies.
Deep or repeated readings are
less well integrated into the regular
reading and school curriculum. In
many classrooms, as mentioned earlier,
fluency is a separate add-on part of the
reading curriculum in which students
read and reread short passages, usually
informational in nature, for the purpose
of increasing their reading rates.
Performance and Voice How can deep reading be made more
authentic and integral to the reading
curriculum? One answer comes from
the notion of performance for an
audience. Actors, singers, poetry readers,
and other performers have a natural
reason to rehearse or engage in repeated
readings—the performance itself.
They wish to convey meaning with
their voice. Thus, in classrooms, when
reading can be cast is such a way that
the text will eventually be performed,
readers will have an authentic reason to
engage in repeated readings. Moreover,
the repeated reading is not aimed at
improving reading speed, but in being
able to engage in an oral reading that
an audience will find meaningful and
satisfying. A reading performance
provides the authentic reason for
repeated readings.
Are there texts that lend themselves
to performance? The answer is quite
obvious—readers theater scripts,
dialogues, monologues, poetry, song
lyrics, speeches and oratory, and, of
course, narratives or stories all lend
themselves to performance. Such
texts have embedded in them a strong
sense of voice (Culham, 2003). Voice is
a quality of writing that is manifested
when a reader can “hear” the voice
of the writer when reading. Voice in
writing, then, is the flip side of prosody
in reading. Materials that are written
with voice are materials that are meant
to be read with voice or prosody.
Thus an authentic approach to
deep or repeated readings involves
students rehearsing a text (script, song,
poem, speech, etc.) over the course of
a day or several days for the purpose
of eventually performing the text for
an audience of listeners. Imagine a
classroom where the teacher assigns
students a poem, song, readers theatre
script, or other such text on a Monday.
Then, throughout the week, students
rehearse their assigned text in school
under the coaching of the teacher and
at home with parental support. On
Fridays, students perform their assigned
piece for an audience of classmates,
parents, students, and teachers from
other classrooms and even the school
principal.
Such classrooms do exist. Indeed,
classroom-based research has shown
that this approach to deep reading
does result in readers who make
significant gains in reading with
meaningful expression (prosody), read
with improved automaticity in word
recognition (read faster when assessed),
demonstrate greater comprehension of
passages read orally and silently, and
“The repeated reading is not aimed at
improving reading speed, but in being able to
engage in an oral reading that an audience will
find meaningful and satisfying.”
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find greater satisfaction and enjoyment
in authentic reading experiences
(Griffith & Rasinski, 2004; Martinez,
Roser, & Strecker, 1999; Rasinski &
Stevenson, 2005; Young & Rasinski;
2009).
An approach to fluency such as this
requires an expansion of what counts
as appropriate reading materials. In
most current classrooms, informational
texts and narratives (stories) rule.
This authentic approach to fluency
requires us to consider texts meant
to be performed. Readers Theatre
scripts, poetry, dialogues, monologues,
speeches, and the like are available
through commercial publishers and on
the Internet. However, I have found that
students can create their own materials
for fluency. Stories from trade books
and basal reading programs as well as
content from science, social studies,
and math can be recast as scripts,
dialogues, monologues, poems, and
other performance texts. Such recasting
challenges students to think about the
content more deeply as they transform
content from one genre to another. Thus
comprehension and written expression
can become more integrally linked to
fluency.
But Is Fluency Instruction Only for the Primary Grades? This article, I hope, has convinced
you that reading fluency should
be a hot topic. Fluency is related to
comprehension and overall reading
proficiency, both in silent and oral
reading. Fluency can be taught in ways
that students find authentic, engaging,
and well connected to the literacy
curriculum, as well as to other subject
areas taught in school. Also, research
has demonstrated that authentic fluency
instruction can indeed improve students’
reading fluency, comprehension, and
attitude toward reading.
Fluency, however, is usually
considered a lower level reading skill,
one that should be mastered early
in a student’s literacy development.
For teachers in the upper elementary,
middle, and secondary grades, fluency
should not be an issue.
