History Unit 8 Assignment: Timeline Activity
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ART102Chapter36.pptxChapter 36
NATIVE AMERICAN CULTURES, 1300 TO 1980
Kleiner, Gardner’s Art through the Ages: A Global History, 16th Edition. © 2020 Cengage. All Rights Reserved. May not be scanned, copied or duplicated, or posted to a publicly accessible website, in whole or in part.
Learning Objectives
Describe the extent of Aztec power in the period before the Spanish conquest.
List the chief subjects of Aztec art.
Analyze what the architecture and reliefs of Tenochtitlán reveal about Aztec society.
Explain the close relationship between Inka engineering and Inka art, architecture, and urban planning.
Compare preconquest Maya books with the later Native American decoration of ledger books.
Recall major monuments of Southwest Native American societies.
Describe the role played by masks in the arts of nations of the Northwest.
Explain how the design and decoration of totem poles relate to their function in Haida culture.
Debate the impact of US government actions on the arts and cultures of Plains societies.
Kleiner, Gardner’s Art through the Ages: A Global History, 16th Edition. © 2020 Cengage. All Rights Reserved. May not be scanned, copied or duplicated, or posted to a publicly accessible website, in whole or in part.
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MAP 36.1
36.1 Mixteca-Puebla and Aztec sites in Mesoamerica.
Kleiner, Gardner’s Art through the Ages: A Global History, 16th Edition. © 2020 Cengage. All Rights Reserved. May not be scanned, copied or duplicated, or posted to a publicly accessible website, in whole or in part.
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MAP 36.2
36.2 Inka sites in Andean South America.
Kleiner, Gardner’s Art through the Ages: A Global History, 16th Edition. © 2020 Cengage. All Rights Reserved. May not be scanned, copied or duplicated, or posted to a publicly accessible website, in whole or in part.
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MAP 36.3
36.3 Later Native American sites in North America.
Kleiner, Gardner’s Art through the Ages: A Global History, 16th Edition. © 2020 Cengage. All Rights Reserved. May not be scanned, copied or duplicated, or posted to a publicly accessible website, in whole or in part.
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Figure 36.1
36.1 The founding of Tenochtitlán, folio 2 recto of the Codex Mendoza, from Mexico City, Mexico, Aztec, ca. 1540–1542. Ink and colors on paper, 1' 7/8" 8 5/8". Bodleian Library, Oxford University, Oxford.
Kleiner, Gardner’s Art through the Ages: A Global History, 16th Edition. © 2020 Cengage. All Rights Reserved. May not be scanned, copied or duplicated, or posted to a publicly accessible website, in whole or in part.
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Figure 36.2
36.2 Mictlantecuhtli and Quetzalcoatl, folio 56 of the Borgia Codex, from Puebla or Tlaxcala, Mexico, Mixteca-Puebla, ca. 1400–1500. Mineral and vegetable pigments on deerskin, 1' 1 1/4" 1' 1 1/2". Biblioteca Apostolica Vaticana, Rome.
Kleiner, Gardner’s Art through the Ages: A Global History, 16th Edition. © 2020 Cengage. All Rights Reserved. May not be scanned, copied or duplicated, or posted to a publicly accessible website, in whole or in part.
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Figure 36.3
36.3 Reconstruction drawing with cutaway view of various rebuildings of the Great Temple, Tenochtitlán, Mexico City, Mexico, Aztec, ca. 1400–1500. C Coyolxauhqui disk (fig. 36.4).
Kleiner, Gardner’s Art through the Ages: A Global History, 16th Edition. © 2020 Cengage. All Rights Reserved. May not be scanned, copied or duplicated, or posted to a publicly accessible website, in whole or in part.
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Figure 36.4
36.4 Coyolxauhqui, from the Great Temple (fig. 36.3) of Tenochtitlán, Mexico City, Mexico, Aztec, ca. 1469. Stone, diameter 10' 10". Museo del Templo Mayor, Mexico City.
Kleiner, Gardner’s Art through the Ages: A Global History, 16th Edition. © 2020 Cengage. All Rights Reserved. May not be scanned, copied or duplicated, or posted to a publicly accessible website, in whole or in part.
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Figure 36.5
36.5 Tlaltecuhtli, from the Great Temple of Tenochtitlán, Mexico City, Mexico, Aztec, 1502. Andesite, painted with mineral colors, 13' 9" 11' 10 1/2". Museo del Templo Mayor, Mexico City.