The fact of the matter, however,
is that even though in an ideal world
fluency is something that is acquired
early in one’s school career, teachers and
school administrators live in the real
world—a world in which many students
in the primary, intermediate, middle,
and secondary grades struggle in
reading. For many of these students, at
least one source of their reading concern
is a lack of fluency.
These students have trouble
understanding what they read because
they have significant difficulty
recognizing the words they encounter
in their reading and reading with
appropriate phrasing and expression.
Their frustration and disinterest in
reading later mount when middle and
high school reading assignments of
30 to 60 minutes become, in reality,
assignments that require 90 to 180
minutes because of their lack of
automaticity. Students’ excessively slow
reading requires double and triple the
time of more skilled readers to make it
through the same reading assignment
(Rasinski, 2000).
A growing number of studies are
demonstrating that fluency is a major
concern for students in grades 4 (Daane
et al., 2005; Pinnell et al., 1995) and 5,
in middle school (Morris & Gaffney,
2011; Rasinski et al., 2009), and in
high school (Rasinski et al., 2005).
Moreover, authentic fluency instruction
as described earlier in this article has
shown remarkable potential for helping
a wide range of students beyond the
primary grades improve their fluency,
overall reading achievement, and
motivation for reading (e.g., Biggs,
Homan, Dedrick, & Rasinski, 2008;
Griffith & Rasinski, 2004; Rasinski et al.,
2011; Solomon & Rasinski, in press).
In the way that fluency is approached
by many commercial fluency programs
around the world, fluency should not
be considered a hot issue in reading.
Fluency is more than mere reading fast,
more than reading orally, more than
an instructional issue for only young
readers, more than a separate area of
the reading curriculum. When fluency
instruction is treated as both an art and
a science that can be taught through
authentic and engaging forms of deep
and teacher-supported reading, then
fluency will be the hot topic that is
was 10 years ago. More importantly,
when we as reading professionals
recognize the power of teaching fluency
using scientific principles and artistic
approaches, fluency can and will make
a significant impact on the reading
achievement and reading dispositions
of all readers, especially those whom we
consider most at risk.
“A growing number of studies are demonstrating
that fluency is a major concern for
students in grades 4 and 5, in middle school,
and in high school.”
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Schreiber, P.A. (1987). Prosody and structure in children’s syntactic processing. In R. Horowitz & S.J. Samuels (Eds.), Comprehending oral and written language (pp. 243–270). New York: Academic.
Schreiber, P.A. (1991). Understanding prosody’s role in reading acquisition. Theory into Practice, 30(3), 158–164.
Schreiber, P.A., & Read, C. (1980). Children’s use of phonetic cues in spelling, parsing, and—maybe—reading. Bulletin of the Orton Society, 30, 209–224.
Solomon, D., & Rasinski, T. (in press). Improving intermediate grade students’ reading fluency, comprehension, and motivation through the readers’ theater club. Reading in the Middle.
Young, C., & Rasinski, T. (2009). Implementing readers theatre as an approach to classroom fluency instruction. The Reading Teacher, 63(1), 4–13.
ReadWriteThink.org Lesson Plans ■ “A Is for Apple: Building Letter-Recognition
Fluency” by Jennifer Prior ■ “Improving Fluency Through Group Literary
Performance” by Devon Hamner
IRA Books ■ Fluency: Differentiated Interventions and
Progress-Monitoring Assessments (4th ed.)
by Jerry L. Johns and Roberta L. Berglund ■ What Research Has to Say About Fluency
Instruction edited by S. Jay Samuels and
Alan E. Farstrup
IRA Journal Articles ■ “Literacy Trends and Issues: A Look at the
Five Pillars and the Cement That Supports
Them” by Jack Cassidy, Corinne Montalvo
Valadez, and Sherrye D. Garrett, The Reading
Teacher, May 2010 ■ “Putting Fluency on a Fitness Plan: Building
Fluency’s Meaning-Making Muscles” by Barclay
Marcell, The Reading Teacher, December 2011
M O R E T O E X P L O R E
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