Kleiner, Gardner’s Art through the Ages: A Global History, 16th Edition. © 2020 Cengage. All Rights Reserved. May not be scanned, copied or duplicated, or posted to a publicly accessible website, in whole or in part.
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Figure 36.6
36.6 Coatlicue, from Tenochtitlán, Mexico City, Mexico, Aztec, ca. 1487–1520. Andesite, 11' 6" high. Museo Nacional de Antropología, Mexico City.
Kleiner, Gardner’s Art through the Ages: A Global History, 16th Edition. © 2020 Cengage. All Rights Reserved. May not be scanned, copied or duplicated, or posted to a publicly accessible website, in whole or in part.
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Figure 36.7
36.7 Inka man working with a khipu, illustration in the Codex Murúa, 1615–1616. Ink and colors on vellum, 1' 11 1/4" 1' 3 1/4". J. Paul Getty Museum, Los Angeles.
Kleiner, Gardner’s Art through the Ages: A Global History, 16th Edition. © 2020 Cengage. All Rights Reserved. May not be scanned, copied or duplicated, or posted to a publicly accessible website, in whole or in part.
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Figure 36.8
36.8 Machu Picchu (looking northwest), Peru, Inka, 15th century.
Kleiner, Gardner’s Art through the Ages: A Global History, 16th Edition. © 2020 Cengage. All Rights Reserved. May not be scanned, copied or duplicated, or posted to a publicly accessible website, in whole or in part.
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Figure 36.9
36.9 Remains of the Temple of the Sun (surmounted by the 16th-century church of Santo Domingo), Cuzco, Peru, Inka, 15th century. Left: general view of the exterior (looking north); right: detail of the interior masonry.
Kleiner, Gardner’s Art through the Ages: A Global History, 16th Edition. © 2020 Cengage. All Rights Reserved. May not be scanned, copied or duplicated, or posted to a publicly accessible website, in whole or in part.
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Figure 36.9A
36.9A Llama, alpaca, and woman, from near Lake Titicaca, Bolivia, Inka, ca. 1475–1532. Silver with gold and cinnabar, 9 1/2" high. American Museum of Natural History, New York.
Kleiner, Gardner’s Art through the Ages: A Global History, 16th Edition. © 2020 Cengage. All Rights Reserved. May not be scanned, copied or duplicated, or posted to a publicly accessible website, in whole or in part.
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Figure 36.10
36.10 Detail of a kiva mural from Kuaua Pueblo (Coronado State Monument), New Mexico, Ancestral Puebloan, late 15th to early 16th century. Interior of the kiva, 18' 18'. Museum of New Mexico, Santa Fe.
Kleiner, Gardner’s Art through the Ages: A Global History, 16th Edition. © 2020 Cengage. All Rights Reserved. May not be scanned, copied or duplicated, or posted to a publicly accessible website, in whole or in part.
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Figure 36.11
36.11 Photograph taken on January 9, 1948, in Mesa Verde National Park (fig. 18.37) of a Navajo mother weaving a blanket on a loom while her daughters assist her by preparing wool for the loom.
Kleiner, Gardner’s Art through the Ages: A Global History, 16th Edition. © 2020 Cengage. All Rights Reserved. May not be scanned, copied or duplicated, or posted to a publicly accessible website, in whole or in part.
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Figure 36.12
36.12 Otto Pentewa, Katsina figurine, New Oraibi, Arizona, Hopi, carved before 1959. Cottonwood root and feathers, 1' high. Arizona State Museum, University of Arizona, Tucson.
Kleiner, Gardner’s Art through the Ages: A Global History, 16th Edition. © 2020 Cengage. All Rights Reserved. May not be scanned, copied or duplicated, or posted to a publicly accessible website, in whole or in part.
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Figure 36.13
36.13 María Montoya Martínez and Julian Martínez, jar with feathers and avanyus, San Ildefonso Pueblo, New Mexico, ca. 1934–1943. Black-on-black earthenware, 1' 2 1/4" 1' 6 5/8". Museum of Fine Arts, Houston (gift of Miss Ima Hogg).
Kleiner, Gardner’s Art through the Ages: A Global History, 16th Edition. © 2020 Cengage. All Rights Reserved. May not be scanned, copied or duplicated, or posted to a publicly accessible website, in whole or in part.
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Figure 36.14
36.14 Eagle transformation mask, closed (top) and open (bottom) views, Alert Bay, Canada, Kwakwaka’wakw, late 19th century. Wood, feathers, and string, 1' 10" 11". American Museum of Natural History, New York.
Kleiner, Gardner’s Art through the Ages: A Global History, 16th Edition. © 2020 Cengage. All Rights Reserved. May not be scanned, copied or duplicated, or posted to a publicly accessible website, in whole or in part.
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Figure 36.15
36.15 War helmet mask, Canada, Tlingit, collected 1888–1893. Wood, 1' high. American Museum of Natural History, New York.
Kleiner, Gardner’s Art through the Ages: A Global History, 16th Edition. © 2020 Cengage. All Rights Reserved. May not be scanned, copied or duplicated, or posted to a publicly accessible website, in whole or in part.
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Figure 36.16
36.16 Bill Reid (Haida), assisted by Doug Cranmer (Namgis), re-creation of a 19th-century Haida village with totem poles, Queen Charlotte Island, Canada, 1962.
Kleiner, Gardner’s Art through the Ages: A Global History, 16th Edition. © 2020 Cengage. All Rights Reserved. May not be scanned, copied or duplicated, or posted to a publicly accessible website, in whole or in part.
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Figure 36.16A
36.16A Bill Reid, The Raven and the First Men, Haida, 1978–1980. Yellow cedar, 10' 1/8" high. Museum of Anthropology, University of British Columbia, Vancouver.
Kleiner, Gardner’s Art through the Ages: A Global History, 16th Edition. © 2020 Cengage. All Rights Reserved. May not be scanned, copied or duplicated, or posted to a publicly accessible website, in whole or in part.
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Figure 36.17
36.17 Chilkat blanket with stylized animal motifs, Canada, Tlingit, early 20th century. Cedar bark and mountain goat wool, 6' 2' 11". Southwest Museum of the American Indian, Los Angeles.
Kleiner, Gardner’s Art through the Ages: A Global History, 16th Edition. © 2020 Cengage. All Rights Reserved. May not be scanned, copied or duplicated, or posted to a publicly accessible website, in whole or in part.
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Figure 36.18
36.18 North Wind mask, Alaska, Yupik Eskimo, early 20th century. Wood and feathers, 3' 9" high. Metropolitan Museum of Art, New York (Michael C. Rockefeller Memorial Collection, gift of Nelson Rockefeller).
Kleiner, Gardner’s Art through the Ages: A Global History, 16th Edition. © 2020 Cengage. All Rights Reserved. May not be scanned, copied or duplicated, or posted to a publicly accessible website, in whole or in part.
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Figure 36.18A
36.18A Buffalo-hide robe with battle scene, Mandan, from the upper Missouri River, North Dakota, ca. 1800. Buffalo hide with deerskin fringe, porcupine quills, and mineral pigments, 8' 6" 7' 10". Peabody Museum of Archaeology, Harvard University, Cambridge.
Kleiner, Gardner’s Art through the Ages: A Global History, 16th Edition. © 2020 Cengage. All Rights Reserved. May not be scanned, copied or duplicated, or posted to a publicly accessible website, in whole or in part.
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Figure 36.19
36.19 Karl Bodmer, Hidatsa Warrior Pehriska-Ruhpa (Two Ravens), 1833. Engraving by Paul Legrand after the original watercolor in the Joslyn Art Museum, Omaha, 1' 3 7/8" 11 1/2". Engraving: Buffalo Bill Historical Center, Cody.
Kleiner, Gardner’s Art through the Ages: A Global History, 16th Edition. © 2020 Cengage. All Rights Reserved. May not be scanned, copied or duplicated, or posted to a publicly accessible website, in whole or in part.
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Figure 36.20
36.20 Honoring song at painted tipi, in Julian Scott Ledger, Kiowa, 1880. Pencil, ink, and colored pencil, 7 1/2" 1'. Charles and Valerie Diker Collection.
Kleiner, Gardner’s Art through the Ages: A Global History, 16th Edition. © 2020 Cengage. All Rights Reserved. May not be scanned, copied or duplicated, or posted to a publicly accessible website, in whole or in part.
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Discussion Questions
Why did the Spanish destroy so much of the native arts of the Americas?
How did Inka architects strategically use their landscape and local materials?
How did Aztec religion shape its society’s art and architecture?
Contrast the main features of Native American Art of the Pacific Northwest with that of the Navajo.
Kleiner, Gardner’s Art through the Ages: A Global History, 16th Edition. © 2020 Cengage. All Rights Reserved. May not be scanned, copied or duplicated, or posted to a publicly accessible website, in whole or in part.
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